Showing posts with label Malcolm Middleton. Show all posts
Showing posts with label Malcolm Middleton. Show all posts

Wednesday, 20 May 2026

When Hypocrisy Reigns And Nothing Is True

Arab Strap are back! Back!! BACK!!! with You You You.

Aidan Moffat and Malcolm Middleton continue to make genuinely thrilling and engaging music. Aidan's words in particular capture the moment - particularly if you're a man on the other side of 50 whose feelings range from numbness to bewilderment at the state of the world - with the merest glimmer of hope in that "I've got you, you, you."

Whether that's a loved one, friends or the community occupying a little corner of the blogosphere, and I can relate to all three, when the writing is this good, how can anything I write about the song feel anything more than gilding the lily?

At the time of posting, it looks like You You You is available for streaming but not (yet) purchase or download. Rest assured, as soon as it's available to buy, I'm buying it!



I’ve got a hole in my shoe that lets in rain,
and another new lump in another vein;
I’ve got pills for breakfast every day,
to keep my pains and fears at bay.
I’ve got a portly paunch I just can’t shift;
I feel undesired, dismissed, adrift.
My get-up-and-go is long gone,
and the days keep dragging on.
But I’ve got you, you, you, you;
I’ve got you, you, you, you;
I’ve got you, you, you, you;
I’ve got you, you, you.

I’ve got a hole in my head that can’t be filled;
time is never spent, it’s only killed.
I’m always bored, it seems nothing excites me –
my own limbic system fights me!
I’ve got watchlists I’ll never watch,
and pruritus scroti in my crotch;
I’ve got a seething sadness in my soul,
that might just swallow me whole.
But I’ve got you, you, you, you;
I’ve got you, you, you, you;
I’ve got you, you, you, you;
I’ve got you, you, you.

I’ve got tears in my eyes again tonight,
as the tyrannised unite and fight;
there’s a fiery frog in my throat now,
from all that singing: Bella ciao!
I’ve got my day in court that can’t be missed,
‘cause the government claims I’m a terrorist;
I fear for my son, I fear for my daughter,
but in this world of slaughter
I’ve got you, you, you, you;
I’ve got you, you, you, you;
I’ve got you, you, you, you;
I’ve got you, you, you.
(Yes I do)

And if you’re streaming this song on Spotify,
then we both fund weapons-grade AI.
But if it wasn’t here, then how would you hear it?
We’re over a barrel, but we don’t have to cheer it.
I DON’T KNOW WHAT THE FUCK TO DO
when hypocrisy reigns and nothing is true,
and nobody pays for abhorrent behaviour –
FUCK THESE DEMAGOGUES COSPLAYING SAVIOURS

With a rose in my fist,
and a song in my lungs,
I reach for a hand,
and I’ve got you, you, you, you;
I’ve got you, you, you, you;
I’ve got you, you, you, you;
I’ve got you, you, you.

Sunday, 2 October 2022

Everywhere Yet Nowhere

Why has it taken me so long to post a Dot Allison selection? This one's been drifting around my consciousness for over a year, since Dot's spectacular return with Heart-Shaped Scars, her first album in nearly a decade.

I've been a huge fan of all things Dot since she emerged with One Dove in the early 1990s and I've followed her solo career over seven albums and numerous collaborations with the likes of Slam, Death In Vegas, Scott Walker and Sunn O))).
 
2022 saw the release of The Entangled Remix EP, featuring reworks of five songs by Lee 'Scratch' Perry, Lomond Campbell, Anton Newcombe, Saint Etienne and The Anchoress aka Catherine Anne Davies. Both the EP and Heart-Shaped Scars are available on digital and physical formats from Bandcamp and you really need both in your life.

Joy of joy, Dot posted this week that she's midway through her new album, mixing starts this month with a planned release in 2023. Too much to hope that Dot will go out on tour as well? Fingers crossed.

As I'd planned to post this selection on a Sunday, it's a slightly more relaxed affair, heavier on the acoustics than the electronics, although the BPMs do occasionally ramp up. It's a mix of solo and collaborations, spanning an unreleased, unfinished song, Untouched, from One Dove's planned second album in 1994 through to a song she co-wrote with Mark Peters, released as a single in July this year. The full length version of
Switch On The Sky appears with another Dot Allison co-write on Mark's album Red Sunset Dreams, out last month and also highly recommended.

There are a couple of cover versions of Scott Walker and Neil Young (I wanted to included another, of Daniel Johnston, but ran out of space) and a couple of duets with Pete Doherty and Paul Weller.

The selection closes with a version of Message Personnel, from Dot's debut solo album, here remixed by those lovely Arab Strap boys, Aidan Moffat and Malcolm Middleton.
 
All in, just over an hour of beautiful music to make you fall in love with Dot Allison all over again.

1) Lullaby: Christian Henson ft. Dot Allison (2009)
2) Did I Imagine You? (Album Version): Dot Allison (1999)
3) Montague Terrace (In Blue) (Cover of Scott Walker): Dot Allison (2009)
4) Ghost Orchid (Album Version): Dot Allison (2021)
5) Sell Me Back My Soul (Album Version): King Of Woolworths ft. Dot Allison (2003)
6) Allelujah (Album Version By Dot Allison & Kramer): Dot Allison (2007)
7) You Give Me Everything: Dot Allison ft. Tony Scott (2012)
8) Untouched (Dot Of The Jungle Version): One Dove (1994)
9) Sheepskin Tearaway (Album Version): Peter Doherty ft. Dot Allison (2009)
10) Wishing Stone (Album Version By Dot Allison & Keith Tenniswood): Dot Allison (2002)
11) Love's Got Me Crazy: Dot Allison ft. Paul Weller (2009)
12) One Love (Saint Etienne Remix): Dot Allison (2022)
13) Switch On The Sky (Edit): Mark Peters ft. Dot Allison (2022)
14) I Believe In You (Cover of Neil Young): Dot Allison (2003)
15) Message Personnel (Arab Strap Remix Long Version): Dot Allison (1999)
 
1994: Moon Angel (unreleased): 8
1999: Afterglow: 2
1999: Colour Me EP: 15
2002: We Are Science: 10 
2003: Acoustic: 14
2003: L'Illustration Musicale: 5 
2007: Exaltation Of Larks: 6
2009: Grace/Wastelands: 9
2009: Room 7½: 3, 11
2009: Triangle OST: 1 
2012: Pioneers 01: 7
2021: Heart-Shaped Scars: 4
2022: The Entangled Remix EP: 12
2022: Switch On The Sky EP: 13

Everywhere Yet Nowhere (1:01:26) (GD) (M)

Thursday, 2 September 2021

2882

2882 is the number of days since I last played any of the songs in today's selection, which has been (very) roughly split into a "melody" and "dance" side. Highlights include a rare version from Mick Jones' brief sojourn as the truncated Big Audio, my favourite version of Moonlight Drive from the posthumous odds & sods album Alive She Cried, Jaz Coleman rapping with his cousin JC-001 and of course any song featuring the beautiful voice of Hope Sandoval. I'll try not to leave it so long next time.
 
Side One (21:48)
1) The Good Part: Arab Strap (2003)
2) Help Is Coming: Crowded House (1994)
3) Moonlight Drive / Horse Latitudes (Live @ Felt Forum, New York, 18 January 1970): The Doors (1970)
4) Harrow Road (Ska Mix): Big Audio (1994)
5) Row Fisherman (Dub): Wailing Souls (1979)
 
Side Two (20:45)
1) Stay One Jump Ahead (Extended Mix): Killing Joke ft. JC-001 (1988) 
2) Masterhit (Part III - LP Version): Front 242 (1987)
3) Paradise Circus (Gui Boratto Remix): Massive Attack ft. Hope Sandoval (2010)