A Night On The Town

Mrs. K and I have been avidly following Married At First Sight Australia (MAFSAUS) on TV, which as ever has proved to be treasure trove of narcissism, mendacity, affectation and drama. 

With the exception of one couple, who genuinely seem to have developed strong feelings for each other - they use the 'L' word a lot, but let's see how things are at the 'weeks later' reunion - we're surprised that any other couple made it to the 'final vows' ceremony.

As the couples left their temporary home/bubble in Sydney in last night's episode, I thought of my stay in the city during my backpacking tour of Australia. As it happens, Saturday 11th and Sunday 12th May 1991 coincided with the tail end of my time there, and a memorable night time tour of King's Cross.

Looking back from a distance of three and a half decades, I'd forgotten how wet behind the ears I still was at twenty years old...

Take it away, er, me....!

Saturday 11th May 1991

The day didn't start too well, weather-wise, so I chose to stay in and write. Talking with my room-mate Jonathan on the roof of the hostel, it transpired that he was also a writer, which led to some interesting conversation.

Later, there was a new arrival from Canberra in our room. My suspicions were aroused when he praised the city, the totally opposite reaction to everyone else I've met who's been there. He complained that he was lonely after a few months' travelling. I was unsympathetic; I mean, how hard is it to make friends here?! After our tedious small talk, he decided to go for a walk.

Jonathan reappeared with an American girl, called Michelle. They'd bumped into each other earlier: it was Michelle's last day in Sydney, she'd run out of money, so was it alright for her to crash in our room? No problem.

The hostel had largely been taken over by the Malaysian national Dragon Boat team, who were competing in the annual race in the harbour over the weekend. I don't remember quite how this happened but, as night drew in, Jonathan, Michelle and I, and four of the Malaysian team, decided to go on a tour of King's Cross, Sydney's notorious red light district.

The Malaysians didn't actually speak a lot with us, and I didn't catch any of their names, although they all appeared to work for Malaysia Airlines. They seemed affable, but they were not destined to be with us for very long.

Arriving in separate taxis, we disembarked and walked along the main street. It was unbelievable. Every second building, it seemed, was a strip joint, with three or four men outside, trying to entice people to enter.

Most of them looked stoned and didn't waste time on a person, quickly moving on to the next passerby. Prostitutes and pimps were intermingled with street salesmen and panhandlers, and numerous police paraded the area, pretty much turning a blind eye to all that was taking place around them.

I'd been walking with Michelle, when we realised that the others were no longer with us. Pausing next to a 'Gypsy Rose Lee' and watching her read tarot cards for a punter, Jonathan eventually caught up with us and explained that the Malaysian quartet had succumbed to temptation a few strip clubs back. They'd made some vague promise to meet us outside McDonalds at 10.30pm.

We wandered around some more, taking in the sights: the drunk being forcibly evicted from a club by a mean-looking bouncer; a fight breaking out between two rival 'gangs' of security staff; a prostitute calmly waiting in a café for her 'pickup', then stepping into a white Rolls Royce, and the cocaine scales and equipment on display in the window of a tobacconist.

There was a little boy, he must have been about eight years old, watching everything with disinterested eyes as he sucked Coca Cola through a straw [yes, he was accompanied by an adult - K]

I mean, parts of Bristol were full on, but this was something else entirely!

After a drink at McDonalds and no sign of our newfound (and lost) Malaysian friends, we carried on to the outer limits of the district. We saw another prostitute, wearing a bikini and an overcoat, climbing into an expensive car. I hate rich people.

Our taxi ride home was a nightmare. The cab driver was literally half asleep, and admitted as much. What he didn't admit to was his flatulence, which he generously expelled for the entirety of the interminable journey. Even the windows wound down couldn't shift the fug. 

Needless to say, we were surprised and relieved to get back to the hostel in one piece.

Post Script: Sunday 12th May 1991

We got up at 8.00am to get ready for the Dragon Boat races and, to be honest, we didn't make too much of an effort to be quiet. Our new room-mate stared at Michelle uncomprehendingly and said, "What brings you here?"

MIchelle replied (and I love her for this), "Oh, you know, these guys found me in King's Cross last night and I had nowhere to sleep, so they brought me back".

He said nothing, but the expression on his face was priceless.

In 2007, Tracy Thorn recorded a beautiful cover version of King's Cross. I've also picked four other theme-appropriate classics to accompany this sordid tale.

 

 

 

Citizen Kane

Celebrating Jonathan Saul Kane, on the devastating news yesterday of his death at age 55. 

 

I'll aim to add some comments and notes in the days to come. For now, here's a selection of a dozen remixes from 1988 to 2004, mostly as Depth Charge, which is how I first discovered his music.

Rest easy, J.

Post Script / Sleeve notes, 20th November 2024

The first record I owned with a J. Saul Kane credit was by accident in 1990. I'd bought Nothing To Lose on 12" by S'Express in the reduced crate at a local record shop, with a pile of other records. When I got home, I found that although the sleeve was the standard issue, the vinyl inside was the remix 12". 

 

I loved the original version of Nothing To Lose, but J. Saul Kane and Yashiki Gōta's reworking transformed the song from a rousing club anthem to a melancholy imaginary film soundtrack. With beats. It was great and I held onto it. The version here is an edit featured on the 8th volume of the Deep Heat series, which I guess at the time was the 'dance' equivalent of Now That's What I Call Music. Sonique's vocal remain the anchoring point, but the remix takes it on a wildly different journey.

I became quickly familiar with Depth Charge in the early to mid-1990s, not a great surprise perhaps, given my love of Andrew Weatherall, Jack Dangers and Red Snapper and the many points of reference and crossover between these artists, musically speaking. Perhaps no surprise then to find that J. Saul Kane has remixed songs by all three during the 1990s.

The Depth Charge remix of Tow Truck by The Sabres Of Paradise originally appeared on a 12" double A-side with Chemical Brothers providing the other version. Various other reworkings of music from the album Haunted Dancehall were released on 7" and 10", but I held out for the Versus EP compilation on CD, with gathered them all together and threw in a second Depth Charge remix for good measure. All fantastic.

J also offered up two mixes of Acid Again for Meat Beat Manifesto's 1998 single. I've picked the second one mainly because it's shorter running time meant that the selection as a whole didn't push too far over the hour mark. Mix 1 is equally wonderful, believe me.

J has remixed Red Snapper twice too, though different songs, seven years apart. I was tempted to include 1996's Son Of Mook from the Son Of Mook EP, but ultimately went for Regrettable from 2003's Redone album, one of three early 21st century selections. No regrets here, it means business!

Planet Telex is a beloved Radiohead song in any version, but the Depth Charge remix seems to have appeared as a one-off on the 2CD compilation Altered States as I've never seen any reference to it being released as a promo or official single. A shame, as it deserves better than it's relative scarcity.

Midi Rain completely passed me by at the time in the early 1990s, but I subsequently traced them years later during a hunt for J. Saul Kane/Depth Charge remixes. I discovered that Midi Rain was a project/alias for John Rocca, better known to me in the 1980s as the main man with Freeez, who had a massive hit with I.O.U.

J was clearly a fan, as he provided mixes on all five Midi Rain singles and co-mixed the sole album One in 1994. Lots to choose from then, I've picked the Depth Charge remix of Eyes, Midi Rain's 2nd single in 1991.

I could go on, but it's all in the listening. And these are just a few remixes. There's plenty more to delve into and I've not even touched on J. Saul Kane's own catalogue, not least the phenomenal albums Nine Deadly Venoms (1994) and Lust (1999), the latter so huge that it had to be spread across two separate releases. 

Gone, but J's legacy will remain.

1) Dream On (Octagon Man Mix): Depeche Mode (2001)

2) Acid Again (Depth Charge Mix 2): Meat Beat Manifesto (1998)

3) Nothing To Lose (Remix By J. Saul Kane / Gota) (Edit): S'Express ft. Sonique (1990)

4) Woke Up This Morning (Depth Charge): Alabama 3 (1997)

5) Tow Truck (Depth Charge Mix): The Sabres Of Paradise (1995)

6) Beat Dat (Freestyle Scratch Mix By Tim Simenon & Jonathan Saul Kane): Bomb The Bass (1988)

7) Out-Side (Depth Charge Remix): The Beta Band (2004)

8) Eyes (Depth Charge Mix): Midi Rain (1991)

9) Planet Telex (Depthcharge Remix): Radiohead (1995)

10) Regrettable (Depth Charge Remix): Red Snapper (2003)

11) Knowledge 'n' Numbers (Depth Charge Mix): Screaming Target (1991)

12) Fear (Original Mix With Bats) (Remix By Eon & J. Saul Kane): Eon (1991)

 

1988: Into The Dragon: 6

1990: Deep Heat 8: The Hand Of Fate: 3

1991: Eyes EP: 8 

1991: Fear: The Mindkiller EP: 12

1991: Knowledge 'n' Numbers EP: 11

1995: Versus EP: 5 

1996: Altered States: Distorted Dance & Remix Rock: 9

1997: Woke Up This Morning EP: 4

1998: Acid Again EP: 2

2001: Dream On EP: 1 

2003: Red Snapper Redone: 10

2004: Out-Side EP: 7

 

Citizen Kane (1:02:45) (KF) (Mega)

...Everybody Listen! Something Exciting Is About To Happen!

Side 2 of a cassette compilation recorded 22nd January 1997.

 

Ditching the pumpkins and the 21st Century for some banging 90s beats. Across the 14 mixes and two sides of the original cassette, 1993 is heavily represented. I'm not quite sure why this year was resonating quite so much with me in early 1997, but it was clearly a good year for club music.

Not that any of the other selections are sloppy seconds. 

Traci Lords successfully made a career switch from the US porn industry to the UK club scene, teaming up with Juno Reactor for the 1995 album 1000 Fires and getting Paul Oakenfold in to remix her single Fallen Angel. The song was apparently inspired by her childhood journals and Kurt Cobain's suicide the previous year. 

Fluke seemed to be everywhere in 1996, including the video games market. Even to non-gamers like me, the soundtrack to Wipeout 2097 was pretty amazing and Fluke's single Atom Bomb was all over it. There were 8 versions across 2 CD singles, which was enough to push it into the UK Top 20.

The Source aka John Truelove aka John Rush hit the motherlode when he paired a 1986 Candi Station with Frankie Knuckles & Jamie Principle's Your Love to create You Got The Love. Initially a bootleg in 1989, further variations cracked the UK Top 10 in 1991, 1997 and 2006. Unfortunately, it kind of threw everything else into the shade, including 1993 single Sanctuary Of Love.

 

Sanctuary Of Love follows a simple plan, taking an underground club track by US artist Zhana Saunders and transforming into a hard house anthem. Tall Paul's remix ramps up the epic feel, but it remained one for the clubs, making no impact whatsoever on the UK singles chart.

Mark Moore had the unenviable task of following up a smash hit debut album with S'Express. Eschewing the previous rotating cast of vocalists for a single artist, Mark's pairing with Sonia Clarke aka Sonique was inspired, even if it didn't bring the same commercial success. Personally, I think the follow up album Intercourse is hugely underappreciated and lead single Nothing To Lose is as good as anything that had come before. 

Usura was an Italian combo who enjoyed a UK #7 hit in January 1993 with Open Your Mind. I don't think follow up single Tear It Up even dented the charts, which is a shame as it's an equally compelling track, with an earthy, compelling vocal. Tear It Up was a co-write with Rollo, yet to find global fame with Faithless, but renowned for his remixes and he really delivers the goods on this one.

Apollo 440 was birthed in 1990 by brothers Howard Gray and Trevor Gray, along with James Gardner and Noko aka Norman Fisher-Jones. Building a reputation though remixes and singles in the early 1990s, they released Millennium Fever, the first of five albums, in 1994. Noko was previously one half of Luxuria with Howard Devoto, who contributed lyrics to Apollo 440's debut album. The pair were reunited when Noko joined the reformed Magazine in 2009.

Closing side 2 and the mixtape is a remix of Culture Club's Miss Me Blind by Ramp aka Shem McCauley and Simon Rogers. Originally released on the Colour By Numbers album in 1983, and as a single outside of the UK, this remix first appeared on US editions of Boy George's single Everything I Own in 1993. I got my mitts on it via The Devil In Sister George EP, which featured updated versions of 5 old songs, aimed squarely at the dancefloor. This one knocks the Culture Club original out of the park.

 

1) Fallen Angel (Perfecto Mix By Paul Oakenfold) (Single Edit): Traci Lords (1995)

2) Atom Bomb (Atomix 6): Fluke (1996)

3) Sanctuary Of Love (Tall Paul's Jiant Revamp) (Remix By Paul Newman): The Source ft. Zhana Saunders (1993)

4) Nothing To Lose (Original Mix By Mark Moore): S'Express ft. Sonique (1990)

5) Tear It Up (Big, Bold And Sassy Mix By Rollo): Usura (1993)

6) Rumble (12” Version): Apollo 440 (1993)

7) Miss Me Blind (Return To Gender Mix By Ramp): Culture Club (1993)

Side Two (46:19) (KF) (Mega)

Believe (For Adam And Andrew)

Over at Bagging Area for the past six months, it's been Weatherall Remix Friday, a veritable treasure trove of deep cuts and 'lost' classics from the mighty Lord Sabre.

As a tribute and thank you to Swiss Adam and Andrew Weatherall, here's a 65-minute excursion on the version, some early(ish) favourites from 1990 to 1993 with an additional tip of the hat to Jagz Kooner, Gary Burns and Hugo Nicholson.

Apologies for the shonky quality of some of the vinyl rips (not all mine) and the slipshod segues (all mine), hopefully compensated in part by the great tunes and smattering of audio Easter eggs, courtesy of this excellent 2013 interview with Mr. Weatherall.

Peace and love to you all.

 

1) Imperfect List (Unlisted Version By Andrew Weatherall & Hugo Nicolson): Big Hard Excellent Fish (1990)

2) What It Is (Ain't Losin Control) (The Big Bottom End Mix By Andrew Weatherall): Word Of Mouth ft. Linda Love (1990)

3) Regret (Sabres Slow 'n' Lo - Dub Half) (Remix By Sabres Of Paradise aka Andrew Weatherall, Jagz Kooner & Gary Burns): New Order (1993)

4) Everything (Everything's Gone Quiet Remix By The Sabres Of Paradise aka Andrew Weatherall, Jagz Kooner & Gary Burns): Stereo MC's (1993)

5) Transient Truth (Death Of A Disco Dancer) (Remix By The Sabres Of Paradise aka Andrew Weatherall, Jagz Kooner & Gary Burns): One Dove (1992)

6) Fall (Let There Be Drums) (Andrew Weatherall Mix): Deep Joy (1990)

7) Come Home (Skunk Weed Skank Mix By Andrew Weatherall): James (1991)

8) Find 'Em, Fool 'Em, Forget 'Em (The Eighth Out Mix By Andrew Weatherall): S'Express (1991)

9) Shine Like Stars (Andrew Weatherall Remix): Primal Scream (1990)

Believe (For Adam And Andrew) (1:04:55) (KF) (Mega)

Concocting A Rhythm That You Could Get Lost In...

Side 1 of a mixtape, recorded 5th September 1993, collecting some choice remixes and club cuts from 1989 to 1992. This is the 2nd appearance on this blog of The Stereo MC's remix of Television, previously featured on a 2003 mix CD and my favourite version of the song. Tracks 3 & 7 are taken from a 1990 2CD compilation, Dancemasters Vol. I: The Twelve Inch Mixes. Pianonegro is built around a sample from Masimba Bele by The Unknown Cases. Family Affair is remixed by Mark Brydon, post-Chakk and pre-Moloko and at the time one half of Fon Force. Sly & The Family Stone's Larry Graham provides lead vocals on the closing track by Fortran 5, Dave Lee sprinkling his customary 70s disco dust to great effect. Along the way, you get: a vocal-free opener from Swedish funk/hip-hop act The Stonefunkers; an early-ish remix by Judge Jules of Tim Hutton, perhaps now better known for his work with Groove Armada's Tom Findlay as Sugardaddy; System 7 collaborating with Derrick May and showcasing the wonderful vocals of Ultra Naté; Merlin and Billie Ray Martin trading off on a standout track from Original Soundtrack, the debut album by S'Express.

1) Can U Follow (TV Track): The Stonefunkers (1991)

2) Television, The Drug Of The Nation (Ultimatum Remix By The Stereo MC's): The Disposable Heroes Of Hiphoprisy (1991)

3) Pianonegro (Honky Tonk Remix By Creative Source aka Tim Bran, Ingmar Kiang & Nick Harris): Pianonegro (1990)

4) The Prophet (Vocal Dub Mix By Judge Jules): Tim Hutton (1992)

5) Altitude (Paradox) (Deep Mix By Steve Hillage & Derrick May): System 7 ft. Ultra Naté (1992)

6) Pimps, Pushers, Prostitutes (Album Version): S'Express ft. Merlin & Billie Ray Martin (1989)

7) Family Affair (Echo Vox Mix By Mark Brydon): Sly & The Family Stone (1990)

8) Look To The Future (Joey Negro's "Future Mind" Mix By Dave Lee & Andrew Livingstone): Fortran 5 ft. Larry Graham & Candy Mckenzie (1992)

Side One (46:25) (Box) (Mega)