Showing posts with label Au Revoir Simone. Show all posts
Showing posts with label Au Revoir Simone. Show all posts

Sunday, 7 December 2025

Decayed V: 2009

Side 2 of an imaginary time travel tape, taking in the 2000s and terminating today.

Wow, how did I get here so quickly? The past five weekends have been a bit of a blur which ironically is how the whole of the Noughties feels in retrospect. 

2009 saw me at the end of my thirties, married, a home owner, a dad and ending the year leaving the job I'd been doing for the past eleven years. I was the same person, but so much had changed. 

My passion for music was undimmed but i realise with some regret that I went to zero, zilch, no gigs whatsoever in 2009. At least half of the artists featured in today's selection performed in Bristol during 2009 and I missed every single one of them. There was definitely a work/life imbalance that year...!

Lots of great music to listen to, though, whether it was beats, guitars, retro or refreshing sounds I was after. This is reflected in my dozen picks for 2009, spanning comeback kings The Prodigy to new artists like La Roux and Little Boots

Again, UK chart placings have been unexpected; Bulletproof by La Roux and Walking On A Dream by Empire Of The Sun both seemed to me to be everywhere that screened or played music. Yet, whilst the former scored a #1, the latter peaked at #64. 

It was no surprise that Bonkers by Dizzee Rascal and Armand Van Helden got to #1, but where's the justice in Method Of Modern Love by Saint Etienne and produced by Richard X, only getting to #56? Sacre bleu!

And whilst it's great that Noisettes reached #2 with Don't Upset The `Rhythm, how come that Zero by Yeah Yeah Yeahs scraped into the Top 50 at #49? It's a mad world, as Curt Smith once sang.

This Rhythm by Filthy Dukes was a grower and I really enjoyed their album Nonsense In The Dark. Au Revoir Simone came to my notice when they guested on the song Paris by Friendly Fires a couple of years before, leading me to their album Still Night, Still Light. 

Dominos by The Big Pink delivered a heavy percussion that evoked the spirit of the 1980s, although I've always assumed that their name was inspired by The Band's 1968 album. And for me, Editors were like Simple Minds fronted by Ian Curtis, another mash-up of 1980s influences that worked brilliantly.

So, as end of decades often seem to, 2009 wasn't unusual in that there was a fairly even mix of looking forward and reaching back. The 2010s were waiting for us, whether we were ready or not...

Thanks for sticking with me these past few weeks, I've had a lot of fun creating this series. I hope the selections have either reminded you that there were some really good songs or introduced you to music and artists that you may have missed first time around.

I've provided links for each year and each series below, covering the 1980s, 1990s and 2000s, so there are 31 selections and 370 songs to enjoy for the rest of December.

Today is also a landmark in that, incredibly, the Dubhed blog celebrates it's 5th birthday. 

I never thought I'd be writing those words! 

When I uploaded my first blog post on Monday 7th December 2020, I remarked that "[as] I rapidly approach five decades of clinging to this crazy, spinning planet, it seemed like a good time to start a blog."

Five years, 1,703 posts and over 800 Dubhed 'mixtape' selections later, I'm enjoying it even more than I did when I started. 

Doing this "just for fun" has achieved that, but so much more. I've connected with so many wonderful people as a result, including artists and fellow bloggers, who continue to be a constant inspiration. 

I've also managed to see unforgettable gigs, my vinyl record collection has started growing again, and I still get a thrill when I hear new music. 

There'll be some reflective posts over the coming weeks, as it's also that time to remember what has made 2025 so good - musically, at least, it's been a shitshow in many other respects. And I've a backlog of gig reviews to post.

Thanks to you all for stopping by here, whether it's your first time or a regular stop. Your comments mean a lot and whilst I try and often fail to respond to each one individually, I do read and value every single one. Thank you!

Now, let's see how far I can take this thing...!

1) Bonkers (Radio Edit): Dizzee Rascal & Armand Van Helden
2) Omen (Album Version): The Prodigy
3) This Rhythm (Radio Edit): Filthy Dukes ft. Samuel Dust
4) Don't Upset The Rhythm (Album Version): Noisettes
5) Remedy (Buffetlibre vs. Sidechains Remix By Alex Ferrer): Little Boots
6) Method Of Modern Love (Single Version): Saint Etienne
7) Bulletproof (Album Version): La Roux
8) Walking On A Dream (Album Version): Empire Of The Sun
9) Shadows (Album Version): Au Revoir Simone
10) Dominos (Album Version): The Big Pink
11) Papillon (Album Version): Editors
12) Zero (Album Version): Yeah Yeah Yeahs

15th February 2009: Method Of Modern Love EP (#56): 6
22nd February 2009: Invaders Must Die (#4): 2
1st March 2009: Walking On A Dream (#64): 8
15th March 2009: Nonsense In The Dark (#39): 3
29th March 2009: Wild Young Hearts (#2): 4 
19th April 2009: It's Blitz! (#49): 12 
24th May 2009: Still Night, Still Light (#71): 9 
28th June 2009: La Roux (#1): 7 
23rd August 2009: Hands (#6): 5
24th September 2009: Tongue N'Cheek (#1): 1
18th October 2009: In This Light And On This Evening (#23): 11
25th October 2009: A Brief History Of Love (#27): 10 

Side Two (46:39) (GD) (M)

If you've missed any of the previous posts in the Decayed series, you can jump straight to them here
Prelude   2000   2001   2002   2003   2004   2005   2006   2007   2008

And here are all ten Decadance posts
1990   1991   1992   1993   1994   1995   1996   1997   1998  1999

Finally, Decade, the mistapes that I recorded in 1990 that started this whole thing off
1980   1981   1982   1983   1984   1985   1986   1987   1988  1989

Sunday, 7 May 2023

The One You Won't Regret

Today's selection started out with the intention of being a relaxed, laidback affair, triggered by a week revisiting Baby Ford's brilliant 1992 album Bford 9. I think somewhere along the line it morphed into a late night/headphones kind of vibe...

The nine tracks are all drawn from albums I've been listening to this week, several purchased last year, some having been in my possession for many years and one picked up one of two compulsory Sahel Sounds purchases last Bandcamp Friday. An eclectic bunch, it has to be said, but I think they make good partners.

I'll revisit Bford 9 again in the future but suffice to say my previous preconceptions about Baby Ford were completely upended by this album. I bought it on spec for £7.99 from a record shop in Yate (#45 in 2003's Top 50 Crap Towns) a couple of years after it's release and it's remained one of my favourite electronica/dance albums. There's a vocal version of 20, Park Drive; I've opted for the instrumental version to open this selection, to set the (languid) pace.

Happy Ending by Hifi Sean and David McAlmont was officially released in February this year. To say I love it is an understatement. In fact, I love it so much that when I got the double vinyl last December as a Last Night From Glasgow subscriber, I made it my 2022 album of the year. Transatlantic is a beautiful, downtempo moment, sweeping strings and shiver-inducing vocals.

Electribe 101's contribution dates from 1992 though didn't see an official release for three decades due to the record label dropping them midway through recording their second album. I wrote about it last January in anticipation of the album's long awaited release (thanks to Billie Ray Martin) and it didn't disappoint. Conquering Tomorrow is a bonus track on the CD, a brief instrumental that segues neatly into the next song on this selection.

My sideways step into the world of New York indie pop trio Au Revoir Simone came via their appearance on Paris by Friendly Fires. I picked up a few freebie sample songs via the now-defunct RCRD LBL website and then bought 2009 album Still Night, Still Light, followed by 2010 remix companion Night Light. The version of Take Me As I Am featured here is from the latter, London-based DJ Max Cooper delivering a shimmering version with hushed vocals coming in quite late.
 
Telefís was an inspired meeting of minds between Cathal Coughlan and Garret 'Jacknife' Lee. Debut album a hAon was released in 2022 and whilst the equally excellent follow up a Dó came in October the same year, it sadly proved to be a posthumous release, due to Cathal's untimely passing in May. Picadors is taken from a hAon and an example of a duo at the top of their game, lyrically and sonically. A tragic loss.

I featured a System 7 selection at the end of April and they've continued to be on my playlist since. The Abyss is the penultimate track on 2001 album Seventh Wave, seven and a half minutes of ambient waves which Steve Hillage and Miquette Giraudy do so well.
 
From there and another of my favourite albums of 2022, And In The Darkness, Hearts Aglow by Weyes Blood. Another spine-tinglingly beautiful vocal, this isn't really ambient at all, more 1970s West Coast vibe yet it was an obvious next step from the System 7 song. The build towards the end is just wonderful.
 
Whilst I have a few Wau Wau Collectif songs from previous Sahel Sounds compilations, Friday saw my first purchase of a full length album by them, their second as it transpires. The Senegalese musicians collaborate again with Sweden’s Karl Jonas Winqvist, a name I only recognise from his work with James Yorkston & The Secondhand Orchestra. Again, Mariage Forcé is not a song that would be described as 'chill out' but I was struck by the tone of the two-second intro nearly matching that of the closing seconds of the Weyes Blood song, which made for a serendipitous pairing.

On more familiar territory for the closer, with William Orbit. Strange Cargo was the title of his second album in 1987, with volumes II and III following in the 1990s. The next volume in 1995 was confusingly credited to Strange Cargo and titled Hinterland. Business as usual belatedly resumed (and reverted to a William Orbit release) in 2014 with Strange Cargo 5. Kiss Of The Bee appears on the standalone Strange Cargo release in 1995, featuring Beth Orton and Christine Leach. Beth was about to release her second solo album, to great acclaim, whilst Christine fronted Baby Fox, who were unfairly lumped in with the mid-90s trip hop set.
 
1) 20, Park Drive (Inst): Baby Ford (1992)
2) Transatlantic: Hifi Sean & David McAlmont (2022)
3) Conquering Tomorrow: Electribe 101 (1992)
4) Take Me As I Am (Max Cooper Remix): Au Revoir Simone (2010)
5) Picadors (Album Version): Telefís (2022)
6) The Abyss: System 7 (2001)
7) God Turn Me Into A Flower: Weyes Blood (2022)
8) Mariage Forcé: Wau Wau Collectif (2022)
9) Kiss Of The Bee: Strange Cargo ft. Beth Orton & Christine Leach (1995) 
 
1992: Bford 9: 1
1995: Hinterland: 9
2001: Seventh Wave: 6
2010: Night Light: 4
2022: a hAon: 5 
2022: And In The Darkness, Hearts Aglow: 7
2022: Electribal Soul: 3
2022: Happy Ending: 2 
2022: Mariage: 8
 
The One You Won't Regret (47:34) (Box) (Mega

Friday, 25 March 2022

Every Brother Is A Star, Every Sister Is A Star

Into the weekend with some off-kilter sounds inspired by the teachings of dub. 
 
Some will be the usual suspects - Primal Scream vs. Adrian Sherwood, The Orb - some will be less obvious. Alisha's Attic and Bangles are not names that immediately spring to mind, yet Talvin Singh and Todd Terje respectively work their magic, transforming lightweight pop into heavyweight dub collossi.

The feedback-drenched, disturbing dub of Retribution Gospel Choir, formed by Low's Alan Sparhawk, is offset by the less dubby, more reggae sunsplash sounds of Au Revoir Simone.
 
The closing track by The Orb is a highlight of the excellent Live 93 album. The promo 12" version included here extends the album version by a further four minutes, to blissful effect.

1) Revolutionary aka Star (Dub) (Remix By Adrian Sherwood): Primal Scream (1997)
2) Air We Breathe (Talvin Singh Dub Mix): Alisha's Attic (1997)
3) Dub Like An Egyptian (Todd Terje Edit): Bangles (2010)
4) Shine Eye Dub #3: Retribution Gospel Choir (2006)
5) The Last One (Mack Winston Dub Remix): Au Revoir Simone (2010)
6) Towers Of Dub (Live Orbient 3 September 1993 - Long Version): The Orb (1993)

1993: Towers Of Dub / Blue Room (promo 12"): 6
1997: Air We Breathe EP: 2
1997: Echo Dek: 1
2006: Tour EP #2: 4
2010: Night Light: 5
2010: TTJ Edits #208 (bootleg 12"): 3

Monday, 3 January 2022

I Wanna Go To Paris With You

Inspired by yesterday's French DJ mix, the first Dubhed selection of 2022 features a dozen Paris-themed songs. Along the way, you get two artists genuinely from Paris (Les Negresses Vertes, Anne Pigalle), a couple of would-be tourists (Friendly Fires, Adam & The Ants) and a completely made-up, retro-fitted 1990s band (Brits Abroad aka Julian Cope & chums, which you can read about in a 2015 post by The Vinyl Villain). As you might expect, the latter is not a paean to the questionable 1972 film by Bernardo Bertolucci, but a tribute to the soft drink exploits of a (fictional) touring band, e.g.
 
It was not the penultimate Tizer in Hull,
It was the last Tango in Paris 
 
The selection wraps up inevitably with Adam & The Ants' debut single, which wasn't a hit first time around. However, the song enjoyed 13 weeks in the UK singles chart and a peak of #9 when re-released at the end of 1980 on the back of the success of Antmusic.

1) I Love Paris (Cover of Lilo): Les Negresses Vertes (1990)
2) Paris: Tacks, The Boy Disaster (2006)
3) Paris 1919 (String Mix): John Cale (1973)
4) Souvenir d'Un Paris (French Version): Anne Pigalle (1985)
5) Paris (Album Version): Friendly Fires ft. Au Revoir Simone (2008)
6) Haliod Xerrox Copy 3 (Paris): Alva Noto (2007)
7) Paris Four Hundred (Album Version): Mylo (2003)
8) Last Tango In Paris ("Originally released in 1990"): Brits Abroad (2014)
9) Plaster Of Paris: Pixies (2016)
10) Paris s'enflamme (French Version of Paris Is Burning): Ladyhawke (2008)
11) Paris In Flares: The Housemartins (1987)
12) Young Parisians (Single Version): Adam & The Ants (1978)

Friday, 6 August 2021

See How The Sun Shines Brightly

Mix CD, cut and pasted together for my friend Bridget, 22nd December 2009. 21 songs from the last year of the noughties and a little bit of Friday loveliness to welcome the weekend.
 
1) Dreams Are Dangerous: Bruno Coulais
2) All Or Nothing (Album Version): Au Revoir Simone
3) The Sun: Portugal. The Man
4) You'll Never Know (Dub My Love Re-Edit By Khayem): Edwyn Collins
5) Promise Less Or Do More: The Whitest Boy Alive
6) When I Grow Up (Dan Lissvik Radio Edit): Fever Ray
7) Sort Of Revolution (The Cinematic Orchestra Remix): Fink
8) Knotty Pine: Dirty Projectors + David Byrne
9) Warm Heart Of Africa (Album Version): The Very Best ft. Ezra Koenig
10) Other Fathers Song: They Might Be Giants
11) Mr. Blue Sky (Cover of Electric Light Orchestra): The Spinto Band
12) Runnin' Scared (Cover of Roy Orbison): Micah P. Hinson
13) Ambivalence Avenue: Bibio
14) Jennifer And Julia: The Clientele
15) Boy Lilikoi: Jónsi
16) Happiness (Quiet Village Remix): Jonathan Jeremiah
17) Falling Down (A Monstrous Psychedelic Bubble Exploding In Your Mind Pt. 4 By The Amorphous Androgynous): Oasis ft. Alisha Sufit
18) Wicked Game (Cover of Chris Isaak): exlovers
19) Tonight You Belong To Me: Lightspeed Champion ft. Charlotte Froom
20) 1901 (Ivan Beck Dub): Phoenix
21) Let's Fall Back In Love: Slow Club