Showing posts with label Guy Garvey. Show all posts
Showing posts with label Guy Garvey. Show all posts

Tuesday, 21 January 2025

Sixty Years Of 3D


Happy birthday to 
Robert Del Naja aka 3D, born 21st January 1965.

Ten songs, four official videos, one fan-made, one visualiser, four audio only, all prime examples of 3D's talent as a vocalist, producer, songwriter and remixer. 

Some of these collaborations are new to me: I had no idea 3D had worked with Mike Patton of Faith No More on his Peeping Tom, or that he's produced a remix (all eleven minutes of it) for a reimagining of McCartney III. 

And his work with Massive Attack alone is the stuff of legend, not just the music, but the activism and political drive, and the willingness to challenge conventions of live performance. 

And then there's his art.

Truly inspirational.

Have a good one, 3D!

1) False Flags: Massive Attack (2006)
2) Rabbit In Your Headlights (3D Mix-Reverse Light): UNKLE ft. Thom Yorke (1998)
3) 3 Libras (All Main Courses Mix): A Perfect Circle (2000)
4) Kill The DJ: Peeping Tom (Mike Patton) ft. Massive Attack (2006)
5) For Nothing: Euanwhosarmy ft. Lyndsey Lupe (2016)
6) Battle Box (Main Mix): 3D, Guy Garvey (2012)
7) WPIC (Higgins In 3D Remix): Higgins Waterproof black Magic Band (2014)
8) Deep Deep Feeling (3D RDN Remix): Paul McCartney (2021)
9) Kong: Neneh Cherry (2018)
10) Daydreaming: Massive Attack (1990)


 

 

 

 

 

 

 

 

Wednesday, 6 March 2024

What A Guy!

Celebrating Guy Garvey's 50th birthday, born 6th March 1974.

If you hadn't guessed already, this week I'm celebrating life and particularly those that might be blowing out some candles on a cake or having some form of knees-up on each day.

Guy is of course best known for his work with Elbow...unless you only listen to Heart FM and are a Peter Kay fan, in which case it'll be Car Share.

Guy's also released one solo album to date (Courting The Squall in 2015) and collaborated with a select few artists over the years. He's appeared on three Massive Attack songs and Robert "3D" Del Naja got Guy back in the studio to release the one-off Battle Box single a couple of years later.

Elbow themselves re-recorded a version of Kindling with John Grant and Guy teamed up with Mike Lindsay (Tuung, LUMP) to contribute to an album of Nick Drake covers last year. Guy also found time to deliver a solo song to the BBC drama anthology Life, a lockdown TV highlight in 2020.

Elbow kindly supported my 'Leap Year' post last week by releasing a new single. They've only gone and done it again by dropping another new video, this time for Balu, on Friday.

From one guy to another, er, guy, have a great birthday, Guy!

Flat Of The Blade: Massive Attack ft. Guy Garvey (2010)
Battle Box (Main Mix): Del Naja / Garvey / Dickinson (2012)
Kindling (Fickle Flame): Elbow ft. John Grant (2017)
Guy Garvey: My Angel (2020)
Saturday Sun (Cover of Nick Drake): Mike Lindsay ft. Guy Garvey (2023)
Balu: Elbow (2024)
 
 
 
 
 
 

Wednesday, 5 April 2023

Pioneer

Celebrating Ryuichi Sakamoto 坂本龍, 17th January 1952 to 28th March 2023.
 
I was born in 1970 so it's little surprise that my entry point to Sakamoto's music wasn't Yellow Magic Orchestra but Japan, although I wasn't particularly aware of it at the time, and the follow up singles Bamboo Houses/Bamboo Music and Forbidden Colours with David Sylvian.
 
My brother had a giant poster of Japan on his bedroom wall, featuring honorary band member Masami Tsuchiya and I appreciated the beautiful synchronicity of a band called Japan having a Japanese musician in their line up. It was probably from reading my brother's copies of Smash Hits (delivered every week by the paper boy) that I read that Ryuichi Sakamoto had performed with Japan on their Sons Of Pioneers tour in 1982.
 
That seemed the natural starting point for this selection, which I've wrestled with since news on Sunday of Sakamoto's inevitable and heartbreaking passing, following a long battle with cancer. One of my favourite Japan songs, Taking Islands In Africa, from 1980's Gentlemen Take Polaroids, is credited to Sakamoto and David Sylvian and features Ryuichi on keyboards. In researching this post, I came across a fascinating post by David J Nibloe on his Vista blog which reveals some of the deeper story behind the Sakamoto's meeting with Japan and the recording of the song.

I've skipped the aforementioned Sakamoto/Sylvian collaborations as they both appeared on my recent David Sylvian selection (which I've made available again via a link below), but the two worked together many many times over the subsequent years and decades. I've picked Midnight Sun, arguably a lesser known, bluesy track from Sylvian's 1999 album Dead Bees On A Cake, featuring Ryuichi Sakamoto and Marc Ribot. 
 
The main, instrumental theme from Merry Christmas, Mr. Lawrence, in it's vocal version better known as Forbidden Colours, also makes an appearance alongside The Last Emperor. I was incredibly moved by both films when I first watched them, not just for the striking visual narrative but also Ryuichi Sakamoto's soundtrack which is a character and voice in it's own right. I've barely dipped into his film composition work outside of these two but it's incredible to think that Sakamoto was creating something on the scale and power of The Last Emperor in 1987 whilst also releasing the poppier Risky with Iggy Pop. 
 
Ryuichi Sakamoto's capacity to ignore boundaries, to blend genres and create new ones, has been a constant source of fascination even if I've only intermittently followed his career. I draw parallels with John Cale, who to me has similarly pursued a desire to explore new paths, different ways of (musical) expression and artists to collaborate with.

So this selection ended up not being a straightforward Ryuichi Sakamoto selection at all, including not just his work with Yellow Magic Orchestra and as a solo artist but also his remixes, co-writes and appearances on other people's songs. This is how I discovered his wider body of work and it felt appropriate to try to capture that feeling across a mere 80 minutes. The original 'shortlist' was over two and a half hours, so some tough choices along the way.
 
Some of these songs will be familiar, though not necessarily in the versions presented here, there are frequent changes from upbeat to downtempo, quiet to loud, vocal to instrumental, pop to something harder to define.   
 
Having started with the band that first introduced me to Ryuichi Sakamoto, it seemed somehow fitting to close with a remix that he produced for his daughter Miu. Hard to believe that this alone is now 25 years old. Harder still to believe that Sakamoto-san has gone, but his vast musical legacy leaves much to discover and re-discover in the years to come.
 
Rest well, 坂本龍
 
1) Taking Islands In Africa (Album Version By John Punter): Japan (1980)
2) Fatalism (Ryuichi Sakamoto & Yukihiro Takahashi Remix): Massive Attack ft. Guy Garvey & Martina Topley-Bird (2010)
3) Rocket Factory: Sheena & The Rokkets ft. Yellow Magic Orchestra (1979)
4) Firecracker (Special DJ Copy): Yellow Magic Orchestra (1978)
5) Risky (Extended Mix By Julian Mendelsohn): Ryuichi Sakamoto ft. Iggy Pop (1987)
6) eena ferroix (Ryuichi Sakamoto Mix): CoH (2014)
7) The Last Emperor - Theme Variation 1: Ryuichi Sakamoto (1987)
8) Midnight Sun: David Sylvian ft. Ryuichi Sakamoto & Marc Ribot (1999)
9) Love & Hate (Message Mix - Single Edit): Ryuichi Sakamoto ft. Holly Johnson (1994)
10) Merry Christmas, Mr. Lawrence: Ryuichi Sakamoto (1983)
11) Behind The Mask (Remixed By Mark Gamble): YMO Versus The Human League (1993)
12) 0318: Fennesz + Sakamoto (2011)
13) Completion: Willits & Sakamoto (2012)
14) Drip Dry Eyes (Album Version): Sandii ft. Yellow Magic Orchestra (1980)
15) Field Work (Long Tokyo Mix): Ryuichi Sakamoto ft. Thomas Dolby (1985)
16) solari (Jóhann Jóhannsson Rework): Ryuichi Sakamoto (2017)
17) Awakening (Endo Mix By Ryuichi Sakamoto): Miu Sakamoto (1998)

Pioneer (1:21:28) (KF) (Mega)

If, like me, this leaves you wanting to hear more Ryuichi Sakamoto then you may be happy to know that I've re-posted a few of my previous Dubhed selections where he makes an appearance. 
 

Tuesday, 31 January 2023

The Sun Has Come Again To Hold You

Today's selection shines a spotlight on guest vocalists. All of the nine tracks have electronic leanings, veering from club to dub along the course of under an hour.

There will be some familiar names - Boy George, Texas, Elizabeth Fraser, Guy Garvey - and some less so, but they all add something unique to the song, even when put through the remix rinse.
 
Most of the artists will also be well known, with a couple of surprises tucked away. Cabana was a one-off collaboration between superstar DJ Sasha aka Alexander Coe and long-term producer Tom Frederikse. The former went on to global domination whilst the latter swapped music for law in 1999, specialising in Digital Media.
 
Battle Box was also a one-off project, this time for 3D aka Robert Del Naja, who pops up again with Massive Attack later in the selection.
 
The most unexpected pairing is perhaps Paul Weller and Boy George on One Tear in 2017. I haven't fact checked this at all, but was this their first time in the studio together since Band Aid in 1984? Whatever, it was worth the wait...!
 
1) Red Alert (Jaxx Radio Mix): Basement Jaxx ft. Blue James (1999)
2) Music Matters (Axwell Extended): Faithless ft. Cassandra Fox (2007)
3) Bailando Con Lobos (Goodmen Fresh Dub): Cabana ft. Sheila Schwok (1994)
4) Battle Box (Remix): Battle Box ft. Guy Garvey (2012)
5) The Hush (67% Mix): Rae & Christian ft. Texas (1998)
6) One Tear (Club Cut Alternative Version): Paul Weller ft. Boy George (2017)
7) Empire Ants (Miami Horror Remix): Gorillaz ft. Little Dragon (2010)
8) Group Four (Security Forces Dub) (Remix By Mad Professor): Massive Attack ft. Elizabeth Fraser (1998)
9) Strange Addiction (Bud Addiction) (Remix By Charlie May & Duncan Forbes): Spooky ft. Celestine Walcott-Gordon (2005)

The Sun Has Come Again To Hold You (58:22) (Box) (Mega)

Note: After yesterday's fiasco of accidentally leaving off Touch Me by The Doors from the Whatever Happened To Reg? selection, (running) order has been restored and you can now listen to/download the full playlist as intended. If you didn't notice the omission yesterday, please ignore this note and I may just get away with it...