It's 10:40 At Least Twice A Day

10:40 aka Jesse Fahnestock released Transition Theory on Valentine’s Day. It was love at first listen and I’m going to tell you why.

“How much of what you were playing did you know you were going to play when you sat down?”

“Uh, none of it”

 

The sample in the early seconds of Tumbling Down, the opening track on Transition Theory, could be interpreted as both a statement of intent and a key to the hour-or-so to follow. I will start by saying that whilst the album is available as 11 individual tracks, the essential way to listen to Transition Theory is the full immersive experience of the continuous mix, available as a bonus track when you get the album via Bandcamp. And despite Jesse’s generous encouragement to name your price/pay nothing, I say the opposite. It’s worth every penny of your hard earned cash.

 

In the promo for Transition Theory, Jesse shared that “It's an album inspired by DJing, and the new sounds that emerge from the transitions in the mix, written and recorded in order, with each song using the end of the previous as its starting material.” In that sense, I’m reminded of the ‘exquisite corpse’ method first used by surrealist artists applied to art and then writing and favoured by many musicians, notably Bauhaus. This is particularly evident when you listen to the individual tracks separately, for example Ninety-Now’s left turn into The Engineer. It's also arguably the raison d'être of many DJs and it lends the continuous mix of Transition Theory a kinetic energy that keeps you engaged and anticipating where the aural pathway will lead you next.

 

The tempo builds from one track to the next, Tumbling Down’s languid introduction escalating through Ninety-Now and The Engineer, pausing briefing for Picking Flowers, before picking up the pace again with Jimmy Ripp and racing into Sunday’s Cool, with it’s swirling, pulsating, just-below-the surface sample of “What goes around comes around / round and back again”. The latter is a characteristic of 10:40’s music that I particularly like, the use of samples submerged in the mix, teasing and inviting you deeper into the music without ever distracting from the environment that they inhabit. At this point, I also realise that I’m thirty-five minutes into Transition Theory and the end of the first half, side, phase, however you wish to describe it.

 

Regime Shift Dub tells it how it is, the sample of “I can’t stop him now” seeming equally apt for the listener and Jesse himself. Smoke The Demon is a cracking track, at times transporting me back forty years to those electronic sounds that first grabbed my attention as a teenager. I’m reminded of Kraftwerk at their most urgent or Dead Eyes Opened by Severed Heads but at the same time this is indisputably the sound of 10:40, right now.

 

At The Turning Of The Tide is another unexpected left turn, it’s opening chords at first suggesting to me the theme to The Magnificent Seven of all things (!) before sidestepping into a 70s keyboard vibe. Both red herrings of course, as soon as Matt Gunn and Emilia Harmony’s vocals come in to a pulsing beat. “How long do you think you’ll carry on?” asks Matt. “I will come back to you, but you’re gonna have to find me first,” replies Emilia. Brilliant stuff.

 

There’s a further pause for breath at the foot of The Mountain, a gentle, tingling tune with a rumbling bassline before Mantis changes back up a gear for the final flight to the end. If the 1981 sci-fi film Escape From New York were to be remastered and re-released with a newly commissioned score, then Mantis should definitely be on it. A sublime closer to a wonderfully rewarding set.

 

I was introduced to Jesse’s music in 2021 during lockdown via previous 10:40 album, All Of Us - not his debut as I insisted on calling it back then, that was 2020’s Found Time - and I’ve subsequently bought his prior and subsequent music. What’s been a real pleasure to experience is Jesse’s evolution as an artist. Transition Theory will be familiar if you’d listened to and enjoyed 10:40 previously but it is also an album that challenges, surprises and delights on so many levels. 

 

If you were unfortunate enough to miss the 10:40 advent calendar at the end of last year and haven't previously sampled some of the 10:40 back catalogue, you can hop over to my Dubbed selection from May 2022 for a taster. Then get yourself quick smart over to Bandcamp and buy the album with the bonus continuous mix and prepare yourself for one hell of a ride. You won’t regret it. 

 

You Got Music In Your Step

Hello Lamb aka Louise Rhodes and Andy Barlow. A return to my very infrequent recreation of gig setlists, this time with a mystery to solve.

I saw Lamb live in concert for the first and only time at the Trinity Centre in Bristol with my friend Dave, possibly also with our work colleague Cath, not sure. It was definitely touring Fear Of Fours, so it was either 1999 or 2000. The support act - and, I'll be honest, the real reason I was there - was Smith & Mighty playing a full band set to promote their album Big World Small World, which was promoted in 1999 but not formally released until January 2000.

Unfortunately, I've lost the ticket and trawling the internet hasn't brought up any information on when the gig actually took place. As far as I can tell, Lamb did a few dates in the UK circa May 1999 whilst 2000 was mainly festivals or overseas gigs. So, I'm going to have a stab in the dark and say that the gig I went to was mid to late 1999. If anyone out there was there or can shed any light on the actual dates, I'll be very grateful!

I was a big fan of "The Bristol Sound" (biased, being as it was my birthplace), trip hop and drum and bass in general, but I couldn't quite get into Lamb's music at first. I loved debut single Cotton Wool, though the standout was A Guy Called Gerald's remix and their choice of remixers for the follow up singles was impeccable. 

Something I couldn't quite put my finger on, but it was almost a feeling that Lamb were trying too hard to be cool. Completely my own response but it put me off getting the first album and embracing their music.

Earlier in 1999, my friend Stuart and I went to New York for a short holiday. It was last minute change of plan: we'd originally been planning to go to Reykjavík, with probably some romantic notion of walking the streets of Björk's birthplace. The only snag was it was way out of our budget. Conversely, New York was ridiculously affordable, not least because I only booked accommodation for the first couple of nights and thought we'd wing it for the rest.

 

I won't retell the story of our NYC trip, which I partly touched on in my recreation of the Blondie gig we went to whilst there and the rest of which is best saved for another post. Getting back to the point of this post though, we did a bit of record shopping in New York and one of the CDs that Stuart picked up was Fear Of Fours. It was regularly played for the rest of the holiday and was the turning point in my appreciation of Lamb.

 

So, whilst they weren't the primary reason for my visit to the Trinity that night, I was more disposed to like Lamb than I had been previously. My vague memory is that Smith & Mighty were unbeatable, but Lamb acquitted themselves pretty well. I've never seen them live in concert since but I would be tempted if Lamb roll into a local venue in future. Their last album was released in 2019, so there is hope.

 

So, in the absence of any gig info whatsoever, I've gone for a composite of three gigs performed in 1999 with very minor variations in songs and running order. Unsurprisingly, the setlist draws heavily on Fear Of Fours, so I've swapped out several album versions with remixes by sympathetic acts such as Klute, The Herbaliser, Fila Brazillia, Rae & Christian and Mr. Scruff.

 

1) Soft Mistake (1999)

2) Little Things (Klute Mix) (1999)

3) B Line (Herbaliser Mix) (1999)

4) Lusty (Album Version) (1996)

5) Cotton Wool (Fila Brazillia Mix - Alternative Version) (1996)

6) All In Your Hands (Rae & Christian Remix) (1999)

7) Ear Parcel (1999)

8) Alien (Album Version) (1999)

9) Softly (Radio Mix) (1999)

10) Fly (1999)

11) Gold (Mr. Scruff Mix) (1996)

12) Górecki (Album Version) (1996)

 

1996: Gold EP: 11

1996: Lamb: 4, 12

1997: Vrooom! Motorcycle Loveliness (Select magazine promo CD): 5

1999: All In Your Hands EP: 2, 6

1999: B Line EP: 3

1999: Fear Of Fours: 1, 7, 8, 10

1999: Softly EP: 9

Music In Your Step (1:05:17) (Box) (Mega)

I Think The Melody On The Box Will Explain

It's Friday and time to take a trip back to 1973 and (a smidge over) half an hour of pop, rock, funk and soul for all you hell raisers and all you natural born ravers!

 

Many of these I grew up with, others I discovered as a keen record-buying adult, the rest found in the last decade and a half thanks to all you wonderful people out in the blogosphere. 

Only my opinion but all killer, no filler? I think so.

Bring on the weekend!

1) If I Were Only A Child Again: Curtis Mayfield

2) Lend A Hand: Bobby Hutton

3) Hell Raiser (Single Version): The Sweet

4) Angel (Album Version): Aretha Franklin

5) Skin I'm In: Sly & The Family Stone

6) The Love I Lost (Part 1) (Single Version): Harold Melvin & The Blue Notes 

7) I Won't Step On Your Shoes: Barnaby Bye

8) Watch That Man: David Bowie

9) I Want To Be Free: Hot Chocolate

10) Hercules (Single Version): Aaron Neville

Melody On The Box (32:43) (Box) (Mega)

Fantastic Voyage

Celebrating Raquel Welch, 5th September 1940 to 15th February 2023.

Cliched I know but as a small boy I fell in love with Raquel Welch after watching Fantastic Voyage and One Million Years B.C. on TV, although I thought Fathom was complete bobbins.

 

With the sad news of her passing, I immediately thought of Neon Neon, the late Noughties duo of Gruff Rhys (Super Furry Animals) and Bryan Hollon (Boom Bip) and their titular tribute, Raquel, from 2008.

 

The song originally appeared on their debut album, Stainless Style, itself a concept piece about the life of John Delorean, who is best known for designing this car (time travel function not as standard).

 

Depending on which unreliable online source you Google search in 0.41 seconds, Raquel allegedly dated or at least had "an encounter" with Delorean circa 1972 and this was enough to inspire this admittedly great pop song into the album. I bought the promo CDS at the time with a radio edit and instrumental version but sadly no remixes.

 

There wasn't an official video for Raquel, but a montage clip was commissioned for projection at their live shows. There's a YouTube clip of a Neon Neon concert which demonstrates this, but shuffle76 has gone one better and posted the whole video for our viewing delight.

Raquel did commit some of her own recordings to vinyl in the early 1970s and - who knew? - a one-off single in 1987, predating by a couple of years Liza Minnelli's similar foray into Hi NRG ably assisted by Pet Shop Boys but with much less success. I've watched the video so that you don't have to.

Instead, here's Raquel performing at a USO (United Service Organisations) show in the late 1960s with a cover of Mike Nesmith's song Different Drum. The soldiers look suitably enraptured by Raquel's singular take on the song. All I'll say is...it's one minute forty seven seconds long.

Not my favourite actor by any stretch of the mark, but Raquel Welch held a special place in my heart when I was a wee lad and I continued to admire her empowered, 'can do' approach to her life and career choices, even if I didn't particularly follow her film, TV, music or fitness video work.

 

As Gruff Rhys sang back in 2008, "Oh Raquel, you really got the power".

 

Rest easy, Raquel.

In A Season Of Light We Can See Forever

Billy MacKenzie introduces today's long song selection, down on the tempo, up on the electronic emotional dial. 

 

Recorded and released with Loom in 1996, the opening song actually dates back to the aborted Associates reunion with Alan Rankine in 1993, the song initially demo'd as Edge Of The World and appearing on the Double Hipness compilation in 2000. Billy would revisit the song several times, with versions titled Anacostia Bay or At The Edge Of The World appearing on various posthumous solo compilations, including last year's essential Satellite Life: Recordings 1994-1996

 

Despite the mix title, this is the only version of Eagle to appear on Banco De Gaia's 1995 Last Train To Lhasa, which is still a satisfying, immersive ambient experience, nearly three decades on. 

 

Blue Pearl were good but never quite as good as I wished/hoped they would be. Youth aka Martin Glover at the controls and Durga McBroom's vocals which, to be honest, were an acquired taste. However, the trio of remixes by The Orb on the Mother Dawn 12" single are pretty great; this is the first, clocking in at 12 minutes and 45 seconds and still not the longest of the three!

 

Today's loose theme easily presented an excuse to post yet another version/remix of Smokebelch by The Sabres Of Paradise. Is there a bad version of this song? I've yet to hear one.

 

As a coda to this selection, a brief burst from Justin Warfield, vocal free and hinting at another party about to kick off next door. 

 

Five songs, fifty minutes, play through headphones for the maximum experience.  

1) Anacostia Bay (At The Edge Of The World) (Original Version): Loom ft. Billy MacKenzie (1996)

2) Eagle (Small Steppa Mix): Banco De Gaia (1995)

3) Mother Dawn (Buckateer Mix 1 By The Orb): Blue Pearl (1992)

4) Smokebelch II (Exit) (Remix By Andrew Weatherall, Jagz Kooner & Gary Burns): The Sabres Of Paradise (1993)

5) Tequila Flats (Ghosts Of Laurel Canyon): Justin Warfield (1994)

 

In A Season Of Light We Can See Forever (50:00) (Box) (Mega)

The Vividly Imagined Experience

A belated happy birthday to Jack Dangers aka John Corrigan and mainstay of Meat Beat Manifesto, who turned 58 on 11th January. 

I've been a fan ever since I heard Love Mad, MBM's contribution to the first issue of the Volume book/CD series in 1991, followed shortly by the discovery of Andrew Weatherall's incredible remix of Psyche-Out released the year before.

Since then, I've picked up many MBM/Jack Dangers remixes and the occasional album through the 1990s and early 2000s, losing track as we moved further into the 21st Century.

Today's selection then mainly focuses on the 1990s with a single nudge into the 2000s courtesy of a mega-rare promo 12" (reportedly 25 copies) remix of Freddy Fresh that thankfully turned up on a CD compilation for we Johnny Come Latelys.

Those glancing ahead to the tracklisting below can be reassured that the remix of The Shamen's notorious hit single Ebeneezer Goode has removed any trace of Mr. C's cheesy rap!

1) Euthanasia: Meat Beat Manifesto (1992)

2) Killer Inside Me (Meat Beat Manifestation Version 2): MC 900 Ft. Jesus (1991)

3) The Circular Cosmic Spot: Meat Beat Manifesto ft. Wyndham Lewis (1992)

4) Ebeneezer Goode (MBM Instrumental) (Remix By Meat Beat Manifesto): The Shamen (1992)

5) Party Right (All Terrain Mountain Mix By Jack Dangers): Freddy Fresh (2002)

6) I Am Electro: Meat Beat Manifesto (1997)

7) Pallas Athena (Gone Midnight Mix By Meat Beat Manifesto): David Bowie (1993)

8) Mindstream (Psychedelically Speaking) (Remix By Jack Dangers): Meat Beat Manifesto (1993)

1991: Volume Two

1992: Ebeneezer Goode EP: 4

1992: Edge Of No Control EP: 3

1992: Satyricon: 1

1993: Mindstream EP: 8

1993: Pallas Athena (promo 12"): 7

1997: Radio Babylon EP: 6

2002: Party Right (promo white label 12") / Brooklyn Music Presents Pro.File 1: Meat Beat Manifesto/Jack Dangers Remix Collection: 5

The Vividly Imagined Experience (41:18) (Box) (Mega)

On The Soul...De La, That Is

A tribute to David Jude Jolicoeur aka Plug 2 aka Trugoy The Dove aka one third of hip hop legends De La Soul, 21st September 1968 to 12th February 2023.

Another sad loss, all the more tragic that Trugoy was 54 years old, barely any time in the scheme of things. But what he achieved in his life cannot be underestimated. 

 

I can't pretend that I was so on it as a teenager that I immediately switched on to hip hop and rap music and got 3 Feet High And Rising as soon as it hit the record shops in 1989. But I really liked De La Soul. Over three decades later, their impact on music as a whole - not just genres - is perhaps only just beginning to be fully appreciated. After many years of legal entanglements, the release of De La Soul's early albums on streaming services next month will bring their music to a new generation.

I'm definitely not qualified to write about De La Soul's influence or Trugoy The Dove's contribution to establishing a new narrative and form of expression, but I can share a selection of songs that I love. In my usual cobbled-together-at-the-last minute style, this 10-track selection mostly draws from the earlier singles, throwing in a few songs from a budget De La Soul compilation I picked up a while ago. 

 

I also had to include their contribution to the Judgement Night film soundtrack, itself made up of collaborations between rap and hip hop artists and guitar bands, be it indie, thrash or grunge. Teenage Fanclub were the unlikely partners with De La Soul, but somehow it works. 

Gorillaz took it to it's logical next step in the 21st Century. Where else would you see De La Soul performing on stage with Damon Albarn, Gruff Rhys, Mick Jones and Paul Simonon?

Rap in power, Dave, Plug 2, Trugoy, all of you.

 

1) Eye Know (7" Mix By Prince Paul): De La Soul (1989)

2) Oooh (Rae & Christian Remix): De La Soul ft. Redman (2000)

3) Superfast Jellyfish: Gorillaz ft. De La Soul & Gruff Rhys (2010)

4) The Magic Number (1-2-3 Mix By Chad Jackson): De La Soul (1989)

5) It's A New Thing (It's Your Thing) (D-Nat & Onda Reconstruction): The Isley Brothers ft. De La Soul (2004)

6) Me Myself And I (Extended Version By Richie Rich): De La Soul (1989)

7) Long Island Degrees: De La Soul (1995)

8) A Roller Skating Jam Named "Saturdays" (Radio Home Mix By David Morales): De La Soul ft. Vinia Mojica (1991)

9) Fallin' (Faded Album Version): Teenage Fanclub & De La Soul (1994)

10) All Good?: De La Soul ft. Chaka Khan (2000)

 

On The Soul...De La, That Is (44:20) (Box) (Mega)

With A Dream In Your Heart You're Never Alone

Celebrating Burt Bacharach, 12th May 1928 to 8th February 2023.

Burt Bacharach has been a huge part of my life lived through music, even when I was largely ignorant of this fact until I got to my teens and started paying more attention to the people behind the songs. Falling in love, falling out of love, Burt Bacharach captured the musical mood and, with Hal David, nailed the thoughts, feelings and dilemmas that listeners could relate to.

My initial 'shortlist' for this selection was ridiculously long, so I've ruthlessly cut it to ten songs and a little over half an hour. In the 1990s, I bought a budget compilation called The Burt Bacharach Songbook, a 23-track silver disc of solid gold songs. I could easily have just picked the ten from that alone and it would have been great. A few have made the cut here but I've interspersed them with some more contemporary cover versions from BMX Bandits, Terry Hall, Kevin Rowland, Espiritu aka Vanessa Contenay-Quiñones and Richard X featuring the unique talent that is The Flying Lizards' Deborah Evans-Stickland.

Given Bacharach and David's long and fruitful collaboration with Dionne Warwick, it would have been remiss of me not to start the selection with one of her songs, with three more covers along the way. The selection closes with my favorite cover of I'll Never Fall In Love Again, by Bobbie Gentry. 

Lots more for a future part two and part three, but this is a brisk reminder of Burt Bacaharch's brilliance with a tune that hits all the emotional sweet spots. Thanks for all the music, Burt.

1) Do You Know The Way To San Jose: Dionne Warwick (1968)

2) It Doesn't Matter Anymore (Cover of Ricky Nelson): BMX Bandits (1998)

3) Close To You (Cover of '(They Long To Be) Close To You' by Richard Chamberlain): Terry Hall (1997)

4) Anyone... (Edit By Rob Smith & Ray Mighty) (Cover of 'Anyone Who Had A Heart' by Dionne Warwick): Smith & Mighty ft. Jackie Jackson (1988)

5) You'll Never Get To Heaven (If You Break My Heart) (Cover of Dionne Warwick): The Stylistics (1976)

6) Walk On By (Cover of Dionne Warwick): Richard X ft. Deborah Evans-Stickland (2003)

7) Always Something There To Remind Me (Radio Version By Phil Bodger) (Cover of Sandie Shaw): Espiritu (1994)

8) This Guy's In Love With You (Cover of Danny Williams): Kevin Rowland (1999)

9) Only Love Can Break A Heart (Cover of Gene Pitney): Timi Yuro (1981)

10) I'll Never Fall In Love Again (Cover of Jill O'Hara & Jerry Orbach): Bobbie Gentry (1969)

A Dream In Your Heart (32:28) (Box) (Mega)

Why Does The Darkness Elope?

Sleaford Mods. 

 

Florence Shaw from Dry Cleaning. 

 

Song named after a 1978 war film. 

 

Video filmed in a working men's club. 

 

Chock full of brilliant lines, e.g. "that’s my road kill hat, don’t touch it"

 

Force 10 From Navarone follows last month's drop of the title track from forthcoming album UK GRIM, out on March 10th. 

 

Stay angry. 

Return To The Valley Of Kissing The Mix

Side 1 of a mixtape, compiled 21st April 2000. It's back to the 80s indie-not-indie disco time with another eight twelve inch hits and misses. 

Starting off with Prefab Sprout and Paddy McAloon's love song to the Big Apple. A wonderful song, Hey Manhattan! had the thankless task of being the follow up single to The King Of Rock 'n' Roll, their first (and only) Top 10 hit in the UK, reaching #7. Hey Manhattan! also had a '7' in it's highest chart placing. Unfortunately, that '7' was #72. It deserved better.

 

Lloyd Cole & The Commotions fared better, reaching #17 with Lost Weekend, two places higher than previous single Brand New Friend and, it turns out, Lloyd's biggest UK single success, with or without The Commotions.

Howard Devoto followed up Magazine and a solo album with Luxuria, a partnership with Norman Fisher-Jones aka Noko. After two albums and a handful of singles, the pair worked again, Devoto writing lyrics for songs on Apollo 440's debut album and Noko later joining the reformed Magazine in 2009. The 12" of Redneck was a beautiful thing, the vinyl single housed in an embossed brown cardboard sleeve. 

I really liked China Crisis' first album but didn't get any of the follow ups until well into the 21st century. I did go back and buy the 12" singles in the late 1980s and early 1990s. Hanna Hanna wasn't a particular favourite as a single, but the extended mix won me over. It's only when I looked up the lyrics and listened more closely to the song that Gary Daly snuck in the F-bomb with the verse,

 

"We're living on a catwalk, catwalk
And swimming with the sharks
Biting into poison, poison
In a city all full of fucking sharks"

 

Naughty Gary, wash your mouth out with soap. If you're quick, you can catch up with the rather wonderful Imaginary Compilation Album of ten China Crisis gems over at The Vinyl Villain. So good that Martin, who collated the collection, didn't even need to include this song. 

 

By 1984, Wang Chung (formerly Huang Chung) were a core duo of Jack Hues and Nick Feldman and were enjoying greater success on the other side of the pond. Wait was taken from the soundtrack to the film To Live And Die In L.A., starring William Peterson and Willem Dafoe. Depending on which 12" single you bought, the 12" version featured here was variously known as Wait (Special U.K. Remix), Wait (Extended Dance Remix) or just plain Wait (Remix).  

 

If, like me, you knew Kissing The Pink for their 1983 UK Top 20 pop noir single The Last Film, their return as SAW-affiliated pure popsters was a bit of a surprise. Thankfully, no sign of Stock, Aitken or Waterman on the mix here and Phil Harding did have form remixing the likes of Nitzer Ebb and Depeche Mode. Personally, I enjoyed the run of singles from this period, but neither this musical volte face or a rebranding as KTP changed their chart fortunes in the UK. We're an unforgiving lot who dislike change, I guess...!

 

I'll put it straight out there: if you want to hear the definitive version of Bedbugs And Ballyhoo by Echo & The Bunnymen, then head straight to the B-side of Bring On The Dancing Horses. They re-recorded the song with The Doors' Ray Manzarek at the controls and keyboard. It's good but it's a bit like gilding the lily in my opinion. Being a sucker for an extended remix however, when I was on a family holiday in Florida in 1988 and snuck off to find a record shop, my haul included this 5-track 12" single. Ivan Ivan's a fairly safe pair of hands and he does a fairly decent job on this.

In the week that Depeche Mode announce their return with a new single, Ghosts Again, See You is a nice reminder of their melancholic pop days. The video, directed by Julien Temple, is a pretty cute narrative and a reminder of how much of a social focal point the humble photo booth was. My own photo booth collection, though with several losses and gaps over the years, tracks an intriguing narrative of friends, girlfriends and a variety of frankly ill-advised hairstyles. The video is also interesting in that Alan Wilder had clearly come on board slightly too late to be included in the full video. So, it's mostly Gahan, Gore and Fletcher, with a few blink-and-you'll-miss-them cuts to Wilder in a completely different room!

Happy Friday, everyone. 

1) Hey Manhattan! (JFK Version By Tony Phillips): Prefab Sprout (1988)

2) Lost Weekend (Extended Version By Clive Langer & Alan Winstanley): Lloyd Cole & The Commotions (1985)

3) Redneck (Album Version By Gavin MacKillop, Howard Devoto & Noko): Luxuria (1988)

4) Hanna Hanna (Extended Mix By Mike Howlett): China Crisis (1984)

5) Wait (Special U.K. Remix By Stephen Lipson): Wang Chung (1984)

6) Never Too Late To Love You (Kissing The Mix By Mixmaster Phil Harding): Kissing The Pink (1986)

7) Bedbugs And Ballyhoo (Club Remix By Ivan Ivan): Echo & The Bunnymen ft. Ray Manzarek (1988)

8) See You (Extended Version By Daniel Miller & Depeche Mode): Depeche Mode (1982)

 

Side One (46:19) (KF) (Mega) 

Side Two here