My Dreams Will Appear Soaring Above In A Cloud Of Love

Fly Away by Tim Saul and Julee Cruise has been on a interesting journey, spanning 15 years (so far).

Originally written and recorded in 2009, the first version appeared on Earthling's third album Insomniacs' Ball in 2010. I found this lovely student video for the song, created by Omer M in 2015.

Julee's passing in 2022 and the death of his parents the same year during the recording of his second solo album informed and shaped the music within. Thresholds, released in 2023, is dedicated to "the continued memory of those loved ones" and includes a reworked version of Fly Away. As Tim writes in the sleeve notes,

"Wow, what a voice! 

I was sitting in my Bristol studio, somewhat close to heaven when I first heard Julee Cruise's vocals on my electronic waltz 

– the music that was to become our collaborative song Fly Away. 

The song now appears in an expanded, more spacious & hugely poignant version, 

a year on since Julee's death. 

The lyrics take on an even greater resonance, exploring as they do, 

the magnetic pull of longing & the hope for a sense of peace 

hrough the release from suffering. 

And listening to Fly Away now, I feel Julee's wonderful spirit 

so close & so very present. 

And I hear the voice of an angel & that wicked laugh once more!" 

 

 

In March 2024, Fly Away was released as an EP, featuring a radio edit and two remixes by Icelandic music producer and sound artist Karlotta Skagfield. Last month, a further pair of remixes by HAb appeared on You Tube. The former further explores ambient soundscapes, the latter brings the beats back, albeit sympathetically.

 

 

The latest (and final?) iteration emerged at the beginning of May, featuring additional remix production by Karlotta Skagfield and further "Ambification" by Tim. As the title suggests, Fly Away (ExtendedAmbientSpa-NoirMix) is fifteen and a half minutes of sheer bliss.

  

All of the versions are available for purchase via Bandcamp, apart from the HAb remixes which can be found via other digital/streaming providers.

Hep Hop Excursion

Side 2 of an arguably more 'chiller' than 'chill out' compilation tape, recorded circa July to September 1996.

 

This selection is weighted towards acts from or based in my birthplace Bristol - Massive Attack, Tricky, Carlton, Earthling - and recorded following (and possibly as a reaction to) the proliferation of trip hop compilations in 1994/1995. The term trip hop was apparently coined by Andy Pemberton in June 1994 and first appeared in Mixmag when he reviewed DJ Shadow & RPM's single In/Flux. However, it also became seemingly inextricably linked with "The Bristol Sound", even though many of the tagged artists either had already or would soon transcend such a label.  

 

Renegade Soundwave deliver a suitably spine-tingling take on Pop Will Eat Itself's Underbelly. I remember hearing this over the Virgin Megastore PA when PWEI's remix album Two Fingers My Friends! was released and it was enough for me to shell out for the limited edition 2CD there and then. 

 

Another album I bought on spec, having read about but not heard, was ISDN by The Future Sound Of London although I knew exactly what I was letting myself in for. ISDN is a 15-track album edited together from various live broadcasts that FSOL had transmitted during 1994 to radio stations all over the world using ISDN networking, then a relatively new technology. 

 

Hot Knives featured on the initial limited edition (of 10,000) "cruciform velcro-sealed embossed card case with separate card sleeve". What the Discogs description doesn't mention is that visually ISDN is also a dead ringer for Spinal Tap's Smell The Glove (or original motion picture soundtrack album, if you're a pedant). ISDN was reissued six months later with a more conventional sleeve design and jewel case and a slightly different tracklisting, swapping out three tracks from the original issue, including Hot Knives.

Scorn was formed in 1991 by Mick Harris and Nik Bullen, both ex-Napalm Death and quite far removed from the music of their former band. I only have two CDs by Scorn, the Deliverance EP and Ellipsis. Both are remix projects so possibly unrepresentative of Scorn’s output as a whole, but sphincter-troubling electronic music all the same. By the time of Ellipsis, Scorn had become a solo vehicle for Mick Harris, the album mostly remixing tracks from their last album as a duo, 1994's Evanescence. I have no idea what the original version of Night Tide sounds like but here Scanner aka Robin Rimbaud rebuilds the track around his trademark use of mobile phone and police radio scanners to disturbing effect.

Finally, an honourable mention for several of my favourite chanteuses, all featured here with standout tracks: Martina Topley-Bird, Róisín Murphy, Sarah Cracknell and Tracey Thorn.

 

If you're feeling the heat again today - a peak of 33°C is expected in my neck of the woods - then stick this on for 45 minutes and you may start to experience shivering and goosebumps, which may help.

1) Underbelly (Renegade Soundwave Blackout Mix): Pop Will Eat Itself (1995)

2) Aftermath (Version 1): Tricky ft. Martina Topley-Bird (1994)

3) 1 To 1 Religion (Skankapella Remix By Dobie): Bomb The Bass ft. Carlton (1994)

4) Dominoid (Radio Mix): Moloko (1996)

5) Hot Knives (Live ISDN Transmission, VPRO Radio, Netherlands): The Future Sound Of London (1994)

6) Night Tide (Scanner - "Flaneur Electronique" Mix): Scorn (1995)

7) Gone (Alter Ego Decoding Gone, Pt. 2): David Holmes ft. Sarah Cracknell (1995)

8) Protection (7" Edit): Massive Attack ft. Tracey Thorn (1994)

9) Nefisa (Faraway Moses) (Remix By Plunderphonics): Earthling (1995)

1994: 1 To 1 Religion EP: 3

1994: Aftermath EP: 2

1994: ISDN (limited edition first issue): 5 

1994: Protection EP: 8

1995: Ellipsis: 6 

1995: Gone EP: 7 

1995: Nefisa EP: 9

1995: Two Fingers My Friends!: 1

1996: Dominoid EP: 4

Side Two (45:13) (KF) (Mega)

Oh Gosh, Oh Gosh, I'm Juliette Binoche!

Another in my occasional series of song selections named after an actor's films, Juliette Binoche follows in the footsteps of Faye Dunaway and Elizabeth Taylor.

At first, a tougher call than you might think. I mean, who on Earth would record songs called The English Patient, The Unbearable Lightness Of Being or Three Colors: Blue (or Red or White, for that matter)?

Thankfully, there were plenty of other selections to encompass her debut, 1983's Liberty Belle right up to this year's Fire, the latest film by Claire Denis and one that is unlikely to be screening at my nearest cinemas which are currently dominated by Tom effing Cruise.

Perfect timing, with Kate Bush securing her first UK #1 in ages with Running Up That Hill, that her debut single gets a look in here, still as stunning now as when I heard it as a 7 year old. This is followed by Vanessa Contenay-Quiñones, better known in the 1990s as Espiritu, with the only French language song in this selection. A bit of cheat here as Juliette Binoche starred in 2005's singular Caché, but I'm pretending that it was so good that I watched it twice...

 

Juliette is mentioned in the Earthling song 1st Transmission, which also provides today's post title. In a nice touch, the album version and remixes by Plunderphonics and Portishead name check a different location, taking in Ilford, Bombay, Stokes Croft in Bristol and, in the version featured here, stopping off at Woodstock.

 

Diamond Hoo Ha Men and The Magnetic North are both aliases/side projects for other artists. The former are better known as two thirds of Supergrass and this grungier version popped up on the Bad Blood single in 2008. The Magnetic North are a trio comprising Erland Cooper, Hannah Peel and Simon Tong, remixed here to atmospheric effect by White Label, another trio including Steve Aungle, who worked with the late Billy MacKenzie and has done much to keep his musical legacy alive.

 

Quite an eclectic selection again, which includes arguably Binoche's career nadir Damage - the Yo La Tengo song is much better - and several songs that I could easily imagine being used in a film soundtrack, assuming they haven't already. This one's a keeper.

1) Chocolat: Cornershop (1997)

2) Liberty Belle (Remix By Mario Caldato Jr): Super Furry Animals (2004)

3) Wuthering Heights (Album Version): Kate Bush (1978)

4) Cache Cache: Vanessa Contenay-Quiñones (2020)

5) 1st Transmission (Acoustlick) (Remix By Plunderphonics): Earthling (1994)

6) Bad Blood (DHHM Version): Diamond Hoo Ha Men (2008)

7) Let The Sunshine In (Recorded Live @ Maida Vale Studios For Lamacq Live On Radio 1, 4th October 2002) (Cover of The 5th Dimension): Badly Drawn Boy (2002)

8) High Life (White Label Remix By Steve Aungle, Anth Brown & Tom Doyle): The Magnetic North (2017)

9) Rendez-Vu (Album Version): Basement Jaxx (1999)

10) Fire: Black Pumas (2018)

11) Damage: Yo La Tengo (1997)

12) Paris: The Anchoress (2021)

1978: The Kick Inside: 3 

1994: 1st Transmission EP: 5

1997: I Can Hear The Heart Beating As One: 11

1997: When I Was Born For The 7th Time: 1

1999: Remedy: 9

2002: All Possibilities EP: 7

2004: Phantom Phorce: 2

2008: Bad Blood EP (by Supergrass): 6 

2017: Borrowed Voices (by White Label): 8

2018: Black Pumas: 10

2020: Voodoo Girl: 4

2021: The Art Of Losing: 12

Oh Gosh, Oh Gosh, I'm Juliette Binoche! (43:27)

Octogintennial

Happy 80th birthday, Dad. 

I've recorded various mixtapes over the years to variously appease or expand my Dad's musical tastes, none of which are featured here today. Instead, today's selection is topped and tailed with a song from the year of his birth and the current year, sandwiching 1994, the year that my Dad was 52, the same age that I am now.

This has proved to be quite an enlightening shortlist and an odd tribute insofar as I can pretty much guarantee that my Dad will have hated (and would still hate) every track between #'s 2 to 11. If I'm honest, I don't think he'd be that bothered by The Alabama Singers or Andy Bell either. 

 

Dad's record collection was meagre but introduced me to Chuck Berry, Fats Domino, Jerry Lee Lewis and, for a bit of nostalgia, Glenn Miller. Oh, and he loved a bit of Status Quo. I'm saying all this in the past tense as I don't think he particularly listens to music these days, bar what's on the radio whilst driving or the latest hapless schmuck shuffling onto stage in the latest "talent" show on TV.

 

Dad hated (and probably still hates) Julian Cope's music, especially World Shut Your Mouth, so our musical differences were apparent quite early on. Thinking about what I subjected him to, musically-speaking, at the age of 52 - I temporarily moved back in with my folks between bedsit moves in 1994 - I feel I've got off lightly so far with my daughter, who has yet to subject me to comparable aural challenges.

 

Weather-permitting, we'll be joining other family members today in my parents' back garden celebrating Dad's milestone achievement. If it's pissing down with rain, the party's off and we'll be forming an orderly queue to celebrate indoors in a one-in, one-out basis, a sign of these post-Covid cautionary times with vulnerable loved ones.

 

Happy birthday, Dad, with lots of love...and apologies for subjecting you to my eclectic music taste for at least half of your life so far. There's more to come.

 

1) Jesus Met The Woman At The Well (Cover of traditional song): The Alabama Singers (1942) 

2) Jacob Street 7am: The Sabres Of Paradise (1994)

3) 1st Transmission (Album Version): Earthling (1994)

4) Middle Class Revolt (Album Version): The Fall (1994)

5) Heat Miser (Album Version): Massive Attack (1994)

6) New Dawn Fades (Single Version) (Cover of Joy Division): Moby (1994)

7) Riddimwize (Part II - Re-Assess Your Style) (Remix By Nick Manasseh, Martin Madhatter & Peps): Danny Red (1994)

8) Freak Like Me (Dub Instrumental) (Remix By Mass Order): Adina Howard (1994)

9) Fall (Voyage To The Bottom Of The Dub Remix By Noko 440 aka Norman Fisher-Jones & Stuart Crichton): Single Gun Theory (1994)

10) It's My Mind That Works (Live ISDN Transmission @ The Kitchen, New York): The Future Sound Of London (1994)

11) Dead Eyes Opened (Re-Opened) (Remix By Robert Racic & Kathy Naunton): Severed Heads ft. Edgar Lustgarten (1994)

12) Lifeline: Andy Bell (2022)

 

Octogintennial (54:52)

Black Swan To Blue Mountain

Bristol on the mix: Easton to Stokes Croft in seven steps.

 

1) Black Steel (In The Draw Mix By Substance) (Cover of Public Enemy): Tricky (1995)

2) Love Will Be On Your Side (Massive Attack Tabla Remix): Indo Animata (1996)

3) Roads (Monk & Canatella Remix): Portishead (2009)

4) Distorted Angel (Remix By Tricky): Elvis Costello & The Attractions (1996)

5) Spooned (Smith & Mighty Dusk Mix): Coldfeet (2001)

6) Burning (RSD aka Rob Smith Remix): Kakhand ft. Sizzla (2013)

7) Nefisa (Portishead Mix): Earthling (1995)

Black Swan To Blue Mountain (37:06)