Showing posts with label Fluke. Show all posts
Showing posts with label Fluke. Show all posts

Sunday, 5 July 2026

...No Sweeter Genius

The second half of tunes that have tickled my fancy in the first 26 weeks of '26
 
The final thirteen feature a couple of returning artists in The Rotations and Fluke, more than justified in both cases. The rest are new to this selection, even if the names are familiar.

deary has confidently picked up the shoegaze baton and are running away. Thankfully, being shoegaze, it's at a fairly languid pace so you'll have no trouble catching up. And it is worth catching up with their debut album, as today's pick No Sweeter Feeling will attest.
 
With A Sense Of You, The Rotations offer up another song that sounds like it's been transmitted from a parallel universe, very much like our own, just a little...off. The vocals sound like Tom Waits belatedly finding out that Neighbours has been cancelled (again), which only adds to the charm.
 
If you only remember Chad Jackson for Hear The Drummer (Get Wicked) way, way back in the mists of time, then you are in for a pleasant surprise. Genius Of Skank Pt. 1 is not an overreaching title and sums up the track perfectly. This track appears on the excellent Evil Acid Barons double album and is well worth your pennies. Now, when we get Pt. 2, Chad?
 
I enthused about Fluke's gorgeous new double album The Second Bite yesterday, albeit as a side reference to an accompanying Daniel Avery remix of their classic Atom Bomb. This time, I've picked from the album itself. Several of the tracks are subtle tweaks, polishes and updates of the original, others take the song on a bit more of an excursion. Case in point: 1995 single Tosh goes cruising around mid-70s New York, gets funked up and wakes up the following morning, wanting to do it all again. Great stuff.
 
In the 1980s, both The Bluebells and The Kane Gang flirted with the UK record-buying masses. The former have come back in the 21st Century, arguably even stronger than before and latest album This Is... proves more than a match for anything they've done.
 
Whilst The Kane Gang are no more, two thirds of the band have reconvened as Autoleisureland. In many respects, the New Road Movie album sounds like barely a day has passed since Closest Thing To Heaven and Motortown. Your personal history with 80s pop whether you enjoy Autoleisureland's album or not. I like it.
 
In the 2000s, a band called The Strange Death Of Liberal England existed. No, me neither. However, thanks to being a fan of Roberta Fidora, I've been hooked up with TSDOLE's former organ player and their latest project, dee eye why. Debut song Autonomous features Roberta on vocals and is most enjoyable.
 
Spanish DJ/producer Roglar aka Victor Balaguer Alonso nest, getting the remix treatment courtesy of London boy Ian Vale and, as ever, neither disappoint. Fly With Dumbo is pumped up without going over the top...
 
...by contrast with the dappled sounds of Rays Of Sunshine, just one example of why Pye Corner Audio's current album More Songs About The Sun is a gift to the ears. Writer Ian Rankin features on another song and Andy Bell (Ride/GLOK) lends his guitar talent to several others.
 
Speaking of which, Alliance, the GLOK / Timothy Clerkin album from 2025 has been reworked and remixed by a host of contemporary artists. I've gone back to the old school for a remarkable job by Richard Sen. Well, I say remarkable, but I'm struggling to think of a time when Richard has been anything less. The competition is stiff, but this reimagining of The Witching Hour is a standout on the record.
 
The Moonrocks are new to me but their song Cardiac Arrest definitely leans more heavily on the classic rock stylings that the cosmiche that their name suggests. You don't always have to innovate to be fun.
 
That said, Broken Chanter is a perfect example of great pop rock songs that manage to sound familiar and catchy whilst having something fresh to play and say. I've fallen deeply in love with Broken Chanter since being introduced them a few years ago and the latest album is brilliant. 
 
Almost as a response to Scarlet Fantastic's opening call on Volume 1, a year without a summer is almost too much to contemplate.
 
And, as if on cue, rays of sunshine through the window and a nudge for me to get up and get out. 
 
 
1) No Sweeter Feeling: deary (Birding)
2) A Sense Of You: The Rotations (Gung-Ho)
3) Love Is Gonna Keep Us Cryin': Autoleisureland (New Road Movie)
4) Nave (Malaphors Mix): Sister Ray Davies (Holy Island Baby EP)
5) Autonomous: dee eye why ft. Roberta Fidora (Bungalow Legs EP)
6) Tosh (The Second Bite): Fluke (The Second Bite)
7) Cardiac Arrest: The Moonrocks (A Room With A View)
8) Fly With Dumbo (Ian Vale Remix): Roglar (I Know EP)
9) Rays Of Sunshine: Pye Corner Audio (More Songs About The Sun)
10) Indian Summer: The Bluebells (This Is...The Bluebells)
11) Genius Of Skank Pt. 1: Chad Jackson (Evil Acid Barons)
12) The Witching Hour (Richard Sen Remix): GLOK / Timothy Clerkin (Alliance Remixed)
13) A Year Without A Summer: Broken Chanter (This Could be Us, You, Or Anybody Else)
  
Summer Feeling, No Sweeter Genius (1:00:47) (GD) (M

Saturday, 4 July 2026

Summer Feeling...

As we're halfway through the year, it's time to pause and enjoy the music that's been assailing my senses in the first 26 weeks of '26.

So, 26 songs split into two volumes, today and Sunday. And, unsurprisingly, a fair few mention summer, sunshine and sunsets. Ironically, it's pretty overcast as I create this post in the Cotswolds.

But what would we feel like, without summer? To answer that question, Maggie De Monde is back with a fab album as Scarlet Fantastic, ably assisted by Hifi Sean. The answer? Like being without someone you love, obviously.

Song Of Siraba by A Space Age Freak Out has already appeared on an earlier Dubhed selection of 2026 highlights, but both the original and the ten (count 'em, ten!) accompanying remixes are so good, I make no apology for this. Last time, it was Cosmikuro's take, this time I've gone for Viper Patrol.

Fluke's unexpected and very welcome return in 2024 has been gathering momentum, leading to the release of The Second Bite, a glorious double album reworking classics from their catalogue. Not only that, but Daniel Avery has delivered the first of two remixes of Atom Bomb. This is a dreamy delight, not least for showcasing Leah Cleaver's updated vocals.

Justin Robertson remixed Fluke back in the day and he's still turning it on, most recently as Five Green Moons on a wonderful overhaul of Freedom by Das Druid. They bang on about national treasures on the TV all the time. Justin's a national treasure, as far as I'm concerned, even if he hasn't received an award from Carol Vorderman to prove it.

Speaking of which, Mr. Richard Norris. His latest album is a soundtrack to a clutch of 8mm films that he has acquired, both described as "reflective, atmospheric, lo-fi, a bit wobbly". I've picked Dreamtime, the most blissful two minutes you're likely to experience today. 

In amongst these are a mix of sounds from King Ayisoba, produced by Adrian Sherwood (thanks, Ernie!), Erin Farley and Stephen Clarke 1980, Wrongtom, Kolegos, SAULT, 6161 and The Rotations, Nothing particularly in common, but all finding their own place and space on this selection. It perhaps shouldn't work, but it does.

The sun sets, appropriately enough, with Sunset by Doublespeak, an electronic supergroup comprising Neil Arthur, Vince Clarke and Ben Edwards aka Benge. Happy 66th birthday for yesterday (3rd), Vince!

Hopefully, this has whet your appetite for tomorrow's 13-song selection, including a couple of today's artists, back for more. But who?


1) Without Summer: Scarlet Fantastic (From Montreal To Rotherham)
2) Song Of Siraba (Viper Patrol Remix By John McIver): A Space Age Freak Out (Song Of Siraba EP)
3) False Tongue: Erin Farley & Stephen Clarke 1980 (PSC#001: The Beautiful Flowers Wait For Peace)
4) Love, Refrain (Reprise): The Rotations (Gung-Ho)
5) Bemba (Album Version By Adrian Sherwood): King Ayisoba (Pure Confusion)
6) Atom Bomb (Daniel Avery Nuclear Summer Remix): Fluke ft. Leah Cleaver (Atom Bomb EP)
7) Freedom (Justin Robertson's Five Green Moons Remix): Das Druid (Das EP)
8) One Man Army (First Dub Part II): Wrongtom Meets The Rockers (One Man Army EP)
9) Dreamtime: Richard Norris (8mm)
10) Arbeit: Kolegos (ALG EP)
11) Fulfil Your Spirit: SAULT (Chapter 1)
12) Up (Ben Nascosto Remix): 6161 (6161 (Remixes) EP)
13) Sunset: Doublespeak (Sunset / Strange Weather EP)

Summer Feeling, No Sweeter Genius Vol. 1 (58:47) (GD) (M)

Saturday, 20 June 2026

Cherry Picks

I had an email just after 3.00pm on Friday with the welcome news that Fluke have released a brand new album, The Second Bite.

A dozen songs from their catalogue, revisited and recreated for 2026. And on gatefold double vinyl too. I needed no further persuasion.

I got home a few hours later, had a bite to eat with Clan K and then logged into Bandcamp to buy the album. 

Sold out.

Gutted.

I've had to console myself for now with a digital download, but may end up buying the vinyl from a record shop when it's generally released on 26th June.

Atom Bomb has also been blessed with two remixes by Daniel Avery, the first of which is available now.

And, as further consolation, today's Dubhed selection is a companion piece to The Second Bite in that it mirrors the album tracklisting, but draws on versions from the original singles and albums. I've also split Cherry Picks into two 40-odd minute 'sides'.


Side One
1) Bullet (Cannonball) (1995)
2) Slid (Glidub) (Single Version) (1993)
3) Absurd (Landslide) (1997)
4) Electric Guitar (Sunburst) (1993)
5) Atom Bomb (Atomix 3) (1996)
6) Absurd (Reeferendrum) (Single Version) (1997)

Side Two
1) Groovy Feeling (Mr Whippy) (Remix By Atlas) (1993)
2) Tosh (Cosh) (1995)
3) Electric Blue (Album Version) (2003)
4) Freak (Album Version) (1995)
5) The Bells (Mix 3) (1991)
6) Life Support (Album Version) (1993)

Side One (43:48) (GD) (M)
Side Two (42:09) (GD) (M)

If that's still not enough, here are both of my Fluke mixtapes from 1997 and a selection that I posted earlier this year.

Fluke (Singles) Side One and Side Two
Fluke (Mixes) Side One and Side Two

Saturday, 30 May 2026

Fee/Mail

On 23rd February 1997, I recorded a Björk cassette compilation called Debutante, "a selection of mixes and alternate versions" of her Debut album. Two sides of music found on the accompanying singles (and a few other sources) and squished on a C60 tape.

I didn't do the same for Björk's second album, Post, although I'd toyed with the idea, and even come up with a title, Fee/Mail. The release of the remix companion Telegram in 1996 effectively rendered the idea redundant.

A decade later, I discovered a Björk fan site online, containing a dizzying number of bootleg mixes spanning her entire career. It's not there anymore, although many of the mixes subsequently resurfaced on YouTube.

I posted the Debutante selection in December 2022 and was listening to it again this week. The thought of the Fee/Mail selection had never really gone away and I'd always found Telegram a patchy collection at best.

Last week, I finally succumbed and started trawling through my Björk collection to finally realise the Fee/Mail C60 compilation.

In 1997, alternative versions and remixes existed for some bit not all of Debut, so I filled the gap with non-album B-sides. No such problem with Post.

Fee/Mail replicates Post's track listing, providing alternative versions for each song. Seven of the eleven tracks are remixes lifted from the contemporary singles, Army Of Me, Enjoy (albeit 12" only), Hyperballad, Possibly Maybe and I Miss You. The list of artists is diverse:  Mike D (Beastie Boys), Fluke, Dom T., Talvin Singh, RH Factor, Plaid and a mighty death metal version by Carcass.

There's one demo - The Modern Things - which was belated released on the Family Tree/Greatest Hits box set in 2002.

The remaining three are all 21st century reworks by DarkJedi (Rouen, France), Ridu (Montreal, Canada) and Keith Kenniff (Portland, USA). All add something different to the music - radically so, in the case of It's Oh So Quiet - but all fit with the aesthetic of the original C60 concept.

I guess I should consider Homogenic next...?

Side One
1) Army Of Me (ABA All-Stars Mix By Michael Diamond & Mario Caldato Jr.) (1995)
2) Hyperballad (The Hyperballad Fluke Mix By Jon Fugler, Mike Bryant & Mike Tournier) (1996)
3) The Modern Things (Original Demo) (1994)
4) It's Oh So Quiet (DarkJedi Mix By Gregory Recher) (Cover of Betty Hutton) (2007)
5) Enjoy (The Beats Mix By Dom T. aka Dominic Thrupp) (1996)
6) You've Been Flirting Again (Ridu Mix By Mathieu Bégin) (2009)

Side Two
1) Isobel (The Carcass Remix By Jeff Walker, Bill Steer, Carlo Regadas & Ken Owen) (1996)
2) Possibly Maybe (Calcutta Cyber Cafe Mix By Talvin Singh) (1996)
3) I Miss You (R.H. Factor Lovely Mix By Michael Rosenman & Michael Hacker) (1997)
4) Cover Me (Plaid Mix By Andy Turner & Ed Handley) (1996)
5) Headphones (Glow Mix By Keith Kenniff) (2001)

1995: Army Of Me EP: A1
1996: Enjoy EP: A5
1996: Hyperballad EP: A2, B1, B4
1996: Possibly Maybe EP: B2
1997: I Miss You EP: B3
2001: Headphones EP: B5
2002: Family Tree (6x CD): A3
2007: It's Oh So Quiet (bootleg MP3): A4
2009: You've Been Flirting Again (bootleg MP3): A6

Side One (29:08) (GD) (M)
Side Two (28:32) (GD) (M)


For your further Björk listening pleasure:

The Original Debutante (4th December 2022)
Bjangin' Bjeats (16th August 2025)

Saturday, 3 January 2026

Every Single Tiny Little Imperfection Has A Beauty To Behold

What better way to kick off the first Saturday selection of 2026 than with 77 minutes of Fluke?

Hands down one of my favourite artists of all time, Fluke's comeback in 2024 was a triumph and I can't wait to see/hear what comes next.

In the meantime - and for the first time - I've pulled together a selection of a dozen tunes that draws on their rich back catalogue. I don't go all the way back to the first Fluke releases in 1988; the earliest song here is from a John Peel session transmitted on 26th January 1992. However, the selection does bounce around a lot, much like their beats.

Most of the picks are Fluke's remixes of their own songs but I have included a few remixes of other artists, namely Juno Reactor, Soft Ballet and Sensation (formerly Soul Family Sensation). 

I've also included a remix of Real Magnificent by Justin Credible, who had created and posted top notch unofficial remixes via YouTube for years, until Fluke gave him the nod in 2024 and made it official.

Resolutely unofficial is the closing song, a version of Insanely Beautiful by yours truly. There's no skill or artifice in this particular mash-up. I was curious to hear Jon Fugler duet with Leah Cleaver so I literally laid the original single version and Leah's Mix together. It's a busy mix, but I love it.

2026 will hopefully see more from Fluke. I dare to dream that it will be a full album, and some live shows including Bristol or Bath would be, well, insanely beautiful.

For now though, I'm going to spend the weekend with Fluke on constant rotation and turned up loud. Everyone needs some beauty to behold.

1) Bullet (Percussion Cap) (1995)
2) I Wanna Be (All Buttons In) (2025)
3) Amp (Geographic Long Mix) (1997)
4) The Allotment Of Blighty (John Peel Session) (1992)
5) Pistolero (Fluke "Hang 'Em High" Remix): Juno Reactor ft. Mercedes Luque, Taz Alexander & Steve Stevens (1999)
6) Absurd (Whitewash) (1997)
7) Real Magnificent (JC Remix By Justin Credible ft. Leah Cleaver) (2024)
8) Spindle (The Fluke Remix): Soft Ballet (1994)
9) Atom Bomb (Atomix 1) (1996)
10) Beautiful Morning (Fluke's Magimix): Sensation (1993)
11) Setback ('Oto' Album Version) (1995)
12) Insanely Beautiful (Khayem's Double Take Mash-Up ft. Leah Cleaver) (2025)

A Beauty To Behold (1:17:20) (GD) (M)


For your further Fluke fulfilment, I've reactivated links to the couple of mixtapes that I compiled in 1997:

Fluke (Singles) Side One and Side Two

Friday, 26 December 2025

Boxing Day, Fighting Fit, Gloves Off

Boxing Day blues kicking in already?

Fear not, I've created a brand new hour-long Dubhed selection to banish the blues and hopefully not leave you seeing red!

I worried that my 2021 Boxing Day offering was too obvious, being themed around boxes. Four years later, I've clearly not learned my lesson, as today's selection is based on boxing-themed song titles. 

In fact, it turned out that I hit a rich seam of gold in my digging, unearthing enough songs for at least one more selection. 

Left out of the ring on this occasion were The Affectionate Punch by Associates, Pulling Punches by David Sylvian, Punch Drunk by Gene Loves Jezebel, One Armed Boxer by Lee 'Scratch' Perry & The Upsetters, Saved By The Bell by Robin Gibb and of course Born Under Punches (The Heat Goes On) by Talking Heads.

Decayed, my recent series focussing on the 1990s, also featuring boxing obsessed songs like Muhammad Ali by Faithless, Lessons Learned From Rocky I To Rocky III by Cornershop and Heavyweight Champion Of The World by Reverend & The Makers, all left in the changing room on this occasion.

I think, blow-by-blow the fifteen rounds here deliver a knockout selection, an (upper) cut above the rest and proof if needed that I'm in your corner. 

And before I stretch my efforts to insert boxing references too far, it's time to hang up my gloves, know what I mean, 'Arry?

1) The Boxer (Album Version): The Chemical Brothers ft. Tim Burgess (2005)
2) Knockout Position (DJ Muggs Remix): Kaliphz (1995)
3) Another Blow On The Bruise: Gavin Friday & The Man Seezer (1989)
4) Sucker Punch: Fujiya & Miyagi (2006)
5) Fighting Fit (Album Version): Gene (1996)
6) Southpaw (Fluke's Glassjaw Remix): Trisco (2005)
7) Lazyitis (One Armed Boxer): Happy Mondays ft. Karl Denver (1989)
8) Lightweight: Marco Rossi (2024)
9) Down And Out: The Jon Spencer Blues Explosion (2015)
10) The Boxer (Cover of Simon & Garfunkel): Bob Dylan (1970)
11) Still Fighting: The Sabres Of Paradise ft. Denise Johnson (1993)
12) Knuckle Sandwich Nancy: Slade (1981)
13) Reign Of Blows: XTC (1984)
14) Boxerbeat (Album Version): JoBoxers (1983)
15) Boxing Clever: The Selecter (2023)

1970: Self Portrait: 10
1981: Till Deaf Do Us Part: 12
1983: Like Gangbusters: 14
1984: The Big Express: 13
1989: Each Man Kills The Thing He Loves: 3
1989: Lazyitis EP: 7
1993: Sabresonic:: 11
1995: Seven Deadly Sins: 2
1996: Drawn To The Deep End: 5
2005: Push The Button: 1
2005: Southpaw EP: 6
2006: Transparent Things: 4
2015: Freedom Tower No Wave Dance Party 2015: 9
2023: Human Algebra: 15
2024: Since Returning From The Moon: 8

Boxing Day, Fighting Fit, Gloves Off (1:01:50) (GD) (M)

Saturday, 13 December 2025

Release The Beats

Immersed as we are in end of year round ups and best ofs, I'm swimming with the current and today's 64-minute selection rounds up some choice choons from the year to date. 

A couple of these tracks have appeared on previous selections, but are too good not to bring back in. 

Like Fire by Airsine came out on the ever-excellent Paisley Dark Records label in March and I've been obsessed with it ever since. Today's selection meaning that I've now posted all four versions from the EP, every one a winner, as they say.

Speaking of fire, Leo Zero has been on fire (musically speaking, not literally) with a truckload of releases that haven't skimped on quality. June saw Nebulon Systems Vol. 1, a 20-track monster of an album, with Orangutan placed smack dab in the middle, at track ten. Not only a great album, but a ridiculous bargain at £4.00 for the lot.

Another mind-boggling bargain was the Powder Wax Vol. 2 EP by Jesse Fahnestock, revisiting his 10:40 alias, whilst also delivering a dizzying array of music in 2025 with Darren Bell as Jezebell

Powder Wax Vol. 2 arrived in February as a 'name your price' purchase, comprising two songs, Beneath The Waves and Miracle Me. Both appeared on 2025 highlights selections in March and May, and Beneath The Waves makes a welcome return here.  

Pye Corner Audio have frequently dropped a new track in time for Bandcamp Friday, always an automatic 'add to cart' come the day. The Deep Cut appeared in March, one of five new standalone tracks in 2025, all of this calibre.

Orange Sunshine was originally on a flexi 7" with limited vinyl quantities of Hifi Sean and David McAlmont's album Twillight. In April, Orange Sunshine appeared as a standalone singlefeaturing rapper Sawlty (and David's nephew). Feel it!

In 2024, sLEdger provided Fluke with a superb remix of Fluke's single Real Magnificent. June saw the favour returned, with Jon Fugler and Mike Tournier's remix of TweebasLEdger given a refreshing Fluke rinse. Wonderful stuff.

I've continued with The Future Sound Of London's 'calendar' compilations of outtakes and unreleased music for a few years now, and still get a buzz when each monthly link arrives, building up a 12-track collection by year end. PSUN K arrived in November, the penultimate piece from another cracking collection.

August saw the return of Puerto Montt City Orchestra with And We'd Be So Happy, a lovely slice of Balearic sunshine with a spoken word vocal by Kitty Salter, the daughter of band member Tim. The initial single was backed with The Cruel Mistress Mix, included here, with two further remixes from Balearic Ultras and downtownLOOP arriving a fortnight later. Sounds just as good in winter as it did in summer.

Fluke's spectacular comeback continued with May's release of I Wanna Be, a bouncing, life-affirming single in it's original form, and given a fantastic dub rinse by Justin Robertson's Five Green Moons. I am over the moon (all five of 'em) to have new Fluke music in my life.

Wrapping up this final round up of 2025's beautiful beats is Tambores En Benirras, who I splurged my cash on during Bandcamp Friday earlier this month, snapping up the entire catalogue in one go. It was worth every penny, not least for the trio of remix EPs accompanying the album Ondas Horizontales. 

It was almost impossible to pick just one, but I've settled with Steve Cobby's nine-and-a-half minute revision of Extensor Entregado from the inaugural EP. Highly recommended!

1) Like Fire (Mindbender Remix By Mårten Attling): Airsine
2) Orangutan: Leo Zero
3) Beneath The Waves: 10:40
4) The Deep Cut: Pye Corner Audio
5) Orange Sunshine (Single Version): Hifi Sean & David McAlmont ft. Sawlty
6) Tweeba (Fluke Remix By Jon Fugler & Mike Tournier): sLEdger
7) PSUN K: The Future Sound Of London
8) And We'd Be So Happy (The Cruel Mistress Mix): Puerto Montt City Orchestra ft. Kitty Salter
9) I Wanna Be (Justin Robertson - Five Green Moons Remix): Fluke
10) Extensor Entregado (Steve Cobby Remix): Tambores En Benirras

Release The Beats (1:04:11) (GD) (M)


More 2025 beats on prescription via these previous Dubhed selections: 

Friday, 23 May 2025

Bee Happy

Last Bandcamp Friday, Fluke released an exclusive remix of upcoming single I Wanna Be.

At midnight, Fluke offered up the original vocal mix alongside a visually arresting promo. A bee-themed journey through a honeycombed hive, with an array of images, from roller skaters to Fred & Ginger to palm trees to waterfalls to wheelies to Bowie to the apocalypse. 

The video's imagery is relatively easier on the eye than the frenetic pace of previous singles Real Magnificent and Insanely Beautiful, in step with the bouncing beats of the song.

Jon Fugler reels off a list of aspirations, including :

I wanna be 
like the man that I see every night in my dreams
the me I know you always wanted to see
like the calmest, coolest, gentlest brush of breeze
someplace like paradise please

Not too much to ask for really, is it?

Jon and Mike Tournier have really delivered a comeback that respects Fluke's past, but gives the thrill of the new. Michael Rendall (The Orb) is again present and correct on the mix, and Leah Cleaver once more elevates the song with her fabulous voice.

With the promise of a new album on the horizon, and on the strength of the music so far, this is something to be very excited about.

As I often post a Dubhed selection on a Friday, it seemed as good an excuse as any to celebrate Fluke's new single by dusting off some of my late 1990s Fluke selections from the archives.

Enjoy!

Fluke (Mixes) (Side One & Side Two)
Fluke (Singles) (Side One & Side Two)


And a very happy birthday to Mike Tournier for Saturday (24th)!

Sunday, 16 February 2025

Decadance III: 1995

Side 2 of a time-travel mixtape, crashing in at 1995.

This series is whizzing by, more than half way through already and exactly 30 years ago. My brain cannot compute, so much of this music still feels 'recent' to me!

Very little evidence in this selection of Britpop, Trip Hop or Ski-Ba-Bop-Ba-Dop-Bop, although I think Scatman John was the sole proponent of the latter, anyway. 

However, in 1995 everything was big: the beats, the brass, the strings, the voices. And so were the hits: all but one of the songs in today's selection made the Top 30, four the Top 10, though the #1 position proved elusive for all.

Pulp nearly made it, with Common People getting all the way to #2, held off the top spot by effing Robson and effing Jerome, whose risible cover of Unchained Melody floated at the top like a turd in a toilet bowl for a mind-boggling seven weeks.

Several artists from Decade, my previous series of 80s mixtapes, make a welcome reappearance here: Marc Almond, Julian Cope and, perhaps the most surprising, Edwyn Collins

A Girl Like You was first released in December 1994 and didn't make much of a dent in the UK charts, but there was a groundswell of interest in Europe, leading to re-release here in June 1995. A month later and it was at #4. It also boosted the accompanying album Gorgeous George to #8 in July 1995, twelve months after it came out.

Leftfield had been tied up in contractual hell with their former label, which meant that they could little more than remix other artists for several years. Finally free to release their own material, their monumental debut album Leftism crashed in at #3 in February 1995. 

Leftism contained a version of Open Up, their 1993 comeback single with John Lydon, and collaborations with Djum Djum and Lemn Sissay. Leftfield's first single of 1995 was another collaboration, this time time with Toni Halliday of Curve on the sublime Original. Thirty years on, both it and the album sound as fresh and exciting as they did back then.

Another single by The Sabres Of Paradise for the MAW selection. Andrew Weatherall, Jagz Kooner and Gary Burns had previously remixed Tom Rowlands and Ed Simons music as The Dust Brothers. When the original Dust Brothers required Tom and Ed to cease and desist nicking their name, The Chemical Brothers were born.  
 
The Sabres Of Paradise remixed their debut single Leave Home, itself a Top 20 hit in June 1995. The previous month, the favour was (p)repaid when The Chemical Brothers refashioned Tow Truck, one of several tracks from Haunted Dancehall reworked for the Versus EP. When I say 'refashioned', it's basically a Chemical Brothers track, but the original Sabres components shine through.
 
Describing Fluke's beats as big and bouncy sounds smuttier than it's supposed to, but that's what always springs to mind when I think of their music. Ironically, The Dust Brothers (the original, that is, not Tom & Ed's knock off) remixed today's featured single Bullet, though nothing tops Fluke's own versions. In a box somewhere in the loft, I have Fluke promo plastic bag, which itself ripped off the Tesco carriers of the time. Never used it.
 
Thirty years before he released possibly the best album of 2025 with Hifi Sean, David McAlmont launched another wildly creative and successful partnership, with Bernard Butler. Yes was the perfect introduction, all Wall-of-Sound meets Sylvester meets Suede and a deserved Top 10 smash. 
 
Bernard of course used to be in Suede with Brett Anderson, who co-founded the band with Justine Frischmann, who went on to form Elastica. You'd almost believe I wasn't winging it and had some kind of plan, wouldn't you? 

Elastica were brilliant, even if they did have a habit of getting old rockers riled up and litigious over their songs. Waking Up is a case in point: who cares if it's reminiscent of No More Heroes by The Stranglers? Well, The Stranglers did obviously.
 
The music press were already getting into a lather about Radiohead, though The Bends was the album that hooked me in. There were tons of singles from the album, though admittedly it so full of great songs, that it was difficult to argue that none of them were worthy picks. It all started off with a double A-single of High And Dry and Planet Telex, the latter's abrasive squall offset by the former's soft-yet-brittle side. 

There was very nearly two helpings of Tracey Thorn. Reluctantly, Massive Attack's Protection had to go, justified by the fact that they appeared in the 1994 selection. Of the two picks, in the end it just had to be the Todd Terry remix of Missing by Everything But The Girl

I loved the original and the remixes that accompanied the single's original release in 1994. Todd Terry gave the song a whole new lease of life - and audience - when his remix rocketed Missing to #3 in the UK in November 1995. And with that, the confidence for Everything But The Girl to take a divergent musical path that led to a run of great albums in subsequent years.
 
Given the three decade anniversary, I was keen to include something from the UK Top 40 as at 16th February 1995. But jeez, the record buying public didn't half make it difficult.
 
Celine Dion and Annie Lennox at #1 and #2 respectively. Cotton Eye Joe by Rednex and cover of Total Eclipse Of The Heart (I mean, why?) by Nicki French in the Top 10. A few places down, Jimmy Nail and Sting both with songs about cowboys (though at least Jimmy's was written by Paddy McAloon). It's not until #20 that the first half decent song appears, with Mansize Rooster by Supergrass. 

Thankfully, a new entry that week at #38 saved the day. Down By The Water by Polly Jean Harvey was the first single from third album To Bring You My Love and ends this 1995 mixtape on a suitably sinister note.
 
It's no spoiler to say that next weekend will look at 1996 and 1997. Life-changing in so many ways...but was the music any good?
 
Well, if I mention Spice Girls, Babylon Zoo, Gina G, Elton John, Aqua and Teletubbies, you'll no doubt be thrilled to know that none of them will be appearing here!
 
1) Original (Radio Edit): Leftfield ft. Toni Halliday
2) Tow Truck (Chemical Brothers Mix): The Sabres Of Paradise
3) Bullet (Bitten 7"): Fluke
4) Adored And Explored (7" Edit By The Beatmasters): Marc Almond
5) Waking Up (Album Version): Elastica
6) Yes (Edit): McAlmont & Butler
7) High And Dry (Album Version): Radiohead
8) Missing (Todd Terry Club Mix) (Blanco/Eternal Radio Edit): Everything But The Girl
9) Common People (7" Edit): Pulp
10) Try, Try, Try (Album Version): Julian Cope
11) A Girl Like You (Album Version): Edwyn Collins
12) Down By The Water (Album Version): PJ Harvey

12th February 1995: To Bring You My Love (#38): 12
19th February 1995: Elastica (#13): 5
5th March 1995: The Bends (#17): 7
19th March 1995: Original EP (#18): 1
7th May 1995: Fantastic Star (#25): 4
7th May 1995: Versus EP (#77): 2
28th May 1995: Common People EP (#2): 9
28th May 1995: Yes EP (#8): 6
16th July 1995: Gorgeous George (#4): 11
23rd July 1995: Bullet EP (#23): 3
6th August 1995: 20 Mothers (#24): 10
19th November 1995: Missing EP (#3): 8

Side Two (46:11) (GD) (M)

Sunday, 9 February 2025

Decadance II: 1993

Side 2 of my 'maginary 90s mixtape, focusing on 1993.
 
The carefree college days were drawing to a close, and final exams loomed. 
 
I got to look at the work of Joan Miró, Antoni Gaudí, Salvador Dalí, Pablo Picasso and many more up close and personal for the first time in Barcelona. 
 
I went with my girlfriend, her best fried and boyfriend to the inaugural Phoenix Festival in Stratford-upon-Avon, where I saw, amongst others, Manic Street Preachers, Sonic Youth, Faith No More, Julian Cope (who I saw twice in '93), The Disposable Heroes Of Hiphoprisy, Utah Saints, Back To The Planet, House Of Pain, Sandals, Senser, The Young Gods, Credit To The Nation, Ian McNabb, Sheep On Drugs, The Black Crowes and Pop Will Eat Itself. Only one of them makes an appearance in today's selection.
 
Poor old Pop Will Eat Itself. This is the second time that PWEI made it to the last 14 and failed to survive the final edit. They'll be even more gutted that on this occasion, the nearly ran was Get The Girl! Kill The Baddies! which was surprisingly a #9 hit in January 1993 and, perhaps less surprisingly, their only Top 10 hit. The window of opportunity is closing for the lads as 1994 would prove to be the last time they cracked the Top 40. 

So which of the Phoenix Festival luminaries made it? Credit To The Nation of course, with their Nirvana riffing anthem that is Call It What You Want. Front person Matty Hanson was a compelling performer on stage, and they deserved bigger and better things.
 
Not the only rap to show up here, with Cypress Hill, whose song landed in my grubby mitts in 1994, courtesy of Reading Present, a cover-mounted cassette freebie with Melody Maker. Having no tolerance for potty language, of course, the UK single was re-titled When The Ship Goes Down (or Sh--, depending where you saw it promoted).
 
When it came to choosing today's Mandatory Andrew Weatherall...well, I couldn't. In fact, at one point, I nearly went for the triple with the squalling, spiky Sabres Of Paradise remix of Leftfield/Lydon's mighty Open Up. Instead, there's One Dove with White Love. There was a sanitised, radio friendly single verson, but the one to go for is the Guitar Paradise mix by Andrew and the band with Sabres compadres Jagz Kooner and Gary Burns. Much as I would love to include the full length album version, it's well over ten minutes, so here's the US promo edit, which was also used for the official video. Dot Allison is of course uber cool throughout.
 
The second MAW for 1993 is New Order's comeback single, Regret. I'll be honest, I didn't warm to the single when I first heard it, but Andrew, Jagz and Gary opened my eyes and ears to it's potential with a couple of next-level remixes. The Slow 'n' Lo remix is just shy of thirteen minutes, split into vocal and dub halves; this is the former, a sublime skank that suits Bernard's voice perfectly.
 
Also getting two bites of the cherry are Fluke, firstly with their remix of Björk's Big Time Sensuality, which she loved so much that it became the official single and video version. You can see why, it's four minutes of pure joy. I loved Fluke's previous music, but this tipped into something of an obsession in 1993, with the release of The Techno Rose Of Blighty, a slew of superb singles (including Slid, today's featured song) and tons of top notch remixes. As with Andrew Weatherall, I tried my darnedest to track down everything that had Fluke on it. Still love 'em as much now as I did then.
 
The same can be said for Justin Robertson, who expanded from DJing and remixing to releasing original music as Lionrock, accompanied by wordsmith MC Buzz B. Packet Of Peace was the second single and the first of four Top 40 hits.
 
Not that the rest of today's selection is anything less than excellent. No #1's this time perhaps but nine Top 40 hits is not to be sniffed at. And the ones that didn't make the Top 40 really should have.
 
1994 was a bit of a divergent path in my life, but what remained unwavering was my love for music. Some good tunes coming up? Probably!
 
1) Big Time Sensuality (The Fluke Minimix): Björk
2) Who Do You Think You Are (Single Version) (Cover of Candlewick Green): Saint Etienne ft. Debsey Wykes
3) When The Shit Goes Down (Diamond D Remix By Joseph Kirkland): Cypress Hill
4) White Love (Guitar Paradise Edit By One Dove & Sabres Of Paradise): One Dove
5) Walking In My Shoes (Random Carpet Single Edit By William Orbit): Depeche Mode
6) Regret (Sabres Slow 'n' Lo (Vocal) Remix By Sabres Of Paradise): New Order
7) Cannonball: The Breeders
8) Packet Of Peace (7" Edit By Justin Robertson & Mark Stagg): Lionrock ft. MC Buzz B
9) Slid (Glid Edit): Fluke
10) Call It What You Want (Single Version): Credit To The Nation
11) Animal Nitrate: Suede
12) Feed The Tree: Belly
 
17th January 1993: Feed The Tree EP (#32): 12
28th February 1993: Animal Nitrate EP (#2): 11
14th March 1993: Slid EP (#59): 9
18th April 1993: Regret EP (#4): 6
2nd May 1993: Packet Of Peace EP (#32): 8
9th May 1993: Walking In My Shoes EP (#14): 5
16th May 1993: Call It What You Want EP (#57): 10
23rd May 1993: Hobart Paving/Who Do You Think You Are EP (#23): 2 
1st August 1993: White Love EP (#43): 4 
15th August 1993: Last Splash (#40): 7
26th September 1993: When The Shit Goes Down EP (#19): 3
28th November 1993: Big Time Sensuality EP (#17): 1
 
Side Two (46:32) (GD) (M)