In Amongst The Moshers

January will be a gig-free month for me, so to fill the void I've compiled a imaginary live set featuring some top-notch performances from 1977 to 1979. And imagine the mosh pit!

 

The formidable line-up includes The Fall, Joy Division, Blondie, The Clash, The Specials, Scritti Politti and Magazine with heavyweight appearances from The Police, John Cale and David Bowie.

I even managed to sneak in some John Cooper Clarke.

Enjoy! But no spitting. I don't like spitting.

 

1) Stepping Out (Live @ Electric Circus, Manchester): The Fall (1977) 

2) Detroit 442 (Live @ The Walnut Theatre, Philadelphia): Blondie (1978)

3) Sabotage (Live @ CBGB, New York): John Cale (1979)

4) Armagideon Time (Live @ Hammersmith Odeon, London): The Clash (1979)

5) Guns Of Navarone (Live @ The Lyceum, London): The Specials (1979)

6) Be My Wife (Live @ Earls Court, London): David Bowie (1978)

7) Persecution Complex (Live @ Electric Circus, Manchester): The Drones (1977)

8) Tomorrow (Live @ University Of California, Riverside, California): Wall Of Voodoo (1979)

9) Bronze Adonis (Live @ Rafters, Manchester): John Cooper Clarke (1978)

10) Miracle Man (Live @ The Nashville Room, London): Elvis Costello & The Attractions (1977)

11) She Can Only Say No (Live): The Undertones (1979)

12) Art Forever (Live @ Acklam Hall, London): Scritti Politti (1979)

13) Time's Up (Live @ Electric Circus, Manchester): Buzzcocks (1977)

14) Message In A Bottle (Live @ Park West, Chicago): The Police (1979)

15) At A Later Date (Live @ Electric Circus, Manchester): Joy Division (1977)

16) Definitive Gaze (Live @ Lesser Free Trade Hall, Manchester): Magazine (1978)

In Amongst The Moshers (49:49) (KF) (Mega)

Woke Up This Morning, Feeling Blue

An hour-long Bob Dylan selection? Either a really great idea... or a really bad one. Still, when have I ever let a bad idea hold me back?

I'll be honest: Dylan failed to move me in my teens, my twenties, arguably a chunk of my thirties. He was just "that guy" that everyone held up as one of the greatest songwriters of all time. Oh, and for a brief period, a Travelling Wilbury.

But the slow creep began, way back with a cassette compilation from my friend, featuring Desolation Row in all it's 11-minute glory. I got into The Byrds in the 1990s, which meant absorbing Dylan's music by an osmosis-like process (Bobmosis?) Buying music magazines inevitably meant even more Bobness via countless cover mount CDs and cover versions.

When I finally relented, I think Highway 61 Revisited was the first Bob Dylan album that I acquired. And of course it's brilliant. Over the years, I've sporadically added to the collection, even cheated by getting the 2007 Dylan 3CD anthology for something like eight quid brand new from Fopp in Bristol.

For all that though, I still know next to nothing about Bob Dylan and his music. So, there was a degree of trepidation in approaching a Dylan Dubhed selection, not least because I also had the grand ambition of wanting to include at least one of his songs from the past 7 decades. 

The 1960s and 1970s choices were the hardest, mainly as that's the greatest density of Dylan songs that I own. Into the 21st Century and approaching the present day, it became slightly easier as I usually had either one album or a handful of songs to pick from.

The end result spans 1964 to 2020, taking in singles, outtakes, cover versions, album deep cuts, but mainly ploughing a downtempo, bluesy groove. 

Earlier this week, Swiss Adam wrote a fascinating piece on 1984's Jokerman (which you can find here), with the brilliant line about parent album Infidels, "it's 80s Dylan and must be approached with caution". 

I've heeded that advice, so just a couple of appearances here from the Eighties: Everything Is Broken from Oh Mercy (1989) and Emotionally Yours, which appeared on 1985's Empire Burlesque. The lovely alternate take of the song featured in this selection came from a Mojo magazine freebie last year, entitled 14 Hidden Gems From The Bootleg Series 1963-1997.

The 14-song selection is mostly half-and-half, 8 from the 20th Century, 6 from the 21st. Many of Dylan's greatest albums are criminally missed off, but I like this whirlwind tour of the outskirts. A fool's errand perhaps, but I'm okay with that.

Enjoy!

1) Forever Young ('Slow' Album Version ft. The Band) (1974)

2) Meet Me In The Morning (1975)

3) Positively 4th Street (1965)

4) Long And Wasted Years (2012)

5) All I Really Want To Do (1964)

6) Blood In My Eyes (1993)

7) Crossing The Rubicon (2020)

8) 900 Miles From My Home (Cover of traditional song) (ft. The Band) (1967)

9) Not Dark Yet (1997)

10) Let It Be Me (Cover of Gilbert Bécaud / The Everly Brothers) (1970)

11) Everything Is Broken (1989)

12) When The Deal Goes Down (2006)

13) Emotionally Yours (Alternate Take) (1985)

14) Po' Boy (2001)

1964: Another Side Of Bob Dylan: 5

1965: Positively 4th Street EP: 3

1970: Self Portrait: 10

1974: Planet Waves: 1

1975: Blood On The Tracks: 2

1989: Oh Mercy: 11

1993: World Gone Wrong: 6

1997: Time Out Of Mind: 9

2001: "Love And Theft": 14

2006: Modern Times: 12

2012: Tempest: 4

2014: The Basement Tapes Complete: The Bootleg Series Vol. 11: 8

2020: Rough And Rowdy Ways: 7

2021: Springtime In New York: The Bootleg Series Vol. 16: 1980-1985: 13

Woke Up This Morning, Feeling Blue (59:19) (KF) (Mega)

Tomorrow's Party Will Never End

But why wait until tomorrow when you can have 45 minutes of The Communards today?

It's been just over a month since retired Reverend Richard Coles came third in I'm a Celebrity...Get Me Out of Here! so what better time to celebrate his former former life as a purveyor of perfect pop with partner Jimmy Somerville?

The Communards' huge success with their cover versions of Don't Leave Me This Way and Never Can Say Goodbye - UK #1 and #4 in 1986 and 1987 respectively - arguably overshadowed their power of their own songs. 

Jimmy had sharpened his songwriting skills with Bronski Beat, perfectly combining personal, political and pop lyrics, and these were honed in The Communards. Combined with Richard's multi-instrumental talents, they were a formidable duo.  You need look no further than Disenchanted, one of the finest songs of the 1980s, full stop.

Just a fistful of twelve inch versions, all but one by the legendary Mike Thorne, the other by ZTT uber producer Stephen Lipson, but every single one is a corker. 
 
1) Don't Leave Me This Way (Son Of Gotham City Mix By Mike Thorne) (Cover of Harold Melvin & The Blue Notes): The Communards ft. Sarah Jane Morris (1986)
2) Tomorrow (Extended Version By Stephen Lipson): The Communards (1987)
3) So Cold The Night (12" Version By Mike Thorne) (1986)
4) Disenchanted (12" Mix By Mike Thorne) (1986)
5) You Are My World (12" Version By Mike Thorne) (1985)

Tomorrow's Party Will Never End (44:51) (KF) (Mega)

Finally, Life As It Should Have Been

Throwing Muses are back! Back!! BACK!!! with Summer Of Love, for those of us at least on t'other side of the Atlantic Ocean, released in the middle of dark, icy winter. But then, hasn't Kristin Hersh always been a contrary soul?

Since 1st January, I've been taking part in a music challenge called #23DaysOf4AD over on Bluesky, the idea being that you post two 4AD artists/songs per day between 1st and 22nd January. 

The 45th and final selection will be on 23rd January, which is apparently 4AD's 45th anniversary.

A little over a third of the way in and Throwing Muses (or Kristin Hersh solo) have yet to appear, but they inevitably will. 

It's been over twenty years since Throwing Muses last, self-titled album for 4AD, and nearly as long since Learn To Sing Like A Star, Kristin's final solo album for the label, and I've admittedly only sporadically dipped into the latter's subsequent releases.

Throwing Muses returned a decade later as a 3-piece of Kristin, Bernard Georges and David Narcizo and upcoming album Moonlight Concessions is their third, following Purgatory / Paradise (2013) and Sun Racket (2020). 

In the meantime, Kristin has also found time to release Black Pearl (2022) as 50 Foot Wave (Kristin, Bernard Georges and Rob Ahlers) and Clear Pond Road (2023), her eleventh solo album. So, the creative juices are still flowing freely.

And what of Summer Of Love? At the forefront is an urgently strummed acoustic guitar, Kristin's voice, with other elements - Bernard's electric guitar, baroque bows, occasional synths - underpinned by David's shuffling, shaking percussion. Drugstore Drastic, the other album preview dropped last November, follows a similar pattern to great effect.

 
Moonlight Concessions is out on 14th March, with a vinyl companion Moonlight Confessions, released separately and exclusively via Rough Trade. 

Moonlight Confessions is described by Hersh as "how the record sounded before we slowed ourselves down and cleaned ourselves up [...] and while both records have teeth, Confessions are probably spit through pointier teeth."

Either (or both) albums are an attractive proposition. And Throwing Muses are touring Europe in May and June, including a stop at The Fleece in Bristol. 

Time to throw myself back in?

Nuns On The Run

Girl Missing by Albertine Sarges was an accidental but fun discovery. 

Released as a single on 7th January, it's a precursor - and title track - to her imminent second album. Girl Missing is out in full on 21st February, but a pre-order on Bandcamp will provide downloads of 5 of the 13 songs.

Albertine is Berlin based and her music has been appearing since 2020 via Moshi Moshi Records, a label which I frequently forget how much I enjoy. So, my loss that I've missed out on Albertine's music so far and I will be diving into the back catalogue pronto.

The video for Girl Missing is a lot of fun. Not, as the post title suggests, a homage to the rather underwhelming 1990 film starring Eric Idle and Robbie Coltrane, yet featuring nuns. On the run. Albertine's notes on the song and video's background makes for an entertaining and insightful read.

As these things do, Girl Missing inevitably got me thinking of A.C. Marias, the duo of artist Angela Conway and Wire guitarist Bruce Gilbert, specifically One Of Our Girls Has Gone Missing, also a single and album title, albeit from 35 years ago.

A quick search unearthed the video from 1989 featuring dancer Julie Hood, a founder member of Michael Clark & Co. The previous year, Julie was a key performer in I Am Curious, Orange, the now infamous collaboration between Michael Clark and Mark E. Smith. 

Everything is connected. 

Leftover Sprouts

A selection of Prefab Sprout's TV appearances, circa 1985 to 1990, to brighten your day. 

I'd like to say that this was all planned as a (slightly belated) celebration of Martin McAloon's 63rd birthday on Saturday (4th), but I only realised this when putting together the links for this post. Apologies, Martin, wishing you all the best and thanks for keeping Prefab Sprout's music alive (and live)!

The feast starts off with Paddy McAloon busking The King of Rock ’n’ Roll before it segues to a full band studio performance, then cuts back and forth between the two (visually in the main) before a live wrap up of sorts. 

The other notable things, apart from the brilliant songs and songwriting, is Paddy's variety of grooming and wardrobe choices. I don't remember seeing Prefab Sprout on TV much at the time, apart from the occasional video or Top Of The Pops performance, but it's fascinating to see which Paddy you're going to get.

The bearded look with aviator glasses adorned the sleeve of the Steve McQueen album, but Paddy really rocks it in a live setting, even with the added distraction of Bob Carolgees and Tony Slattery. However, I've never seen the 'tache and linen suit look adopted for the TV promotions for Hey Manhattan before now. And of course 1988's floppy 'curtains' look was surely the inspiration for Shaun Ryder's finest moment a couple of years later.

Wendy Smith is consistently cool throughout, though the performance of Appetite on Italian TV places her so far stage right that she's virtually in the wings. That's a weird one, all round. As is the French TV promo for Cars And Girls, with an introductory link that comes across like an episode of Mind Your Language with the presenter announcing "Prefab Sprooot"!

And Neil Conti just seems to be having the best time, beaming smiles, whatever the show, setting or country. What a guy!

1) The King of Rock ’n’ Roll (Wired, Channel 4, UK) (1988)
2) When Love Breaks Down (Hold Tight, ITV, UK) (1985)
3) Hey Manhattan (Dimanche Martin, Antenne 2, France) (1989)
4) Johnny Johnny (The Tube, Channel 4, UK) (1986)
5) Cars and Girls (unknown show, France) (1988)

6) Looking for Atlantis (Wogan, BBC, UK) (1990)

7) Appetite (unknown show, Italy) (1986)

I posted another set of Prefab Sprout in June last year, none of which are repeated here, so pop on over if you want further visual treats.

I've also reactivated links to Paddy McAloon's Shorts, the 2-sided Dubhed Selection that I originally posted in September 2021. You can find it here.

 

 

 

 

Two Hearts In The Departure Lounge

Celebrating Alex Turner, born 6th January 1986.

 

It's quite frequent for me to admire a singer, songwriter or band and decide to write about them at short notice. This idea popped up twenty four hours ago when I was listening to an Arctic Monkeys song (Despair In The Departure Lounge, if you're asking) and then after a couple of online clicks, realised it was Alex's birthday today.

 

It's also quite frequent for me to assume that I have a reasonable amount of their music in my collection, only to discover that the opposite is true when it comes to planning a Dubhed selection. This is one of those times.

I heard the buzz about Arctic Monkeys but it was quite a while before I actually heard anything by them, very likely after the release of their debut album in January 2006. I can't swear to it, but it may even have been the remix of Fake Tales Of San Francisco by Team9 aka Neil Mason.

I do know that the first Alex Turner-starring album I bought wasn't by Arctic Monkeys at all, it was The Age Of The Understatement by The Last Shadow Puppets in 2008.

 

I love the album and I think Alex is an incredible songwriter with a distinct voice. Yet, I've yet to buy The Last Shadow Puppets' 2016 follow up Everything You've Come To Expect. Or, to date, a single album by Arctic Monkeys.

 

No rhyme or reason. Sometimes, the wish list is so long that certain artists or albums take ages (years!) to get to the top of the list. I'm not one for New Year's resolutions, but 2025 will be the year that I buy my first Arctic Monkeys album!

 

So, today's selection draws from a limited pool of The Last Shadow Puppets' first album and associated single releases, plus random Arctic Monkeys songs drawn from various EPs and compilations circa 2005-2009, plus the aforementioned Team9 remix and a stray song from 2013.

 

I couldn't narrow it down to a C90-friendly 45 minutes, so I've settled on 16 songs, starting with The Last Shadow Puppets, ending with Arctic Monkeys and alternating between the two throughout.

 

The two band's styles are different, but the thing that links them is Alex's songwriting and singing and I think it's a pretty cohesive set overall. 

 

The prospect of another album by The Last Shadow Puppets seems remote, but I will go back to Everything You've Come To Expect at some point. Arctic Monkeys' seventh album, The Car, was released in 2022, so I'm guessing that another may be along before too long. 

 

Suggestions on where to start my Arctic Monkeys catch up would be very welcome. At the beginning? The end? Somewhere random in between? What do you think?

 

1) Two Hearts In Two Weeks: The Last Shadow Puppets (2008)

2) Catapult: Arctic Monkeys (2009)

3) The Age Of The Understatement (Album Version): The Last Shadow Puppets (2008)

4) You Know I'm No Good (Radio 1's Live Lounge Version) (Cover of Amy Winehouse): Arctic Monkeys (2007)

5) Standing Next To Me (Acoustic): The Last Shadow Puppets (2008)

6) Leave Before The Lights Come On: Arctic Monkeys (2006)

7) The Chamber: The Last Shadow Puppets (2008)

8) Bigger Boys And Stolen Sweethearts: Arctic Monkeys (2005)

9) Gas Dance: The Last Shadow Puppets (2008)

10) Fake Tales Of San Francisco (Team9 Kick Me Out Version 9): Arctic Monkeys (2006)

11) Sequels: The Last Shadow Puppets (2008)

12) When The Sun Goes Down: Arctic Monkeys (2005)

13) In The Heat Of The Morning (Cover of David Bowie): The Last Shadow Puppets (2008)

14) You're So Dark: Arctic Monkeys (2013)

15) Time Has Come Again: The Last Shadow Puppets (2008)

16) Despair In The Departure Lounge: Arctic Monkeys (2006)

 

2005: I Bet You Look Good On The Dancefloor EP: 8 

2005: When The Sun Goes Down EP: 12

2006: Fake Tales Of San Francisco (bootleg MP3): 10

2006: Leave Before The Lights Come On EP: 6 

2006: Who The Fuck Are Arctic Monkeys? EP: 16

2007: Radio 1's Live Lounge, Vol. 2: 4

2008: The Age Of The Understatement: 3, 7, 15

2008: The Age Of The Understatement EP: 1, 13

2008: My Mistakes Were Made For You EP: 5 

2008: Standing Next To Me EP: 9, 11

2009: Cornerstone EP: 2 

2013: One For The Road EP: 14

Two Hearts In The Departure Lounge (49:49) (KF) (Mega)

Floating Away With No Thought Of Coming Back

Nearly 62 minutes of Seahawks to usher in the last day of the first weekend in 2025.

 

I almost went for a Seahawks selection last Saturday, but I held off as I wanted to listen to the current album, Time Enough For Love, a few more time before deciding on which track(s) to include. I think the brief pause has made for a more satisfying collection overall.

The selection spans 2012 to 2024, with a big gap between 2013 and 2021, not for lack of quality tunes, but sometimes that's just the way the final track list pans out. Roughly half and half Seahawks originals and remixes of other artists, namely The Horrors, Private Agenda, Eddie Chacon and Tim Burgess. I ended up with three choices form the current album, plus a couple of remixes of Seahawks by Gatto Fritto and Laurel Halo.

Pete Fowler - and Jon Tye, especially - pop up in their own right and under various other aliases in my music collecton, but the music they've created together as Seahawks is something special indeed.

Not quite chill out, there are some hefty beats to be found within, but definitely in the realms of calming and replenishing music.

 

1) Comes In Waves (Seahawks Skying Suite): The Horrors (2012)

2) Malanai Ascending (Seahawks Remix): Private Agenda (2021)

3) Invisible Sunrise (Gatto Fritto New Gold Dawn Mix By Ben Williams): Seahawks (2013)

4) A New Star In The Sky (Album Version): Seahawks (2024)

5) Hurt (Seahawks Remix): Eddie Chacon (2021)

6) New Future Blue (Laurel Halo Deserts Of Mars Mix By Laurel Chartow): Seahawks (2013)

7) Journeys Out Of Mind (Album Version): Seahawks (2024)

8) Stoned Alone Again Or (Seahawks Remix By Pete Fowler & Jon Tye): Tim Burgess (2013)

9) Sail Across The Moon (Album Version): Seahawks (2024)

2012: Higher: 1

2013: Oh No I Love You More: 8

2013: Phantom Sunset: 3, 6

2021: Hurt EP: 5

2021: Submersion EP: 2

2024: Time Enough For Love: 4, 7, 9

Floating Away With No Thought Of Coming Back (1:01:45) (KF) (Mega)

Dub '85

In a very belated follow up to Dub '83, which I posted in September 2023, today's selection is a dozen songs from - you guessed it, 1985 - given a dub overhaul. 

 

John Robie is the only producer from the previous selection appearing here, but he's joined by more heavyweights of 80s remix culture, including Shep Pettibone, Ivan Ivan aka Ivan Baker, Joseph Watt, Rusty Egan, Steve Thompson and Michael Barbiero, Mark Berry and The Latin Rascals aka Albert Cabrera and Tony Moran.

 

It's all about the beats and the edits, with varying degrees of vocals. Not for everyone, but I loved them. It wasn't unusual for me to opt for the 12" B-side over the main mix when compiling mixtapes in the 1980s and 1990s.

 

I think I may have set a precedent with the previous post, of homaging / ripping off (delete as applicable) another, far superior Saturday morning quiz. In for a penny, in for a pound I say, so I've invented five more brain teasers. An hors d'oeuvre, if you will, before the more satisfying meal over at Rol's place.

1) The Vinyl Villain blog covered the Pet Shop Boys singles in 36 parts from January to October 2023. In which part did today's featured dub first appear?

2) Which band features the offspring of legendary TV presenter Bob Holness?

3) What is Bad Manners' front person Buster Bloodvessel's birth name?

4) Which of these songs is a cover version of a flop single from 1983?

5) What do red hat obsessives Devo, singer songwriter Hugh Cornwell, avant garde drummer Robert Williams and 1990s animated TV show Rugrats have in common?

Answers will be posted in the comments later today.

1) I Like You (Dub) (Remix By Shep Pettibone): Phyllis Nelson

2) Here To Go (Here To Dub Version By Ivan Ivan): Devo

3) Sweet Murder (The Smile On Her Face) (Murderess Dub Version By Michael Baker & Axel Kröll / Edited By The Latin Rascals): The Blow Monkeys

4) Opportunities (Let’s Make Lots Of Money) (Dub For Money) (Remix By The Latin Rascals): Pet Shop Boys

5) It's Called A Heart (Emotion Dub) (Remix By Joseph Watt): Depeche Mode

6) Girls Night Out (Dub) (Remix By Nigel Wright & Robin Sellars): Toto Coelo

7) Living On Video (Dub Mix By Claude Allard & Pascal Languirand): Trans-X

8) Dub-Vulture (Remixed By John Robie) (12"): New Order

9) Blue Summer (Dub) (Remix By Steve Thompson & Michael Barbiero): Bad Manners

10) Kings And Queens (Geordie's Dub Mix By Geordie Walker): Killing Joke

11) Come Back (Dub) (Remix By Rusty Egan): Spear Of Destiny

12) Obsession (Dub) (Remix By Mark Berry): Animotion

Dub '85 (1:11:20) (KF) (Mega)

You can find Dub '83 here.

I will get around to Dub '84 at some point, I'm sure.

Was It That Obvious?

Rounding off my 3-day celebration of Australia, what better way to get the weekend started than with Kylie?!

 

If Dubhed was a prize-giving blog, then Charity Chic would have cleaned up yesterday with his astute prediction. Unfortunately, it's not but hopefully the crushing disappointment will be offset by the prospect of nearly 90 minutes of Ms. Minogue.

This being Friday, I've often tended to feature selections of 12" mixes and slightly more 'up' music so in Australian terms, it was always likely to be Kylie over Nick Cave & The Bad Seeds, wasn't it? Although they did collaborate back in 1995, including a memorable appearance on Top Of The Pops, when the pop princess reinvented herself as Indie Kylie.

Today's selection however focuses solely on Disco Kylie, spanning three decades and showing no sign of slowing down now we're midway through the 2020s. 

Although her music career exploded from the Stock, Aitken & Waterman hit factory, Kylie moved on in the early 1990s and has followed her own course ever since, working with some dynamic producers and remixers along the way.

 

I've never particularly considered myself a Kylie fan, I've bought a few singles here and there mainly for the remixes but never any of her albums. I thought the 'country' songs a few years ago were a misstep, but that's the beauty of Kylie. If you don't like what's she doing right now, there will either be club-friendly remixes to compensate, or another change around the corner with her next album.

 

This is one musical pleasure I don't feel guilty about in the slightest. And even if my primary reason for buying a single or compilation was to get that remix by DNA, The Chemical Brothers or Tom Middleton, so what?

Today's selection reflects some early favourites: Je Ne Sais Pas Pourquoi is cheesy perhaps but I love it; What Do I Have To Do? and Shocked were the big hits whilst I was in Australia; The Chemical Brothers remix of Slow is twice as good as the original. And I would have bought the Soulwax remix compilation anyway - they're brilliant - but their scuzzy, fuzzy overhaul of Can't Get You Out Of My Head was worth the price alone.

In a half-arsed attempt to dodge the sniffer bots and a DMCA takedown notice, I've avoided any reference to Ms. Minogue in the post title and have named the selection SmileyKylie in the hope that it similarly avoids unwanted attention on KrakenFiles or Mega. As usual, the download links will be up for roughly a month, so get in there now!

 

1) Too Much Of A Good Thing (12" Mix By Phil Harding & Ian Curnow) (1992)

2) Into The Blue (Yasutaka Nakata (CAPSULE) Remix) (2014)

3) Finer Feelings (Brothers In Rhythm 12" Mix By Dave Seaman, Steve Anderson & Alan Bremner) (1992)

4) Red Blooded Woman (Whitey Mix By Nathan White) (2005)

5) Confide In Me (Justin Warfield Mix) (1994)

6) It's No Secret (Alternative Extended Version By Dave Ford) (1988)

7) What Do I Have To Do? (Extended Album Mix II By Phil Harding & Ian Curnow) (1991)

8) Falling (Farley & Heller Alternative Mix By Terry Farley & Pete Heller) (1994)

9) Slow (Chemical Brothers Remix By Ed Simons & Tom Rowlands) (2003)

10) Shocked (DNA Mix By Neal Slateford & Nick Batt) (12" Version ft. Jazzi P)  (2001)

11) Je Ne Sais Pas Pourquoi (The Revolutionary Mix By Phil Harding) (1989)

12) Chocolate (Tom Middleton Cosmos Mix) (2004)

13) Dancing (Initial Talk Remix) (2018)

14) Can't Get You Out Of My Head (Soulwax Kyluss Remix By David Dewaele & Stephen Dewaele) (2001)

 

1989: Hand On Your Heart EP: 6 

1989: Je Ne Sais Pas Pourquoi EP: 11

1991: Shocked EP: 10

1992: Celebration EP: 1

1992: Finer Feelings EP: 3

2003: Kylie Minogue (Special Edition) (2x CD): 5 

2003: Slow (promo 12"): 9

2004: Chocolate EP: 12

2005: Red Blooded Woman EP: 4 

2007: Most Of The Remixes We've Made For Other People Over The Years...: 14

2010: What Do I Have to Do? (The Original Synth Mixes) EP: 7

2014: Kiss Me Once (Japan only bonus track): 2 

2016: Confide In Me: 8

2018: Dancing EP: 13

SmileyKylie (1:28:22) (KF) (Mega)

* Or, to give the Soulwax compilation it's full title,

Most Of The Remixes We've Made For Other People Over The Years Except For The One For Einstürzende Neubauten Because We Lost It And A Few We Didn't Think Sounded Good Enough Or Just Didn't Fit In Length-Wise, But Including Some That Are Hard To Find Because Either People Forgot About Them Or Simply Because They Haven't Been Released Yet, A Few We Really Love, One We Think Is Just OK, Some We Did For Free, Some We Did For Money, Some For Ourselves Without Permission And Some For Friends As Swaps But Never On Time And Always At Our Studio In Ghent.