Showing posts with label Mr. Scruff. Show all posts
Showing posts with label Mr. Scruff. Show all posts

Saturday, 18 February 2023

You Got Music In Your Step

Hello Lamb aka Louise Rhodes and Andy Barlow. A return to my very infrequent recreation of gig setlists, this time with a mystery to solve.

I saw Lamb live in concert for the first and only time at the Trinity Centre in Bristol with my friend Dave, possibly also with our work colleague Cath, not sure. It was definitely touring Fear Of Fours, so it was either 1999 or 2000. The support act - and, I'll be honest, the real reason I was there - was Smith & Mighty playing a full band set to promote their album Big World Small World, which was promoted in 1999 but not formally released until January 2000.

Unfortunately, I've lost the ticket and trawling the internet hasn't brought up any information on when the gig actually took place. As far as I can tell, Lamb did a few dates in the UK circa May 1999 whilst 2000 was mainly festivals or overseas gigs. So, I'm going to have a stab in the dark and say that the gig I went to was mid to late 1999. If anyone out there was there or can shed any light on the actual dates, I'll be very grateful!

I was a big fan of "The Bristol Sound" (biased, being as it was my birthplace), trip hop and drum and bass in general, but I couldn't quite get into Lamb's music at first. I loved debut single Cotton Wool, though the standout was A Guy Called Gerald's remix and their choice of remixers for the follow up singles was impeccable. 

Something I couldn't quite put my finger on, but it was almost a feeling that Lamb were trying too hard to be cool. Completely my own response but it put me off getting the first album and embracing their music.

Earlier in 1999, my friend Stuart and I went to New York for a short holiday. It was last minute change of plan: we'd originally been planning to go to Reykjavík, with probably some romantic notion of walking the streets of Björk's birthplace. The only snag was it was way out of our budget. Conversely, New York was ridiculously affordable, not least because I only booked accommodation for the first couple of nights and thought we'd wing it for the rest.
 
I won't retell the story of our NYC trip, which I partly touched on in my recreation of the Blondie gig we went to whilst there and the rest of which is best saved for another post. Getting back to the point of this post though, we did a bit of record shopping in New York and one of the CDs that Stuart picked up was Fear Of Fours. It was regularly played for the rest of the holiday and was the turning point in my appreciation of Lamb.
 
So, whilst they weren't the primary reason for my visit to the Trinity that night, I was more disposed to like Lamb than I had been previously. My vague memory is that Smith & Mighty were unbeatable, but Lamb acquitted themselves pretty well. I've never seen them live in concert since but I would be tempted if Lamb roll into a local venue in future. Their last album was released in 2019, so there is hope.
 
So, in the absence of any gig info whatsoever, I've gone for a composite of three gigs performed in 1999 with very minor variations in songs and running order. Unsurprisingly, the setlist draws heavily on Fear Of Fours, so I've swapped out several album versions with remixes by sympathetic acts such as Klute, The Herbaliser, Fila Brazillia, Rae & Christian and Mr. Scruff.
 
1) Soft Mistake (1999)
2) Little Things (Klute Mix) (1999)
3) B Line (Herbaliser Mix) (1999)
4) Lusty (Album Version) (1996)
5) Cotton Wool (Fila Brazillia Mix - Alternative Version) (1996)
6) All In Your Hands (Rae & Christian Remix) (1999)
7) Ear Parcel (1999)
8) Alien (Album Version) (1999)
9) Softly (Radio Mix) (1999)
10) Fly (1999)
11) Gold (Mr. Scruff Mix) (1996)
12) Górecki (Album Version) (1996)
 
1996: Gold EP: 11
1996: Lamb: 4, 12
1997: Vrooom! Motorcycle Loveliness (Select magazine promo CD): 5
1999: All In Your Hands EP: 2, 6
1999: B Line EP: 3
1999: Fear Of Fours: 1, 7, 8, 10
1999: Softly EP: 9

Music In Your Step (1:05:17) (Box) (Mega)

Monday, 19 September 2022

Mo' Monday Blues

Today is a public holiday in the UK, the second additional day in 2022. The first, in June, marked Queen Elizabeth II's Platinum Jubilee, the first British Monarch to reign for 70 years. The second, today, observes the funeral of the Queen, a day-long event starting at Westminster Hall, moving to Westminster Abbey then Windsor Castle and culminating in her burial within St. George's Chapel. As has been the case since the Queen's death on 8th September, there will be live coverage throughout the day, should you wish to follow it. Judging by the shelves at a local supermarket, I'm guessing many will be doing so whilst getting blotto on whisky.
 
I've hesitated to post anything about the event to date; this blog is primarily about the music I love, with little bits of my life story popping up here and there. I've been interested by how several fellow music bloggers have acknowledged their own feelings, whilst being aware that it's a potential minefield of trolling and negative comments. 
 
I'm at home at Casa K today. I won't be watching the TV but I will make the most of this opportunity to be with my family and be productive.
 
I've started as I mean to go on with a freshly curated selection of tunes. The theme is very simple and completely unrelated to the Queen's funeral: being Monday, the name of every artist featured begins with 'Mo' (or 'The Mo'). The shortlist was still pretty long - 50 songs - and I reluctantly left off a few that I thought would be a sure thing: Mogwai, The Modern Lovers, Mojave 3, Momus, The Moonlandingz, The Monochrome Set; even The Monkees failed to make the final 11.

However, I do like how the selection has worked out. Moaning and Movement 98 (featuring Carroll Thompson) were dead certs for the opening and closing songs. Mohamed Karzo is another delightful discovery from my Sahel Sounds compilation purchases, whilst Mount Sims first came to my notice in a collaboration with The Knife and planningtorock. Mono were late to the trip hop party but perhaps would have soundtracked Killing Eve in an alternate reality. The two cover versions by Moodswings and Monkey Mafia are sublime. The rest of the selection is made up with Moby, Moloko, The Mock Turtles and Mojave Lords.
 
Any connection that can be made between the song titles and today's events is, I promise you, entirely coincidental.
 
1) Don't Go: Moaning (2018)
2) There's Nothing Wrong With The World There's Something Wrong With Me: Moby & The Void Pacific Choir (2017)
3) C'est La Vie: Mohamed Karzo (2017)
4) Spiritual High (Original Edit) (Cover of 'State Of Independence' by Jon & Vangelis): Moodswings ft. Martin Luther King (1991)
5) Being Is Bewildering: Moloko (2000)
6) Long As I Can See The Light (Adrian Sherwood's Dub Lighting) (Cover of Creedence Clearwater Revival): Monkey Mafia ft. Shirzelle (1998)
7) Strings And Flowers (Single Version): The Mock Turtles (1991)
8) Sweet Little Down & Out: Mojave Lords (2014)
9) Hollywood Bride: Mount Sims (2002)
10) Silicone (Mr. Scruff Remix): Mono (1997)
11) Joy And Heartbreak (Future Mix (Airplay Edit) By Paul Oakenfold & Steve Osborne): Movement 98 ft. Carroll Thompson (1990)
 
1990: Joy And Heartbreak EP: 11
1991: Spiritual High EP: 4
1991: Strings And Flowers EP: 7 
1997: Silicone EP: 10
1998: Long As I Can See The Light EP: 6
2000: Things To Make And Do: 5 
2002: UltraSex: 9
2014: Unfuckwithable: 8
2017: Agrim Agadez: 3
2017: More Fast Songs About The Apocalypse: 2
2018: Moaning: 1
 

Monday, 19 July 2021

Too Much Trouble And Not Enough Time!

Side 2 of a 1997 mixtape, rescued from the loft. Going South was the hit that should have been for The Wolfgang Press. The Sabres Of Paradise and The Grid had their biggest UK chart successes, with Wilmot crashing in at #36 and Swamp Thing achieving the dizzy heights of #3. Apollo 440 and Björk both made the Top 10, whilst the single version of Open Up by Leftfield / Lydon reached #13 in 1993. Together with Side 1, possibly the closest I got to a "Now That's What I Call Dance Music" hits compilation.
 
1) Wilmot (Full Length Version By The Sabres Of Paradise & Mr. Scruff): The Sabres Of Paradise ft. Wonder (1994) 
2) Ain't Talkin' 'Bout Dub (Joey The Butcher Remix): Apollo 440 (1997)
3) Hyperballad (Subtle Abuse Mix By Outcast aka Beaumont Hannant & Richard Brown): Björk (1996)
4) Open Up (Album Version): Leftfield / Lydon (1995)
5) Swamp Thing (Deep Piece Mix By Stuart Crichton & Michael Kilkie): The Grid (1994)
6) Going South (@440 Mix By Apollo 440): The Wolfgang Press (1994)