Showing posts with label Talk Talk. Show all posts
Showing posts with label Talk Talk. Show all posts

Thursday, 9 July 2026

Nothing Can Change It

Seal's band taking this quite literally with an almost note perfect recreation of Life's What You Make It by Talk Talk, performed at the free One Philly: Unity Concert For America in Philadelphia on 4th July 2026.

I've seen a lot of online comments about whether artists should attempt to cover Talk Talk at all, on the basis that the songs are perfect to begin with, others arguing that it's another way to bring a classic artist or band to attention of a new generation and/or wider audience.

I'd definitely go with the latter. I've heard my fair share of dodgy songs that, on discovering that they are cover versions, have tempted me to track down the original, to my benefit and education. 

Seal delivers a typically strong vocal and the band - including Philly-born Gail Ann Dorsey on bass - is tight, though the percussion is so note perfect that I can't believe that it's all played by Drew McKeon, not least because it required three for Talk Talk's own live rendition: drummer Lee Harris, accompanied by Leroy Williams and Phil Reis.

And Seal's vocals, whilst on point and a good match for the music per se, never quite nail the emotional depth of Mark Hollis' performance. The latter is also a lot more animated on stage, you can feel what Mark feels when he's singing it.

Here's a prime example, Life's What You Make It by Talk Talk at the Montreux Festival on 11th July 1986. Same song, almost identical arrangement, forty years apart but oh, what a difference.

For all that, I'm glad that Seal chose to include a Talk Talk song in his set and that there were people in the audience so inspired by this that they were instantly looking up the original song. 

Of course, in these days of streaming that means naff all royalties for anyone involved with the Talk Talk recording, but the band and their music remain as relevant and as thrilling now as they did all those years ago.

Sunday, 20 July 2025

Birthday Boys & Girl

Birthday Boys & Girl Wandering around Gloucester last month, seeking inspiration for John Medd's photo challenge, in a side street I came across an unexpected tribute to Chris Cornell.

Chris tragically lost his life to suicide in 2017, and I guess this street art was a heartfelt if slightly hidden acknowledgement of the Chris' work with Soundgarden, Audioslave, and as a solo artist.

The photo has been sitting there patiently, waiting for it's moment. I then discovered that it would have been Chris' 61st birthday on 20th July.

I'll be straight with you: I would struggle to create a Dubhed selection tribute to Chris Cornell: I have the sum total of three songs that he's performed on, all with Soundgarden: one Beatles cover and one 2-track CD single which I only bought because there was a Moby remix on it.

But then I had a look online and realised that there are loads of musicians all sharing a birthday on 20th July. Plenty in fact to create an eclectic (though heavy on the 1980s) Dubhed selection to bring some sunshine to your Sunday.

As the idea started with Chris Cornell, it's only right that he gets to kick off proceedings. Blow Up The Outside World appeared on 1996 album Down On The Upside, and was also released a single, remaining my sole Soundgarden purchase to date.

Kim Carnes (80 today) is perhaps (in)famous for two things: 
(1) Bette Davis Eyes, her global smash single in 1981;
(2) a voice that had Bonnie Tyler reaching to offer her packet of sore throat lozenges.
An acquired taste perhaps, but Kim was an accomplished singer/songwriter through the 1970s. Today's pick was the opening song on eighth album Café Racers. I haven't seen the video but it apparently features Ian McShane. He's got some CV, hasn't he?!

Carlos Santana (78) has recorded a gazillion albums (at least) and collaborated with at least as many artists in a long and illustrious career. All of which is poorly represented in my music collection. I have ten times more songs by Jesus Jones than Santana, for pity's sake. As such, I've had to resort to a 21st century re-rub of classic song Black Magic Woman by Mojo Filter, although I have to say that I like it very much.

I had it on good authority (well, This Day In Music) that it was Jem Finer's 70th birthday today. On checking Discogs and Iffpedia for my half-baked research, it appears that it's not until Friday (25th). As I'd already recorded and uploaded today's selection when I discovered this, I've decided that it's perfectly fine to celebrate early in Jem's case. After all, any day is a good day to listen to The Pogues...

The same could be said of JoBoxers, though sadly fewer people saying it. Still, cause for celebration today as it's singer Dig Wayne (Timothy Wayne Ball to his mum) who is marking 63 orbits of the sun. Well, if t'internet can be trusted, that is. Boxer Beat was a Top 3 UK hit in 1983, but I was also a big fan of follow up, Just Got Lucky. Ironically, I found out that I won a Lucky Dip in Saturday's Lotto. I'm listening to How To Be A Millionaire by ABC next weekend.

These days, Jim Irvin's name pops up in the pages of Mojo magazine and in songwriting credits for artists ranging from Unloved to Yungblud. In July 1986, Jim was front person with Furniture, singing Brilliant Mind on kids' TV show Razzmatazz. They had some great songs, including Love Your Shoes, presented here in it's expanded 12" single glory. Jim is 66 today... I think (that Jem Finer birth date stitch up has scarred me).

The Seatlle Grunge Scene in the 1990s shone a spotlight on Soundgarden. And Pearl Jam. I'm not a fan, though I seem to have a surprising number of odds and sods on the hard drive. It turns out that Chris Cornell is not the only Grunge guru to have a birthday on 20th July; it's also guitarist Stone Gossard's 59th. Thankfully for him - and therefore us - he's recorded music with Ani DeFranco, including the rather good single, Disorders, in 2022.

There's always a good reason to feature Talk Talk on this blog, and today's reason is that it's drummer Lee Harris' 63rd birthday. Last year, Lee lent his percussion and production skills to Beth Gibbons' superb album, Lives Outgrown, having previously worked with her on his .O.Rang project with Paul Webb. Today's pick is an obscure Talk Talk B-side, though typically one of their best songs.

Michael MacNeil (67 today) was keyboard player with Simple Minds from 1978 to 1990 co-writing many of the songs that propelled the band into global success and the "big music". So, I've unintentionally picked a song from 1979 album Life In A Day, which he didn't have a hand in writing. But his playing is a standout.

By adding Juke Box Jive to my collection especially so that I could include it in this selection, I've increased the number of songs by The Rubettes by a whopping 100%. I think you can guess what the other one is. Singer and guitarist Tony Thorpe is 78 today.

Bringing this birthday bash to a close is John Lodge, celebrating 80 years, many of them with The Moody Blues. I've opted for one of his solo outings, from his 1977 album Natural Avenue. Despite having the same title as the Isley Brothers' 1974 hit, Summer Breeze failed to replicate their success for John when it was released as a single. The UK public were more interested in Donna Summer, Hot Chocolate and Boney M...

So, eleven artists, one sadly no longer with us, ten with plenty of cause for celebration.

Here's to you (deep breath), Chris, Kim, Carlos, Jem (for Friday), Dig, Jim, Stone, Lee, Michael, Tony and John!

1) Blow Up The Outside World (Album Version): Soundgarden (1996)
2) You Make My Heart Beat Faster (And That's All That Matters) (Dance Mix By Rusty Garner): Kim Carnes (1983)
3) Black Magic Woman (Mojo Filter Smoke & Mirrors Remix By Ben Zaven Crane): Santana (2015)
4) Streams Of Whiskey (Album Version By Stan Brennan): The Pogues (1984)
5) Just Got Lucky (12" Version By Alan Shacklock): JoBoxers (1983)
6) Love Your Shoes (Expanded Mix By Mick Glossop): Furniture (1986)
7) Disorders (Single Version): Stone Gossard & Ani DiFranco (2022)
8) Pictures Of Bernadette (7" Version By Tim Friese-Greene): Talk Talk (1986)
9) All For You: Simple Minds (1979)
10) Juke Box Jive (Album Version By Wayne Bickerton): The Rubettes (1974)
11) Summer Breeze (Album Version By Tony Clarke): John Lodge (1977)

1974: We Can Do It: 10
1977: Natural Avenue: 11
1979: Life In A Day: 9
1983: Just Got Lucky EP: 5
1983: You Make My Heart Beat Faster (And That's All That Matters) EP: 2
1984: Red Roses For Me: 4
1986: Give It Up EP: 8
1986: Love Your Shoes EP: 6
1996: Down On The Upside: 1
2015: AOR Disco Vintage Edits Vol. 4: 3
2022: Disorders EP: 7

Birthday Boys & Girl (53:06) (GD) (M)

Sunday, 6 July 2025

Does Everything Reflect The Time You Spend?

I didn't need to look far for the inspiration for today's Talk Talk selection... I was wearing the T-shirt!

This ten-song compilation spans their early demos with Jimmy Miller in 1981, through to their final statement as a band, with Laughing Stock in 1991, but leans most on the 1984-1986 period and the albums It's My Life and The Colour Of Spring.

I've tried to navigate the incredible evolution of the band in just four albums without being a stickler for chronology. So the freeform jazz stylings of Ascension Day are sandwiched between the 'poppier' moments of Dum Dum Girl and ?, the B-side of Talk Talk's eponymous single.

Eden, the only song here from my favourite Talk Talk album, Spirit Of Eden, sits more comfortably between the opening and closing songs from The Colour Of Spring. The selection itself ends with one of their best known singles and one of their best B-sides.

The thing that binds them all together is the core of Mark Hollis, Paul Webb and Lee Harris. Much is written about Mark's lyrics and unique vocal performances, but it's Paul and Lee that provide the foundation, the feeling, the humanity through through their incredible musicianship. And that's not to dismiss the contributions of Simon Brenner and especially Tim Friese-Greene.

Talk Talk was an astonishing band, no matter which album or single you happen to be listening to, and one that rewards on each return visit.

1) Living In Another World (U.S. Remix By Gavin MacKillop) (1986)
2) Dum Dum Girl (Single Version By Tim Friese-Greene) (1984)
3) Ascension Day (Album Version By Tim Friese-Greene & Phill Brown) (Single Edit) (1991)
4) ? (Single Version By Colin Thurston) (1982)
5) Candy (Demo Version By Jimmy Miller) (1981)
6) Happiness Is Easy (Album Version By Tim Friese-Greene) (1986)
7) Eden (Album Version By Tim Friese-Greene) (1988)
8) Time It's Time (Album Version By Tim Friese-Greene) (1986)
9) Today (Album Version By Mike Robinson) (1982)
10) Again, A Game...Again (Single Version By Tim Friese-Greene) (1983)

1982: Talk Talk: 4
1982: The Party's Over: 9
1984: Dum Dum Girl EP: 2
1984: Such A Shame EP (limited edition 2x 7"): 5, 10
1986: Living In Another World EP: 1
1986: The Colour Of Spring: 6, 8
1988: Spirit Of Eden: 7
1991: Ascension Day EP: 3

Does Everything Reflect The Time You Spend? (56:05) (GD) (M)


Post script: 

I've reactivated links to a couple of Talk Talk selections I posted previously:

Sunday, 22 June 2025

Muzik For Hair Gel

Day 2 of the Eighties 12" Weekender with a new selection, based on an old idea.

Digging out archive Dubhed selections to include with yesterday's post, I'd planned to include Muzik For Hairspray, a mixtape I'd compiled circa 2000 and posted here in May 2021.

I was barely six months into the blog, Muzik For Hairspray was my 29th post and I had no expectation at the time that five years and over 1,500 posts later, I may want to re-post the selection...so I deleted it.

In recreating the original mixtape (again), I was inspired to create a companion set, inspiringly titled Muzik For Hair Gel.

The idea was simple enough: use exactly the same artists and sequence of the Muzik For Hairspray mixtape*, just different songs, and ideally ones that I hadn't used on a previous 12"/80s compilation. And it was that last bit that took the most time!

That said, I'm pretty happy with the end result. After the controversy of 1979's Pop Musik on the previous comp, today's song by M (aka Robin Scott) was genuinely released in the 1980s...just. 

Official Secrets was only released on 7" in the UK and many other countries, though the Spanish put the full length album version on theirs, and Mexico went one step further by putting it on a promo 12". Tick!

I've used the dub remix of Love Calling by Sir William of Idol in a previous Best of Billy selection, so I stuck with the album version. As with Mexico, it was Australia to the rescue this time, releasing this version on a promo 12" single. Double tick!

This is the fourth appearance on this blog of Boom! There She Was (Sonic Property Mix) by Scritti Politti. However, whilst the previous three selections all featured an edit included on the UK 12", this time it's the unexpurgated 9-minute version direct from the U.S.A. 

Divine makes a welcome reappearance, again teaming up with Bobby Orlando for Love Reaction. But what 1983 12" single could possibly have inspired their own dancefloor smash?

* With one exception.

Having recorded this selection first, I then revisited Muzik For Hairspray, only to discover too late that I've accidentally missed off the last song on Side 1 when I originally posted the tracklist. So, apologies to Belouis Some for missing out on Muzik For Hair Gel. Them's the showbiz breaks, I guess!

This weekend's selections are dedicated to Mike, his mates and anyone else making their way to the Milton Keynes Bowl for today's Forever Now festival, featuring several of today's artists and some unbelievably great headliners to boot. Have a fab day!

And a very happy birthday to Green Gartside, who is 70 today!

Side One
1) Official Secrets (Album Version By Robin Scott): M ft. Brigit Vinchon (1980)
2) Love Calling (Album Version By Keith Forsey): Billy Idol (1982)
3) Cccan't You See... (8:15 To Nowhere Mix By Tony Mansfield): Vicious Pink (1984)
4) Love Reaction (12" Version By Bobby Orlando): Divine (1983)
5) Junk (Remixed By Harvey Goldberg): Bronski Beat (1984)
6) Dissidents (The Search For Truth Part II) (Remix By François Kevorkian & Dominick Maita): Thomas Dolby (1984)
7) Where The Heart Is (12" Version By Mike Thorne & Harvey Goldberg): Soft Cell (1982)

Side Two
1) Boom! There She Was (Sonic Property Mix By Steve Thompson & Michael Barbiero) (Full Length): Scritti Politti ft. Roger Troutman (1988)
2) Channel Z (Rock Mix By Don Was & Michael Hutchinson): The B-52's (1989)
3) On Your Own (New York Mix By Steve Thompson & Michael Barbiero): Pete Shelley (1986)
4) Let's All Make A Bomb (New Version By B.E.F. & Greg Walsh): Heaven 17 (1983)
5) Shock (The Shep Pettibone Mix): The Psychedelic Furs (1987)
6) It's Called A Heart (Extended) (Remix By Depeche Mode & Daniel Miller): Depeche Mode (1985)
7) Without You (12" Mix By Tim Friese-Greene): Talk Talk (1984)

Side One (45:52) (KF) (Mega)
Side Two (46:19) (KF) (Mega)

You can find Muzik For Hairspray here

And, for your further 12/80s listening pleasure:

Saturday, 21 June 2025

The Fate Of The Eighties

Will I ever run out of 12" mixes from the 1980s to post? Probably not.

Five years into this blog, and I'm still pulling some big hitters out of the record bag that (I'm 99.9% sure) haven't previously featured in a Dubhed selection.

One from each year of the decade, not necessarily in that order, though the selection starts with 1980 and ends with 1989, so there's some order, at least. As well as some New Order.

I've cheated a little with the 1980 pick. The 12" version of Methods Of Dance is the same as the album version that appeared on Gentlemen Take Polaroids in 1980. However, the song didn't appear on a single until 1982, as the B-side to Nightporter. But hey, it's Japan, it's in!

The song that triggered the idea for this playlist a few days ago was a random shuffle of Dum Dum Girl (12" Mix) by Talk Talk. I love the mixes by the band, latterly with Tim Friese-Greene, though have a lot of love for the remixes by Steve Thompson & Richard Barbiero too. Dare I say it? I prefer this version of Dum Dum Girls to the original.

Sowing The Seeds Of Love by Tears For Fears closes out the selection. The 'Full Version' is lifted from the CD single I bought at the time (even though I hadn't yet bought a CD player!) If you bought Tears For Fears' Greatest Hits in the early 1990s, the one with the bonus CD of remixes, you will have found this labelled as Sowing The Seeds Of Love (Wen's Overnight Mix). It's a whopping thirty seconds longer than the album version, too!

In between, some cracking tunes by Depeche Mode, Howard Devoto, Icehouse, Information Society, Pet Shop Boys and Visage, extended to perfection by legends such as Daniel Mlller, 'Little' Louie Vega, The Latin Rascals and Shep Pettibone.

All guaranteed to bring some sunshine into your day...although as we're officially experiencing a heatwave in the UK, perhaps the last thing you may want...!

1) Methods Of Dance (12" Version by Japan & John Punter): Japan (1980)
2) Crazy (Manic Mix By David Lord & Michael H. Brauer): Icehouse (1987)
3) The Perfect Kiss (12" Version By New Order & Michael Johnson): New Order (1985)
4) What's On Your Mind (Pure Energy) (Club Mix By 'Little' Louie Vega, Roman Ricardo & The Latin Rascals): Information Society (1988)
5) We Move (Dance Mix By Midge Ure & Visage): Visage (1981)
6) Love Comes Quickly (Pettibone Mastermix By Shep Pettibone): Pet Shop Boys (1986)
7) Dum Dum Girl (12" Mix By Steve Thompson & Richard Barbiero): Talk Talk (1984)
8) Leave In Silence (Longer) (12" Version By Depeche Mode & Daniel Miller): Depeche Mode (1982)
9) Cold Imagination (Extended Version By Howard Devoto & Greg Walsh): Howard Devoto (1983)
10) Sowing The Seeds Of Love (Full Version By Tears For Fears & Dave Bascombe): Tears For Fears (1989)

The Fate Of The Eighties (1:08:33) (KF) (Mega)


If that's got you on a 12'/80s kick, I've reactivated links to some previous Dubhed excursions from the archives....

Kissing The Mix (Side One & Side Two) (2000)
Teenage Remix (Side One & Side Two) (2000)

Saturday, 31 August 2024

Decade IV: 1986


Side 1 of a cassette compilation, recorded 8th April 1990.

Okay, so we're back with the OG Decade tapes that I compiled in 1990, a new decade and the end of my teens ahead, ten years of life-shaping music behind me.

Time to address the elephant in the room. You may have noticed from the track listing below and in the previous fortnight that the selection leans heavily on alternative, guitar-based music, and very little in the way of club or pop music. 

Yes, I will admit that as well as receiving my first proper Valentine's card and the same person agreeing to be my first proper girlfriend, I was beginning to tap into my inner Goth. I think I bought my first pair of winkle picker boots with shiny buckles around age 15. And the shirts. Oh, the shirts. My local Boots was also doing quite well out of my regular custom for hair gel and hairspray. Yep, I was quite the catch. I don't know what she was thinking.

Anyway, for all that, the parallel story of my teens was also my propensity for a pop song. My nascent record collection happily included the likes of Heaven 17, Bronski Beat, Erasure, Giorgio Moroder with Phil Oakey, Pet Shop Boys, Cameo, Madonna, Propaganda and so on. 

The reason why you're seeing little of that here is that, when I had the idea in 1990 of recording a themed series of mixtapes covering the 1980s, I already had the overarching title, Decade. I also had the thought that there would be a second, parallel series of more club/pop-oriented songs, acknowledging my love of the 12" single and called Decadance (sic). I never got around to recording any of the latter series, but maybe an idea to revisit here one day...

I will also add that whilst I enjoyed a bit of gnarly guitar, I despised Bon Jovi with a passion. No surprise that at school, I was in the minority, as the bobbins hair metallers were especially popular with my female friends. Thankfully, my girlfriend was an exception, in many ways but crucially in her indifference to the hirsute charms of Jon and the lads.

Scene set, here’s the mixtape.

Frankie Goes To Hollywood open up, though a band very much on the downward slide by 1986. I bought the single but more out of a weakening sense of loyalty and I didn't even bother with the accompanying album, Liverpool, at the time. And I echoed the howls of protest when an interview with comic writing legend Alan Moore on Channel 4's The Tube was abruptly cut short to segue to the video of Warriors (Of The Wasteland). It wasn't Frankie's fault of course, but they bore the brunt of my disgruntlement.

John Lydon had made a triumphant return with Public Image Ltd. and the single Rise, ahead of an album that depending on the format you bought was titled 'Album', 'Cassette' or 'Compact Disc' or 'untitled', if you want to be contrary. Co-produced with Bill Laswell, it's big on percussion, like the musical equivalent of a left hook from Mike Tyson (who became the youngest heavyweight champion in history in November 1986, fact fans). I love 'Album' for lots of reasons, and follow up single Home is one of them.

The Godfathers are next in line, matching Tyson's left hook with a piledriver to the head. I bought I Want Everything on 12" and played it loud. My mum understandably hated it. Tick.

I'm not sure my parents were fans of Gene Loves Jezebel but for all their backcombing, lipstick and chiffon, Sweetest Thing was a brilliant pop song. This is one brotherly reunion that isn't likely to happen until hell freezes over, though there's much to love in their early 80s albums. Sweetest Thing only got to #75 in the UK yet Discover reached #32, the only UK Top 40 album in their career.

A perhaps surprising return for Wall Of Voodoo, after their first appearance in 1983. Mexican Radio had a least been a minor hit (#64). Far Side Of Crazy failed to make even that much of an impression, despite the added appeal of 12" B-side Dance You F***ers (the label's censorship, not mine!). I didn't buy this first time around though I acquired Far Side Of Crazy when it was itself included as a B-side to follow single, a cover of The Beach Boys' Do It Again, which fared equally poorly with record buyers in general. Andy Prieboy was now lead singer and it's worth mentioning that former frontman Stan Ridgway had a #4 hit with Camouflage in July 1986. That must have stung a little.

Also on the comeback trail was Iggy Pop, aided and abetted yet again by David Bowie, with a phenomenally successful album, Blah Blah Blah, to boot. Cry For Love was the opening salvo and whilst Iggy enjoyed greater success with the follow up cover of Real Wild Child, I prefer this.

I mentioned earlier that Bronski Beat didn't make it into this series, though Jimmy Somerville's next project does. I thought The Communards was a brilliant next step and the musical partnership with Richard Coles produced some fabulous music, politically charged pop, beautifully arranged and sung, with incisive, insightful lyrics. Disenchanted is perhaps the prime example of this. It could be taken as an update or reflection on Smalltown Boy, though it's many other things too. And that wonderful descending piano chord at the bridge. A shame that The Communards are generally remembered for their 80s revival of disco classics. All hits and all good, but they were so, so much more than that.

Depeche Mode began the second phase of their career in 1986, following the mega-selling Singles 81-85 compilation. Many of my classmates referred to them as 'Depress Mode', though my friend Ady and I were increasingly committed to this new direction. 1986 would bring the Black Celebration album and my first ever live gig, seeing Dave and the lads at the Colston Hall in Bristol. I loved lead single Stripped and I bought the 5-track 12" single without having heard a note of the song. I didn't need to. Still hits the spot, four decades on.

My first proper girlfriend and I shared a love of Talk Talk. The Colour Of Spring and it's attendant singles came out as our young romance was blossoming and so the music inevitably became very special for us both. To be truthful, Give It Up was 'our song' - sadly prescient, given that our relationship lasted mere months - yet I have had an enduring love for Living In Another World as it's arguably the least Talk Talk-like song that they ever recorded. And I love it for that.

After committing the crime of not including either E=MC² or Medicine Show in my 1985 mixtape - all the more unforgivable, as This Is Big Audio Dynamite was one of my favourite albums of that year - here they are at last. C'mon Every Beatbox was released to announce the arrival of second album, No. 10, Upping Street. It's a cracking single, from it's familiar riff on Eddie Cochran's C'mon Everybody, to Sam Sever's deft editing and scratching, to Mick Jones and Don Letts' superb trade offs. The 12" version is even better, even if my vinyl rip is sounding to my ragged ears like it might be running a tad too fast....

My second crime is the paucity of Julian Cope in this series. Apart from his appearance with The Teardrop Explodes in 1981, this side marks the first sample from Julian's solo career. Though what an example! World Shut Your Mouth had been demo'd but never finished before the Teardrops, er, imploded. It then provided the title of Julian's first album in 1984 though omitting the song itself.

World Shut Your Mouth finally saw the light of day at summer's end in 1986, the song beefed up by US producer Ed Stasium, famed for his work with Ramones, and with a remix 12" by fellow Americans Trouble Funk. This was a different Cope for sure: sexy, pouting, leather clad; though the climbing frame mike stand was a sure sign that he was still bonkers as ever. The Saint Julian album also proved to be a huge success (#11 in the UK) and for a brief moment, the world did shut its mouth and pay attention. 

Another hugely underrated and underappreciated act is It's Immaterial. Driving Away From Home had been a surprise Top 20 hit in April 1986 and the record label reasonably thought that Ed's Funky Diner, a flop single in 1985 yet an equally brilliant and quirky song, deserved another shot. 

As before, Ed's Funky Diner was given the full format treatment: 7", 7" double pack with an extra single, 12", limited edition remix 12". It did better than before, though by better I mean a peak of #65. Their debut album got a few places higher and that was the end of the band as a chart-troubling entity. Thankfully, despite a series of unfortunate events in the intervening decades, It's Immaterial are actively recording and releasing music in the 21st century and the world is a better place for it.

1) Warriors (Of The Wasteland) (Single Version): Frankie Goes To Hollywood
2) Home (Single Version): Public Image Ltd.
3) I Want Everything (Single Version): The Godfathers
4) Sweetest Thing (Album Version): Gene Loves Jezebel
5) Far Side Of Crazy (Remix): Wall Of Voodoo
6) Cry For Love (7 Inch Edit): Iggy Pop
7) Disenchanted (Album Version): The Communards
8) Stripped (Single Version): Depeche Mode
9) Living In Another World (Single Version): Talk Talk
10) C'mon Every Beatbox (Extended Vocal Version): Big Audio Dynamite
11) World Shut Your Mouth (Album Version): Julian Cope
12) Ed's Funky Diner (Album Version): It's Immaterial

12th January 1986: Seven Days In Sammystown (# n/a): 5
23rd February 1986: Black Celebration (#15): 8
16th March 1986: The Colour Of Spring (#48): 9
23rd March 1986: Discover (#75): 4
27th April 1986: Album (#75): 2
1st June 1986: Communards (#29): 7
3rd August 1986: Life's Hard And Then You Die (#65): 12
7th September 1986: Sun Arise / I Want Everything EP (# n/a): 3
12th October 1986: No. 10, Upping St. (#51): 10
19th October 1986: Saint Julian (#19): 11
26th October 1986: Blah Blah Blah (# n/a): 6
23rd November 1986: Liverpool (#19): 1

Side One (46:19) (GD) (M)

Sunday, 18 August 2024

Decade II: 1983


Side 2 of a mixtape, compiled circa March 1990, lost along the way, reimagined and recreated 12th August 2024.
 
I hope you've brought your cardboard, there's some electric boogaloo ahead...
 
Again, as the cassette, sleeve and track listing are lost in the car fumes of history, I've recreated this from scratch, a dozen songs culled from my collection in spring 1990, when I originally recorded this thing.

I'll acknowledge the elephant in the room and say that yes, Temptation by Heaven 17 got to #2 in May 1983 and even that wasn't enough to secure a place in this collection, much as I love it. 

Was swapping it out for Kissing With Confidence by Will Powers (a mere #17 in Oct 1983) a step too far? Not for me, it's not. Besides, it's got Carly Simon on vocals and it's produced by Todd Rundgren! And the video's lots of fun.

At the expense of other contemporary classics, I've also given a nod to the fact that though I'd been blown away by The Message and Buffalo Gals, The Rock Steady Crew were the ones that my mates at school were more interested in. Whilst I didn't feel particularly inclined to wear a Sergio Tacchini tracksuit or start body popping behind the Science block, I did enjoy the music. 

I do remember that the original 1983 cassette started with Burning Down The House by Talking Heads, which is an obvious choice, perhaps. What's more surprising is that when released as a single in the UK in July 1983, it failed to chart. It took 16 years, Sir Tom Jones leathery lungs and The Cardigans' polish to take the song into the Top 10.
 
More debuts on this side, including Cocteau Twins with the beautiful (but non-charting) Sugar Hiccup. I perhaps should have picked something from the equally wonderful Sunburst And Snowblind EP as the record buying public at least managed to get that release to #86, but it's all good.

Talk Talk, Siouxsie & The Banshees and Depeche Mode are all back, with debuts from Aztec Camera, Shannon, Wall Of Voodoo, Fun Boy Three and an up-and-coming band from Manchester, with a striking lead singer and lyricist. Sadly now a complete twit, but made a big impression on me as a 12-year old.
 
More from this decade next weekend. Don't miss it, Big Brother is watching....

1) Burning Down The House (Album Version): Talking Heads
2) Oblivious (Album Version): Aztec Camera
3) (Hey You) The Rock Steady Crew (Vocal) (Single Version): The Rock Steady Crew
4) Let The Music Play (Radio Edit): Shannon
5) Kissing With Confidence (12" Mix): Will Powers ft. Carly Simon
6) Everything Counts (Single Version): Depeche Mode
7) This Charming Man (Manchester): The Smiths
8) Mexican Radio (UK Extended Mix): Wall Of Voodoo
9) My Foolish Friend (Extended Version): Talk Talk
10) Sugar Hiccup (Single Version): Cocteau Twins
11) Dear Prudence (Single Version) (Cover of The Beatles): Siouxsie & The Banshees
12) Our Lips Are Sealed (Singles Version): Fun Boy Three

20th March 1983: My Foolish Friend EP (#64): 8
27th March 1983: Call Of The West (#57): 9
15th May 1983: Waiting (#7): 12
??? July 1983: Speaking In Tongues (# n/a): 1
14th August 1983: Construction Time Again (#6): 6
9th October 1983: Dear Prudence EP (#3): 11
16th October 1983: High (Hey You) The Rock Steady Crew EP (#6): 3
30th October 1983: Kissing With Confidence EP (#17): 5
27th November 1983: High Land, Hard Rain (#18): 2 *
27th November 1983: Sunburst And Snowblind EP (#86): 10
27th November 1983: This Charming Man EP (#25): 7
19th February 1984: Let The Music Play (#14): 4 *

Side Two (46:00) (GD) (M)

* Oblivious initially entered the UK chart on 30th January 1983 and got to #47 by March, but no higher. Second time lucky when Oblivious was re-released at the end of October and got to #18 a month later.

** Let The Music Play first charted on 13th November 1983, peaked at #51, dropped out of the chart for a month or so, then returned in January 1984 for a further 14 weeks.

Saturday, 17 August 2024

Decade II: 1982

Side 1 of a cassette compilation, recorded sometime in March 1990, lost sometime in the next two decades, reimagined and recreated 11th August 2024.
 
And the hits just keep on coming...
 
If you were here for last weekend's opening brace of 80s-themed mixtapes, you'll know that of the five cassettes I recorded in 1990, only three remain. 
 
The two lost volumes covered 1982 to 1985 and I've had a go at recreating the track listing and cover art (kind of) from scratch. Some songs I vaguely recall being on the original mixtapes, others I've no idea, but I've excluded any songs that I couldn't have owned or borrowed in spring 1990. Lots had to be left out, inevitably, but I think the end results are faithful reproductions that sit well with their contemporary cassettes.
 
1982 was another fantastic year for pop and I realise how lucky I was to grow up surrounded by all this diverse and exciting music troubling the Top 40. Synths were fully embedded in the mainstream by now but with all sorts of influences and flavours stirred in. 
 
Looking back, there's a marked shift towards heavy marketing and promo by this point: videos, double pack 7" and 12" picture discs with free posters, saturation on kids' TV shows, and so on. If a single wasn't a hit, it would be re-mixed, re-recorded and re-re-re-released until, damn it, it became a hit.

Kiss Me is a prime example of this. Stephen Duffy originally formed the band Tin Tin with a couple of guys from Fashion, a Dexys Midnight Runner and producer Bob Lamb. Kiss Me was their debut single in November 1982 and flopped. The single was remixed and released in the USA by François Kevorkian in 1983 and became a minor club hit. 
 
Taking notice, Duffy's label released the remix in the UK in 1984 and it scraped to #78. Undeterred, Kiss Me was remixed yet again, this time by J.J. Jeczalik (Art Of Noise) and Nicholas Froome, and given one last shot in early 1985. Fourth time lucky, as Stephen 'Tin Tin' Duffy reached the dizzy heights of #4 and enjoyed several other hits afterwards.

I've cheated a little here and gone for François Kevorkian's remix from 1983, partly because I didn't own the original Tin Tin single back in the day and partly because it's a much better version than the 1982 original.

I've also plumped for the 12" remix of Talk Talk's eponymous single to open proceedings. An early purchase from Plastic Wax Records in Bristol, back when it was in Old Market, opposite the Trinity. As with most Talk Talk extended mixes, there are fewer vocals than the single/album version and lots of none-more-80s bridges, bells and whistles.

I was tempted to drop in the 12" mix of Party Fears Two by Associates but it pops up quite frequently in my 80s mixtapes so I've stuck with the single version here instead. Hearing this for the first time on Top Of The Pops was an attention-grabbing moment and began a lifelong love of Billy MacKenzie. What a voice.

Making their debut here along with Talk Talk are Tears For Fears, Blancmange and Scritti Politti, who will all (probably) reappear in later volumes. Others, like Yazoo, ABC and Monsoon make one-time appearances in this series.

Squeeze wrapped up an incredible run of singles with Annie Get Your Gun, recorded to promote their essential compilation, 45s And Under. 

And should any 1982 collection be without Pete Wylie's epic The Story Of The Blues? No Wah!, sorry, no way!
 
No prizes for guessing the year in tomorrow's post...

1) Talk Talk (Extended Mix Long Version): Talk Talk
2) Don't Go (Album Version): Yazoo
3) Party Fears Two (Single Version): Associates
4) Living On The Ceiling (Single Remix): Blancmange
5) The Story Of The Blues Part One (Single Version): Wah!
6) Mad World (Album Version): Tears For Fears
7) Kiss Me (U.S. Remix) (7" Version): Tin Tin
8) Poison Arrow (Single Version): ABC
9) Windpower (Single Version): Thomas Dolby
10) Ever So Lonely (Single Version): Monsoon
11) Asylums In Jerusalem (Album Version): Scritti Politti
12) Annie Get Your Gun (Single Version): Squeeze

14th March 1982: The Lexicon Of Love (#6): 8
21st March 1982: Sulk (#9): 3
25th April 1982: Talk Talk EP (#52): 1
2nd May 1982: Ever So Lonely EP (#12): 10
25th July 1982: Upstairs At Eric's (#3): 2
8th August 1982: Songs To Remember (#43): 11
5th September 1982: The Golden Age Of Wireless (#31): 9
24th October 1982: Singles: 45's And Under (#43): 12
31st October 1982: The Hurting (#3): 6
??? November 1982: Kiss Me EP (# n/a): 7
21st November 1982: Happy Families (#7): 4
16th January 1983: The Story Of The Blues EP (#3): 5 *

Side One (45:46) (GD) (M)

The Story Of The Blues first charted on 19th December 1982