Mani Memories

Celebrating Mani aka Gary Mounfield, 16th November 1962 to 20th November 2025.

There have been so many wonderfully written and heartfelt tributes to Mani in the past few days that there's not a lot that I can add. Unlike many of my blogosphere peers, my life wasn't transformed by The Stone Roses. 

My friend Stu had the album and I liked it, but not enough to buy anything more than the standalone single Fools Gold / What The World Is Waiting For, which I loved. 

When The Stone Roses played at The Bierkeller in Bristol in the summer of 1989, I was either skint or otherwise occupied. My live picks for that year included Pixies, Inspiral Carpets and, er, The Monkees.

For all that, I thought they were great, and had a particular fondness for Mani, so when he joined Primal Scream following The Stone Roses' end, it was a very good thing.

In the tributes, there is an overwhelming sense of what a decent, down to earth person Mani was. Even from my ignorant distance, what stands out is his loyalty; Mani stuck with The Stone Roses., gave 15 years to Primal Scream and then heeded the call to get the old band back together.

There was also Freebass, the supergroup with Peter Hook and Andy Rourke, though other extra curricular activity was rare: a couple of songs on Bryan Ferry's 2010 album Olympia, two live rehearsal tracks with The Racketeers circa 2004, another couple with Aziz Ibrahim in 2000, and that's all I have.

What ties them all together is Mani's superlative bass. In compiling today's tribute, I found a 1983 demo by The Waterfront, a precursor to The Stone Roses, and Mani's talent shines through from the start.

At the end, I've pulled together a 10-song tribute to Mani, spanning all of the above. I won't pretend to be an expert, and my picks for The Stone Roses and Primal Scream may be obvious choices, but I hope the selection overall does Mani justice.

Man, could Mani play bass.

In preparing this post, I received an email from my friend Mike:

Hi Khayem,

sad news about Mani today. 

I'm not sure my 'review' is appropriate in its entirety but:

1) Its a reminder for me about how I felt 30 years ago and 

2) it does help me reflect on how good Mani was in a live setting.

Feel free to just read or take a bit of the essence

Regards,

Mike

I'm sharing Mike's entire item, unedited.

The Stone Roses – Great Hall Exeter University 5th December 1995

On a cold Tuesday night nigh on 30 years ago my mate Chris and I travelled down the M5 to see a band that many felt were the greatest of that era.

We both didn’t know Exeter at all and tried to find a car park that was ‘central’ before trudging off to find the University. Once entering the venue we realised it was packed to the rafters with students and blokes in their early 20’s hoping to have their ‘Spike Island’ moment. From memory it wasn’t long until the band took to the stage and a long intro started. The sound was good and the first thing you noticed was how good Reni and Mani sounded together. It didn’t take long until John Squires started to unleash his trademark riffs and all was good with the world. And then Ian Brown started singing…

I’ve often thought about this gig and looked at people reminiscing about going to see the Stone Roses in the late 1980’s-mid 1990’s. Were Reni and Mani the best rhythm section of our lifetime? A bold statement yes but I think one that could be argued. Was John Squire one of the best lead guitarists to come out of the UK? Again I think that is something that has good evidence behind it. However my issue always was the lead singer. I remember on the night trying to go to different parts of the Hall to see if it was a dodgy speaker or just where I was stood. The final track was ‘I am the Resurrection’ and I just thought at the time would I ever hear a better bassline played live in my lifetime and now that Mani has passed I think I can honestly say probably not.

We drove home through the snow agreeing on one thing – that when it was down to the musicians in the band they were faultless – Mani, Reni, John we salute you. If only you had let your lead singer go then they could have been one of the greatest live bands ever 

RIP Mani.

Many thanks, Mike, wonderfully expressed. And now for some music.

1) BF Bass (Ode To Olympia) (Album Version): Bryan Ferry (2010)

2) Breaking Into Heaven (Album Version): The Stone Roses (1994)

3) Can't Go Back (Album Version): Primal Scream (2008)

4) Nuts For You (Live Rehearsal Track): The Racketeers (Wayne Kramer & Brian James) (2004)

5) You Don't Know (This About Me) (EP Version): Freebass ft. Tim Burgess (2010)

6) Where The Wind Blows: The Waterfront (1983)

7) I Am The Resurrection (Album Version): The Stone Roses (1989)

8) If They Move, Kill 'Em (Album Version): Primal Scream (1997)

9) Middle Road (Aziz Album Mix): Aziz ft. Paul Weller (2000)

10) The Milky Way Is Our Playground (EP Version): Freebass ft. Pete Wylie (2010)

Mani Memories (51:43) (GD) (M)

A Bob Hoskins Inspired Compilation Of Crime Fuelled Carnage

I rarely do requests but in an effort to assuage George's disappointment following Friday's post, here's a Bob Hoskins inspired compilation of crime fuelled carnage.

A 13-song, 46-minute trawl through Bob's formidable film and television CV, with namesake songs from some heavyweight artists. 

A few notable omissions, however. I was unable to find any songs named after Who Framed Roger Rabbit? or Super Mario Brothers. 

I also left off A Prayer For The Dying for three reasons:

1) I only had one song in my collection and that was by Seal;

2) The lead actor, Mickey Rourke, has been getting more screen time in the past week than he deserves;

3) The film is utter shite.

Whilst at least one of Bob's films name checked here is a classic crime drama, at least one is arguably a crime that it was ever committed to celluloid. I'll leave you to decide which is which. 

1) Mona Lisa: Grant Lee Phillips (2004)

2) Brazil: Lloyd Cole (2003)

3) Play For Today (Black Sand Extension): The Cure (2010)

4) Kate (Cover of 'You Put Me Here (Sure as Your Name’s Kate)' by Rex Allen): Johnny Cash (1972)

5) Performance: Japan (1978)

6) Hook (4-Track Demo): PJ Harvey (1992)

7) Shoulder To Shoulder: Pete Wylie (1987)

8) Outlaw: Alan Vega (1981)

9) Thick As Thieves: The Jam (1979)

10) Last Orders (Live @ Electric Circus, Manchester): The Fall (1977) 

11) Full House: Kate Bush (1978)

12) Inner Circle: The Frowning Clouds (2014)

13) Mermaids: Nick Cave & The Bad Seeds (2013)

1972: A Thing Called Love: 4

1978: Adolescent Sex: 5

1978: Lionheart: 11

1978: Short Circuit: Live At The Electric Circus: 10

1979: Setting Sons: 9

1981: Collision Drive: 8

1987: Sinful: 7

1993: 4-Track Demos: 6

2003: Music In A Foreign Language: 2

2004: Virginia Creeper: 1

2010: Extensions Volume 1: A Collection Of New Wave Remixes By Black Sand (bootleg MP3): 3

2013: Push The Sky Away: 13

2014: Legalize Everything: 12

A Bob Hoskins Inspired Compilation Of Crime Fuelled Carnage (46:20) (KF) (Mega)

Decade III: 1984

Side 1 of a cassette compilation, recorded sometime in March 1990, discarded or misplaced somewhere along the way, reimagined and recreated 18th August 2024.

 

The halfway point, and the second of the two cassettes from the Decade series that I lost, broke or smashed with a lump hammer at some point in the last twenty years. One of these scenarios is highly unlikely.

 

I had a vague recollection of some of the songs on the previous mixtape, but I have no memory of the original 1984 tracklisting whatsoever. It probably would have featured Bronski Beat, almost certainly Depeche Mode and would I have left off Tears For Fears with Shout or at a push Mothers Talk? I don't know, but none of them have made the cut this time around.

 

The selection starts off with two of the defining songs of the year for me, by Prince and Frankie Goes To Hollywood. My appreciation of the Purple One really kicked off a few years later, but I was in with the Liverpool lads as soon as they appeared on The Tube and Top Of The Pops. Neither song has lost its edge or impact, forty years later.

Eighties by Killing Joke, as well as being an apt choice for this series, was the one that hooked me in to the band. Most likely I would have heard them on the radio previously, but it was probably Love Like Blood and the Night Time album the following year that sealed the deal. Kurt Cobain was similarly inspired.

1984 was also the year that the ZTT aka Zang Tumb Tuum label exploded, on the back of Frankie Goes To Hollywood's success with Relax and Trevor Horn's huge production. It was also the home to The Art Of Noise and the bonkers Close (To The Edit), in the days when this kind of craziness could also be a #1 single in the UK. I've got multiple versions of this song, reflecting ZTT's saturation of the market with vinyl, cassette, VHS and Beta, endless 12" remixes and probably a kitchen sink format for one of their releases. On the downside, every single length version of Close (To The Edit) in my collection is prone to vinyl crackles or tape hiss and dropout, so please excuse the slight dip in sound quality.

At the other end of the spectrum, Eurythmics were becoming increasingly more slick with each album. Previous album Touch seems to have been the jumping off point for many, though I liked it and was positively disposed towards follow up single Sexcrime (Nineteen Eighty-Four). Released to promote the film adaptation of George Orwell's 1984 (one film that couldn't afford to have a delayed release), Eurythmics also provided the largely instrumental soundtrack album. Not much to recommend it, to be honest. I skipped this album and was disappointed with the 1985 follow up, Be Yourself Tonight. 

I've inadvertently created a mini Six Degrees Of Separation here. Elvis Costello got Green Gartside in to provide backing vocals on I Wanna Be Loved. Green had also appeared on Eurythmics' Sweet Dreams album; Elvis would do the same on Be Yourself Tonight. And the thankfully prophetic Nelson Mandela by The Special AKA was produced by... Elvis Costello.

 

The thread ends there as I couldn't find any link to Strawberry Switchblade, though suggestions on a postcard are welcome. Since Yesterday is a low-fi pop classic that made me briefly want to buy a polka dot shirt. I didn't, though my fashion crimes in this decade were many and there are photos to prove it. Fiction Factory were another one-hit wonder from this year, and whilst I have no recollection of their wardrobe choices, what a song, eh?

Billy Idol came as close as he ever did to a ballad with Eyes Without A Face (UK #18 in August 1984, pop fans), though Steve Stevens succumbs about two thirds of the way in, releasing an almighty riff. None of that guitar nonsense for Heaven 17 though, who (Fair)light the way with Sunset Now, backed by female vocal trio Afrodiziak. Member Caron Wheeler would find her moment in the spotlight a few years later, first with Soul II Soul, then as a solo artist.

I'm pretty sure that I didn't include Come Back by The Mighty Wah! on the original compilation in 1990, which may have been one of the triggers for losing/destroying it years later. In 2024, Pete Wylie and Josie Jones get to close the show as only they can. A fantastic song that manages to soar even higher than The Story Of The Blues.

I'm hoping that you'll all, ahem, ‘Come Back' tomorrow for 1985, though if you're expecting Madonna, Tina Turner, Nik Kershaw and Dire Straits, you're going to be bitterly disappointed...

 

1) When Doves Cry (Edit): Prince & The Revolution

2) Two Tribes (For The Victims Of Ravishment) (Album Version): Frankie Goes To Hollywood

3) Eighties (Album Version): Killing Joke

4) Close (To The Edit) (Video Version 2): The Art Of Noise

5) Sexcrime (Nineteen Eighty-Four) (Single Mix): Eurythmics

6) I Wanna Be Loved (Radio Version): Elvis Costello & The Attractions ft. Green Gartside

7) Nelson Mandela (Extended Version): The Special AKA ft. Stan Campbell

8) Since Yesterday (Album Version): Strawberry Switchblade

9) (Feels Like) Heaven (Album Version): Fiction Factory

10) Eyes Without A Face (Single Version): Billy Idol

11) Sunset Now (Album Version): Heaven 17 ft. Afrodiziak

12) Come Back (The Story Of The Reds) (Album Version): The Mighty Wah! ft. Josie Jones

29th January 1984: Throw The Warped Wheel Out (#6): 9

1st April 1984: Night Time (#60): 3

8th April 1984: Nelson Mandela EP (#9): 7

10th June 1984: Welcome To The Pleasuredome (#1): 2

24th June 1984: I Wanna Be Loved EP (#25): 6

22nd July 1984: When Doves Cry EP (#4): 1

22nd July 1984: A Word To The Wise Guy (#20): 12

29th July 1984: Eyes Without A Face EP (#18): 10

9th September 1984: How Men Are (#24): 11

2nd December 1984: 1984 (For The Love Of Big Brother) (#4): 5

20th January 1985: Strawberry Switchblade (#5): 8 *

17th February 1985: Close (To The Edit) EP (#8): 4 **

Side One (46:25) (GD) (M)

* Since Yesterday debuted in the UK singles chart at #89 in the week of 21st October 1984, gradually rising week on week for three months, eventually peaking at #5.

** Close (To The Edit) first charted at #78 in the week of 11th November 1984, finally cracking the Top 10 thirteen weeks later!

Decade II: 1982

Side 1 of a cassette compilation, recorded sometime in March 1990, lost sometime in the next two decades, reimagined and recreated 11th August 2024.

 

And the hits just keep on coming...

 

If you were here for last weekend's opening brace of 80s-themed mixtapes, you'll know that of the five cassettes I recorded in 1990, only three remain. 

 

The two lost volumes covered 1982 to 1985 and I've had a go at recreating the track listing and cover art (kind of) from scratch. Some songs I vaguely recall being on the original mixtapes, others I've no idea, but I've excluded any songs that I couldn't have owned or borrowed in spring 1990. Lots had to be left out, inevitably, but I think the end results are faithful reproductions that sit well with their contemporary cassettes.

 

1982 was another fantastic year for pop and I realise how lucky I was to grow up surrounded by all this diverse and exciting music troubling the Top 40. Synths were fully embedded in the mainstream by now but with all sorts of influences and flavours stirred in. 

 

Looking back, there's a marked shift towards heavy marketing and promo by this point: videos, double pack 7" and 12" picture discs with free posters, saturation on kids' TV shows, and so on. If a single wasn't a hit, it would be re-mixed, re-recorded and re-re-re-released until, damn it, it became a hit.

Kiss Me is a prime example of this. Stephen Duffy originally formed the band Tin Tin with a couple of guys from Fashion, a Dexys Midnight Runner and producer Bob Lamb. Kiss Me was their debut single in November 1982 and flopped. The single was remixed and released in the USA by François Kevorkian in 1983 and became a minor club hit. 

 

Taking notice, Duffy's label released the remix in the UK in 1984 and it scraped to #78. Undeterred, Kiss Me was remixed yet again, this time by J.J. Jeczalik (Art Of Noise) and Nicholas Froome, and given one last shot in early 1985. Fourth time lucky, as Stephen 'Tin Tin' Duffy reached the dizzy heights of #4 and enjoyed several other hits afterwards.

I've cheated a little here and gone for François Kevorkian's remix from 1983, partly because I didn't own the original Tin Tin single back in the day and partly because it's a much better version than the 1982 original.

I've also plumped for the 12" remix of Talk Talk's eponymous single to open proceedings. An early purchase from Plastic Wax Records in Bristol, back when it was in Old Market, opposite the Trinity. As with most Talk Talk extended mixes, there are fewer vocals than the single/album version and lots of none-more-80s bridges, bells and whistles.

I was tempted to drop in the 12" mix of Party Fears Two by Associates but it pops up quite frequently in my 80s mixtapes so I've stuck with the single version here instead. Hearing this for the first time on Top Of The Pops was an attention-grabbing moment and began a lifelong love of Billy MacKenzie. What a voice.

Making their debut here along with Talk Talk are Tears For Fears, Blancmange and Scritti Politti, who will all (probably) reappear in later volumes. Others, like Yazoo, ABC and Monsoon make one-time appearances in this series.

Squeeze wrapped up an incredible run of singles with Annie Get Your Gun, recorded to promote their essential compilation, 45s And Under. 

And should any 1982 collection be without Pete Wylie's epic The Story Of The Blues? No Wah!, sorry, no way!

 

No prizes for guessing the year in tomorrow's post...

1) Talk Talk (Extended Mix Long Version): Talk Talk

2) Don't Go (Album Version): Yazoo

3) Party Fears Two (Single Version): Associates

4) Living On The Ceiling (Single Remix): Blancmange

5) The Story Of The Blues Part One (Single Version): Wah!

6) Mad World (Album Version): Tears For Fears

7) Kiss Me (U.S. Remix) (7" Version): Tin Tin

8) Poison Arrow (Single Version): ABC

9) Windpower (Single Version): Thomas Dolby

10) Ever So Lonely (Single Version): Monsoon

11) Asylums In Jerusalem (Album Version): Scritti Politti

12) Annie Get Your Gun (Single Version): Squeeze

14th March 1982: The Lexicon Of Love (#6): 8

21st March 1982: Sulk (#9): 3

25th April 1982: Talk Talk EP (#52): 1

2nd May 1982: Ever So Lonely EP (#12): 10

25th July 1982: Upstairs At Eric's (#3): 2

8th August 1982: Songs To Remember (#43): 11

5th September 1982: The Golden Age Of Wireless (#31): 9

24th October 1982: Singles: 45's And Under (#43): 12

31st October 1982: The Hurting (#3): 6

??? November 1982: Kiss Me EP (# n/a): 7

21st November 1982: Happy Families (#7): 4

16th January 1983: The Story Of The Blues EP (#3): 5 *

Side One (45:46) (GD) (M)

* The Story Of The Blues first charted on 19th December 1982

Believe (For Adam And Andrew)

Over at Bagging Area for the past six months, it's been Weatherall Remix Friday, a veritable treasure trove of deep cuts and 'lost' classics from the mighty Lord Sabre.

As a tribute and thank you to Swiss Adam and Andrew Weatherall, here's a 65-minute excursion on the version, some early(ish) favourites from 1990 to 1993 with an additional tip of the hat to Jagz Kooner, Gary Burns and Hugo Nicholson.

Apologies for the shonky quality of some of the vinyl rips (not all mine) and the slipshod segues (all mine), hopefully compensated in part by the great tunes and smattering of audio Easter eggs, courtesy of this excellent 2013 interview with Mr. Weatherall.

Peace and love to you all.

 

1) Imperfect List (Unlisted Version By Andrew Weatherall & Hugo Nicolson): Big Hard Excellent Fish (1990)

2) What It Is (Ain't Losin Control) (The Big Bottom End Mix By Andrew Weatherall): Word Of Mouth ft. Linda Love (1990)

3) Regret (Sabres Slow 'n' Lo - Dub Half) (Remix By Sabres Of Paradise aka Andrew Weatherall, Jagz Kooner & Gary Burns): New Order (1993)

4) Everything (Everything's Gone Quiet Remix By The Sabres Of Paradise aka Andrew Weatherall, Jagz Kooner & Gary Burns): Stereo MC's (1993)

5) Transient Truth (Death Of A Disco Dancer) (Remix By The Sabres Of Paradise aka Andrew Weatherall, Jagz Kooner & Gary Burns): One Dove (1992)

6) Fall (Let There Be Drums) (Andrew Weatherall Mix): Deep Joy (1990)

7) Come Home (Skunk Weed Skank Mix By Andrew Weatherall): James (1991)

8) Find 'Em, Fool 'Em, Forget 'Em (The Eighth Out Mix By Andrew Weatherall): S'Express (1991)

9) Shine Like Stars (Andrew Weatherall Remix): Primal Scream (1990)

Believe (For Adam And Andrew) (1:04:55) (KF) (Mega)

Did You Ever Hear Of Hope?

Released at the tail end of June 1984, Come Back by The Mighty Wah! took 5 weeks to penetrate the UK Singles Top 30, spending 4 weeks there (with a peak of #20) before eventually dipping out altogether after 10 weeks in total.

Yes, musically it sounds very much of it's time, the sweeping ambition of the song somewhat constrained by the production budget and slightly awkward video. But in many respects that makes me love it even more. In an alternative universe, this song was full on orchestral, Pete Wylie took it to #1 for six weeks and was lauded for adding another timeless classic to the Great British songbook. 

 

A special mention to Josie Jones, fabulous hair and all, who sadly departed in March 2015.

 

Down by the docks the talking turned:
"As some are striving to survive,
the others thrive"
(Reaching the realm of no return)
"I don't want charity, just half a chance
and it's all up to you, yes it's all up to you"

Come Back!
I'm willing to try
Come Back!
Don't let time go by
Come Back!
The will to survive
Come Back

Come Back!
With time on my hands
Come Back!
I'm making a stand
Come Back!
To kill or to cure
Come Back!
To god-given leisure

Well did you ever hear of hope?
(Yeah! Yeah! Yeah!)
A small belief can mean
you'll never walk alone
And did you ever hear of faith?
Encouragement! Development!
And it's all to you!
Yes, it's all to you!

Come Back!
I'm willing to try
Come Back!
Don't let time go by
Come Back!
The will to survive
Come Back

Come Back!
With time on my hands
Come Back!
I'm making a stand
Come Back!
To kill or to cure
Come Back!
To god-given leisure

Come Back!
With time on my hands
Come Back!
I'm making a stand
Come Back

Come Back!
I'm willing to try
Come Back!
Don't let time go by
Come Back!
The will to survive's
Come Back!
I'm begging you please

Come Back!
Now I'm making my stand
Come Back!
With time on my hands
Come Back!
Time to kill or to cure

And hats off to Hatton!!! 

It Goes Something Like This...

Zeus B. Held aka Bernd Held (see what he did there?) was born in 1950s, started as a musician in the 1970s and gained a reputation as a producer in the latter part of that decade, becoming a renowned remixer during the 1980s. Zeus is still going strong today, dividing time between Germany and England.

Today's selection is very firmly rooted in his 1980s remix work. I first discovered Zeus B. Held via his work with Fashion, producing and remixing their second album, Fabrique, in 1982. From there, Zeus popped up on albums and 12" singles by Alphaville, Dead Or Alive, Simple Minds, John Foxx, Men Without Hats and Spear Of Destiny.

Zeus' 1987 remix of Gary Numan's 1979 single Cars was a hit not once but twice. Whilst it couldn't match the original's #1 peak in the UK, it reached #16 in 1987 and #17 in 1996. The latter was relabeled the Premier Mix on the back of the song featuring in a lager commercial. 

Beggars Banquet, the label that re-released Cars in 1987 were obviously enamoured of Zeus B. Held's prodigious skills at the (re)mixing desk as, in a surprise move, he was also commissioned to produce three remixes of Hit The North by The Fall. Mark E. Smith's views at the time are lost in the mists of time and it likely divided fan opinion, then and now. Personally, I love them. 

Gina X aka Gina Kikoine proved to be a great foil for Zeus B. Held. No G.D.M. is an absolute classic which I've enthused about previously and present again in another version from the remixed and re-released single in 1985. Gina X makes a second appearance, providing guest vocals on Love Shadow by Fashion from 1982.

Whilst Sinful! by Pete Wylie is a deserved classic (and Zeus B. Held co-production), I've gone for the equally majestic Diamond Girl, featuring the fabulous Josie Jones. Sadly, the UK record buying public in 1986 disagreed. #57? Seriously?! Philistines!

From the last gasp of the 1980s, Win was formed by Davy Henderson, time-wise sitting roughly between his other bands The Fire Engines and The Nectarine No. 9. Unashamedly power pop, Win deserved greater commercial success than they had. Transvision Vamp achieved that success, albeit briefly, their first big hit in the UK being I Want Your Love, a #5 smash in June 1988. 

I had intended to pare the selection down to ten songs and one hour. I failed spectacularly. Instead, if you can spare just under ninety minutes, here are fourteen 12" bangers from the 1980s, remixed solely or collaboratively by Zeus B. Held. 

Enjoy!

 

1) Pop Goes The World (Dance Mix): Men Without Hats (1987)

2) What's Love If You Can Kill For Chocolate (12" Mix): Win (1989)

3) Sanity (The Roman Mix): Killing Joke (1986)

4) Ghostdancing (A Special Extended 12" Remix): Simple Minds (1986)

5) Never Take Me Alive (Extended Version): Spear Of Destiny (1987)

6) Big In Japan (Extended Remix): Alphaville (1984)

7) Diamond Girl (The Glorious Extended 7" Mix): Pete Wylie ft. The Fabulous Josie Jones (1986)

8) Cars (Extended 'E' Reg Model): Gary Numan (1987)

9) No G.D.M. (Extended): Gina X (1985)

10) What I Want (Dance Mix): Dead Or Alive (1984)

11) Hit The North (Part 4) (12" Remix): The Fall (1987)

12) Wings And A Wind (Extended Version): John Foxx (1983)

13) Love Shadow (Mutant Mix): Fashion ft. Gina X (1982)

14) I Want Your Love (I Don't Want Your Money Mix): Transvision Vamp (1988)

It Goes Something Like This... (1:29:29) (Box) (Mega)

Senza Voce

...or 'without voice' (thank you, Google translate), which sums up today's selection of instrumental songs, stripped of their usually familiar vocals bar the odd sample, whoop and ad lib here and there.

When trawling for ideas for a cover image, I was reminded of the rather bizarre primary school ritual of 'fingers on lips'. Teachers obviously considered us such a wild, unruly, feral lot that simply telling us to be quiet wasn't enough, we had to seal the deal by placing a digit on our mouth and hold it there until we were deemed worthy of voice again. What a strange instruction. 

 

No surprise that Shane MacGowan would struggle with this into adulthood, Glenn Gregory of Heaven 17 seems similarly resistant but you can rely on ol' Madge, although she's unsurprisingly adopting the role of teacher not pupil here.

For anyone feeling anxiety before casting their eyes down at the track list, I can reassure you that Hush by Kula Shaker does not appear in any shape or form. There is Simply Red, but DJ Muggs has done us all the favour of removing Mick Hucknall altogether...along with pretty much the whole band, by the sound of things.

The selection starts with the opening track of Madonna's 1998 album Ray Of Light, albeit with no trace of Ms. Ciccone's dulcet tones. From there, we go past Simply Red to Tears For Fears reading Sylvia Plath, winding our way into Hell's Ditch where we find The Pogues and Joe Strummer.

Love And Rockets lend a hand out of the ditch with an instrumental version of If There's A Heaven Above, re-titled God And Mr. Smith, before Frazier Chorus give us a lift the rest of the way there until The KLF point out that we're actually about 30 miles southwest of Glasgow 3 miles north of Manchester [note; thanks for the save, Charity Chic, I don't think anyone noticed!]

 

Renegade Soundwave riff on Serge Gainsbourg with their eponymous 1994 single, crashing into Yo La Tengo's motel room in the wee hours of the morning with Jah Wobble and Animal (Dave Maltby, not the Muppets drummer). 

 

Crawling out of the room the following morning, we find Pete Wylie slumped against a wall, with a note pinned to his chest explaining that L'Espwah! is French for Hope (I Wish You'd Believe Me). I got a D in my French 'O' Level, so I don't have a clue what he means. 

 

No-Man promise fun Days In The Trees but we're distracted by The Wolfgang Press arguing with the vicar about Christianity outside the local church. We ditch the both of them and head back with Heaven 17. I'm hungry and fancy noodles but all we get is a noodly Fairlight and System 100 Simulated Classical Guitar instrumental of The Skin I'm In, which does little for my appetite.

Depeche Mode try to convince us that It Doesn't Matter but having had enough of them all, we head off with It's Immaterial to find some Space. Peace at last, and it only took an hour.

 

1) Drowned World / Substitute For Love (Instrumental Version By Madonna & William Orbit): Madonna (1998)

2) Never Never Love (DJ Muggs Instrumental Mix): Simply Red (1996)

3) Johnny Panic And The Bible Of Dreams (Instrumental): Tears For Fears (1990)

4) Hell's Ditch (Instrumental Version By Joe Strummer & Paul Cobbold): The Pogues (1990)

5) God And Mr. Smith (Instrumental Version): Love And Rockets (1985)

6) Heaven (God Like Instrumental) (Remixed By Youth): Frazier Chorus (1990)

7) Prestwich Prophet's Grin (Instrumental Remix) (120 BPM): The KLF (1988) 

8) Renegade Soundwave (7" Instrumental): Renegade Soundwave (1994) 

9) From A Motel 6 #2 (Instrumental Version): Yo La Tengo (1993)

10) A Long, Long Way (Instrumental): Jah Wobble with Animal (1982) 

11) L'Espwah! (Instrumental Version By Mike Hedges & Pete Wylie): Wah! (1983)

12) Days In The Trees (Bach) (Instrumental Version By Steven Wilson): No-Man (1991)

13) Christianity (Instrumental Remix By Drostan Madden & Howard Gray): The Wolfgang Press (1995)

14) Skin (Instrumental Mix By Greg Walsh & Martyn Ware): Heaven 17 (1984)

15) It Doesn't Matter Two (Instrumental): Depeche Mode (1986)

16) Space (Instrumental Remix By Bert Bevans): It's Immaterial (1986)

 

1982: A Long, Long Way EP: 10

1983: Hope (I Wish You'd Believe Me) EP: 11 

1984: This Is Mine EP: 14

1985: If There's A Heaven Above EP: 5 

1986: A Question Of Lust EP: 15

1986: Space EP: 16

1988: Burn The Beat (USA 12") / Shag Times: 7

1990: Advice For The Young At Heart EP: 3

1990: Ray / The Baby Album (ltd 2x CD): 6

1990: Summer In Siam EP: 4

1994: Renegade Soundwave EP: 8

1995: Christianity EP (USA promo CDS): 13

1996: Genius + Love = Yo La Tengo: 9

1996: Never Never Love EP: 2

1998: Ray Of Light (Instrumentals) (bootleg): 1

2001: Lost Songs: Volume One: 12

 

Senza Voce (1:00:37) (KF) (Mega)

Bevans Above!

Another 12"/80s selection for the weekend, the common thread being that all of the songs have been remixed by legendary DJ Bert Bevans. This one is dedicated to Echorich, whose comment on a previous post inspired this and who is currently moving home... fingers crossed it's going as well as expected and best wishes in your new place!

The remix of Space by It's Immaterial is my favourite version of the song, and arguably the same goes for the Pete Wylie, Paul Weller and Depeche Mode selections. Even those that aren't the definitive versions (for me) - Big Audio Dynamite and Vicious Pink - are still pretty good. As for the rest, these are pretty much the only versions of the songs that I know.

Today's selection comes with a health warning as tracks 4 & 5 feature former members of The Beatles and Queen. The latter also apparently featured in the 1986 film Biggles and the video is notable only for featuring Peter Cushing's last on-screen appearance. It's Immaterial's Space video is much, much better.

You can also find a clutch of uplifting Bert Bevans DJ sets on his Soundcloud page. Highly recommended.

1) Roses (Extended U.S. Remix): Haywoode (1986)

2) Money-Go-Round (Dance Mix): The Style Council (1983)

3) Diamond Girl Oh! Diamond Girl (Super Solitaire Sublime Mix): Pete Wylie ft. The Fabulous Josie Jones (1986)

4) Press (Bevans & Forward Dub Mix): Paul McCartney (1986)

5) No Turning Back (The Joy-Stick Mix): The Immortals (1986)

6) Soul Deep (Club Mix): The Council Collective (1984)

7) Flexible (Pre-Deportation Mix): Depeche Mode (1985)

8) Cccan't You See... (Exxxx-tended Re-mixxx): Vicious Pink (1985)

9) Sinful! (The Wickedest Mix In Town): Pete Wylie ft. The Oedipus Wrecks (1986)

10) E=MC² (70mm Wide Screen Mix): Big Audio Dynamite (1985)

11) Dominoes (The Dance Mix): Robbie Nevil (1986)

12) Space, He Called From The Kitchen.... (12" Remix): It's Immaterial (1986) 

 

Bevans Above! (1:19:49) (GD) (M)