Sunday, 16 February 2025

Decadance III: 1995

Side 2 of a time-travel mixtape, crashing in at 1995.

This series is whizzing by, more than half way through already and exactly 30 years ago. My brain cannot compute, so much of this music still feels 'recent' to me!

Very little evidence in this selection of Britpop, Trip Hop or Ski-Ba-Bop-Ba-Dop-Bop, although I think Scatman John was the sole proponent of the latter, anyway. 

However, in 1995 everything was big: the beats, the brass, the strings, the voices. And so were the hits: all but one of the songs in today's selection made the Top 30, four the Top 10, though the #1 position proved elusive for all.

Pulp nearly made it, with Common People getting all the way to #2, held off the top spot by effing Robson and effing Jerome, whose risible cover of Unchained Melody floated at the top like a turd in a toilet bowl for a mind-boggling seven weeks.

Several artists from Decade, my previous series of 80s mixtapes, make a welcome reappearance here: Marc Almond, Julian Cope and, perhaps the most surprising, Edwyn Collins

A Girl Like You was first released in December 1994 and didn't make much of a dent in the UK charts, but there was a groundswell of interest in Europe, leading to re-release here in June 1995. A month later and it was at #4. It also boosted the accompanying album Gorgeous George to #8 in July 1995, twelve months after it came out.

Leftfield had been tied up in contractual hell with their former label, which meant that they could little more than remix other artists for several years. Finally free to release their own material, their monumental debut album Leftism crashed in at #3 in February 1995. 

Leftism contained a version of Open Up, their 1993 comeback single with John Lydon, and collaborations with Djum Djum and Lemn Sissay. Leftfield's first single of 1995 was another collaboration, this time time with Toni Halliday of Curve on the sublime Original. Thirty years on, both it and the album sound as fresh and exciting as they did back then.

Another single by The Sabres Of Paradise for the MAW selection. Andrew Weatherall, Jagz Kooner and Gary Burns had previously remixed Tom Rowlands and Ed Simons music as The Dust Brothers. When the original Dust Brothers required Tom and Ed to cease and desist nicking their name, The Chemical Brothers were born.  
 
The Sabres Of Paradise remixed their debut single Leave Home, itself a Top 20 hit in June 1995. The previous month, the favour was (p)repaid when The Chemical Brothers refashioned Tow Truck, one of several tracks from Haunted Dancehall reworked for the Versus EP. When I say 'refashioned', it's basically a Chemical Brothers track, but the original Sabres components shine through.
 
Describing Fluke's beats as big and bouncy sounds smuttier than it's supposed to, but that's what always springs to mind when I think of their music. Ironically, The Dust Brothers (the original, that is, not Tom & Ed's knock off) remixed today's featured single Bullet, though nothing tops Fluke's own versions. In a box somewhere in the loft, I have Fluke promo plastic bag, which itself ripped off the Tesco carriers of the time. Never used it.
 
Thirty years before he released possibly the best album of 2025 with Hifi Sean, David McAlmont launched another wildly creative and successful partnership, with Bernard Butler. Yes was the perfect introduction, all Wall-of-Sound meets Sylvester meets Suede and a deserved Top 10 smash. 
 
Bernard of course used to be in Suede with Brett Anderson, who co-founded the band with Justine Frischmann, who went on to form Elastica. You'd almost believe I wasn't winging it and had some kind of plan, wouldn't you? 

Elastica were brilliant, even if they did have a habit of getting old rockers riled up and litigious over their songs. Waking Up is a case in point: who cares if it's reminiscent of No More Heroes by The Stranglers? Well, The Stranglers did obviously.
 
The music press were already getting into a lather about Radiohead, though The Bends was the album that hooked me in. There were tons of singles from the album, though admittedly it so full of great songs, that it was difficult to argue that none of them were worthy picks. It all started off with a double A-single of High And Dry and Planet Telex, the latter's abrasive squall offset by the former's soft-yet-brittle side. 

There was very nearly two helpings of Tracey Thorn. Reluctantly, Massive Attack's Protection had to go, justified by the fact that they appeared in the 1994 selection. Of the two picks, in the end it just had to be the Todd Terry remix of Missing by Everything But The Girl

I loved the original and the remixes that accompanied the single's original release in 1994. Todd Terry gave the song a whole new lease of life - and audience - when his remix rocketed Missing to #3 in the UK in November 1995. And with that, the confidence for Everything But The Girl to take a divergent musical path that led to a run of great albums in subsequent years.
 
Given the three decade anniversary, I was keen to include something from the UK Top 40 as at 16th February 1995. But jeez, the record buying public didn't half make it difficult.
 
Celine Dion and Annie Lennox at #1 and #2 respectively. Cotton Eye Joe by Rednex and cover of Total Eclipse Of The Heart (I mean, why?) by Nicki French in the Top 10. A few places down, Jimmy Nail and Sting both with songs about cowboys (though at least Jimmy's was written by Paddy McAloon). It's not until #20 that the first half decent song appears, with Mansize Rooster by Supergrass. 

Thankfully, a new entry that week at #38 saved the day. Down By The Water by Polly Jean Harvey was the first single from third album To Bring You My Love and ends this 1995 mixtape on a suitably sinister note.
 
It's no spoiler to say that next weekend will look at 1996 and 1997. Life-changing in so many ways...but was the music any good?
 
Well, if I mention Spice Girls, Babylon Zoo, Gina G, Elton John, Aqua and Teletubbies, you'll no doubt be thrilled to know that none of them will be appearing here!
 
1) Original (Radio Edit): Leftfield ft. Toni Halliday
2) Tow Truck (Chemical Brothers Mix): The Sabres Of Paradise
3) Bullet (Bitten 7"): Fluke
4) Adored And Explored (7" Edit By The Beatmasters): Marc Almond
5) Waking Up (Album Version): Elastica
6) Yes (Edit): McAlmont & Butler
7) High And Dry (Album Version): Radiohead
8) Missing (Todd Terry Club Mix) (Blanco/Eternal Radio Edit): Everything But The Girl
9) Common People (7" Edit): Pulp
10) Try, Try, Try (Album Version): Julian Cope
11) A Girl Like You (Album Version): Edwyn Collins
12) Down By The Water (Album Version): PJ Harvey

12th February 1995: To Bring You My Love (#38): 12
19th February 1995: Elastica (#13): 5
5th March 1995: The Bends (#17): 7
19th March 1995: Original EP (#18): 1
7th May 1995: Fantastic Star (#25): 4
7th May 1995: Versus EP (#77): 2
28th May 1995: Common People EP (#2): 9
28th May 1995: Yes EP (#8): 6
16th July 1995: Gorgeous George (#4): 11
23rd July 1995: Bullet EP (#23): 3
6th August 1995: 20 Mothers (#24): 10
19th November 1995: Missing EP (#3): 8

Side Two (46:11) (KF) (Mega) 

3 comments:

  1. The Sabres remix of Leave Home is pretty much the only AW remix I ever bought and was disappointed by. Just the sound of a man kicking a bin.

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    Replies
    1. Ouch! That last line may be the best nine-word review I have ever read. To be fair, the brace of Underworld remixes of Leave Home were so good, anyone would have had a hard time matching them.

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  2. 'My brain cannot compute, so much of this music still feels 'recent' to me!'

    Indeed. And so many ridiculously great tunes in this mix.

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