Friday, 7 January 2022

Who's Afraid Of Virginia Woolf?

You can thank/blame John Medd for today's selection. His quite literally stunning post of Elizabeth Taylor photos inspired a playlist of songs named after her movies (I attempted the same trick with Faye Dunaway last year). No clever sequencing here: I started with the earliest match - and Elizabeth Taylor's 2nd film from 1943 - through to her uncredited appearance in a 1979 political conspiracy movie starring Jeff Bridges, John Huston, Anthony Perkins and Toshirô Mifune "as Keith". 
 
I think it mostly works, though for 1976 film The Blue Bird I was torn between equally great songs from Hope Sandoval & The Warm Inventions and Nick Cave & The Bad Seeds. Hope prevailed.
 
Who's Afraid Of Virginia Woolf? was one of the set texts for my English Literature O Level (too many years ago to count) and we got to watch the 1966 film as part of the study. It's a great play and a great cast, but Elizabeth Taylor transcends all. Arguably her greatest performance, and that's saying something.

Unfortunately, I don't currently have a song named Who's Afraid Of Virginia Woolf? but Jimmy Smith has kindly obliged with this classic from 1964, which I must get hold of.
 
1) Lassie Come Home: Alphaville (1986)
2) A Place In The Sun: Stevie Wonder (1966)
3) Rhapsody: Siouxsie & The Banshees (1988)
4) Giant (Radio Edit) (Cover of The The): DJ Food ft. Matt Johnson (2012)
5) Cleopatra (John Peel Session): Adam & The Ants (1978)
6) The Comedians: Elvis Costello & The Attractions (1984)
7) Ash Wednesday: The Psychedelic Furs (2020)
8) Blue Bird: Hope Sandoval & The Warm Inventions (2009)
9) Winter Kills (Electronic Periodic's Sub / Piano Mix): Yazoo (2008)

2 comments:

  1. The DJ Food/Matt Johnson collaboration was a whole new thing for me. Superb stuff!!! Thanks.

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    1. I love the original so much, I wasn't sure what to expect, but it's a great version. There's a longer version on DJ Food's 2012 album The Search Engine; an extended 9:37 version appeared on an expanded digital version but I missed the boat with that one. An earlier, instrumental version pre-dating the Matt Johnson collaboration appeared in 2009. All good, but none match The The's version with Zeke Manyika, Jim Thirlwell & Thomas Leer on board.

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