Showing posts with label Joan As Police Woman. Show all posts
Showing posts with label Joan As Police Woman. Show all posts

Monday, 23 September 2024

Oh Joan, What Is There To Be Done?

Joan As Police Woman's 12th album*, Lemons, Limes and Orchids, was released on Friday. A single and video, Remember The Voice, dropped at the same time. 
 
The latter, filmed in a beachfront hotel by Sekou Abineri features Joan in a background role, performer Ali Goldsmith propelling themself around the building to the synthpop soundtrack. 

I've only had one listen to the album so far, but it's a varied, rich trip through the 12 songs contained within. Sonically, the early 80s trappings Remember The Voice is something of a red herring as most of the songs are more deeply rooted in the 70s.

Joan Wasser has assembled an impressive band for this album: Chris Bruce (guitar), Daniel Mintseris (keyboards), with Otto Hauser and Parker Kindred (drums). Between them, they've performed with Antony & The Johnsons, Devendra Banhart, Espers, George Clinton, Jeff Buckley, Marianne Faithfull, Seal, St. Vincent, Teddy Thompson, Vashti Bunyan, Vetiver, The Waterboys and Wendy & Lisa. Oh, and that's Meshell Ndegeocello on bass, who is a legend in her own lifetime.
 
  
The music is rich and layered, but serves to underpin Joan's voice, which is on fine form throughout, and exceptional on the six-and-a-half minute title track.

I've included a couple of songs here, both excellent, though not the only standouts on what at first play comes across as a consistently good album.

 
I mentioned in a 2022 post that I had been introduced to Joan As Police Woman by my friend John in 2011, via then-new album The Deep Field. In 2024, I own just one other album, 2009's Cover, plus a smattering of session and live tracks. Lemons, Limes and Orchids has been added to that collection, and I think I now need to start filling in the gaps.


 
* According to Joan's website, though it's frequently referred to as her 10th elsewhere on t'internet so I'm guessing that there may be some collaborative and/or live albums included in the count somewhere.

Sunday, 26 May 2024

The Hurt In My Heart

This one happened very quickly. PJ Harvey's song came up on a shuffle and suddenly I was following a thread from one song to the other. A dozen songs later, a Dubhed selection was born.

The less obvious connection between all of these choices is that I haven't listened to the source albums in quite a while, the various EPs even more so, a timely reminder that I need to dig them out for the full experience.
 
Swansway is a gentler version of Siouxsie's debut solo single Into A Swan from 2007 and it's stunning. Likewise, the Tanya Donelly and Kristin Hersh songs, which subsequently appeared on the Lovesongs For Underdogs and Sky Motel albums respectively but which I only own due to the versions appearing on EP releases.
 
The Deep Field by Joan As Police Woman was lent to me by a friend and every listen reminds me what a great album it. As is i don’t know who needs to hear this..., the debut album from Sarah Tomberlin, a chance discovery when she supported Angel Olsen on tour a couple of years ago.
 
Rita Lynch has been a staple of the Bristol live music scene for decades and her albums have continued to capture her on-stage fire and lyrical bite, as evidenced by her eighth (I think) in 2022, Mrs. Lynch. Smile is taken from her 2010 album, What Am I?
 
Sharon Van Etten and Angel Olsen collaborated on a one-off single, the 80s power ballad-infused Like I Used To, so their pairing here seemed an obvious choice. I have pretty much everything that Angel has recorded; conversely relatively little by Sharon, which I need to address.
 
On a similar note, there were slim pickings in my collection for Julia Holter and Phoebe Bridgers. Both of these choices came from music magazine cover-mounted CDs and I've yet to buy the source albums in either case. Another reminder that I just don't have the time or money to keep up with all of the music that I'd like to explore more....
 
Lisa Germano first came to my attention via the Inconsiderate Bitch EP on 4AD, label boss Ivo Watts-Russell taking her debut album Happiness (at the time only released in the USA) and remixing several tracks to stunning effect before releasing it to a wider audience. Puppet is a prime example of this, the versions on the 4AD EP and album proving to be standout tracks on both releases. I got the original album many years later, which if nothing else proves that Puppet was a great song to begin with. So, what better way to wrap up this selection? 
 
1) Big Exit (Album Version): PJ Harvey (2000)
2) Les Jeux To You: Julia Holter (2018)
3) Swansway: Siouxsie (2007)
4) Smile: Rita Lynch (2010)
5) Chinese Satellite: Phoebe Bridgers (2020)
6) Nervous: Joan As Police Woman (2011)
7) Swoon: Tanya Donelly (1996)
8) collect caller: Tomberlin (2022)
9) Echo (Single Version): Kristin Hersh (1999)
10) You Shadow: Sharon Van Etten (2019)
11) Intern: Angel Olsen (2016)
12) Puppet (US Album Version): Lisa Germano (1993)
 
1993: Happiness (USA): 12
1996: Sliding And Diving EP: 7 
1999: Echo EP: 9
2000: Stories From The City, Stories From The Sea: 1
2007: Into A Swan EP: 3
2010: What Am I?: 4 
2011: The Deep Field: 6
2016: My Woman: 11
2018: Aviary: 2
2019: Remind Me Tomorrow: 10
2020: Punisher: 5
2022: i don’t know who needs to hear this...: 8

The Hurt In My Heart (46:06) (KF) (Mega)

Saturday, 19 November 2022

Scarlet Villagers

Today's selection is slightly different in that Scarlet Villagers wasn't a compilation as such but a CD-R of ripped albums gifted by my friend John in/around December 2011.

I've pulled together a selection from 10 of the 12 albums, not necessarily of my favourite songs but ones which seem to sit well together. The running order is exactly the same in which the albums were presented on the CD-R. 

The two albums excluded from this selection are Pentamerous Metamorphosis, Global Communication's epic re-imagining of Chapterhouse's album Blood Music and something labelled only as "Irish Trad" which I don't seem to have ripped. I also seem to have lost Le Tigre's self-titled album along the way so I've swapped it out for a DFA edit of album opener Deceptacon.

John's a very talented comic artist and letterer, as you can see from the self-produced sleeve. He's also switched me on to some great music over our decades-long friendship. Whilst I won't be holding my breath for another Scarlett Johansson album, the albums by Joan As Police Woman, Villagers and The Radio Dept. were my significant introductions to each artist and I'm eternally grateful.

1) Strength Through Music: Amanda Palmer ft. Ben Folds (2008)
2) NW Apt.: Band Of Horses (2010)
3) Lightning: Philip Glass ft. Janice Pendarvis (1986)
4) Fannin Street (Cover of Tom Waits): Scarlett Johansson ft. David Bowie (2008)
5) Bad Communication: Sufjan Stevens (2010)
6) The Meaning Of The Ritual: Villagers (2010)
7) Kiss The Specifics: Joan As Police Woman (2011)
8) Deceptacon (DFA Remix Pt. 1 / Vocal Edit By James Murphy & Tim Goldsworthy): Le Tigre (2001)
9) Memory Loss: The Radio Dept. (2010)
10) Still Sound: Toro Y Moi (2011)

1993: The Essential Philip Glass: 3
2001: Le Tigre Remix EP: 8
2008: Anywhere I Lay My Head: 4
2008: Who Killed Amanda Palmer: 1
2010: Becoming A Jackal: 6 
2010: Clinging To A Scheme: 9
2010: Infinite Arms: 2
2010: The Age Of Adz: 5
2011: The Deep Field: 7
2011: Underneath The Pine: 10

Scarlet Villagers (40:57) (KF) (Mega)