Monday, 5 January 2026

A Different Kind Of Punky Reggae Party

Following hot on the heels of yesterday's reggae and dub selection is a recommendation by none other than Hifi Sean via his Bluesky account,  a cover version of Teenage Kicks by The Undertones by French producer Taggy Matcher aka Bruno Hovart, featuring Paris-via-New York singer Wolfgang Valbrun.

This reggae rework first appeared in 2023 and I've traced the song back to it's original inclusion on volume 5 of Paris-based Favourite Recordings subsidiary Stix Records' series Disco Reggae, where you can find the full length version, adding a further two minutes of easy grooves. 

There are two more Taggy takes on the 8-track album, Stevie Wonder's Superstition voiced by Phoebe Killdeer, and a reimagining of That's The Way (I Like It) by KC & The Sunshine Band.

 
I haven't listened to Disco Reggae Vol. 5 in full but, from sampling the other contributions by Mato, Simon Nyabinghi, Paula Mirhan and Soul Sugar, suffice to say that my curiosity is well and truly piqued.

The most recent release was Disco Reggae Vol. 6 last July, which again features three offerings from Taggy Matcher, including this bold take on a Bee Gees' classic with vocals by John Milk.

I'd not heard of the Favourite Recordings label before Hifi Sean's post sent me down a rabbit hole, but I'm going to be checking out more of their back catalogue from now on...

Sunday, 4 January 2026

You're Gonna Need Somebody Else

The first Dubhed excursion into reggae and dub soundscapes of 2026, with thirteen irresistible grooves to transport and transform you.

The selection spans over half a century from Derrick Morgan in 1968, through to Panda Bear and Sonic Boom's dub extravaganza, courtesy of Adrian Sherwood in 2023.

Sherwood's not the only master at the controls, he's joined by Lee 'Scratch' PerryBunny 'Striker' Lee, Tapper ZukieMad Professor, Jah Thomas and Scientist.

The line-up alone should give you a heads up that this is heavyweight. Turn the bass up, turn your phone off and let yourself go.

1) Midnight Calling: Roger Rivas ft. The Brothers Of Reggae  (2014)
2) Kaya (Album Version): Bob Marley & The Wailers (1971)
3) The Sun: Burning Spear (1977)
4) No Man Is An Island (Single Version) (Cover of Fred Waring & His Pennsylvanians): Johnny Clarke (1975)
5) Siren Dub: Danny Red (2016)
6) Zion: Knowledge (1978)
7) Rebel Rock: Mad Professor (1983)
8) Whirlpool Dub (Adrian Sherwood 'Reset In Dub’ Version): Panda Bear & Sonic Boom (2023)
9) Do The Beng Beng: Derrick Morgan (1968)
10) Yipee I Aah: New Age Steppers (1981)
11) Magic Touch: Glen DaCosta (1976)
12) Trade It All For More: Pama International (2009)
13) Keep On Dubbing: The Roots Radics (1981)

1968: Do The Beng Beng EP: 9
1971: Soul Revolution Part II: 2
1975: No Man Is An Island EP: 4
1976: Soldier & Police War / Magic Touch EP: 11
1977: Dry And Heavy: 3
1978: Hail Dread: 6
1981: Roots Splashdown: 13
1981: Wild Paarty Sounds: 10
1983: Dub Me Crazy Pt.3: The African Connection: 7
2009: Pama Outernational: 12
2014: Last Goodbye: 1
2016: Red And Conscious: 5
2023: Reset in Dub: 8

You're Gonna Need Somebody Else (45:59) (GD) (M)

I've created many dub-inflected selections in the past five years, too many to share them all today, but here's six from the archives to keep the vibe alive.

July 2022: SunDub
April 2023: Dubby Happy People

Saturday, 3 January 2026

Every Single Tiny Little Imperfection Has A Beauty To Behold

What better way to kick off the first Saturday selection of 2026 than with 77 minutes of Fluke?

Hands down one of my favourite artists of all time, Fluke's comeback in 2024 was a triumph and I can't wait to see/hear what comes next.

In the meantime - and for the first time - I've pulled together a selection of a dozen tunes that draws on their rich back catalogue. I don't go all the way back to the first Fluke releases in 1988; the earliest song here is from a John Peel session transmitted on 26th January 1992. However, the selection does bounce around a lot, much like their beats.

Most of the picks are Fluke's remixes of their own songs but I have included a few remixes of other artists, namely Juno Reactor, Soft Ballet and Sensation (formerly Soul Family Sensation). 

I've also included a remix of Real Magnificent by Justin Credible, who had created and posted top notch unofficial remixes via YouTube for years, until Fluke gave him the nod in 2024 and made it official.

Resolutely unofficial is the closing song, a version of Insanely Beautiful by yours truly. There's no skill or artifice in this particular mash-up. I was curious to hear Jon Fugler duet with Leah Cleaver so I literally laid the original single version and Leah's Mix together. It's a busy mix, but I love it.

2026 will hopefully see more from Fluke. I dare to dream that it will be a full album, and some live shows including Bristol or Bath would be, well, insanely beautiful.

For now though, I'm going to spend the weekend with Fluke on constant rotation and turned up loud. Everyone needs some beauty to behold.

1) Bullet (Percussion Cap) (1995)
2) I Wanna Be (All Buttons In) (2025)
3) Amp (Geographic Long Mix) (1997)
4) The Allotment Of Blighty (John Peel Session) (1992)
5) Pistolero (Fluke "Hang 'Em High" Remix): Juno Reactor ft. Mercedes Luque, Taz Alexander & Steve Stevens (1999)
6) Absurd (Whitewash) (1997)
7) Real Magnificent (JC Remix By Justin Credible ft. Leah Cleaver) (2024)
8) Spindle (The Fluke Remix): Soft Ballet (1994)
9) Atom Bomb (Atomix 1) (1996)
10) Beautiful Morning (Fluke's Magimix): Sensation (1993)
11) Setback ('Oto' Album Version) (1995)
12) Insanely Beautiful (Khayem's Double Take Mash-Up ft. Leah Cleaver) (2025)

A Beauty To Behold (1:17:20) (GD) (M)


For your further Fluke fulfilment, I've reactivated links to the couple of mixtapes that I compiled in 1997:

Fluke (Singles) Side One and Side Two

Friday, 2 January 2026

26 In '76

Sometimes I get an idea for a post and I commit to it, even when there are signs that it's not going in quite the direction I expected. Today is one of those posts.

An idle thought that it's now half a century since 1976 - and the creeping realisation that my formative years are ancient history! - got me wondering what was #26 in the UK Top 40 on 2nd January 1976.

The fact that it was (Are You Ready) Do The Bus Stop by The Fatback Band, an absolute classic, sold me on the idea of a 12-track Dubhed selection, plucking the #26 hits from the 2nd of each month throughout 1976.

I'll be upfront with you, it's a mixed bag. After a supremely strong start, next up is The Who, a band that I guess I'm supposed to like but whose music often does nothing for me. Squeeze Box is okay, as long as I tell myself that it really is all about an accordion-playing spouse...

I have no recollection of Let's Do The Latin Hustle by M. & O. Band aka Muff Murfin and Colin Owen, though I'm sure that Van McCoy's lawyers were listening with interest. 

Watching with even greater interest was Eddie Drennon who had actually written Let's Do The Latin Hustle and released it with his B.B.S. Unlimited band, only to see M. & O. Band's version peak four places higher than his own. Allegations that Murfin and Owen had literally lifted recorded sections of the original for their own version were enough to put paid to any further UK chart hits for M. & O. Band, though sadly for Eddie Drennon too.

I Love To Boogie by T. Rex also courted controversy, due to its resemblance to Teenage Boogie, a 1956 single by Webb Pierce, "prompting rockabillies to attempt to burn copies of the single at an event held in a pub on the Old Kent Road, South East London". Well, according to Iffypedia anyway. 

It's a striking image, though the fact that it was an "event" held in a pub which at best was "an attempt to burn copies of the single" makes me think it was an ad-hoc effort by a bunch of pissheads on a Saturday afternoon, who possibly couldn't even light a fart, let alone a 7" slab of vinyl...

It's not Marc Bolan's finest moment (I Love To Boogie, that is, not the Saturday afternoon in a South East London pub) but I have a soft spot for the song, and it's frankly one of the highlights of this selection.

I loved Blinded By The Light by Manfred Mann's Earth Band...as did Radio 1, as I remember hearing it all the time when I was a kid. I had no idea that it was a cover of a 1973 song by Bruce Springsteen until a few years ago, when I belated began delving into The Boss' back catalogue. I haven't listened to the song in years and it was nice to pick up on the lyrical reference to Go-Kart Mozart, which proved to be an inspiration to a certain Lawrence Hayward decades later.

If I'd waited a week, this selection would have closed with So Sad The Song, a soulful classic by Gladys Knight & The Pips, resting at #26 on 9th December 1976, having peaked at #20 a couple of weeks previously.

Instead, the #26 hit on 2nd December 1976 was Portsmouth by Mike Oldfield, clearly hoping to replicate the success of #4 hit (and subsequent Christmas staple) In Dulci Jubilo. Well, it worked; a month later, Portsmouth did one better and got to #3. Fifty years on, it's still bloody irritating but at least Mike was canny enough to keep it under two minutes...

A final nod to today's cover photo, my personal copy of (deep breath) Super Spider-Man With The Super-Heroes #158, which hit the newsagent's shelves on Valentine's Day in 1976. It was a landmark issue in as much as it followed the path of The Titans weekly, launched in October 1975, by presenting the comic in a landscape format.

It was a great concept as far as value-for-money was concerned: five comic strips every week for your hard-earned 9p; the flip-side was that two US comic pages were squeezed onto one UK page, straining the eyes of the nation's young with life-changing consequences in some cases.

It also pissed off the newsagents, who couldn't decide which way up to present the comic on the shelves. Marvel UK had obviously considered this with the two-way titles, but it often made for a very cramped, word-heavy cover. 

Still, Marvel persisted with the format for over a year, even as The Titans failed and merged with the Spider-Man comic and collectively, the titles were getting through comic material at an exhausting and unsustainable rate.

Do I detect an analogy...?

1) (Are You Ready) Do The Bus Stop (Album Version): The Fatback Band (#18, 18th Jan)
2) Squeeze Box: The Who (#10, 22nd Feb)
3) Let's Do The Latin Hustle (Cover of Eddie Drennon & B.B.S. Unlimited): M. & O. Band (#16, 21st Mar)
4) Ships In The Night (Single Edit): Be Bop Deluxe (#23, 21st Mar)
5) No Charge: J.J. Barrie (#1, 30th May)
6) The Flasher: Mistura ft. Lloyd Michaels (#23, 6th Jun)
7) It Only Takes A Minute: 100 Ton And A Feather (#9, 18th Jul)
8) I Love To Boogie: T. Rex (#13, 11th Jul)
9) Blinded By The Light (Single Edit) (Cover of Bruce Springsteen): Manfred Mann's Earth Band (#6, 19th Sep)
10) Afternoon Delight: Starland Vocal Band (#18, 29th Aug)
11) Queen Of My Soul: Average White Band (#23, 24th Oct)
12) Portsmouth (Cover of traditional song): Mike Oldfield (#3, 2nd Jan 1977)

26 In '76 (40:37) (GD) (M)

Thursday, 1 January 2026

Start Anew

Welcome to 2026!

A new year brings a new selection of 26 songs for '26, all featuring a new something or other.

99 minutes of top tunes, starting with Beady Eye, Liam's better-than-Oasis band.

There are a handful of '70s and '80s artists, including The Undertones, The Adverts, Breathless, Beastie Boys and Asleep At The Wheel covering Huey Lewis & The News.

A fistful of '90s fun (well, depending on your definition of fun) comes courtesy of Arab Strap, Epic Soundtracks, The Magnetic Fields and Martin Stephenson & The Daintees.

It's mostly 21st century music though, some old, some new, something for everyone from The Isley Brothers ft. De La Soul to Tokyo Police Club, BANKS to Beverly Kills.

A couple of 2025 highlights from Xan Tyler & Dusty Stray and Bedford Falls Players and, to wrap things up, Billy sings Billy, that is, Billy Nomates sings Billy Bragg.

Fingers crossed, this year's going to be a good one.

1) Start Anew (Remix Of 'Dreaming Of Some Space' By JC Of RKID003): Beady Eye (2014)
2) New Moon: Bedford Falls Players (2025)
3) Happy New Year Next Year: Violent Femmes (2015)
4) New Church: The Adverts (1978)
5) A New Chapter: Breathless (1984)
6) New Birds: Arab Strap (1998)
7) Window Shopping For New Clothes: The Undertones (1983)
8) Something New Under The Sun: Epic Soundtracks (1994)
9) New New Song: Tokyo Police Club (2008)
10) Your New Normal: Nine Inch Nails (2020)
11) I Think I Need A New Heart: The Magnetic Fields (1999)
12) I Want A New Drug (Cover of Huey Lewis & The News): Asleep At The Wheel (1987)
13) Big Sky New Light: Martin Stephenson & The Daintees (1992)
14) New Berlin: Beverly Kills (2022)
15) It's The New Style (Vocal) (Remix By Rick Rubin): Beastie Boys (1986)
16) The End Of A New Beginning: Xan Tyler & Dusty Stray (2025)
17) I've Found A New Way To Love Her: Julian Cope (2005)
18) Kinda New (Album Version): Spektrum (2004)
19) New Brat In Town (Unreleased Version By Steve Albini): The Auteurs (1996)
20) New Years (Cover of Asobi Seksu): Boris (2012)
21) Someone New (Album Version): BANKS (2014)
22) New Love Cassette (Album Version): Angel Olsen (2019)
23) A New Chance (Tanlines Remix): The Tough Alliance (2007)
24) Feels Like A New Morning: The Blow Monkeys (2013)
25) It's A New Thing (It's Your Thing) (D-Nat & Onda Reconstruction): The Isley Brothers ft. De La Soul (2004)
26) New Ingland (Demo) (Cover of Billy Bragg): Billy Nomates (2024)

1978: Crossing The Red Sea With The Adverts: 4
1983: Chain Of Love EP: 7
1984: Ageless EP: 5
1986: It's The New Style EP: 15
1987: 10: 12
1992: The Boy's Heart: 13
1994: Sleeping Star: 8
1998: Philophobia: 6
1999: 69 Love Songs: 11
2004: Enter The...Spektrum: 18
2004: ...Taken To The Next Phase: 25
2005: Dark Orgasm: 17
2005: Luke Haines Is Dead: 19
2007: A New Chance EP: 23
2008: Elephant Shell / Extras (ltd 2x CD): 9
2012: Asobi Seksu x Boris Split EP: 20
2013: Feels Like A New Morning: 24
2014: Flick Of The Finger RKID003 EP: 1
2014: Goddess: 21
2015: Happy New Year EP: 3
2019: All Mirrors: 22
2020: Ghosts VI: Locusts: 10
2022: Kaleido: 14
2024: New Ingland EP: 26
2025: Home: 16
2025: New Moon EP: 2

Start Anew (1:39:26) (GD) (M)

If you're feeling nostalgic, check out my previous New Year's Day posts from 2022, 2023, 2024 and 2025.

Wednesday, 31 December 2025

New To Me...To You...To Me...To You

or, How To Get Away With Two "25 From 25" Albums Lists Whilst Pretending That Wasn't Your Intention All Along, Part Two.

This is the second of two lists, my very loose criteria being the first time I have purchased an album by these artists, irrespective of whether they've been going for years or debuted in 2025.

Again, loads of albums that either remained on the long list or haven't yet made it off the shopping list and as yet are unheard. Honourable mentions to Brian Bilston & The Catenary Wires (sorry, JC!), Ead Wood, Restricted Code, Oklou, Steve Lane, The Morning Early, SPRINTS and Peter Capaldi (yes, him!)

As yesterday, I've listed my 25 picks alphabetically, rather than in order of greatness, but I will also reveal my favourite at the end.


25 From 25 - New To Me
(click on the links to buy these albums...and more!)

1) The Smile You Send Out Returns To You: Constant Follower
2) Gift Of Sorts: Chris Reeve
3) Dan's Boogie: Destroyer
4) Concrete Rockers: Earl Sixteen & The Co-operators
5) Ellen Beth Abdi: Ellen Beth Abdi

6) Mother Of A Thousand: F.O. Machete
8) Om Verda Mi: Lakeshouse
9) Living History: Later Youth
10) LEDLEY: LEDLEY

11) Clients Of Suddenness: Louise Connell
12) A Danger To Ourselves: Lucrecia Dalt
13) Things Must Change: Montjuïc
14) Might As Well Play Another One: Mumble Tide
15) Ways To The Deep Meadow: Ocean Moon

17) Desert Queen: Pearl Charles
18) Disturbia: Phonolab
19) Quad 90: Quad 90

21) Don't Worry, It's Forever: Sister John
22) Rapture Party: The Joshua Hotel
23) Red Door Open: The Twistettes
24) Last Exit To Music: Xavier Corbera
25) Things Found In Books: Yvonne Lyon & Boo Hewerdine


I recommend each and every one of these albums, but my #1 of 2025 is the stunning self-titled debut by Ellen Beth Abdi.

I was fortunate enough to see Ellen Beth Abdi supporting A Certain Ratio in Bristol last May, and although I recognised her from appearances on the ACR album 1982 and 2023 EP, I was completely unfamiliar with her own songs.

I was at the gig with my friend Mike and we were both blown away by her performance. I told Ellen Beth as much at the merch stand after; she didn't have any records for sale at the time, but I did come away with a jar of delicious marmalade...now that's a USP!

So, when Ellen Beth Abdi's album emerged in May 2025, needless to say that expectations were high...and then surpassed.

The voice is something else, enough to carry the songs, but Ellen Beth handles the entire record with a sure hand, from keyboards and flute to co-production with Joel Anthony Patchett, this does not sound like a first album.

A highlight of the gig was a cover of Spellbound by Rae & Christian, a tribute to Ellen Beth's musical inspiration, vocalist Veba aka Beverley Green. She does the song - and the singer - justice, both on stage and in the studio, sublime vocal loops layering and layering to create a mesmerising whole.

Ellen Beth's own songs are more than up to the challenge of meeting this high bar. Tenterhooks, the lead single, was a perfect example of this but honestly, there's not a single song on the album that I don't want to play again and again. And I have, since buying it.

I can't wait to hear what she does next.

Tuesday, 30 December 2025

Double Entrendre

or, How To Get Away With Two "25 From 25" Albums Lists Whilst Pretending That Wasn't Your Intention All Along.

Looking back on 2025 so far, I think I bought more albums than ever, a mix of physical and digital. The latter was ably supported by a further year's subscription to the excellent Last Night From Glasgow label, which accounts for about a quarter of today’s and tomorrow’s featured artists.

A few were purchased at merch stalls following a headline or support slot gig, others on the recommendation of others, including you lovely people out there in the blogging community.

So, I've got two lists, loosely separated into artists that I'm familiar with and already owned albums by, the second compiling artists who, regardless of whether they'd been around for ages or just started out, were new to me. So, it's a hodge podge of debut albums and artists that I really only delved into properly with their latest long player. I'm posting the first list today, the second on New Year's Eve.

There are a shed load that I just haven't got around to buying yet and I haven't yet succumbed to streaming so I can't sneak them in on the technicality of having heard them. Apologies therefore include Pulp, Syd Minsky Sargeant, Death In Vegas, Mogwai and Water From Your Eyes, all of whom have released albums that I want to get (and said as much in previous posts), but who remain on my shopping list.

An honourable mention also to those that I did buy but who didn't make onto either list because, well, I had to stop at 25, right? A tip of the hat then to Manic Street Preachers, The Supernaturals, Julian Cope, Gareth Sager and Scanner.

I've listed them alphabetically, rather than in order of greatness, but I may reveal my favourite at the end...if I can decide on one by the end of this post!

25 From 25 - Old Favourites
(click on the links to buy these albums...and more!)

1) Let The Horse Run Free / Rodeo Disco: 100 Poems
2) The Collapse Of Everything: Adrian Sherwood
3) Pinball Wanderer: Andy Bell
4) Dead Souls: Armory Show
5) Metalhorse / Mary And The Hyenas OST: Billy Nomates

6) Mumbo In The Jumbo: Davey Woodward
7) Wise Music In Dub: Dennis Bovell
8) Subconsciousology: Dot Allison
9) Lay Low: Eddie Chacon
10) Nation Shall Speak Unto Nation: Edwyn Collins

11) Rats In Paradise: Emily Breeze
12) Begging The Night To Take Hold: Emma Pollock
14) Songs For Nina And Johanna: James Yorkston & Friends
15) Junk System EP 1&2: Junk System

16) Lotus: Little Simz
17) New Town Ghosts: Mark Rae
18) Lake Deep Memory: Pye Corner Audio
19) Barb And Feather: Red Snapper
20) Strawberries: Robert Forster

21) International: Saint Etienne
22) MAD!: Sparks
23) Faultline: The Cowboy Mouth
24) moisturiser: Wet Leg


I have loved each and every one of these albums but my #1 of 2025 has to be Billy Nomates.

Not just because Metalhorse is a fantastic album, taking her music to another level, but also because she somehow found the time to write, record and release another album. The soundtrack to Mary And The Hyenas may have been relatively overlooked compared to Metalhorse, but it's every bit an equal. Astonishing to think that Tor Maries was also releasing one-off songs in between both of these. 

Finally getting to see Billy Nomates live in concert for the first time in September, with an excellent band and songs that took on a life of their own on stage, was an unforgettable experience and the push over the line to secure my #1 in a year of varied but brilliant albums.

Monday, 29 December 2025

When I Should Have Been Celebrating My Dad's 60th Birthday....

... I was at Fiddlers in Bristol with Mrs. K for a Minotaur Shock gig.

In fairness, at the time (Sunday 2nd June 2002), Mum and Dad were living in Eire, a gruelling 14-hour door-to-door trip each way, there wasn’t an 'official' party on that date and I'd spoken to Dad on the phone to wish him happy birthday earlier in the day.

I remember that it was an enjoyable gig, not least because it was also being broadcast live on BBC Radio 3 as part of their Mixing It programme, presented by Robert Sandall and Mark Russell.

I might be misremembering this bit, but I seem to recall that we all spent a lot of time sitting on the floor!

A great line-up: in addition to headlining hometown heroes Minotaur Shock, Foehn aka Debbie Parsons, also from Bristol and previously one-half of Third Eye Foundation, plus Manchester trio Mum & Dad, whose releases on Andy Votel and Damon Gough's Twisted Nerve label had caught my ear. 

So on a technicality, I did spend the night with Mum and Dad, just not mine…!

A lovely surprise to find that Future TuesDay has posted the entire show on YouTube. Enjoy!

 
 

Sunday, 28 December 2025

Queueing At The Checkout

Before I launch into the inevitable final round up of 2025, I thought I'd drop by Amoeba Music's What's In My Bag? series and see what others have been shopping for this year.

My three specific shoppers are Russell Mael, David St. Hubbins and Nigel Tufnell from Spinal Tap (in tribute to Rob and Michele Reiner) and finally David Byrne.

Some great picks from all three. I'm particularly happy that the latter picked Bristol-based IDLES. Maybe David will be tempted to come to Bristol to play a gig or just hang around Longwell Records when it relocates from Keynsham to Clifton Arcade in February.

 
 

Saturday, 27 December 2025

Fantastic Expectations, Amazing Revelations

Sadly, Christmas Day is also a reminder that it's another year - currently the ninth - since George Michael passed. 

I won't pretend that I was a huge fan of his music, either as Wham! or solo, but his presence as a singer, songwriter and phenomenal talent cannot be denied.

There's been a lot of TV time dedicated to George's life and music in the past couple of days. I haven't watched any of it, though a pop up in my suggested viewing on You Tube caught my eye.

On Tuesday 9th October 2012, George performed at Manchester Arena and, a third of the way through his set, dedicated a song to an audience member. The fact that the audience member was Ian Brown and the song was one of his own, 2001 epic F.E.A.R. must have been one of those WTF?! moments

George introduces F.E.A.R. as "a song we have never played before…we shall never play again, I should imagine" which is brutally honest though ultimately proved to be true.

"You'll please have to excuse me," explains George. "We've only rehearsed this a couple of times, so it might be a bit...crap", which of course proves to be wholly untrue. 

It's truly magnificent.

And here's the original version.




For each a road
For everyman a religion
Find everybody and rule
For everything and rumble
Forget everything and remember
For everything a reason
Forgive everybody and remember

For each a road
For everyman a religion
Face everybody and rule
For everything and rumble
Forget everything and remember
For everything a reason

You got the fear
You got the fear
You got the fear
You got the fear

F.E.A.R. (you got the fear)
F.E.A.R. (you got the fear)
F.E.A.R. (you got the fear)
F.E.A.R. 

Final eternity arouses reactions
Freeing excellence affects reality
Fallen empires are ruling
Find earth and reef

Fantastic expectations, amazing revelations
Final execution and resurrection
Free expression as revolution
Finding everything and realising

You got the fear
You got the fear
You got the fear
You got the fear
You got the fear

F.E.A.R. (you got the fear)
F.E.A.R. (you got the fear)
F.E.A.R. (you got the fear)
F.E.A.R. (you got the fear)
F.E.A.R. (you got the fear)
F.E.A.R. (you got the fear)

You got the fear
You got the fear
You got the fear
You got the fear
You got the fear