Bad Santa VIII

Lord help me, is it that time of year again...?

Something that seems to have become an annual tradition, it's the last Sunday before Christmas and here's another Bad Santa selection, 25 tracks in just under an hour and cheaper than an inflatable reindeer to stick in your front garden.

I'll continue to post throughout the festive season and hopefully I will get to replying to your lovely comments...thanks for your patience!

1) Away In A Manger (Cover of traditional song): Josh T. Pearson (2011)

2) Last Christmas (Instrumental): Wham! (1984)

3) Holiday I.D.: Bullet Boys (1988)

4) Christmas Boogaloo: Big Boss Man (2000)

5) Mary's Boy Child / Oh My Lord (Single Edit): Boney M. (1979)

6) Blue Christmas (Remix): Dead Or Alive (2000)

7) One Christmas Catalogue: Captain Sensible (1984)

8) Lonely Pup (In A Christmas Shop): Adam Faith (1960)

9) Christmas (Baby Please Come Home) (Cover of Darlene Love): Holiday Sidewinder (2018)

10) Frosty The Snowman (Cover of Gene Autry & The Cass County Boys): Cocteau Twins (1992)

11) Got A Cold In The Node For Christmas: Gayla Peevey (1954)

12) Back Door Santa: Clarence Carter (1968)

13) Xmas In Motherwell: The Plimptons (2011)

14) Have Yourself A Merry Little Christmas (Cover of Judy Garland): The Beths (2019)

15) All I Wants Is Truth For Christmas (Demo): The Anchoress (2024)

16) Eggknock: Jonwayne (2018)

17) Child's Christmas In Wales (Album Version): John Cale (1973)

18) Father Christmas (Cover of The Kinks): The Joyzine Christmas Band (2025)

19) It Will Still Be Christmas: The Boy Least Likely To (2020)

20) Christmas Ain't Christmas, New Years Ain't New Years Without The One You Love: The O'Jays (1973)

21) Christmas Alone: Yacht (2020)

22) Frosty The Snowman: Santa Sabbath (2015)

23) A Christmas Message From John & Yoko: John Lennon & Yoko Oko (1971)

24) Christmas Lullaby (Full Length Version): Shane MacGowan & The Popes (1996)

25) Seasons Greetings: Jonwayne (2018)

Bad Santa VIII (56:43) (GD) (M)

And, if you are a glutton for punishment, here are the previous Bad Santa selections from 2024, 2023, 2022, 2021, 2020, 2017 and 2016. 

Links are currently inactive, but I will have them up and running in the next day or so...

Upon A Mouse #3: You Made Me Shiver With A Real Thrill

For this week's third and final final dip into The 20 Greatest Eponymous Albums Of All Time series, which originated at No Badger Required, my #18 pick is the debut album by The Stooges.

If that seems a bit harsh, you may be aggrieved to learn that The Stooges didn't even make the official NBR 20 Greatest Eponymous Albums Of All Time. Competition was stiff, to say the least.

In my case, The Stooges (the album) was an album I came to pretty late. And by late, I mean three and a half decades after it was first released. 

Being a mid-80s teen, I was aware of Iggy Pop, but I pretty much had no idea that he was in The Stooges until the end of the decade, and then mainly because every guitar band plying their trade on the Bristol live circuit would play I Wanna Be Your Dog or No Fun. 

There was also the cover of 1969 by The Sisters Of Mercy on my brother's copy of the Alice 12" single, which wound it's way onto one of my mixtapes around the same time.

So I didn’t get to listen to The Stooges’ debut album in full until 2005 when I bought the 2CD expanded edition, including the released version and original mixes, both produced by John Cale.

Whichever disc I listen to, what a fucking record. 

And then, in addition to the above mentioned songs, and amongst the scuzzy garage rock that inspired a slew of musical genres, the original Side One (track 3 of 8 on the CD) closes with the 10-minute tripped out, slowed down epic We Will Fall. Bonkers!

The second CD contains original or alternate versions of the entire album, bar We Will Fall, with a couple of versions apiece of the three big hitters. The standout for me though is Ann, expanded from the official album's three minutes to nearly eight, offering a different introduction and an extended squally guitar freakout to close. I like the brevity of the original, but this is something else.

I was very late to the party, but The Stooges retained the power to  thrill and inspire, more than three decades after the album emerged kicking and screaming into the world. Having listened to it several times again in the past month, it still does.

 

 

Today's completely unrelated movie snap off the telly is The Stepfather, a 1987 film starring Terry O'Quinn, who I am familiar with almost exclusively from his role as John Locke in the long-running TV series Lost. 

In Amongst The Moshers

January will be a gig-free month for me, so to fill the void I've compiled a imaginary live set featuring some top-notch performances from 1977 to 1979. And imagine the mosh pit!

 

The formidable line-up includes The Fall, Joy Division, Blondie, The Clash, The Specials, Scritti Politti and Magazine with heavyweight appearances from The Police, John Cale and David Bowie.

I even managed to sneak in some John Cooper Clarke.

Enjoy! But no spitting. I don't like spitting.

 

1) Stepping Out (Live @ Electric Circus, Manchester): The Fall (1977) 

2) Detroit 442 (Live @ The Walnut Theatre, Philadelphia): Blondie (1978)

3) Sabotage (Live @ CBGB, New York): John Cale (1979)

4) Armagideon Time (Live @ Hammersmith Odeon, London): The Clash (1979)

5) Guns Of Navarone (Live @ The Lyceum, London): The Specials (1979)

6) Be My Wife (Live @ Earls Court, London): David Bowie (1978)

7) Persecution Complex (Live @ Electric Circus, Manchester): The Drones (1977)

8) Tomorrow (Live @ University Of California, Riverside, California): Wall Of Voodoo (1979)

9) Bronze Adonis (Live @ Rafters, Manchester): John Cooper Clarke (1978)

10) Miracle Man (Live @ The Nashville Room, London): Elvis Costello & The Attractions (1977)

11) She Can Only Say No (Live): The Undertones (1979)

12) Art Forever (Live @ Acklam Hall, London): Scritti Politti (1979)

13) Time's Up (Live @ Electric Circus, Manchester): Buzzcocks (1977)

14) Message In A Bottle (Live @ Park West, Chicago): The Police (1979)

15) At A Later Date (Live @ Electric Circus, Manchester): Joy Division (1977)

16) Definitive Gaze (Live @ Lesser Free Trade Hall, Manchester): Magazine (1978)

In Amongst The Moshers (49:49) (KF) (Mega)

#SpookyTunesSeason, Volume Two

Clinging onto the Hallowe'en bandwagon, here's the second half of a month-long Twitter challenge, covering the past fortnight and up to today's final tweet.

 

As with Volume One, this has been done on the fly, so you will find zig zags from lo-fi indie to lush alt. country to German disco to reggae to revisionist pop history.

Once more, the 'sleevenotes' are a direct lift from my tweets, which provide little insight other than I clearly need more caffeine in the morning!

 

Spider To The Fly: Isobel Campbell

From Isobel's current album Bow To Love, which is so good that she also recorded and released the entire album in French as Place à l'Amour. Fantasmagorique!

 

Frankenstein Conquers The World: Jad Fair & Daniel Johnston

...or Frankenstein vs. The World, if you got the expanded UK/Europe reissue in 1993, renaming the original self-titled album as - what else? - It's Spooky.

 

Pretty Little Graves: Baby Bird

Tucked away on the B-side of the Cornershop single, uptempo rhythms belying Stephen Jones' downbeat lyrics.

 

Where The Creepyboyz Sing: John Cale

This turned up as a Japan-only bonus track on the Hobo Sapiens album, less than 1k views on You Tube. Deserves to be heard!

 

The New Cobweb Summer (Album Version): Lambchop

Hard to believe that this song is over 20 years old. Here's a more recent, but equally lovely, live version from Pickathon 2019.

 

(Do Not) Stand In The Shadows (Moby Remix): Billy Idol

Moby takes Billy's 1983 album track, chews it up, spits it out 35 years later for a remix album project. Vital Idol Revitalised? Regurgitated, more like! I love it.

 

Spooky Rhodes: Laika

From the Sounds Of The Satellites album, which I was lucky enough to catch them touring in the UK. Here's a fan-made video, which seems to have no relation to the song...Not spooky, but odd.

 

Soul Dracula: Hot Blood

Ready for some German disco on Dutch TV? There was a follow up LP in 1977 called Dracula And Co, including Baby Frankie Stein, Dracula Goes Dreamy and, er, Sex Me.

 

Because You're Frightened (Album Version): Magazine

Magazine's reformation in 2009 for an album and tour was something I'd previously thought impossible. I was lucky enough to see them in Birmingham. An astonishing show.

 

My Boy Builds Coffins (Album Version): Florence + The Machine

A lovely interview & performance from 2008, when Flo' was 'one to watch'. She's done alright since, hasn't she?

 

As I Washed The Blood Off: The Fatima Mansions

From the much missed Cathal Coughlan. I'm endlessly fascinated by the songs that people choose to make DIY videos for and post on You Tube...

 

Nightmare: Bim Sherman

Nightmares? Here's the remedy.

 

Killer Inside Me (Killer Long Version): MC 900 Ft. Jesus

Mark Griffin deftly mixed rap, jazz and unsettling narratives in the early 90s before retiring from the biz. And his full name is supposed to be '900 foot' not 'featuring'...!

 

Trick Or Treat: Otis Redding

A co-write with Isaac Hayes, it's hard to believe that this remained unreleased until 1992. A monster tune!

 

Thriller (The Reflex 'Halloween Disco' Edit): Michael Jackson

An obvious pick, but possibly a version that some may not have heard before. Nicolas Laugier works his magic yet again.  

 

Whether you're celebrating or battening down the hatches this evening, you could do worse than give this a spin. Though possibly not much worse ;-)

1) Spider To The Fly: Isobel Campbell (2024)

2) Frankenstein vs. The World (Video Version): Jad Fair & Daniel Johnston (1989)

3) Pretty Little Graves: Baby Bird (1997)

4) Where The Creepyboyz Sing: John Cale (2003)

5) The New Cobweb Summer (Album Version): Lambchop (2002)

6) (Do Not) Stand In The Shadows (Moby Remix): Billy Idol (2018)

7) Spooky Rhodes: Laika (1997)

8) Soul Dracula: Hot Blood (1975)

9) Because You're Frightened (Album Version): Magazine (1980)

10) My Boy Builds Coffins (Album Version): Florence + The Machine (2009)

11) As I Washed The Blood Off: The Fatima Mansions (1994)

12) Nightmare: Bim Sherman (1990)

13) Killer Inside Me (Killer Long Version): MC 900 Ft. Jesus (1991)

14) Trick Or Treat: Otis Redding (1966)

15) Thriller (The Reflex 'Halloween Disco' Edit): Michael Jackson (2013)

Volume Two (1:06:16) (GD) (M)

[Uninspiring Story Of Marginal Corporate Climb]

John Cale's third appearance this month, following a shared birthday knees up with Martin Fry of ABC and an appearance in my #Colours Top 20 selection over yonder on Twitter. 

 

And no, today's post title isn't a comment on Mr. Cale's career but a subtitle lifted from the video to his latest single and video, How We See The Light, which was released on Tuesday, ahead of a new album, POPtical Illusion, on 14th June.

 

Health warning: as the thumbnail indicates, the video contains repeated images of oversize papier mache heads.

 

A piano-driven number, How We See The Light feels a little, er, lighter than the dense soundscapes of previous album Mercy, although the promo blurb promises that POPtical Illusion retains "the same feelings of fierce and inquisitive rage" that informed it's predecessor.

 

There's a gorgeous looking limited edition (of 1000) double album on respective pink and mint vinyl, with 12 songs, a bonus 7" with 2 exclusive songs and a download to access two CD-only songs. There's also POPitem, described as "a limited edition illusionary twirling paper Objet". 

 

Sounds lovely, but at £59.99 a little rich for my tastes and in my efforts to manage my in-house clutter, I'll likely eschew even the CD format and go for the download. All available from the Domino label website.

#Colours Top 20 (Second Shade)

The second half of the (E)x-Twitter 'countdown' that I've participated in for the past 20 days, featuring songs, artists or lyrics featuring a colour.

As with the first ten, I've stuck with just song titles throughout, with my second round up coming in at one second under 40 minutes.

 

I also continued with my 'method' (I use the term loosely) of trying to make sure that the subsequent colour complemented the one that had preceded it. This limiting my choice of songs each time but hopefully provided for some interesting segues from, say, Cathal Coughlan to Peaches. 

 

I only did one swap throughout the entire run. My original pick for #17 was Coral Moon by John Cale from his 1973 album, Helen Of Troy. Realising that the pick would coincide with International Women's Day, I replaced it with A Coral Room by Kate Bush, which on reflection I think was a better choice and made for a good segue from Echo & The Bunnymen.

 

This late change also meant that I was able to find another (complementary) John Cale song and tweet it on the following day, which also happened to be his 82nd birthday. Win win, I'd say.

 

The final song of the 20 wouldn't have appeared at all had it not been for Ernie Goggins' end of year round up over at 27 Leggies back in December 2022, a reminder of how much music I discover thanks to you lovely people out there in the blogosphere. And in my opinion, it's a great way to wrap up what has been a fun series to participate in.

 

11) Into The White (Single Version): Pixies (1989)

12) Lime Tree Arbour (Album Version): Nick Cave & The Bad Seeds (1997)

13) Tangerine: Cathal Coughlan (2022)

14) I Feel Cream (Album Version): Peaches (2009)

15) Silverblade (Single Version): The Jesus & Mary Chain (1990)

16) Turquoise Days: Echo & The Bunnymen (1981)

17) A Coral Room: Kate Bush (2005)

18) Bamboo Floor ("Slow Dazzle" Session Outtake): John Cale (1975)

19) Olive Avenue: Port Sulphur ft. Jay Stansfield (2018)

20) Golden Spoon Maroon: Yasus Afari (2021) 

 

1981: Heaven Up Here: 6

1989: Here Comes Your Man EP: 1 

1990: Rollercoaster EP: 5 

1996: The Island Years: 8

1997: The Boatman's Call: 2

2005: Aerial: 7

2009: I Feel Cream: 4 

2018: Paranoic Critical: 9

2022: E.P. Of Co-Aklan EP: 3

2022: Golden Spoon Maroon: 10

 

Second Shade (39:59) (KF) (Mega)

John Martin

Apologies to all those John Martyn fans hovering over their keyboards, poised to point out my typo. Of course, I'm talking about John Cale and Martin Fry, both celebrating their birthday today.

 

This is the third time I've celebrated John Cale's birthday, starting with his 80th in 2022 and then belatedly last year. First time for Martin, though he (and ABC) have been regulars here, most recently with a Dubhed selection in January.

Whilst John will be blowing out 82 candles today, Martin will be taking a deep breath to tackle 66. Between them, they have been responsible for some of the greatest music of the 20th and 21st centuries. Not bad for a couple of lads out of Garnant and Stockport respectively.

 

I had the very great honour of seeing John Cale live in concert last August. I've not (yet) seen ABC, though I know a man who has and I see that Martin is back on the road with an intimate night of music and conversation later this year.

 

To celebrate, rather than the usual format of six videos, I've picked one for each gent and refreshed the two Dubhed selections that I've previously posted for each, with links at the bottom of this page.

 

The first video is Pretty People, posted just over a month ago, and one of the two tracks exclusively available on a bonus 7" with the double vinyl of Mercy, John Cale's most recent album.

 

The second is an archive clip of ABC on TopPop, Netherlands music TV show and favourite here since I discovered it on YouTube. Dating from May 1987, not only does Martin perform When Smokey Sings, but he also gets to meet Smokey Robinson for the first time in a linking segment. 

 

It's a delightfully awkward moment and the presenter sticks with an understandably fazed and nervous Martin whilst Smokey pops off for a remarkably swift costume change and performance of his own song, Just To See Her. A lovely 10 minutes.

 

Many happy returns, John and Martin!

 

 

Try To Separate Me From My Life: John Cale (2023)

 

Waiting For My Hearing To Return: John Cale (2023)

 

The Kindest Cut's The Cruelest Part: ABC (2022)

 

It's Fry Day, I'm In Love: Martin Fry & ABC (2023)

Live Circuit

It's fair to say that I didn't make a significant contribution to keeping live music alive in 2023. Even if I'd make it to all the gigs I'd bought tickets for, I wouldn't have hit double digits. In the end, I managed three and a half music events, one poetry performance and one stand up comedy gig. 

 

But I enjoyed every second of every one that I made it to, revisiting some great venues, seeing artists I never thought I'd see, sharing the experiences either with family or friends (a shout out to Mike here).

 

Here's a rundown what I could've - and did - see in 2023, the hits and near misses.

 

The year should have got off to a cracking start with a chance to see Luke Haines (The Auteurs) and Peter Buck (R.E.M.) at Strange Brew in Bristol in February.  

 

Unfortunately due to a family illness I had to skip the night but managed to find someone else to go in my place. Mike was also there and shared his thoughts on the night:

"The good news is it wouldn't have changed your life. I think it is in that category of 'glad i went but no real revelations to speak of'.

What I hadn't realised was Scott Macaughey would be playing as I imagine you know he was essentially a member of REM's touring party for 15+ years. Both Buck and Scott had aged quite a bit since i saw them with the minus 5 at the Fleece but two great musicians nonetheless.

 

[...] the songs were pretty much the Haines/Buck 2 albums [...] and I thought the songs from the first album stood up a bit better than the most recent. 

 

Other observations - there was a point where the 50+ male brigade wanted a photo of Mr Buck for their collection and if we had been on the Thekla it might have tipped the boat over but normal service was resumed pretty quickly. 

 

The beauty of last night was the fact that a music legend at 66 is still happy to play small venues." 

 

So my first gig of 2023 ended up being a trip to Cheltenham with Clan K in March to see comedian Dave Gorman. It was a matinee show, something of a novelty for us, at the Everyman Theatre in the town centre, a lovely old building. We were up in the gods, with a great view of the main stage.

Mrs. K and I have enjoyed Dave Gorman for many years, including his show on TV channel Dave (what else?) called Modern Life Is Goodish. Which was handy as Powerpoint To The People is essentially an extended version of that, only with plentiful effing and jeffing from the outset. Lady K didn't know of Dave Gorman at all but had a great time too. And home in time for tea. Win-win.

I was especially gutted to miss The Anchoress at Gloucester Guildhall in May, not least because Catherine Anne Davies had been forced to postpone and reschedule dates a couple of times in the last couple of years. 

My only consolation was that I got to see her (on TV at least) join Manic Street Preachers on stage at Glastonbury in June where, frankly, she smashed it. She also released the superb Versions album, collecting covers that she'd recorded and released individually during lockdown and beyond, including a sublime rework of Bizarre Love Triangle by New Order.

In June, I also finally got to see Dr. John Cooper Clarke, with support from Mike Garry, at The Forum in Bath.

Suffice to say it was a superb night, as I enthused at the time.

In August, I managed one and a half gigs. The half measure was a Clan K excursion to Bristol's legendary venue The Fleece to see Bad Manners. 

Well, two thirds if I'm being pedantic, as I got to experience 10 of the 15-song setlist. You can find the full sorry story here. Great support from local band Belishas. Mrs. K and I contemplated heading back to The Fleece on Boxing Day to catch Bad Manners' annual festive show. Considering that yesterday was spent trying not to succumb to a food-induced coma, I'm glad we decided against it.

For our second gig in August and someone I never expected to see live in concert, Mrs. K and I spent an evening in the company of John Cale and band. The fact that we also got to experience it in the intimate surround of the Subscription Rooms in Stroud was a real pinch me moment. 

Somehow, I found the words afterwards because I was feeling pretty speechless afterwards. 

Another opportune gig - and my first in 2023 with Mike - was Mozart Estate and Half Japanese at Strange Brew in Bristol in September. Two very different but compelling acts with charismatic front people in Lawrence Hayward and Jad Fair respectively. Not in the least bit daunted by this, local support act Bruno & The Outrageous Methods of Presentation more than met the challenge, led by 17-year old Bruno Bof-Wilkinson. My only regret is that we missed most of the latter, arriving just in time to catch the tail end of their set.

 

As I wrote at the time, a slightly mad - if slightly under-attended - night out in a great venue which I hope to spend more time in next year.

Another missed opportunity was GLOK (aka Andy Bell) playing an intimate gig at Moles in Bath, which would have been my first time for both artist and (incredibly) venue. Unfortunately, fate intervened and I was unable to go on the night. 

As if that wasn't gutting enough, 43 days later on 5th December Moles announced that they were closing their doors with immediate effect. After 45 years of hosting everyone from Wolf Alice to King Crimson to Sleeper to James to Laura Marling to Daniel Avery to Pulp to Katy J Pearson, it's a sad end and a reminder of how much the incumbent government has shafted grass roots music, particularly in the last few years. 

 

My final gig of 2023 was Jah Wobble's Invaders Of The Heart featuring Jon Klein performing Metal Box Rebuilt In Dub in the bowels of the Thekla, a cargo ship-cum-venue in Bristol's central harbour area.

Of course, Jah was a founding member of Public Image Limited and recorded the original album so if anyone is qualified to rework the songs, it's him. And he and the band played a blinder, peppered with some truly hilarious asides and anecdotes throughout. It was another great night in Mike's company, a surprisingly punctual set and early finish (due to the Saturday club night straight after) but I can't think of a better way to have ended my gig-going in 2023.

Without wishing to tempt fate, Clan K already have tickets for three gigs in March, July and August 2024, and there's an impressive line-up of artists performing in Gloucestershire, Bath and Bristol from January onwards, so I am hoping to get over the line into double figures this year, whether with family, friends or solo.

Always Your Cassette Pet!

Side 1 of a cassette compilation, recorded September 1991. 

 

My brother used to buy a lot of albums on cassette. Needs must: there was one family turntable in the lounge and both of us had cassette decks of varying quality in our bedrooms to soundtrack our teenage angst. My brother had gone to university, I'd just returned from a year in Australia, and this was a last opportunity to trawl through the boxes of tapes at our parents' house, before they were shipped off to join him or get stuck up in the loft for some undetermined period.

There was obviously some haste involved and/or a lack of blank cassettes as I didn't copy many albums in their entirety, but I did manage to pull together this compilation, a hybrid of my brother's tapes and the odd cassingle that I'd added to my collection. As with Side 2, posted last November, a varied and quite dark mix overall.

 

Laibach are, er, back with, er, Get Back. Clearly, they were were a big favourite at the time, with 3 out of the 21 songs in total. The previous selections were from Opus Dei, this one is the opener of their track-by-track cover of The Beatles' Let It Be. Both albums were available as a 'double play' cassette back in the day and I remember my brother blasting Laibach out of the car stereo, windows down, as we drove through the centre of Bristol, to the bemusement of most. Solid times.

It'll End In Tears by This Mortal Coil is also represented by 3 songs on this compilation. Fortunately, unlike Lisa Gerrard who was subject to a harsh edit on Side 2, both Howard Devoto and Elizabeth Fraser get to finish their songs. Covers of Big Star and Roy Harper, these were the first versions I heard and remain the definitive takes for me.

The The gets another excerpt from the unreleased album The Pornography Of Despair, one of 6 songs tacked on as a bonus side to the cassette version of the Soul Mining album. Like many of these songs, Waitin' For The Upturn was also released as a B-side.

In the mid-late 1980s, I had no idea really about Alison Statton, or her history with Young Marble Giants. To me, she was the voice of Weekend, who were kind of jazzy; they recorded an album with Keith Tippet live at Ronnie Scott's. Weekend were also capable of some really dark indie pop like Red Planes, featured here. I was inevitably drawn to the latter. Alison's voice still sends a shiver down my spine.

Troubling my sphincter was The Prisoner by Tears For Fears. The Hurting - which I still love - was a bleak, soul-searching debut that explored concepts that were completely over my head in 1983. The Prisoner was originally a B-side to second single Pale Shelter (a chart flop the first time around). Both were re-recorded for The Hurting to great effect, The Prisoner particularly benefiting from some screaming synth stabs.

Both Tears For Fears and The Icicle Works have covered Robert Wyatt's Sea Song. The latter is the better of the two, though neither really come close to the plaintive beauty of Wyatt's own version.

Lou Reed and John Cale reunited in 1990 for a tribute to departed friend Andy Warhol, a bit of a purple patch for both of them at the time. This is perhaps my favourite song from the Songs For Drella album.

Untitled by Marc & The Mambas is a real curio. The striking cover portrait of Marc Almond by Val Denham, the mix of original songs and covers, possibly my first introduction to Scott Walker and Jacques Brel. And then, on the cassette B-side, just three tracks: a Syd Barrett cover (Terrapin) and Twilights & Lowlifes in two eleven-and-a-half minute versions. I've gone for the first, vocal version here.

When I posted Side 2 last November, I mentioned that Side 1 could take a while due to the inclusion of a track from stalwarts of the 1980s Bristol live circuit, Renegade Flight. Your Cassette Pet! originally featured God Said, a track from one of their DIY cassettes that I picked up at a gig. As there's no immediate prospect of locating and digitising the tapes and God Said is currently unavailable online, I've opted for another song, Automation from roughly the same period. It's twice as long as God Said so the C90 running time is shot to pieces but I felt that Renegade Flight deserved a nod, sandwiched between Tears For Fears, Lou Reed and John Cale. Thanks, lads!

 

1) Get Back (Cover of The Beatles): Laibach (1988)

2) Holocaust (Cover of Big Star): This Mortal Coil ft. Howard Devoto (1984)

3) Red Planes (Album Version): Weekend (1982)

4) Sea Song (Cover of Robert Wyatt): The Icicle Works (1986)

5) The Prisoner (Album Version): Tears For Fears (1983)

6) Automation: Renegade Flight (1986)

7) It Wasn't Me: Lou Reed / John Cale (1990)

8) Waitin' For The Upturn: The The (1982)

9) Twilights & Lowlifes (Album Version): Marc & The Mambas (1982)

10) Another Day (Cover of Roy Harper): This Mortal Coil ft. Elizabeth Fraser (1984)

 

1982: La Varieté: 3 

1982: Untitled: 9

1983: The Hurting: 5

1983: Uncertain Smile EP / Soul Mining (cassette): 8

1984: It'll End In Tears: 2, 10

1986 (?): Renegade Flight (gig-only cassette): 6

1986: Up Here In The North Of England EP: 4

1988: Let It Be: 1 

1990: Songs For Drella: 7

 

Side One (48:08) (KF) (Mega)

Side Two here