Showing posts with label Mike Thorne. Show all posts
Showing posts with label Mike Thorne. Show all posts

Friday, 10 January 2025

Tomorrow's Party Will Never End


But why wait until tomorrow when you can have 45 minutes of The Communards today?

It's been just over a month since retired Reverend Richard Coles came third in I'm a Celebrity...Get Me Out of Here! so what better time to celebrate his former former life as a purveyor of perfect pop with partner Jimmy Somerville?

The Communards' huge success with their cover versions of Don't Leave Me This Way and Never Can Say Goodbye - UK #1 and #4 in 1986 and 1987 respectively - arguably overshadowed their power of their own songs. 

Jimmy had sharpened his songwriting skills with Bronski Beat, perfectly combining personal, political and pop lyrics, and these were honed in The Communards. Combined with Richard's multi-instrumental talents, they were a formidable duo.  You need look no further than Disenchanted, one of the finest songs of the 1980s, full stop.

Just a fistful of twelve inch versions, all but one by the legendary Mike Thorne, the other by ZTT uber producer Stephen Lipson, but every single one is a corker. 
 
1) Don't Leave Me This Way (Son Of Gotham City Mix By Mike Thorne) (Cover of Harold Melvin & The Blue Notes): The Communards ft. Sarah Jane Morris (1986)
2) Tomorrow (Extended Version By Stephen Lipson): The Communards (1987)
3) So Cold The Night (12" Version By Mike Thorne) (1986)
4) Disenchanted (12" Mix By Mike Thorne) (1986)
5) You Are My World (12" Version By Mike Thorne) (1985)

Tomorrow's Party Will Never End (44:51) (KF) (Mega)

Friday, 1 April 2022

Teenage Remix

Side 2 of a C90 cassette, "mixed & mashed with abandon" 24th April 2000.
 
Back to the old school (disco) today and a bunch of 12" singles that I can guarantee didn't trouble the turntables at Pucklechurch Community Centre or Chasers Nightclub in Kingswood back in the day.  
 
The selection starts off with Sir William of Idol, an example where the 12" mix was much more exciting than the original version. In fact, I'd go so far as to say that Billy's best album was the Vital Idol 12" remix compilation. Vital Idol was an essential purchase and frequently on loan to various school friends at the time.

I loved Communards and this was a prized purchase from Plastic Wax Records, when it was on West Street, Old Market in Bristol. The best remix of an already brilliant song. I wonder what happened to Jimmy Somerville and Richard Coles?

Kissing The Pink first came to my attention with the weird pop of The Last Film. By the mid-'80s, they'd gone none-more-pop with this 12" by 'Mixmaster' Phil Harding being one of their highlights. This was originally titled the 'Garage' mix but on my later copy of the Stand Up 12" single, it had been re-titled the 'Engagedmix'.
 
In the late '80s, I guess Thomas Dolby was still trying to lose the 'science geek' label that had stuck since the days of She Blinded Me With Science and Windpower. Aliens Ate My Buick was a great pop album and Airhead was a wonderfully subversive and scathing song about superficiality. François Kevorkian delivered a mighty 10-minute mix on the US 12" single. This edited version also appeared on 1999's 12x12 remix collection; I haven't checked, but I'm pretty sure that the version on my UK 12" single is slightly shorter again. But hey, never mind the length, feel the quality.

I was one of the poor unfortunates who heard Dollar's execrable version of Oh L'Amour before I heard the original by Erasure. What kind of mad world (™ Tears For Fears) do we live in where the asinine David Van Day & Thereze Bazar got to #7 in the UK singles chart in 1987, whilst the original by Andy Bell & Vince Bell managed a measly #85 the previous year? At least the latter enjoyed a second run in 2003, achieving the more respectable #13. David Van Day was running a burger van at the start of the 21st century, so I guess there was some justice, at least.

Another purchase from Plastic Wax (or Replay, I'm not sure), I retrospectively amassed China Crisis' singles on 12" in the mid- to late-'80s, which were by then bargain secondhand purchases. I loved the first album but was less familiar with the second or the title track and lead single. I can see why, as it only made it to #48 in 1983; follow up Wishful Thinking became their biggest hit, reaching #9 the following year. In a startling display of economy, the song neither retains it's full title or has a decent remix label on the 12" single, perfunctorily listed as Fire And Steel (Mix). The song's lots more fun.
 
And to close, Tom Lord-Alge pulverises O.M.D.'s delicate La Femme Accident with some typically huge '80s synthetic drums and stretched out vocals... and yet, I loved it. I purchased this as a lavish gatefold double pack 12" single, which included Enola Gay and a rather crap live version of Locomotion. I bought the accompanying album Crush on the back of So In Love. I wasn't a fan of follow-up Secret and I didn't think La Femme Accident was an obvious choice of single. Apparently, looking at the diminishing chart peaks, the UK-singles buying public agreed. Still, this version is about as 1980s as it gets.

Having just read that Chasers is due to reopen in 2022, any chance any of these will make a belated appearance? What do you think?
 
1) Catch My Fall (Remix Fix By Billy Idol & Steve Stevens): Billy Idol (1985)
2) Disenchanted (Total Dance Remix By Mike Thorne): The Communards (1986)
3) Certain Things Are Likely (Engagedmix By Phil Harding): Kissing The Pink (1986)
4) Airhead (Extended Version: Francois' Mix By François Kevorkian & Goh Hotoda): Thomas Dolby (1988)
5) Oh L'Amour (PWL Funky Sisters Say 'Ooh La La' Mix By Pete Waterman & Phil Harding): Erasure (1986)
6) Working With Fire And Steel (Fire And Steel (Mix) By Mike Howlett): China Crisis (1983)
7) La Femme Accident (12" Mix By Tom Lord-Alge): O.M.D. (1985)
 
Side Two (46:35) (KF) (Mega)