Shakin' That Ass

The third and final compilation of my nominations for the #90sRumpShaker BlueSky challenge, hosted by @stevenh1974.bsky.social throughout August. If you liked the first two, then you will not be disappointed. If you didn't then, er, you will.

Today's selection opens and closes with my first and last picks, namely Back To Front by Adamski featuring Ricky Lyte (RIP) and remixed by Leftfield, and Tinseltown To The Boogiedown by Scritti Politti featuring Mos Def and Lee Majors (no, not that one), remixed by Psycho Les aka Lester Fernandez from The Beatnuts.

None of the other eight songs fall below the high bar set by these two, whether it's the dancehall grooves of Dawn Penn and Apache Indian to the trance-formative techno of David Holmes and Ashley Beedle's epic remix of Sugar Daddy by Secret Knowledge.

I've even managed to squeeze in Eurovision 1995 hopefuls Love City Groove, whose self-titled song managed a respectable 10th place in the final. The bigger draw for me is that, inexplicably, the commercial single release included an 11-minute remix by none other than Jah Wobble that is worth the sticker price alone.

I'm taking a break from BlueSky challenges in September, but will no doubt dive back in the near future. A few of the artists featured in the past three days should also be due their own moment in the Dubhed selection spotlight, hopefully before the end of 2026.

1) Back To Front (The Rub It Radio Edit By Leftfield): Adamski ft. Ricky Lyte (1992)

2) You Don't Love Me (No, No, No) (Extended Mix By Steely & Clevie): Dawn Penn (1994)

3) Magic (Sasha's Black Magic Mix): Sasha ft. Sam Mollison (1994)

4) Love City Groove (Seek Understanding Beyond Immediate Perception Mix Long Version By Jah Wobble): Love City Groove (1995)

5) Fever Called Love (Hardfloor Radio Edit): Rising High Collective (1994)

6) Toxygene (Album Version): The Orb (1997)

7) Starlovers (Album Version): GusGus (1999)

8) Sugar Daddy (Out Of Our Brains On The 5.15 Mix By Disco Evangelists aka David Holmes & Ashley Beedle) (Single Edit): Secret Knowledge (1993)

9) Real People (Gaudi Remix By Daniele Gaudi): Apache Indian (1997)

10) Tinseltown To The Boogiedown (Psycho Les Variation): Scritti Politti ft. Mos Def & Lee Majors (1999)

#90sRumpShakersVolumeThree (59:37) (GD) (M)

Booty-full

You may be relieved to read that the post title is the one and only reference to Bernard Matthews, as I present my second selection collated from the #90sRumpShaker BlueSky challenge, hosted by @stevenh1974.bsky.social last month.

Ten tracks and (hopefully) not a single turkey amongst them. 

Utah Saints sample Phil Oakey to great effect on Believe In Me, Fortran 5 go one step further and get Neil Arthur in the studio for Persian Blues, whilst The Source resurrect a forgotten Candi Staton vocal for a second time, with similarly epic results. And Soho's appropriation of Johnny Marr's unforgettable guitar effect from How Soon Is Now? is the stuff of legend.

Bentley Rhythm Ace, Global Communication and Roni Size Reprazent brought fresh perspectives to dance music in the late 1990s, whilst respecting the past, and Temple Head by Transglobal Underground was, for me at least, one of the songs that defined the optimism of the (then new) decade, the hope of a better world. 

To close, arguably the most unlikely pairing of the decade, Traci Lords teaming up with Juno Reactor aka Ben Watkins and Johann Bley for music that is a little bit techno, a little bit trance, and never dull.

The third and final volume will be landing tomorrow. Hope to see you there!

1) Believe In Me (12-Inch Mix): Utah Saints (1993)

2) You Got The Love (Now Voyager Mix): The Source ft. Candi Staton (1996)

3) Release The Pressure (Album Version): Leftfield ft. Earl Sixteen & Papa Dee (1995)

4) Bentley's Gonna Sort You Out! (Full Version): Bentley Rhythm Ace (1997)

5) Hippychick (Extended): Soho (1990)

6) Persian Blues (3YE1270 Mix): Fortran 5 ft. Neil Arthur (1993)

7) The Way (Original Mix): Global Communication (1996)

8) Temple Head (Zenana Mix): Transglobal Underground (1991)

9) Share The Fall (Version): Roni Size Reprazent ft. Onallee (1997)

10) Control (Olympic 7" Edit): Traci Lords (1994)

#90sRumpShakersVolumeTwo (1:00:02) (GD) (M)

Excuse Me, Is That A Rump Shaker?

Fresh off the finish line of the #90sRumpShaker BlueSky challenge, hosted by  @stevenh1974.bsky.social, with 31 songs, sorted and (re)sequenced as 3 hour-long selections over the next 3 days.

I'll address the elephant in the room straight away, in case you've been peeking ahead at the tracklisting.

Yes I know that Eye Know by De La Soul was released in 1989....well, at least, I remembered after I'd already posted it on 25th August. However, I will point out that Eye Know was still in the Top 100 UK singles by January 1990, the same month that parent album 3 Feet High And Rising finally went Top 20. 

So, Eye Know gets in on a technicality. Besides, the 12" remix by CJ Mackintosh and Dave Dorrell was too good to leave out.

By 1990, Bananarama lost Siobahn Fahey and gained Jacqui O'Sullivan, and swapped PWL for Boy's Own with a scene-referencing remix of Only Your Love by Terry Farley.

Fluke were on a roll in 1993, their remixes here, there and everywhere, including the one featured here, a magical Magimix of Spooky by New Order.

Everybody was getting in on the remix act, including Annie Lennox, whose chart-friendly hit Little Bird was taken out, consumed copious amounts of booze and drugs, and found itself raving in a field at 3:00am to the sounds of N-Joi.

Even The Fall were not immune. My 10" single of 1998 single Masquerade contains not only a PWL remix but a makeover by Mr. Natural aka Aaron Gilbert that's a fair approximation of The Chemical Brothers.

And there's plenty more where that came from! See you tomorrow.

1) Eye Know (The Know It All Mix): De La Soul (1989)

2) Bodyrock (Single Remix): Moby ft. Nikki D (1999)

3) Everybody Dance (Chic Inspirational Mix) (Cover of Chic): Evolution ft. Yvonne Shelton (1993)

4) Only Your Love (A Tribute To Barry Mooncult Mix): Bananarama (1990)

5) Little Bird (N-Joi Version): Annie Lennox (1993)

6) Fall From Grace (Free Me) (Remix By Eskimos & Egypt & Pro-Gress): Eskimos & Egypt ft. Diane Charlemagne (1992)

7) Spooky (Magimix By Fluke): New Order (1993)

8) Moves Like You (Album Version): Cath Carroll (1991)

9) Flavor (Part 2) (Reorganized, Repeated, Destroyed & Simonized By Beck, Mario Caldato Jr. & Mike D.): The Jon Spencer Blues Explosion (1995)

10) Masquerade (Mr. Natural Mix): The Fall (1998)

11) Rude Boy Rock (Album Version): Lionrock (1998)

#90sRumpShakersVolumeOne (1:02:40) (GD) (M)

#HappyMusicVolumeTwo

This second #HappyMusic selection, gathering 15 songs I picked for Griff's music challenge on BlueSky, ending today. If you missed yesterday's post, songs were eligible if they:

-- make you happy

-- include the word "happy"

-- contain any variation of "happy" in the title, lyrics or band name

-- feature a synonym of "happy"

-- remind you of happiness

As with yesterday's selection, today's featured songs - with the exception of the closer - are not in the order that I posted them, as I was making it up as I went along. I'm pretty happy with how the two mixtapes worked out.

Today's selection gets off to a cracking start with The Icicle Works (my pick on 10th August),  and embracing The Doors, Scritti Politti, The Raveonettes, The Undertones, Madness, Confidence Man, U-Roy, Donovan and a fab cover version by The Siddeleys.

Pussycat by Mulu provided the inspiration for the album artwork for the two volumes, whilst the super final song by Al MacKenzie - one half of D:Ream - has the perfect lyrical sentiment:

"You only get one chance at life, try not to fuck it up"

I can certainly get with that.

September beckons tomorrow. What challenge will the month bring?

1) All The Daughters (Of Her Father's House) (Long Version): The Icicle Works (1985)

2) That Great Love Sound (Album Version): The Raveonettes (2003)

3) Love Grows (Where My Rosemary Goes) (Cover of Edison Lighthouse): The Siddeleys (1990)

4) It's Going To Happen! (Album Version): The Undertones (1981)

5) Jump For Joy: U-Roy (1976)

6) Mellow Yellow: Donovan (1967)

7) Francisca (Album Version): Espiritu (1992)

8) Up, Up And Away (Happy Sexy Mix By Danny Rampling): The Beloved (1990)

9) Pussycat (François Kevorkian Mix Edit): Mulu (1997)

10) Touch Me (Album Version): The Doors (1969)

11) Wings Of A Dove (Single Version): Madness (1983)

12) Holiday (Album Version): Confidence Man (2021)

13) Boom! There She Was (Album Version): Scritti Politti ft. Roger Troutman (1988)

14) The Crunch (Part 1) (Album Version): RAH Band (1977)

15) Life Is Short, Live It Well (Vocal Mix): Al MacKenzie (2026)

1967: Mellow Yellow: 6

1969: The Soft Parade: 10

1978: The Crunch & Beyond: 14

1981: Positive Touch: 4

1983: Wings Of A Dove EP: 11

1985: All The Daughters (Of Her Father's House) EP: 1

1988: Provision: 13

1990: Alvin Lives (In Leeds): Anti Poll Tax Trax: 3

1990: Blissed Out: 8

1995: Always...: 7

1997: Pussycat EP: 9

2003: Chain Gang Of Love: 2

2005: U-Roy Meets King Tubbys: 5

2021: Tilt: 12

2026: Evil Acid Barons: 15

#HappyMusicVolumeOne (1:03:23) (GD) (M)

#HappyMusicVolumeOne

#HappyMusic is one of two BlueSky music challenges I've been taking part in August, this one set by Griff, with a inclusive brief to post any music that:

-- makes you happy

-- includes the word "happy"

-- contains any variation of "happy" in the title, lyrics or band name

-- features a synonym of "happy"

-- reminds you of happiness

I started with a song by bdrmm and have been pretty much making it up as I go along ever since. I have tomorrow's final contribution picked and ready to go, so it seems as good as time as any to post my selections here over the next two days.

Goodness knows we could all do with a bit of happy right now!

Rather than create selections in the order I posted them, I've compiled two hour-long mixtapes, pulling my picks from here, there and everywhere to create what I think is a better "in one go" listening experience.

Volume One starts with the wonderful Groovy Feeling by Fluke (posted on 4th August) and ends with The Statue Got Me High by They Might Be Giants (posted on 15th August). Along the way, you get Olivia Newton-John & Electric Light Orchestra, Teenage Fanclub, Chic, Wreckless Eric, bdrmm, The Peanut Butter Conspiracy, Dream Warriors, Nelly Furtado, Julian Cope and many more.

Be here tomorrow for some Bank Holiday happiness!

1) Groovy Feeling (Make Mine A 99): Fluke (1993)

2) Xanadu (Single Version): Olivia Newton-John & Electric Light Orchestra (1980)

3) Do You Love Me Like You Say? (Album Version): Terence Trent D'Arby (1993)

4) Miss Modular (Single Version): Stereolab (1997)

5) Bon Bon Bon (Album Version): Vanessa Contenay-Quiñones (2008)

6) Belt: Teenage Fanclub (1993)

7) The Greatness And Perfection Of Love (Remixed Version): Julian Cope (1984)

8) Happy (International Teachers Of Pop De-Mix): bdrmm (2020)

9) Good Times (Edit By Khayem): Chic (1979)

10) Wash Your Face In My Sink (Original Mix): Dream Warriors (1990)

11) Whole Wide World (Album Version): Wreckless Eric (1977)

12) Steve: Billy Reeves (2024)

13) Vitamin D: Psychederek (2023)

14) It's A Happening Thing: The Peanut Butter Conspiracy (1967)

15) I'm Like A Bird (Album Version): Nelly Furtado (2000)

16) The Statue Got Me High (Album Version): They Might Be Giants (1992)

1967: The Peanut Butter Conspiracy Is Spreading: 14

1977: Wreckless Eric: 11

1979: Good Times EP: 9

1980: Xanadu EP: 2

1984: The Greatness And Perfection Of Love EP: 7

1990: Wash Your Face In My Sink EP: 10

1992: Apollo 18: 16

1993: Six Wheels On My Wagon: 1

1993: Terence Trent D'Arby's Symphony Or Damn: 3

1993: Volume Seven: 6

1997: Miss Modular EP: 4

2000: Whoa, Nelly!: 15

2010: Allez Pop!: 5

2020: Happy EP: 8

2023: Vitamin D / Oven Ready EP: 13

2024: Steve (A Weekend In Egham, 1996): 12

#HappyMusicVolumeOne (59:11) (GD) (M)

Four Hundred And Seventy Times Six

A six song selection for Saturday, some strange bedfellows, but all committed to the groove.

Fortran 5 were formed from the ashes of I Start Counting, record label Mute perhaps hoping for a smidge of commercial success, given the proliferation of sample-heavy dance music in the popular charts. 

It didn't happen, and Fortran 5 remain an under appreciated gemstone compared to the diamond brightness of Orbital or The Prodigy. Crazy Earth was Fortran 5's debut single, one of many songs inspired by Syd Barrett-era Pink Floyd, specifically The Piper At The Gates Of Dawn. The sample here is from The Gnome. Isn't it good?

The Men was an experiment by The Human League Mk. I, aka Philip Oakey, Martyn Ware and Ian Craig Marsh, to see if they could have a hit single. The disco-inspired 7" single I Don't Depend On You featured Phil backed by Katie Kissoon and Lisa Strike, wasn't heavily promoted and failed to dent the charts, but remains an ear-pleasing curio. 

In 2011, gkugno from Italy addressed the three-decade lack of a 12" version of I Don't Depend On You by creating an edit from the A-side and instrumental B-side aka Cruel, then posting it on YouTube. I think he did a pretty good job.

The mysterious mind behind MATDMixes has a similar M.O. What is less of a mystery is who their favourite artist is, as the YouTube page is dedicated to re-edits and remixes of music by Marina Diamandis aka Marina & The Diamonds aka Marina. 

I've featured their 2020 extended mix of Living Dead in a Marina-themed Dubhed selection, but it stands just as well in this mixed crowd. I'd recommend checking out the many, many MATDMixes available online.

Circuit, Lap 2 is the sole EP in my collection by Paris-based David Rubato, though he only seems to have released a handful of singles in the late Noughties and these days practices as a music teacher.

Circuit, Lap 2 is a companion piece to 2008 single Circuit, this one containing remixes by DJ Mehdi, Steve Moore, Siriusimo and - featured here - Aeroplane.

Personal Jesus has become one of Depeche Mode's best known songs. Even back in 1989, it marked a change of direction for the Basildon boys, and a precursor to their global smash album Violator.

François Kevorkian was their go-to for remixes at this point in time and as Depeche Mode singles came in two 12" vinyl varieties by default, there were multiple FK versions of this song, including the Holier Than Thou Approach and Telephone Stomp Mix. I've gone for the Pump Mix on the limited edition remix 12", the longest of the three and stretching out that pulsing electronic groove and dropping in a TV evangelist sample here and there. Great stuff.

Betty Boo may be an unexpected choice to close this selection. However - and with apologies to the fabulous Alison Clarkson - this remix by David Morales doesn't feature her voice at all....

Catch Me was a single from second album Grrr! It's Betty Boo in 1992, which couldn't match the chart success of her debut, but was a decent attempt to expand her songwriting and performance. Happily, albums #3 and #4 arrived thirty years later and the world is a brighter place for having Betty Boo back in it.

I will endeavour to keep the happiness going tomorrow....

1) Crazy Earth (Full Greenhouse Effect Mix By Edson Arantes Di Nascimento): Fortran 5 (1990)

2) I Don't Depend On You (Extended Re-Edited Version By gkugno): The Men (2011)

3) Living Dead (Extended Mix By MATDMixes): Marina & The Diamonds (2020)

4) Circuit (Aeroplane Remix By Stephen Fasano & Vito De Luca): David Rubato (2008)

5) Personal Jesus (Pump Mix By François Kevorkian): Depeche Mode (1989)

6) Catch Me (Def Version By David Morales): Betty Boo (1992)

1989: Personal Jesus EP: 5

1990: Crazy Earth EP: 1

1992: Catch Me EP: 6

2008: Circuit, Lap Two EP: 4

2011: I Don't Depend On You EP: 2

2020: Living Dead EP: 3

Four Hundred And Seventy Times Six (46:39) (GD) (M)

Loosen Up And Jump Right In

I loved Friendly Fires' debut album in 2008, kind of missed their follow up Pala in 2011 and was completely oblivious to their third album Inflorescent in 2019. To be honest, in 2026 I thought that Friendly Fires were no longer a going concern.

So, the arrival on Wednesday of new single Lose All Your Friends was as unexpected as it was welcome. 

Co-founder Jack Savidge has departed, leaving Ed Macfarlane and Edd Gibson to continue, but this is a promising return. Rather than recreating their original sound from 2008, they've arguably gone back another twenty years, with a sound that's reminiscent of the sunset / Balearic / comedown sounds of 1988.

If you like the 3:48 video version, you buy the full 5 minute single version from Bandcamp for the bargain price of 80p, or go for the usual streaming/download suspects.

I'm also going to track down Pala and Inflorescent, and reacquaint myself with their self-titled debut. The latter got off to a rousing start with this single, which I misheard as "Jump In The Poo" and have been stuck with ever since...

Should Have Been Higher

No, Elmo, today’s post is brought to you by the letter S and the number 3! Hello, Spacemen 3!

In July, the wonderful No Badger Required blog ran a series counting down Rock's Greatest Number, that is, bands or artists with a number in their name.

I had the privilege of making nominations and casting votes as a member of the Musical Jury. That said, the role doesn't presume any expertise, knowledge or skill or that I have the faintest idea what I'm talking about. Even a casual visitor to this blog will pick up that I've spent a lifetime being out of step with musical trends and popular opinion.

Rock's Greatest Number may be considered a prime example of this, as I placed Spacemen 3 at number 15 in my Top 20 of the shortlisted candidates, which contributed to their final placement at #6 in the official countdown.

"Sixth?  Sixth?  What were the musical jury thinking" NBR mastermind SWC wondered at the time. "Spacemen 3 should be, oooh, five places higher, at least.  They are clearly rocks greatest band to have a number in their names.  Whose stupid idea was it to involve the thoughts of other people anyway….?"

It's reasonable to say that SWC's love of Spacemen 3 is well documented.  

My relationship with the music of Spacemen 3 has been different and, well, complicated.

To be honest, I got annoyed with Spacemen 3 before I even heard a single note, thanks to hipster music journos in the late 1980s and early 1990s who banged on that you needed to be on drugs to really ‘get’ their music. 

Although to be fair, Spacemen 3’s album titles - The Perfect Prescription (1987) and especially Taking Drugs To Make Music To Take Drugs To  (1990) - didn’t exactly help provide an opposing view. 

I didn’t like being told what music I should listen to and what drugs I should take to listen to it. So, I did my usual teen thing of going the opposite way.

Therefore, I skirted Spacemen 3 during their lifetime and I only found my way back to them in the mid-1990s after first falling in love with Spiritualized, the band that Jason Pierce formed immediately following. 

Ironic really as, if anything, Spiritualized took the drug references to their logical and ludicrous conclusion, but I appeared to have no problem with that whatsoever. 

It also took a few more years before I explored and appreciated Pete Kember's aural excursions as Sonic Boom. Which just goes to show what a hypocrite I am.

Anyway, taking to long way round to Jason and Pete's band of course revealed that Spacemen 3 made beautiful music all along. I've shared some examples below.

Today's post is also dedicated with thanks - and apologies - to SWC. Spacemen 3 should have been higher. 

{Sonic) Boom, boom.

 

 

 

A Very Avery Dozen

I'm constantly fascinated by and drawn to Daniel Avery's music, whether his own creations or his reworkings of other artists. Daniel is experiencing a particularly productive period with the latter of late, so much so that it's hard to keep track of it all. 

Last week's release of Out Of My Reach by Jehnny Beth was the latest addition to a dizzying and varied collection of Daniel Avery remixes. 

So, as a post-cum-shopping list, here are twelve remixes from the last couple of years, and mostly from the last 12 months. Many of them are available to buy in digital format, but I've also included links to the artist's own store or Bandcamp page so you can have a rummage around their catalogue whilst you're there. 

1) Out Of My Reach (Daniel Avery Remix): Jehnny Beth

2) Atom Bomb (Daniel Avery Nuclear Summer Remix Edit): Fluke

3) The World’s Biggest Paving Slab (Daniel Avery Remix): English Teacher

4) DRONE:NODRONE (Daniel Avery Remix): The Cure

5) Wait And Wait (Daniel Avery Remix): MOTO SOLO

6) Hallelujah (Daniel Avery Remix): Happy Mondays

7) Be Enough (Daniel Avery Remix): Acopia

8) Powerless (Daniel Avery Remix): Woomb

9) Endless Deathless (Daniel Avery Remix): Just Mustard

10) Carry The Blame (Daniel Avery Remix): Demise Of Love

11) kisses (Daniel Avery Remix): Slowdive

12) Weak In Your Light (Daniel Avery Remix): Nation Of Language

 

 

 

 

 

 

 

 

 

 

I Owe A Lot To A Dead Man’s Cock

Someone wisely advised not to rely on the first line of a song as the inspiration for blog post titles. However, when the above is the opening line of the opening song of Robyn HItchcock's new album, The Confuser, it would be remiss of me not to!

The Confuser actually came out a month ago yesterday and it was Monday's posting of the video for Wasted, the album's closing song and fifth single, that grabbed my attention.

So, for my benefit as much as yours, here are all five videos in tracklist order, with links to buy the album from the official website or Robyn’s Bandcamp site

Robyn's on tour, including UK dates in September and October. 

It's polka time!