Everything's Gonna Be Alright

Fancy a coffee? Take a seat and relax whilst I put some music on.

For someone who was born and grew up in Bristol, I've seen relatively few reggae acts live in concert and the vast majority of these will have been at either the St. Pauls Carnival or Ashton Court Festival in the 1980s and 1990s, the latter now sadly long gone. The former thankfully returned in 2023 as a bi-annual event and fundraising for 2025 is underway; you can donate here.

Over the years, I've amassed a modest collection of live concerts, some officially released, others bootleg recordings of variable quality but made more accessible via t'internet. Here's a 45-minute selection featuring some of my favourite performances.

Misty In Roots are first up with Ghetto Of The City from their debut album, Live At The Counter Eurovision 79. As the title suggests, this was a recording of a show in Belgium and is quite rightly lauded as not just one of the greatest live reggae albums of all time, but one of the greatest live albums, full stop. You'll see this happening a few times in this brief Dubhed selection and I will not be arguing to the contrary.

 

Talisman are from my birthplace, so it's very likely that I saw them at one of the aforementioned live events. Unfortunately, as I was generally under the influence and these happenings were ticketless, I have no idea if I did or not. A shame as they were clearly on fire, as this extract from 1981 shows. I picked up the excellent 2011 compilation The Bristol Reggae Explosion 1978-1983 on CD which features Wicked Dem. It's now available on Bandcamp and is highly recommended, as is pretty much everything on Bristol Archive Records, to be honest.

What can I say about Bob Marley & The Wailers that hasn't already been said and more eloquently? One of the greatest songs of all time from one of the greatest artists of all time from one of the greatest albums of all time, Bob Marley & The Wailers Live! (or Live! At The Lyceum, if you're scrutinising the vinyl label). 

 

No Woman No Cry is credited to Bob's friend Vincent Ford, but is believed to be a pseudonym that Bob used in order to evade his publishing company at the time. Clearly, the courts agreed as Marley's estate gained control of these compositions in 1987 and successfully resisted a counter claim by the label in 2014.

Speaking of Bob, the Performing Arts Center in Montego Bay, Jamaica was dedicated to him and 18 months after his death, Black Uhuru performed there as part of the Jamaica World Music Festival. The quality of this 1982 bootleg recording is a bit ropey to say the least but the quality of the music shines through.

Another bootleg of slightly better quality is UB40 with a 'short' version of Madam Medusa, their damning indictment of Margaret Thatcher and a reminder of how very good they were in their early years. This was originally featured in the seminal music film, Urgh! A Music War. The version here is a rip from the VHS release that I found online. Incredibly, UB40 didn't make the cut for the vinyl album release, itself a must-have in any record collection.

Staying with another legendary reggae band from Birmingham, Steel Pulse are up next with Makka Splaff. The song originally featured (as Macka Splaff) on their debut Handsworth Revolution. The version here appeared on the legendary Short Circuit: Live At The Electric Circus album, released on 10" vinyl with a limited edition bonus 7". A copy on Discogs will set you back (I think a rather reasonable) £29.00, less if you're not bothered about the 7".

Another contender for greatest (live) album of all time is Aswad with 1983's Live And Direct, recorded at that summer's Notting Hill Carnival in London. I remember seeing a full-page ad in Smash Hits at the time, priced as a mini-album at £2.99. At 9 tracks (10 if you split the 2-song Rockers Melody) and 45 minutes in length, there's no 'mini' about it and the sound is as fresh and crisp now as it was three decades ago.

Closing today's selection is Matumbi, whose theme tune to the BBC TV series Empire Road was also included on the 1978 compilation Don't Walk, Boogie nestled in my parent's record collection. Both the TV show and the song made a big impression on me and - unknown to me at the time - introduced me to the genius of Dennis Bovell.

After Tonight is another classic from the Matumbi catalogue, which Dennis has revisited and re-recorded several times throughout his career, most recently in 2022 with Winston Reedy. This live version was recorded on day 2 of the Concerts For The People Of Kampuchea in December 1979. A fund-raiser for victims of the conflict in Cambodia, it was a mammoth 4-day event at the Hammersmith Odeon, kicking off with Queen, ending with Paul McCartney and Wings and featuring The Pretenders, The Specials, The Who and Elvis Costello & The Attractions.

The day 2 line-up was Ian Dury & The Blockheads and Matumbi, Dennis and other bandmates bolstering the former's line-up, followed by The Clash. What a night that must have been. You needn't wonder: with another name check for the Albums That Should Exist blog, you can find collated selections from all four days posted last summer. Zip file links are still live, though I had to close down multiple pop-ups and revisit the initial link page to eventually get the download. Well worth the effort though, as all three acts are on top form.

All that yakking and I need another brew! Let me just stick this selection on repeat...

 

1) Ghetto Of The City: Misty In Roots (1979)

2) Wicked Dem: Talisman (1981)

3) No Woman No Cry: Bob Marley & The Wailers (1975)

4) Guess Who's Coming To Dinner: Black Uhuru (1982)

5) Madame Medusa: UB40 (1980)

6) Makka Splaff (The Colly Man): Steel Pulse (1977)

7) African Children: Aswad (1983)

8) After Tonight: Matumbi (1979)

 

18 July 1975: The Lyceum, London, England: 3

02 October 1977: Electric Circus, Manchester, England: 6

31 March 1979: Cirque Royal/Koninklijk Circus, Brussels, Belgium: 1

27 December 1979: Concerts For The People Of Kampuchea, Hammersmith Odeon, London, England: 8

28 August 1980: Arènes De Frejus, Fréjus, France: 5

28 July 1981: Bath Pavilion, Bath, England: 2

26 November 1982: Jamaica World Music Festival, Bob Marley Performing Arts Center, Montego Bay, Jamaica: 4

26 August 1983: Meanwhile Gardens, Notting Hill Carnival, London, England: 7

 

Everything's Gonna Be Alright (45:08) (KF) (Mega)

Further Adventures In Success / mass Music For The Masses

Down another rabbit hole, all started by recently revisiting Adventures In Success by Will Powers. 

 

The single version/video featured in my #SynthPopSeptember pick of 30 songs over at Musk's Megalomania Media (or X, if that's a bit of a mouthful) last month. The absorbing dub version also closed out my Dub '83 selection a few weeks ago (and still available a little while longer for download). I originally posted about the song in May 2021, having discovered a re-edit by mass Thomas, which I'll come back to shortly.

 

Looking for the Adventures In Success video to include with my tweet, I discovered an additional "testimonials" video also produced in 1983 which I had never seen before. It's simultaneously hammy and a hoot. Introduced by "Famous Ligger" Lynn Goldsmith (aka Will Powers), the testimonials include

Tom Bailey ("Famous Twin")

Eric Clapton ("Famous Domino")

Brinsley Forde ("Famous Rasta")

Holly Johnson ("Famous Singer")

Meat Loaf (not uncredited)

David Joseph ("Famous Singer")

Tony Woodcock & Graham Rix ("Famous Arsenal & England Footballers")

Steve Winwood ("Famous Recluse" and "Famous Record Producer") 

Jack Lynch ("Not A Famous Person...Yet!") (I recognise the face but can't for the life of me remember who this person really is. Any ideas?)

Brinsley (Forde), Tony (Robinson), Drummie (Zeb) ("Famous As Aswad")

There's also an interesting interview with Lynn Goldsmith from 2015 available online at The Vinyl Factory, although the link to obtaining the Dancing For Mental Health album is long since dead.

Back in December 2020, when the Dubhed blog was just starting out, I was also exploring Bandcamp which is where I subsequently chanced upon mass Thomas and his epic re-edit of Adventures In Success. Splicing together the vocal and dub mixes from the 12" singles, it's a (nearly) 13 minute monster of a song. 

In my May 2021 post, I also referenced a shorter re-rub which was under 4 minutes. Sadly, that one no longer seems available and I didn't purchase it at the time. The full length re-edit however is still available as a name your price/free download.

 

And this is where I re-entered the rabbit hole for today's post. This probably should be a separate post in it's own right but what the heck.

 

Discovering that the original link/mass Thomas Bandcamp page no longer existed, I re-discovered that it had re-located. Not the only re-location, it turns out: in December 2020, mass gave his location as Belarus; now it's Ukraine which I'm hazarding a guess is mass Thomas' birthplace.

 

I cannot begin to imagine what a "typical day" for mass currently looks like but his output of re-edits has been eye wateringly prolific. Many of these, including Adventures In Success, have been uploaded on the re-established Bandcamp site in the past 18 months. When I started writing this post, the tally stood at 702 tracks; when I finished, it had already bumped up to 705.

 

Some are name your price/free, others are priced anything between 1.20 and 2.10 Euros, though I can't work out the reasoning for the difference. Genre- and artist-wise, there are clearly some favourites, but it's also pretty broad: Donna Summer rubs shoulders with The Beatles; Primal Scream sits with Ben E. King and Grace Jones; It's Immaterial share notes with Kid Creole & The Coconuts; Malcolm X stands with Sade and Warren Zevon.

Not all of them work, some have great ideas that don't quite pay off across the entire track, others sound inspired and provide a fresh perspective on a familiar song.

Here's a half dozen that probably cover all of the above bases, though I think they all edge into the 'like' category for me. In no particular order, I present Zero 7 ft. Sophie Barker, The La's, Bah Samba, Marti Caine and - brace yourself - Cliff Richard. Relax, the last one is a dub edit with very little trace of Sir Cliff's vocals remaining.

 

All available (at the time of this post) as a name your price download or you can click on the links below to try before you buy.

 

 

  

 

 

 

 

 

 

Been Losing Long Enough To Know

Woke up this morning
With a funny funny feelin'
And that feelin'
Was an unusual feelin'
Inna my bone yeah
It inna my blood
Inna my toes
Coming up to my brain
Went to the doctor
To check out what's matter
I Went to the doctor
To find out the matter
Doctor said, "Son,
You have a Reggaemylitis"
I said, "What"
Doctor said, "Son,
You have a Reggaemylitis"

 

I've been prescribed an hour of reggae and dub, twice daily, for the next week.  

Apologies to Peter Tosh for pinching the lyrics to Reggaemylitis and then not having the common decency to include the song in today's selection. Reparations are due.

1) Walking In The Sun: Candy McKenzie (1977)

2) Workshop (Red, Gold And Green): Burning Spear (1976)

3) Monkey Spanner: Dave & Ansel Collins (1971)

4) I Don't Want to See You Cry: Ken Boothe (1976)

5) Jah Love Light: Horace Andy (1980)

6) Time After Time: Sylvia Tella (1981)

7) Cool Dub: King Tubby ft. U-Roy (1975)

8) What Colour?: Carroll Thompson (1981)

9) Soulful I: The Upsetters (1969)

10) Chant Down Babylon: Freddie McGregor (1978)

11) Wiseman Dub: The Roots Radics ft. Gladstone Anderson (1982)

12) No More Will I Roam: Dennis Brown (1975)

13) The Way I Feel About You: Marcia Griffiths (1979)

14) Pick The Beam: Yabby You (1977)

15) Feel No Way: Janet Kay (1980)

16) Drum And Bass Line (Live @ Notting Hill Carnival, London): Aswad (1983)

Been Losing Long Enough To Know (58:23) (Box) (Mega)

Always Be At Peace With Your Soul, You Were Never Alone

To ease you into the weekend, a selection of dancehall grooves from the 1990s, featuring three UK Top 5 hits (Dawn Penn, Bob Marley & The Wailers and Aswad), one Top 15 single (Sly & Robbie) and, surprisingly, one Top 40 (Mishka).  

 

I say surprisingly for the latter, as I remember rolling my eyes when I first saw the video for Give You All The Love on The Chart Show. Adding grist to the mill, it was released in 1999 by a then-sinking Creation Records (they sunk that same year). A few years later, I spotted the CD single in a record shop and it was the remixes by Mad Professor and Bristol legends Smith & Mighty - and the 50p price tag - that convinced me to give it another go. I'm glad I did; I generally skip the album version, but the remixes are great. For all you trivia fans out there, Miska is the brother of Heather Nova.

In just under an hour, you get the brilliance of Adrian Sherwood, Bim Sherman and Jah Wobble, a 'lost' Marley song rediscovered a decade after his passing, and a version of Aswad's 2nd biggest hit that may appease those who thought they'd sold out by getting Beatmasters to remix the main 7" and 12" singles. Danny Red may be familiar to any of you with a copy of Leftfield's incredible Leftism album, as he contributed vocals to Inspection (Check One).

 

I don't usually comment on the accompanying photo but, in keeping with the relaxed rhythms of today's selection, I was working in Coleford the other day, a town in the heart of the Forest Of Dean. In a similarly relaxed style, I was tickled to see that they've been in no hurry to take down their Christmas neons. Either that, or it's taking this sentiment far too literally...

 

1) Solid As A Rock (Hexadecimal Remix Full Length By Steve Osborne): Bim Sherman (1996)

2) Night Nurse (Jah Wobble 12" Mix) (Cover of Gregory Isaacs): Sly & Robbie ft. Simply Red (1997)

3) Mammoth Galactica (Album Version By Audio Active & Adrian Sherwood): Audio Active ft. David Harrow (1995)

4) You Don't Love Me (No, No, No) (Extended Mix By Steely & Clevie): Dawn Penn (1994)

5) Iron Lion Zion (12" Mix By): Bob Marley & The Wailers (1992)

6) Riddimwize (Part II - Re-Assess Your Style) (Remix By Nick Manasseh, Martin Madhatter & Peps): Danny Red (1994)

7) Shine (Majorwad Mix By Aswad & Carlton 'Bubblers' Ogilvie): Aswad (1994)

8) Give You All The Love (Smith And Mighty Club Mix): Mishka (1999)

 

Always Be At Peace With Your Soul, You Were Never Alone (53:39)

She's My Groovy Good Luck Friend

Celebrating Janice Long, 5th April 1955 to 25th December 2021.

 

This is a later-than-usual post, for obvious reasons. I had something else lined up for today but after reading the sad news last night of Janice's passing on Christmas Day, I wanted to pay tribute instead.

 

I probably listened to Janice Long more than John Peel on Radio 1 as a teen, mainly because her evening show slot usually coincided with doing homework or otherwise avoiding my family in my bedroom. The sessions on her show were every bit as essential to my discovering new bands and artists, who have stuck with me for a lifetime. I haven't got as many Janice Long sessions in my collection as I thought, so there are some glaring anomalies (Primal Scream's Velocity Girl, for one) and this is another of those selections that doesn't begin to do justice to the breadth of Janice's shows and her passion for music.

Instead, this is quite alternative/indie-heavy and mainly focuses on 1984 to 1988, the period when I was a regular listener to her Radio 1 show. I've acquired a quite few songs retrospectively over the years, including quite a few that I didn't hear when originally broadcast (e.g. the Gold Blade track from the 1990s). I didn't follow Janice's move from Radio 1 and I've rarely listened to the radio from 2000 onwards, but it's clear from the tributes that her joy and enthusiasm for music remained undimmed. A genuine trailblazing DJ and presenter. Thank you, Janice.

 

1) Feminine Gender: Ranking Ann (4th August 1985)

2) Turkish Song Of The Damned: The Pogues (22nd October 1986)

3) Groovy Good Luck Friend: BMX Bandits (8th June 1986)

4) Christmas Mourning: Julian Cope (12th December 1984)

5) Home Is Where The Heart Is: The Chameleons (13th March 1985)

6) Ballad Of The Band: Felt (12th February 1986)

7) Winter Coat: The Bible (5th November 1986)

8) The Whole World Is Turning: Toots & The Maytals (19th August 1987)

9) Gave You My Love: Aswad (13th September 1984)

10) Ruthless: Cabaret Voltaire (10th October 1984)

11) Piece Of You: Soho (8th November 1987)

12) America: The Communards (13th October 1985)

13) Independence Day (Cover of Comsat Angels): Voice Of The Beehive (7th March 1988)

14) What Do You Mean?: The Blue Aeroplanes (15th February 1987)

15) Frenz: The Fall (13th May 1987)

16) Traumas Traumas Traumas: Marc Almond (16th January 1985)

17) Is This The Life: Cardiacs (29th November 1987)

18) The Word Around Town: David Westlake & The Go-Betweens (14th January 1987)

19) Ostrich: Danielle Dax (1st December 1985)

20) Football Hooligan: Tippa Irie (26th June 1985)

21) 5 True Believers: Gold Blade (17th March 1997)

22) Take Me To The Girl: Associates (8th September 1985)

She's My Groovy Good Luck Friend (1:22:01) (KF) (Mega)

Let The Cultural Vibe Flow Through Your Mind

An Aswad selection to welcome the week. Formed in 1974, Aswad are still going strong, albeit reduced to the core duo of Drummie Zeb (Angus Gaye to his family) and keyboard player Tony 'Gad' Robinson. This playlist covers the period 1976 to 1983 and includes a couple of tracks from Live And Direct, one of the greatest live albums, full stop. Aswad went a bit pop in the late 1980s and 1990s and whilst I enjoy that period, their earlier albums and versions are unbeatable.

 

1) African Children (David Jensen Session, 17 November 1983)

2) It's Not Our Wish (Disco Mix) (1981)

3) Drum And Bass Line (Album Version) (1982)

4) Warrior Charge (Disco Mix) (1981)

5) Your Recipe (Live @ Meanwhile Gardens, Notting Hill Carnival, 26 August 1983)

6) Judgement Day (1979)

7) Back To Africa (Album Version) (1976)

8) Rainbow Culture (Disco Mix) (1981)

9) Not Guilty (Live @ Meanwhile Gardens, Notting Hill Carnival, 26 August 1983)

10) Pass The Cup (12" Version) (1982)

Let The Cultural Vibe Flow Through Your Mind (51:19)

Happy Land

From 1993, Ultramarine with Robert Wyatt on vocals and lyrics adapted from a parody of the popular patriotic Victorian song of the same name.

My favourite version is the remix by Aswad's drummer & founding member Angus Gaye aka Drummie Zeb, with it's vocal and dub halves. You'll find it on the Barefoot EP from 1994 and 2011's expanded digital version of the United Kingdoms albums.

Happy Sunday!

 

Ultramarine - Happy Land (promo video) 

Ultramarine - Happy Land (Remix By Drummie Zeb)