Youth Is Wasted On The Young

Youth aka Martin Glover could never be accused of slacking off. Since picking up a bass and co-founding Killing Joke, he's been a constant in my musical consciousness since the 1980s and shows no sign of slowing down in 2026.

Youth's CV includes production, collaboration, "supervision" and remix credits for artists ranging from Tom Jones to The Irresistible Force, Transglobal Underground to Cast, Du Blonde to Crowded House, The Orb to Shack and back again.

This ten-track, hour-long selection is rooted in the early 1990s, occasionally branches out into the 21st century and features some of my favourite reworks.

There's the Led Zeppelin-sampling cavernous boom of Björk's old band The Sugarcubes, with late period classic VItamin. 

This is preceded by a mighty dub of Killing Joke circa 1994, when the original line-up not only reformed but dove even deeper into the dub oceans they had previously explored a decade and a half before.

The remixes of Walking On Air by Frazier Chorus were a game changer, and I would have loved to have heard what Youth would have done if let loose on the entire album Ray, not just a couple of songs.

And Natacha Atlas' breathtaking ululations find a perfect complement in Youth's remix of Yalla Chant, which cropped up on a disproportionate number of my mixtapes in the mid-late 1990s.

Not that the remainder are any less of an experience, whether it's teaching old Goths new tricks (Peter Murphy, The Mission), flirting with pop (The Art Of Noise, P.M. Dawn) or going toe-to-toe with legends (Bim Sherman, Jah Wobble). Youth takes it all in his pace, weighted down with plenty of bass.

1) The Art Of Slow Love (Remix By Youth): The Art Of Noise (1991)

2) A Watcher's Point Of View (Don't 'Cha Think) (Youth Extended Mix): P.M. Dawn (1991)

3) Freaks Of Nature (Natural Dub Mix By Youth & Ott): Dub Trees ft. Bim Sherman (2000)

4) I Am My Own Name (Youth Remix): Peter Murphy (2015)

5) Another Cult Goes Down (Portobello Mix By Youth & Greg Hunter): Killing Joke (1994)

6) Vitamin (Babylon's Burnin) (Remix By Youth): The Sugarcubes (1992)

7) Tower Of Strength (Lysergic Dub) (Remix By Youth): The Mission (1994)

8) Walking On Air (Dub Instrumental) (Remixed By Youth): Frazier Chorus (1990)

9) Inspector Out Of Space: Youth Meets Jah Wobble ft. Rhiannon Sharkey (2020)

10) Yalla Chant (The Lesson Four Remix By Youth): Natacha Atlas (1995)

1990: Ray/The Baby Album (ltd 2x CD): 8

1991: A Watcher's Point Of View (Don't 'Cha Think) EP: 2

1991: The FON Mixes: 1

1992: Vitamin EP: 6

1994: Exorcism EP: 5

1994: Tower Of Strength EP: 7

1995: Yalla Chant EP: 10

2000: Nature Never Did Betray the Heart That Loved Her: 3

2015: Remixes From Lion: 4

2020: Acid Punk Dub Apocalypse: 9

Youth Is Wasted On The Young (1:00:07) (GD) (M)

More Altered Perceptions

Side 2 of an 80s mixtape recorded 26th November 1999.

Another compilation that's taken me ages to return to, Side 1 making an appearance here in November 2023. Better late than never...!

In 1987, Get It On by T. Rex was re-released with a new remix by Tony Visconti. I don't remember why exactly, as the (rather excellent) Best Of The 20th Century Boy compilation had already been out for a couple of years and there was no jeans ad tie-in as far as I recall. There were two 12" singles with new extended versions: the Dawn Mix on yellow vinyl and the Dusk Mix on blue vinyl; I've got both, there's not a lot of difference between the two.

Propaganda's second single was Duel, a gorgeous slice of Germanic pop. On the flip side was its roughneck relation, Jewel, Claudia Brücken's sweet voice replaced by Susanne Freytag's shouty vocals. Similarly, their album A Secret Wish was mirrored with a remix companion, Wishful Thinking. It's a bit hit-and-mix, but the remix of Duel/Jewel is superb, creating a sublime duet between Susanne and Claudia.

Love Like Blood is arguably Killing Joke's defining song and originally came out in two extended 12" single formats. Not content with that, producer Zeus B. Held had a go at the song, providing the flip side to his other remix of 1986 single Adorations. This one adds a few contemporary remix touches, including some crowd noises for some reason, to firmly root the song in the mid-1980s.

I do have the 12" single of More by Doctor & The Medics, which features a remix by an up-and-coming artist called William Orbit. Unfortunately, I don't have a MP3 rip and couldn't find an alternative on t'internet. So, I've grabbed the intro from the video version and spliced it with a slight edit of the album version and Hey Presto! a DIY extended version to fill the void. Derivative it may be, but I like this song.

Derivative is not a word that could be used to describe Peek-A-Boo by Siouxsie & The Banshees. When I first heard it in 1988, I was thrilled by this change of direction for the band. Unfortunately, the rest of the album is less experimental and more familiar, but the impact of this song hasn't diminished. Peek-A-Boo was released on 7", 12" (two of 'em) and CD single. The eight minute Silver Dollar Mix which appeared on the limited edition 12" single is in fact an edit; the full length version appeared in the USA and runs for another two minutes.

Whilst Siouxsie and co were trying to push themselves in a new direction, by 1988 Iggy Pop had pretty much gone full hair metal. I like the album Instinct but it's dumb rock, even by Iggy's standards, though unapologetically so. I first heard this remix of Cold Metal on the Sounds Blasts! 1 EP, a freebie 7" single with music paper Sounds that also featured The Blue Aeroplanes (yay!), Fishbone (mmmm) and the Dan Reed Network (meh). 

Closing out this compilation is my favourite version of Two Tribes by Frankie Goes To Hollywood, the Carnage remix by Trevor Horn and Stephen Lipson following the standard ZTT format of instrumental first half and vocal second half. However, they also chuck in a few vocal snippets from Nash, Peds and Mark taken from throwaway B-side 'interviews', which add a bit of colour. 

As with my previous post, I've tracked down the videos for each song, or TV performances where these aren't available. The clip for Jewel by Propaganda is a real treat. The others run the range from so so serious (Killing Joke) to stunning (Siouxsie) to silly (Doctor & The Medics) to... well, you've just got to see Iggy Pop's video to wonder how many cans of hairspray the film crew got through for this one.

And then there's Two Tribes, possibly one of the greatest videos ever made. If a band tried to do that today, the pustulous orange turd would probably buy MTV, install himself as CEO and shut it down. That's if the barrel chested bareback rider hadn't already dealt with them permanently.

 
1) Get It On (Dusk Mix) (Tony Visconti 87 Remix): T. Rex (1987)

2) Jewelled (Remix By Robert Kraushaar & Paul Morley): Propaganda (1985)

3) Love Like Blood (The '86 Remix By Zeus B. Held): Killing Joke (1986)

4) More (Full Video Version By Doctor & The Medics & Graham Meek): Doctor & The Medics (1987)

5) Peek-A-Boo (Silver Dollar Mix By Mike Hedges) (Edit): Siouxsie & The Banshees (1988)

6) Cold Metal (Rock Version By Andy Wallace): Iggy Pop (1988)

7) Two Tribes (Carnage) (Remix By Trevor Horn & Stephen Lipson): Frankie Goes To Hollywood (1984)

Side Two (46:06) (KF) (Mega)

Side One here

 

 

 

 

 

 

Dub '85

In a very belated follow up to Dub '83, which I posted in September 2023, today's selection is a dozen songs from - you guessed it, 1985 - given a dub overhaul. 

 

John Robie is the only producer from the previous selection appearing here, but he's joined by more heavyweights of 80s remix culture, including Shep Pettibone, Ivan Ivan aka Ivan Baker, Joseph Watt, Rusty Egan, Steve Thompson and Michael Barbiero, Mark Berry and The Latin Rascals aka Albert Cabrera and Tony Moran.

 

It's all about the beats and the edits, with varying degrees of vocals. Not for everyone, but I loved them. It wasn't unusual for me to opt for the 12" B-side over the main mix when compiling mixtapes in the 1980s and 1990s.

 

I think I may have set a precedent with the previous post, of homaging / ripping off (delete as applicable) another, far superior Saturday morning quiz. In for a penny, in for a pound I say, so I've invented five more brain teasers. An hors d'oeuvre, if you will, before the more satisfying meal over at Rol's place.

1) The Vinyl Villain blog covered the Pet Shop Boys singles in 36 parts from January to October 2023. In which part did today's featured dub first appear?

2) Which band features the offspring of legendary TV presenter Bob Holness?

3) What is Bad Manners' front person Buster Bloodvessel's birth name?

4) Which of these songs is a cover version of a flop single from 1983?

5) What do red hat obsessives Devo, singer songwriter Hugh Cornwell, avant garde drummer Robert Williams and 1990s animated TV show Rugrats have in common?

Answers will be posted in the comments later today.

1) I Like You (Dub) (Remix By Shep Pettibone): Phyllis Nelson

2) Here To Go (Here To Dub Version By Ivan Ivan): Devo

3) Sweet Murder (The Smile On Her Face) (Murderess Dub Version By Michael Baker & Axel Kröll / Edited By The Latin Rascals): The Blow Monkeys

4) Opportunities (Let’s Make Lots Of Money) (Dub For Money) (Remix By The Latin Rascals): Pet Shop Boys

5) It's Called A Heart (Emotion Dub) (Remix By Joseph Watt): Depeche Mode

6) Girls Night Out (Dub) (Remix By Nigel Wright & Robin Sellars): Toto Coelo

7) Living On Video (Dub Mix By Claude Allard & Pascal Languirand): Trans-X

8) Dub-Vulture (Remixed By John Robie) (12"): New Order

9) Blue Summer (Dub) (Remix By Steve Thompson & Michael Barbiero): Bad Manners

10) Kings And Queens (Geordie's Dub Mix By Geordie Walker): Killing Joke

11) Come Back (Dub) (Remix By Rusty Egan): Spear Of Destiny

12) Obsession (Dub) (Remix By Mark Berry): Animotion

Dub '85 (1:11:20) (KF) (Mega)

You can find Dub '83 here.

I will get around to Dub '84 at some point, I'm sure.

Decade V: 1988

Side 1 of a C90 of the 80s, recorded 8th April 1990.

 

First up, apologies for the very late post this morning. I had a long day at work, overslept and woke to a wailing cat, who was behaving like they had been trapped at the bottom of a well for a week without food. Where were they three hours ago?!

Anyhoo...

1988 was a transformative year, in good and bad ways. By the end of the year, I'd turned 18, dropped out of sixth form college, passed my driving test and bought my first car, got a job, went clubbing more and found myself mostly single and 'friend zoned' more often than I planned, and before that was even a thing. And still living at home with my parents, which was really starting to bite.

Musically speaking, my horizons were broadening exponentially, though you'd be hard pressed to guess from today's selection. 

I went to relatively few gigs in 1988, but all ‘first timers’: Erasure supported by Zip (Pete Shelley's short-lived band); Siouxsie & The Banshees; Pixies supported by My Bloody Valentine (!); Marc Almond and Julian Cope. What a year!

Despite the absence here of songs aimed squarely at the pop charts or the dancefloor (as explained last week), I quite like this selection's eclectic mix of hits, non-hits and never-had-a-hope-of-being hits.

The lush gatefold 12" single of Goodbye Mr. Mackenzie's eponymous single leapt out from the record racks almost as much as the 'reduced for a quick sale' sticker in the top right hand corner of the sleeve did. I'd seen The Rattler on TV, and bought this one on  spec. I enjoyed this EP and their debut album, though it was the first time I really understood what was meant by 'over produced'. Turns out the guy at the controls was Rheinhold Mack, Queen's go-to producer. Not such a good fit for the (other) Macks, unfortunately. They never got the success they deserved, but Shirley Manson did alright afterwards.

By 1988, Killing Joke were reduced to a duo of Jaz Coleman and Geordie Walker and released the album Outside The Gate, which seems largely unloved. On first hearing lead single America, I thought it was so awful that I had to buy it. I've grown to love it - and the album - since, it's bonkers. 

Andrew Eldritch was continuing to piss off the Goth purists by reforming The Sisters Of Mercy with Patricia Morrison (ex-Gun Club) and daring to grow a beard and wear a cream suit with tie on Top Of The Pops. I loved what went before, but I loved the overblown drama of This Corrosion and the Floodland album too. Dominion was another heavy single, but a welcome chart-troubling contrast to Rick Astley, Mel & Kim and Johnny Hates Jazz.

Zeke Manyika was a member of Orange Juice and played on The The's Soul Mining album. Matt Johnson returned the favour by co-producing and 'editing the lyrics' for Zeke's single Bible Belt. One of many anti-apartheid songs at the time, the astonishing video was filmed in The Beira Corridor in Mozambique with the blessing of the authorities, who lent a train, a military helicopter, and an armed security detail! Bible Belt was sadly not a hit.

Orange Crush, however, provided R.E.M. with their first Top 30 single in the UK. The title refers to the chemical defoliant Agent Orange used extensively by the US Army in the Vietnam War. Coincidentally, Agent Orange also inspired the title of a Depeche Mode B-side the previous year. Whilst Green is not my all-time favourite R.E.M. album, it was head and shoulders above much of what was in the charts in 1988, as was the single. It still holds that power.

I got into Pixies straight away, as my brother had a copy of Come On Pilgrim, though I think he was less excited about it than I was. I soon got my own, along with follow up Surfer Rosa and the double A-side 12" pairing re-recorded versions of Gigantic and River Euphrates. Whilst I prefer Steve Albini's production on the former, Gil Norton's extended take on River Euphrates on the single just about edges it for me. 

I bought The Justified Ancients Of Mu Mu double vinyl compilation Shag Times in 1989. I subsequently trading it in for a CD version, which is these days cited by writers recalling the "CD rot" travesty of the same period. My copy is rarely played now, but (touch wood) is at least still playable. I also belatedly bought the 12" single of Burn The Bastards, which contains an edit and a club mix, both credited to The KLF. 

 

Burn The Bastards is a joyous, carefree pastiche/rip-off of Sly & The Family Stone's Dance To The Music (repurposed as "JAMS have a party!"). Bill Drummond tries rapping and there are samples galore, including Whacko Jacko and yes, that's Dirty Den from EastEnders being abruptly cut off at the end.

Also benefiting from a remix are The Sugarcubes, with Cold Sweat. I loved their album, but I have a special place in my heart for the remixes of Cold Sweat and Deus, on limited edition 12" and 10" singles respectively. This version strips things back a little, beefs up the drums, inserts a well-placed sample and gives more room to Björk and Einar's dynamic duet.

And yes, some U2 with their first UK #1 single, Desire in October 1988. I perhaps should have included a health warning for some of the regulars. I make no apologies, I like the song, they were my friend Stuart's favourite band and whilst I didn't own any of their albums, I begrudgingly enjoyed U2's Rattle & Hum film, even if Bono was being a hairy arse for most of it. An unintentionally hilarious hairy arse, to be specific.

Shane MacGowan was called many things, but he was definitely less of a hairy arse than Bono. And The Pogues were fantastic. I bought the limited edition 12" of If I Should Fall From Grace With God, released in a green tinted sleeve to coincide with/celebrate St. Patrick's Day. Why on earth wasn't this a #1 too?

Scritti Politti were also back in 1988, with the follow up to the phenomenally successful Cupid + Psyche 85. Provision is a great album and made the Top Ten, though didn't quite match the success of its predecessor. Likewise, the singles.  

 

Boom! There She Was only managed #55, despite the added appeal of "Roger" aka Roger Troutman of Zapp fame, who thankfully remembered to bring along his trademark talk box, which he uses liberally throughout the song. Maybe radio listeners weren't quite ready for this. Or maybe it was Green's lyrics, which reference the Tupamaros (a guerilla group in Uruguay circa 1970-1971), Pharmacopoeia (a book used to identify of compound medicines), or Italian motorcycle manufacturer Moto Guzzi. Stock/Aitken/Waterman it most definitely was not!

 

Talking Heads delivered what was to be their final album this year. Reading Chris Franz' autobiography, it seems that this was essentially David Byrne getting to work with a bunch of other artists (including Johnny Marr), with the rest of the band treated as little more than session musicians. Byrne may or may not remember things differently, but regardless, the end was nigh.

 

I don't think I've ever seen anyone refer to Naked as the best Talking Heads album and it most certainly isn't. And yet, there are moments of greatness on it, not least with the single Blind. It's recognisable as Talking Heads, but it's paving the way for David Byrne's subsequent solo album. Blind is also funky as hell, with an infectious twangy guitar and rolling toms, demanding that you get into the groove.

 

See you here again tomorrow (hopefully back to the usual time) for the final part of this series and the last gasp of the 1980s...

 

1) Goodbye Mr. Mackenzie (Single Version): Goodbye Mr. Mackenzie

2) America (Single Version): Killing Joke

3) Dominion (Unreleased Promo Version): The Sisters Of Mercy

4) Bible Belt (7" Version): Zeke Manyika

5) Orange Crush (Album Version): R.E.M.

6) River Euphrates (Single Version): Pixies

7) Burn The Bastards (Edit): The KLF

8) Coldsweat (Remix): The Sugarcubes

9) Desire (Album Version): U2

10) If I Should Fall From Grace With God (7" Remix): The Pogues

11) Boom! There She Was (U.S. Mix): Scritti Politti ft. Roger

12) Blind (Album Version): Talking Heads

31st January 1988: Life's Too Good (#56): 8

28th February 1988: Floodland (#13): 3

6th March 1988: If I Should Fall From Grace With God (#58): 10

24th April 1988: Shag Times (# n/a): 7

1st May 1988: Outside The Gate (#77): 2

11th June 1988: Green (#28): 5

14th August 1988: Surfer Rosa (#59): 12

21st August 1988: Good Deeds And Dirty Rags (#62): 1

28th August 1988: Surfer Rosa (#93): 6

11th September 1988: Mastercrime (# n/a): 4

2nd October 1988: Rattle & Hum (#1): 9

13th November 1988: Mastercrime (#55): 11

 

Side One (45:48) (GD) (M)

Decade III: 1984

Side 1 of a cassette compilation, recorded sometime in March 1990, discarded or misplaced somewhere along the way, reimagined and recreated 18th August 2024.

 

The halfway point, and the second of the two cassettes from the Decade series that I lost, broke or smashed with a lump hammer at some point in the last twenty years. One of these scenarios is highly unlikely.

 

I had a vague recollection of some of the songs on the previous mixtape, but I have no memory of the original 1984 tracklisting whatsoever. It probably would have featured Bronski Beat, almost certainly Depeche Mode and would I have left off Tears For Fears with Shout or at a push Mothers Talk? I don't know, but none of them have made the cut this time around.

 

The selection starts off with two of the defining songs of the year for me, by Prince and Frankie Goes To Hollywood. My appreciation of the Purple One really kicked off a few years later, but I was in with the Liverpool lads as soon as they appeared on The Tube and Top Of The Pops. Neither song has lost its edge or impact, forty years later.

Eighties by Killing Joke, as well as being an apt choice for this series, was the one that hooked me in to the band. Most likely I would have heard them on the radio previously, but it was probably Love Like Blood and the Night Time album the following year that sealed the deal. Kurt Cobain was similarly inspired.

1984 was also the year that the ZTT aka Zang Tumb Tuum label exploded, on the back of Frankie Goes To Hollywood's success with Relax and Trevor Horn's huge production. It was also the home to The Art Of Noise and the bonkers Close (To The Edit), in the days when this kind of craziness could also be a #1 single in the UK. I've got multiple versions of this song, reflecting ZTT's saturation of the market with vinyl, cassette, VHS and Beta, endless 12" remixes and probably a kitchen sink format for one of their releases. On the downside, every single length version of Close (To The Edit) in my collection is prone to vinyl crackles or tape hiss and dropout, so please excuse the slight dip in sound quality.

At the other end of the spectrum, Eurythmics were becoming increasingly more slick with each album. Previous album Touch seems to have been the jumping off point for many, though I liked it and was positively disposed towards follow up single Sexcrime (Nineteen Eighty-Four). Released to promote the film adaptation of George Orwell's 1984 (one film that couldn't afford to have a delayed release), Eurythmics also provided the largely instrumental soundtrack album. Not much to recommend it, to be honest. I skipped this album and was disappointed with the 1985 follow up, Be Yourself Tonight. 

I've inadvertently created a mini Six Degrees Of Separation here. Elvis Costello got Green Gartside in to provide backing vocals on I Wanna Be Loved. Green had also appeared on Eurythmics' Sweet Dreams album; Elvis would do the same on Be Yourself Tonight. And the thankfully prophetic Nelson Mandela by The Special AKA was produced by... Elvis Costello.

 

The thread ends there as I couldn't find any link to Strawberry Switchblade, though suggestions on a postcard are welcome. Since Yesterday is a low-fi pop classic that made me briefly want to buy a polka dot shirt. I didn't, though my fashion crimes in this decade were many and there are photos to prove it. Fiction Factory were another one-hit wonder from this year, and whilst I have no recollection of their wardrobe choices, what a song, eh?

Billy Idol came as close as he ever did to a ballad with Eyes Without A Face (UK #18 in August 1984, pop fans), though Steve Stevens succumbs about two thirds of the way in, releasing an almighty riff. None of that guitar nonsense for Heaven 17 though, who (Fair)light the way with Sunset Now, backed by female vocal trio Afrodiziak. Member Caron Wheeler would find her moment in the spotlight a few years later, first with Soul II Soul, then as a solo artist.

I'm pretty sure that I didn't include Come Back by The Mighty Wah! on the original compilation in 1990, which may have been one of the triggers for losing/destroying it years later. In 2024, Pete Wylie and Josie Jones get to close the show as only they can. A fantastic song that manages to soar even higher than The Story Of The Blues.

I'm hoping that you'll all, ahem, ‘Come Back' tomorrow for 1985, though if you're expecting Madonna, Tina Turner, Nik Kershaw and Dire Straits, you're going to be bitterly disappointed...

 

1) When Doves Cry (Edit): Prince & The Revolution

2) Two Tribes (For The Victims Of Ravishment) (Album Version): Frankie Goes To Hollywood

3) Eighties (Album Version): Killing Joke

4) Close (To The Edit) (Video Version 2): The Art Of Noise

5) Sexcrime (Nineteen Eighty-Four) (Single Mix): Eurythmics

6) I Wanna Be Loved (Radio Version): Elvis Costello & The Attractions ft. Green Gartside

7) Nelson Mandela (Extended Version): The Special AKA ft. Stan Campbell

8) Since Yesterday (Album Version): Strawberry Switchblade

9) (Feels Like) Heaven (Album Version): Fiction Factory

10) Eyes Without A Face (Single Version): Billy Idol

11) Sunset Now (Album Version): Heaven 17 ft. Afrodiziak

12) Come Back (The Story Of The Reds) (Album Version): The Mighty Wah! ft. Josie Jones

29th January 1984: Throw The Warped Wheel Out (#6): 9

1st April 1984: Night Time (#60): 3

8th April 1984: Nelson Mandela EP (#9): 7

10th June 1984: Welcome To The Pleasuredome (#1): 2

24th June 1984: I Wanna Be Loved EP (#25): 6

22nd July 1984: When Doves Cry EP (#4): 1

22nd July 1984: A Word To The Wise Guy (#20): 12

29th July 1984: Eyes Without A Face EP (#18): 10

9th September 1984: How Men Are (#24): 11

2nd December 1984: 1984 (For The Love Of Big Brother) (#4): 5

20th January 1985: Strawberry Switchblade (#5): 8 *

17th February 1985: Close (To The Edit) EP (#8): 4 **

Side One (46:25) (GD) (M)

* Since Yesterday debuted in the UK singles chart at #89 in the week of 21st October 1984, gradually rising week on week for three months, eventually peaking at #5.

** Close (To The Edit) first charted at #78 in the week of 11th November 1984, finally cracking the Top 10 thirteen weeks later!

Pain & Joy & Sorrow Mingle

Celebrating Kevin 'Geordie' Walker, 18th December 1958 to 26th November 2023. 

 

Geordie is (in)famous as a founding member of Killing Joke in 1979 and the only one to stick with Jaz Coleman through over four decades and numerous line-up changes and reincarnations.

The first I heard of Geordie's untimely passing was a tweet from Jah Wobble on Sunday evening. Jah and Geordie played together in industrial 'supergroup' The Damage Manual in the early 2000s. Further reading and news reports reveal that Geordie suffered a stroke a couple of days ago and died at home in Prague, with his family by his side.

It's impossible to imagine Killing Joke without Geordie. Whilst the band's music has spanned multiple genres from post-punk to Middle Eastern-inspired instrumentals to industrial to Goa trance to hardcore rock to dub, Geordie's singular guitar playing has been the unifying thread and complement to Jaz's unique vocal expressions.

You'll find better articulated tributes elsewhere so I'll let the music do the talking. By sad coincidence, my previous - and first - Killing Joke selection was posted barely a year ago, on 1st December 2022. You can listen to that here by way of a companion piece to today's offering.

RIP Geordie.

 

1) New Cold War (2015)

2) Empire Song (1982)

3) Jihad (Beyrouth Edit) (1988)

4) Democracy (Conspiracy Theory Mix) (1996)

5) Darkness Before Dawn (1985)

6) Hosannas From The Basements Of Hell (Radio Edit) (2006)

7) Requiem (Album Version) (1980)

8) Follow The Leaders (Dub) (1981)

9) Millennium (Cybersank Edit) (1994)

10) Are You Receiving (1979)

11) Another Cult Goes Down (Portobello Mix) (1994)

12) Adorations (The Extended Mix) (1986)

 

1979: Turn To Red EP: 10

1980: Killing Joke: 7

1981: Follow The Leaders EP: 8

1982: Revelations: 2

1985: Night Time: 5

1986: Adorations EP: 12

1988: America EP: 3

1994: Exorcism EP: 11

1994: Millennium EP: 9

1996: Democracy EP: 4 

2006: Hosannas From The Basements Of Hell EP: 6

2015: Pylon: 1

 

Pain & Joy & Sorrow Mingle (57:23) (KF) (Mega)

I Shed A Tear For Sapiens Who Are Already Replaced

Killing Joke released a new single, Full Spectrum Dominance, a couple of weeks ago to coincide with their gig at the Royal Albert Hall in London.

It's a characteristic wall of noise with flexible lyrics that can be easily applied to the current Tory government and it's abhorrent efforts to subjugate and disenfranchise the dissenting masses.

Killing Joke may not be everyone's cup of tea but personally I'm very happy that they're still around and sticking it to "The Man" after five decades.

The other side of my brain is also satisfied by the Pure Trance Youth Dub Remix of Full Spectrum Dominance, the presumably contractually-obliged reworking by bassist Youth aka Martin Glover. Again, nothing groundbreaking but it ticks all the boxes.

 

 

It Goes Something Like This...

Zeus B. Held aka Bernd Held (see what he did there?) was born in 1950s, started as a musician in the 1970s and gained a reputation as a producer in the latter part of that decade, becoming a renowned remixer during the 1980s. Zeus is still going strong today, dividing time between Germany and England.

Today's selection is very firmly rooted in his 1980s remix work. I first discovered Zeus B. Held via his work with Fashion, producing and remixing their second album, Fabrique, in 1982. From there, Zeus popped up on albums and 12" singles by Alphaville, Dead Or Alive, Simple Minds, John Foxx, Men Without Hats and Spear Of Destiny.

Zeus' 1987 remix of Gary Numan's 1979 single Cars was a hit not once but twice. Whilst it couldn't match the original's #1 peak in the UK, it reached #16 in 1987 and #17 in 1996. The latter was relabeled the Premier Mix on the back of the song featuring in a lager commercial. 

Beggars Banquet, the label that re-released Cars in 1987 were obviously enamoured of Zeus B. Held's prodigious skills at the (re)mixing desk as, in a surprise move, he was also commissioned to produce three remixes of Hit The North by The Fall. Mark E. Smith's views at the time are lost in the mists of time and it likely divided fan opinion, then and now. Personally, I love them. 

Gina X aka Gina Kikoine proved to be a great foil for Zeus B. Held. No G.D.M. is an absolute classic which I've enthused about previously and present again in another version from the remixed and re-released single in 1985. Gina X makes a second appearance, providing guest vocals on Love Shadow by Fashion from 1982.

Whilst Sinful! by Pete Wylie is a deserved classic (and Zeus B. Held co-production), I've gone for the equally majestic Diamond Girl, featuring the fabulous Josie Jones. Sadly, the UK record buying public in 1986 disagreed. #57? Seriously?! Philistines!

From the last gasp of the 1980s, Win was formed by Davy Henderson, time-wise sitting roughly between his other bands The Fire Engines and The Nectarine No. 9. Unashamedly power pop, Win deserved greater commercial success than they had. Transvision Vamp achieved that success, albeit briefly, their first big hit in the UK being I Want Your Love, a #5 smash in June 1988. 

I had intended to pare the selection down to ten songs and one hour. I failed spectacularly. Instead, if you can spare just under ninety minutes, here are fourteen 12" bangers from the 1980s, remixed solely or collaboratively by Zeus B. Held. 

Enjoy!

 

1) Pop Goes The World (Dance Mix): Men Without Hats (1987)

2) What's Love If You Can Kill For Chocolate (12" Mix): Win (1989)

3) Sanity (The Roman Mix): Killing Joke (1986)

4) Ghostdancing (A Special Extended 12" Remix): Simple Minds (1986)

5) Never Take Me Alive (Extended Version): Spear Of Destiny (1987)

6) Big In Japan (Extended Remix): Alphaville (1984)

7) Diamond Girl (The Glorious Extended 7" Mix): Pete Wylie ft. The Fabulous Josie Jones (1986)

8) Cars (Extended 'E' Reg Model): Gary Numan (1987)

9) No G.D.M. (Extended): Gina X (1985)

10) What I Want (Dance Mix): Dead Or Alive (1984)

11) Hit The North (Part 4) (12" Remix): The Fall (1987)

12) Wings And A Wind (Extended Version): John Foxx (1983)

13) Love Shadow (Mutant Mix): Fashion ft. Gina X (1982)

14) I Want Your Love (I Don't Want Your Money Mix): Transvision Vamp (1988)

It Goes Something Like This... (1:29:29) (Box) (Mega)

My Moral Code's On Overload

I may have heard them prior to that, but Killing Joke made an indelible impression on my teen brain with Love Like Blood, Eighties and the Night Time album as a whole.

 

I've stuck with them, albeit fairly loosely, over the years, picking up the occasional album and catching up with their early 1980s material. I've also been a huge fan of their forays into remixes and dub soundscapes, guided by original and returning bassist Youth aka Martin Glover. Throughout, Jaz Coleman's state of the world lyrics and "savagely strident vocals" remain undimmed.

 

The original Killing Joke line-up reformed in full in 2008, have released several albums of new material and are touring in 2023, including an appearance at the Royal Albert Hall in London on 12th March.

Today's selection starts in 1985, with a track from Night Time, and ends in 2014 with a remix from the In Dub 3CD collection. In between you'll find remixes, album tracks and singles and some seriously heavy sounds. Brace yourselves.

1) Europe (Album Version) (1985)

2) Wardance (The RAF Mix By Zeus B. Held) (1986)

3) Seeing Red (Jagz Kooner Remix) (2004)

4) Mass (Campaign Collection Mix By Youth & Paul Wright) (1996)

5) Love Like Blood (Gestalt Mix By Chris Kimsey, Chris Nagle & Killing Joke) (1985)

6) Democracy (United Nations Mix By Black Sun aka Youth & Ott) (1996)

7) Loose Cannon (Album Version) (2003)

8) Exorcism (Vatican Ambient Dub) (Remix By Youth) (2014) 

9) America (Single Version) (1988) 

 

1985: Love Like Blood EP: 5

1985: Night Time: 1

1986: Sanity EP: 2

1988: America EP: 9

1996: Democracy EP: 4, 6

2003: Killing Joke: 7

2004: Seeing Red EP: 3

2014: In Dub: 8

 

Moral Code's On Overload (47:03) (KF) (Mega)