Showing posts with label Courtney Barnett. Show all posts
Showing posts with label Courtney Barnett. Show all posts

Sunday, 25 October 2026

How Good It Feels To Be Alive

On Monday, I scooted from work to catch Courtney Barnett at the Bristol Beacon, touring her current album Creature Of Habit.

Back in March, I posted about the three singles that had preceded the album release, which were a bit of a mixed bag. That feeling subsequently extended to Creature Of Habit, which I liked but didn't love. So, entering Beacon Hall, I had an air of trepidation, especially not being that familiar with much of Courtney's back catalogue.

I was pleased to find out a few days before the gig that fellow Australians Body Type were supporting Courtney for this show. 

I only heard Body Type for the first time in April, courtesy of their single And What Else? which led me to answer that question by checking out what else they had to offer on Bandcamp and liking what I heard.

I've especially enjoyed current album Tally and I was looking forward to seeing them live in concert. They didn't disappoint. 

Body Type were set up in a line, from left to right, Annabel Blackman (guitar), Sophie McComish (guitar), Georgia Wilkinson-Derums (bass) and Cecil Coleman (drums). 

It was little muted to begin with, which seems to have been down to the in-house sound; Body Type were clearly kicking ass, but sounded a tad quiet. However, either a tweak to the volume, sheer energy or a combination of the two soon rectified things and those that turned up early were treated to half an hour of exurberant pop rock.

Annabel, Sophie and Georgia all took turns on lead vocals, Sophie unleashed her inner rock god with some mean licks and poses and the band were super tight throughout. 

About half of Tally was performed with a few older songs interspersed. Not a duff song among them, though Sick Bag got an enthusiastic response and I thought Eye Is A Mouth Is A Face was especially good.

1) The Charm
2) Sick Bag
3) Mulberry
4) Eye Is A Mouth Is A Face
5) Tally
6) Holding On
7) And What Else?
8) Buoyancy

 
Pretty much on the dot at 9.00pm, Courtney Barnett and her bandmates ran onto stage, took their respective positions and launched into their set.

Stay in Your Lane started the show, as it does the album, a suitably rousing opener and the now (very packed) audience were well up for it. This wasn't going to be just a straight run through of Creature Of Habit, however.

City Looks Pretty, Avant Gardener and Small Poppies all get an airing before the next new song, Mantis, which Courtney dedicated to an audience member with a mantis tattoo that she'd encountered before the gig.

Any reservations that I had about my initial reaction to Creatures Of Habit were swiftly dealt with, as on stage, the songs not only came alive, they glowed. Over the course of the evening, all ten songs were not only performed, they were transformed.

Courtney's "power trio", with Bones Sloane on bass and backing vocals, and Stella Mozgawa on drums, perfectly complemented her formidable guitar chops. This also energised the older songs, including a few that I was familiar with, such as History Eraser.

I've become quite adept at dancing in confined spaces, giving it some whilst managing not to elbow people in the ribs or step on their toes. So, when a smiling woman next to hugged my shoulder and asked if I was having a good time, I enthusiastically replied, "I'm having a GREAT time!"

In retrospect, I think maybe she wanted me to shift to the left a bit, as I was probably cramping her and her boyfriend's style....

There wasn't an excess of between song chit chat, Courtney and co. speeding from one song into the next until suddenly it was One Thing At A Time, closing the set, with a solo that surpassed the studio version for sheer impact.

Thankfully, it wasn't long before Courtney was back on stage for the encore, a solo rendition of Mostly Patient, a highlight on Creatures Of Habit. Bones and Stella came back for the final two songs, both from Sometimes I Sit And Think, And Sometimes I Just Sit.


Predictably, the crowd went ape for Pedestrian At Best and that energy spilled over into the last song of the night, Nobody Really Cares If You Don't Go To The Party.

A few young 'uns tried - unsuccessfully - to create a mosh pit, but it petered out very quickly. What didn't dissipate was the energy, both on and off stage, though inevitably things had to come to an end and we had to go our separate ways.

A brilliant evening, all round. No setlist recreation today, because you really should go out there and buy the albums, Courtney and Body Type both. And, if you get the chance to see either live, don't hesitate.

1) Stay In Your Lane
2) City Looks Pretty
3) Avant Gardener
4) Small Poppies
5) Mantis
6) Same
7) History Eraser
8) Need A Little Time
9) Another Beautiful Day
10) Depreston
11) Site Unseen
12) Great Advice
13) Elevator Operator
14) Sugar Plum
15) Wonder
16) Before You Gotta Go
17) Write A List Of Things To Look Forward To
18) One Thing At A Time

[encore]
19) Mostly Patient
20) Pedestrian At Best
21) Nobody Really Cares If You Don't Go To The Party

Another gig with no photos from me, too busy dancing, etc. However, I am grateful to the following audience members for their wonderful visuals:

Steve Parkhouse (Body Type, Courtney Barnett #3)
Callum Shergold (Courtney Barnett #2)
Troy Candy (Courtney Barnett #1 & #4)

Thank you!

Wednesday, 25 March 2026

Don’t Get Why It's So Hard To Find Some Peace And Quiet

Courtney Barnett is one of those artists who I'm predisposed to like, but I haven't obsessively bought everything that they have released. 

I think I would have been flicking through a music magazine - Mojo or Uncut, most likely - in late 2014/early 2015 when I saw a picture of Courtney and was immediately captivated by her eyes. I then read the article and I was even more intrigued.

Pedestrian At Best was my first listen, followed by Depreston and Kim's Caravan, all three appearing on Courtney's debut album sometimes i sit and think, and sometimes i just sit. I was won over.

Fast forward a decade to October 2025, and Stay In Your Lane, the first sniff of a new song from Courtney's fourth album (sixth, if you count a collaboration with Kurt Vile and a soundtrack) entitled Creature Of Habit.

Site Unseen (a duet with Waxahatchee) followed in January, with 'visualisers' for two more songs last month then a fifth song, One Thing At A Time dropping on Tuesday. 

Site Unseen is the best of the three videos, albeit essentially a fun promo for Juliana and Nicola GIraffe aka Giraffe Studios. Album opener Stay In Your Lane is my favourite song. I love Courtney's solo to close One Thing At A Time, but I'm less convinced that, at 4:42, it's a single and the video is a bit of a naff distraction, if I'm honest.

 
Some of the Aussie inflections and edges which made Courtney's vocals stand out have been smoothed out since those songs I first heard in 2015, but I still can't help but smile when I hear that voice and guitar. I wouldn't always describe it as 'in perfect harmony' - and I'm glad it's not - but a singer and musician who are quite happily co-habiting. 

I'm looking forward to hearing Creature Of Habit in full this weekend. You can find it on Courtney's website, on Bandcamp or a clutch of other retailers.

Saturday, 30 July 2022

In My Dreams I Wrote The Best Song I've Ever Written

Another random, eclectic selection for your listening pleasure.  
 
Fujiya & Miyagi start proceedings with a bold attempt at a New Order classic from Power Corruption & Lies, swiftly followed by a track from the sole EP from The Badgers, one of many (I've lost count now) bands that I've discovered thanks to the ever-wonderful music blog The Vinyl Villain. We then jump from Norfolk to the Netherlands, and 90s indie pop to 80s electro disco, with the Modern Danceable Music Company, who thankfully also used the acronym M.D.M.C. Ben Liebrand on the mix here, luckily a few years before he incorporated the break from Think (About It) by Lyn Collins in every bloody remix he produced.
 
Fast forward to a contemporary favourite - and the source of today's post title - the wonderful Courtney Barnett, remixed by the equally wonderful 10:40 aka Jesse Fahnestock. As the mix title suggests, most of the vocals have been excised but this is definitely a case of less is more, with a lovely dreamy vibe leading into Psychic TV's foray into vocal house music with 1990's Towards Thee Infinite Beat and remix companion Beyond Thee Infinite Beat.
 
A sharp swerve Psychic TV to Micah Blue Smaldone, who was brought to my attention earlier this month by The Swede, firstly via an excellent Imaginary Compilation Album at The Vinyl Villain then a follow up post on his own blog, Unthought Of, Though, Somehow. The Swede perfectly describes Micah Blue Smaldone as "an old-timey acoustic folk-blues troubadour [...] delivering a series of lyrically dense, folk-noir songs" and Time, the track featured here, was the stirring closer to his ICA. 

A trio of legends follow: John Cale collaborating with Bob Neuwirth and David Byrne almost remixed out of existence by Jack Dangers, the latter dovetailing into an early instrumental of The News About William, preceding the vocal version that appeared on Calexico's 2008 album Carried To Dust.
 
Bringing the selection to a close is Irish singer/songwriter Gemma Hayes who I first heard via her cover of Bob Dylan's Lay Lady Lay in 2004, which I featured with multiple other versions of the song in January this year. Iona features on Gemma's (to date) last album, 2014's Bones + Longing but Gemma's been back on the live circuit this month and is promising new music later in 2022.
 
1) Your Silent Face (Cover of New Order): Fujiya & Miyagi (2011)
2) Ragged Jack: The Badgers (1992)
3) How About It (12" Version By Ben Liebrand & Sander Bos): M.D.M.C. ft. Karin Klare & Margie Davies (1983)
4) History Eraser (10:40's Redacted Dub) (Remix By Jesse Fahnestock): Courtney Barnett (2021)
5) Horror House (Album Version): Psychic TV (1990)
6) Time: Micah Blue Smaldone ft. Colleen Kinsella (2013)
7) Who's In Charge?: John Cale & Bob Neuwirth (1994)
8) Ava (Nu Wage Mix By Jack Dangers): David Byrne (1991)
9) The News About William (Instrumental Version): Calexico (2007)
10) Iona: Gemma Hayes (2014) 

1983: How About It EP: 3
1990: Towards Thee Infinite Beat: 5
1992: Picnic EP: 2
1994: Last Day On Earth: 7
2002: Pro.File 1: Meat Beat Manifesto/Jack Dangers Remix Collection: 8
2007: Tool Box: 9
2011: Power Corruption & Lies Covered (Mojo magazine promo CD): 1
2013: The Ring Of The Rise: 6 
2014: Bones + Longing: 10
2021: Left Behind Blues EP: 4