Covered Dub

Back in April, I posted Under Dub Covers, a selection of reggae and dub cover versions and it was well received, so here's the follow up!

Fourteen tracks this time, a 50/50 split between reggae and dub, 60s-90s and 21st Century, but 100% certified excellent. Well, the tunes, if not the sequencing!

Some of my all-time favourite singers are featured, opening with Pat Kelly and Marcia Griffiths, taking in Horace Andy, Dennis Brown and Jackie Edwards and, more recently, Shniece McMenamin.

Sly & Robbie, Adrian Sherwood and Lee 'Scratch' Perry feature heavily throughout, whether up front or in the studio.

This week in 1985, I Got You Babe by UB40 "with guest vocals by" Chrissie Hynde first entered the UK singles chart at a modest #22. It was Top 5 a couple of weeks later and #1 a couple of weeks after that. 

There was a dub version on the flip side but no extended version on the 12", so I've taken the liberty of creating my own edit for this selection. I've literally spliced the dub intro and outro with (most of) the vocal version. A dub sandwich, if you will, crackles and all.

1) Stoned In Love (Cover of 'I'm Stone In Love With You' by The Stylistics): Pat Kelly (1979)

2) It's Too Late (Cover of Carole King): Marcia Griffiths (1974)

3) A Wonderful Version (Cover of Louis Armstrong): Rhoda Dakar ft. Natty Campbell (2023)

4) Safe From Harm (Album Version By Adrian Sherwood) (Cover of Massive Attack): Horace Andy (2022)

5) Night Nurse (Dub With Vocal) (Remix By Mick Hucknall) (Cover of Gregory Isaacs): Sly & Robbie ft. Simply Red (1997)

6) To Love Somebody (Album Version By Lee 'Scratch' Perry) (Cover of Bee Gees): Busty Brown (1969)

7) The Model Dub (Cover of 'Das Modell' by Kraftwerk): Prince Fatty ft. Shniece McMenamin (2020)

8) Chase The Devil (Adrian Sherwood Dub) (Cover of Max Romeo): Dubblestandart ft. Lee 'Scratch' Perry, Coshiva & Emch (2014)

9) I Got You Babe (Dub Sandwich Re-Edit By Khayem) (Cover of Sonny & Cher): UB40 ft. Chrissie Hynde (2025)

10) Long As I Can See The Light (Adrian Sherwood's Dub Lighting) (Cover of Creedence Clearwater Revival): Monkey Mafia ft. Shirzelle (1998)

11) Dock Of The Bay (Cover of '(Sittin' On) The Dock Of Tthe Bay' by Otis Redding): Dennis Brown (1972)

12) Everything I Own (Dub Version By Stewart Levine) (Cover of Bread): Boy George (1987)

13) All Shook Up (Cover of Elvis Presley): Jackie Edwards (1979)

14) Exodus (Dubvisionist Dub) (Remix By Felix Wolter) (Cover of Bob Marley & The Wailers): Tackhead (2011) 

1969: The Upsetter: 6

1972: Superstar: 11

1979: So Proud: 1

1980: All Shook Up EP: 13

1987: Everything I Own EP: 12

1997: Night Nurse EP: 5

1998: Long As I Can See The Light EP: 10

2011: Exodus EP: 14

2014: Dubblestandart In Dub: 8

2015: Play Me / Sweet And Nice (Expanded Edition): 2

2020: Disco Deception Dubplate LP: 7

2022: Midnight Rocker: 4

2023: What A Wonderful World EP: 3

2025: I Got You Babe (bootleg MP3): 9

Covered Dub (59:23) (GD) (M)

You can find Under Dub Covers here

A few cover versions that didn't make today's final selection were produced by the legend that is Dennis Bovell. That didn't sit right with me so, as compensation, I've restored links to the two DB-themed selections that I've previously posted. With the above, that's pretty much four hours of dub nutrition!

Weakened/Weekend In Dub (August 2023)

From Conception To The Grave (October 2021)

Under Dub Covers

I love reggae and dub and I love cover versions and it's been a while since I've posted either, so I've mashed them up in one (nearly) hour-long selection.

A 15-track compendium, mostly 21st Century, but with a clutch of 1970s classics thrown in for good measure. I couldn't decide between two Nicky Thomas covers so they both went in!

Nicky's in good company: Rhoda Dakar, 15 16 17, Hollie Cook, Brown Sugar, Xan Tyler, Earl 16, Dr. Israel, LSK, Peter Tosh, Suggs, Little Roy, Prince Fatty, Mad Professor and Adrian Sherwood.

Proof of concept, if needed, that every song should have a mandatory reggae version.
 

1) Everyday Is Like Sunday (Cover of Morrissey): Rhoda Dakar (2021)

2) Brain Damage (Cover of Pink Floyd): Easy Star All-Stars ft. Dr. Israel (2003)

3) Lola (Cover of The Kinks): Nicky Thomas (1974)

4) Love Will Tear Us Apart (Single Version) (Cover of Joy Division): Capitol 1212 ft. Earl Sixteen (2020)

5) Space Oddity (Dubmix) (Cover of David Bowie): Adrian Sherwood ft. LSK aka Leigh Kenny (2012) 

6) Here Comes The Sun (Single Version) (Cover of The Beatles): Peter Tosh & The Wailers (1971)

7) Lets Go Crazy (Cover of Prince & The Revolution): Radio Riddler ft. Suggs (2014)

8) Emotion (Album Version By Castro Brown & Dennis Bovell) (Cover of Samantha Sang): 15 16 17 (1978)

9) Lithium (Album Version By Prince Fatty) (Cover of Nirvana): Little Roy (2011)

10) And The Beat Goes On (Dub) (Cover of The Whispers): Prince Fatty & Hollie Cook (2012)

11) Guns Of Brixton (Manasseh Dub 5) (Remix By Nick Raphael) (Cover of The Clash): Dub Spencer & Trance Hill (2020)

12) Lay Lady Lay / In The Midnight Hour (Medley) (Cover of Bob Dylan / Wilson Pickett): Nicky Thomas (1972)

13) Hello Stranger (Cover of Barbara Lewis): Brown Sugar (1977)

14) Be Here To Love Me (Cover of Townes Van Zandt): Xan Tyler & Mad Professor (2021)

15) Master Blaster (Vocal Version) (Cover of Stevie Wonder): Dubby Wonder ft. Eugene Tambourine (2022) 

1971: Here Comes The Sun EP: 6

1972: Tell It Like It Is: 12

1974: Lola EP: 3

1977: Hello Stranger EP: 13

2003: Dub Side Of The Moon: 2

2005: Magic Touch: 8

2011: Battle For Seattle: 9

2012: Prince Fatty Presents Hollie Cook In Dub: 10

2012: Space Oddity EP: 5

2014: Purple Reggae: 7

2020: Guns Of Brixton EP: 11

2020: Love Will Tear Us Apart EP: 4

2021: Clarion Call: 14

2021: Everyday Is Like Sunday EP: 1

2022: Master Blaster EP: 15

Under Dub Covers (58:56) (GD) (M)

Growing In My Backyard

Sun is shining, bass is booming, rhythm is rocksteady...must be be another Sunday reggae and dub session.

Hometown rockers Talisman get things off to a superb start with the 11-minute 12" mix of Dole Age, originally a vinyl side in 1981, introduced to a whole new audience (me included) with the excellent 2011 compilation The Bristol Reggae Explosion 1978-1983. An essential purchase.

From there, it's a mix of 20th and 21st century sounds. The latter is represented by all-female combo Tight Spot with an unreleased song discovered and released by Happy People Records on 7" vinyl in 2021. An album highlight of the same year was Clarion Call by Xan Tyler and Mad Professor, delivering sharp lyrics with sweet rhythms. Rhoda Dakar delivers a David Bowie classic with aplomb, offering up a dubbed out version on the flipside. And three legends come together, with Horace Andy teaming up with Sly & Robbie for a modern dub colossus.

There's a brief stop in the 1990s to witness Benjamin Zephaniah and The Hazardous Dub Company with a cautionary tale that sadly resonates three decades later.

Back then to the 1970s and 1980s, a veritable who's who of reggae, lovers rock and dub legends, with Bob Marley & The Wailers versus a pre-'Scratch' Lee Perry, Louisa Mark, Tapper Zukie, Sylvia Tella and King Tubby dubbing up Yabby You. 

 

In 2021, Happy People also offered up a deep cut vinyl 7" by G.T. Moore & The Reggae Guitars. Remembered as the first white group to attempt an authentic reggae sound on record, their self-titled debut in 1974 closed with a version of Bob Dylan's Knocking On Heaven's Door. Sound familiar? Well, this guy had a hit with an 'inspired' version less than a year later...

Ending the selection the only way possible, Black Uhuru sing the praises of Sinsemilla, the title track of their third album from 1980 and the record that crossed over to a global audience. Michael Rose, Sharon 'Puma' Jones and Derrick 'Duckie' Simpson telling it how it is, Sly & Robbie laying it down. It doesn't get much better than this.

 

1) Dole Age (12" Mix By Talisman & UK Scientist aka Richard Grassby-Lewis): Talisman (1981)

2) Air Tight (Version By Spero Anthony): Tight Spot (2003)

3) Like Birds: Xan Tyler & Mad Professor (2021)

4) Spell (Album Version By Lloyd Charmers & Maxi Million): Sylvia Tella (1981)

5) The Man Who Dubbed The World (Cover of David Bowie): Rhoda Dakar (2022)

6) I'm Alive Dub: Horace Andy + Sly & Robbie (2006)

7) Allies (Album Version By Dr. Love & Dennis Rootical): Benjamin Zephaniah & The Hazardous Dub Company (1995)

8) Firey Dub (Version By King Tubby): Yabby You (1977)

9) Rush I Some Dub: Tapper Zukie (1977)

10) Sun Is Shining (Dub) (Version By Bob Marley & Lee Perry): Bob Marley & The Wailers (1971)

11) Keep It Like It Is (Album Version By Clement 'Bush Ranger' Bushay): Louisa Mark (1981)

12) People (Who Killed People) (Album Version By Gerald Thomas Moore & Tony Braunagel): G.T. Moore & The Reggae Guitars (1975)

13) Sinsemilla (Album Version By Sly & Robbie): Black Uhuru (1980)

1971: Soul Revolution Part II ('Rhythm' Version): 10

1975: Reggae Blue: 12

1977: King Tubby Meet Vivian Jackson (Yabby You): 8

1977: Tapper Zukie In Dub: 9

1980: Sinsemilla: 13

1981: Breakout: 11

1981: Dole Age EP: 1

1981: Spell: 4 

1995: Back To Roots: 7 

2006: Dubbin' It Up: 6

2021: Clarion Call: 3

2021: Time Heals Everything EP: 2

2022: The Man Who Sold The World EP: 5

Growing In My Backyard (57:45) (GD) (M)

Once Heard Never Forgotten

I first heard Rhoda Dakar via the single The Boiler by Rhoda with The Special A.K.A. featuring Nicky Summers, circa 1989 on The Two-Tone Story cassette compilation. Released in January 1982 as the follow up to The Specials' final single (and UK #1), Ghost Town, The Boiler made it's predecessor seem like bubblegum pop by comparison.

 

Set to a mid-tempo beat, with Jerry Dammers' swirling organ and Dick Cuthell's signature cornet, Rhoda lays a spoken word narrative based on a real-life experience of one of her friends in the late 1970s. It is an increasingly unsettling account leading to a harrowing description of violence, assault and rape, closing out with Rhoda screaming as the music carries on regardless before an abrupt fade. But it's clear that the narrator's ordeal is not over. 

 

Jerry Dammers has been quoted as saying that The Boiler "is the only record that was ever made quite deliberately to be listened to once and once only.”  The Boiler reached #35 in the UK singles chart. 

 

Lizzie Soden produced a video for The Boiler with Steve Binnion and a crew from Nottingham Film Workshop, shot on 16mm film. In the notes accompanying her post of the video on YouTube, Lizzie states that,

 

"The main issue we wanted to explore was that rape was fundamentally about violence against women, as opposed to "sex." We wanted to use images of passive women and violent men from mainstream media to use as a metaphor. However when it was broadcast the TV company cut out the TV collage and replaced it with a silhouette of a man raping a woman which was classic irony."

 

Lizzie adds that "Tyne Tees TV cut off the end which includes snippets from TV shows from back in the day due to copyright clearance costs." The video remains a powerful visual complement to the song.

 

Rhoda also performed The Boiler with The Special A.K.A. on BBC2's Oxford Road Show. I've just seen this for the first time and she delivers an incredibly powerful performance. Unsurprisingly, given that the BBC had withdrawn The Boiler from the Radio 1 playlist after a couple of broadcasts, Rhoda's heart-rending screams are cut short. Unintentional I guess but no less unsettling, the ripped VHS goes all wibbly wobbly before jumping suddenly to a clip of Terry Hall singing the words Enjoy Yourself before cutting out completely.

 

The Boiler was the first original song written by The Bodysnatchers, a 7-piece formed by Nicky Summers in 1979 and fronted by Rhoda. The record label baulked at the idea of releasing The Boiler as a single and to date it remains unreleased. The Bodysnatchers were sadly short-lived, with just 2 singles released on Two-Tone in 1980. However, the band did record The Boiler for a John Peel session on 8th April 1980.

Again, I've just heard this for the first time. This is much more uptempo, rocksteady version compared to Jerry Dammers' arrangement and Rhoda's delivery is superb. It's a bit more colourful in it's characterisation and it's fascinating to hear how Rhoda developed and honed her performance between these recordings.

In the latter version with The Special A.K.A, there is an initial emotionally detached quality at first, leading to a slow build up and release that evokes the journey of Rhoda's character reliving her traumatic experience which makes the final agonised screams even more impactful. 

I haven't followed Jerry's words and listened to The Boiler just the once but three decades of familiarity with the song, since first hearing it as a teen on a tape deck, has done nothing to diminish the song's power to shock and horrify. Sadly, also a reminder that in our supposedly enlightened 21st century society, little has changed.

Rhoda continued to record with Jerry (as the slightly amended The Special AKA), notably on 1984's album In The Studio. She released her own first solo album in 2007, with Cleaning In Another Woman's Kitchen and has been on a something of a roll since. Rhoda's latest album, Version Girl, was released this summer. The dozen covers are songs that Rhoda could not find previous definitive Reggae, Ska or Rocksteady versions of, and include David Bowie's The Man Who Sold The World and Everyday Is Like Sunday by The Manchester Racist. 

The album closes with a rather fine cover of (What's So Funny 'Bout) Peace, Love, and Understanding, written by Nick Lowe and released as a single from his 1974 album The New Favourites of... Brinsley Schwarz. I'm more familiar with the cover version recorded in 1978 by Elvis Costello & The Attractions but I like this a lot.

  

Version Girl is available on physical and digital formats. If you head to Bandcamp, you'll also find a slew of singles, accompanied by dubs/versions on the B-side. All of the releases feature beautiful artwork by Pete McKee, worth the purchase cost alone.