Gentleman Rudeboy

In October 2024, I wrote about Ashley Beedle's incredible challenges: stage 4 prostate cancer, a brain bleed and seizure, followed by a massive stroke, that also robbed him of speech.

The physical and mental toll is in parallel with the financial cost: we are so fortunate to have the NHS, but that's frequently only part of the story, for example full-time, ongoing care, physio treatment, adaptations, the list goes on.

And that's without considering the drop in gig bookings and work - and income - in the last few years, as Ashley met one challenge after another. 

A GoFundMe page was set up, smashed it's initial targets of £50,000 then £160,000 and is currently approaching it's present goal of £175,000. You can donate here.

Last week, the PRS Members' Fund posted a short video featuring Ashley and his wife Jo. It's incredible to see not only how far Ashley has come in his recovery - the voice, the smile, the humour - but Jo as an example of the difference that a loved one - a spouse, a partner, a friend - can make. 

This always comes at great personal cost, and it's what you do when you love someone, but it also gives hope, in the face of the craziness around us, that human beings are capable of immense strength, determination, selflessness and love.

It's also a reminder, at a time that music is increasingly seen as without monetary value, and those that make it should be honoured that people are even listening to/streaming their music, and that this should be given for free.

The PRS Members’ Fund was formed in 1934, to support songwriters and composers during the Great Depression. Nearly 100 years later, as Ashley and Jo's story proves, it's needed as much as ever.

All love and power to you, Ashley and Jo.

Back in 2024, I posted a fantastic 2-hour set that Ashley created for BBC Radio 1's Essential Mix in 1997, which you can find here. 

I signed off with the promise of "a (relatively shorter) Dubhed selection of Ashley Beedle's remixes and collaborations which will hopefully see light before the end of the year..." 

[embarrassed cough] Er, nineteen months later, I've created a 64-minute selection of Beedle bangers, starting with a remix of Manic Street Preachers (sacrilege in 1993) and Lazy, his global smash hit with X-Press 2 and David Byrne. The rest spans Femi Kuti, The Fall, David Holmes/Unloved and D:Ream, so you are in for a real treat.

And. after you've finished dancing, why not donate?

1) Roses In The Hospital (51 Funk Salute Mix By Ashley Beedle): Manic Street Preachers (1993)

2) Lazy (Freeform Reform Vocal) (Remix By Freeform Five): X-Press 2 ft. David Byrne (2002)

3) Jonny Lipshake (The 360° Drunken Master Soundboy Special) (Remix By Ashley Beedle): Baby Fox (1996)

4) Brother Sun ft. Kimbra (Rodi Kirk & Aron Ottignon Version) (Ashley Beedle's North Street Dub): Electric Wire Hustle (2016)

5) Beng Beng Beng (Ashley Beedle's Afrikans On Marz): Femi Kuti (1999)

6) Same (Ashley Beedle's Afroart Vocal Mix): Smith & Mighty ft. Tammy Payne (2000)

7) Touch Sensitive (Ashley Beedle Re-Edit): The Fall (2014)

8) Witchi Tai To (Album Version) (Cover of 'Everything Is Everything' by Jim Pepper): X-Press 2 ft. Tim De Laughter (2006)

9) Number In My Phone (Black Science Orchestra Remix By Ashley Beedle): Unloved (2022)

10) I Used To Believe In Love (Ashley Beedle's NSW Love & Joy Dub Mix): D:Ream (2021)

1993: Roses In The Hospital EP: 1

1996: Jonny Lipshake EP: 3

1999: Shoki Remixed: 5

2000: Same EP: 6

2002: Lazy EP: 2

2006: Makeshift Feelgood: 8

2014: Message In The Music: The Ashley Beedle Re-Edits (2x CD + DVD): 7

2016: Brother Sun EP: 4

2021: I Used To Believe In Love EP: 10

2022: Number In My Phone EP: 9

Gentleman Rudeboy (1:03:48) (GD) (M)

Queueing At The Checkout

Before I launch into the inevitable final round up of 2025, I thought I'd drop by Amoeba Music's What's In My Bag? series and see what others have been shopping for this year.

My three specific shoppers are Russell Mael, David St. Hubbins and Nigel Tufnell from Spinal Tap (in tribute to Rob and Michele Reiner) and finally David Byrne.

Some great picks from all three. I'm particularly happy that the latter picked Bristol-based IDLES. Maybe David will be tempted to come to Bristol to play a gig or just hang around Longwell Records when it relocates from Keynsham to Clifton Arcade in February.

 

 

Decayed II: 2002

Side 1 of a made up mixtape series, bounding through the first decade of the 21st century.

In the year 2000, Robbie Williams duetted with Kylie Minogue on the phenomenal crowd pleasing single Kids. in 2001, Kylie pushed the envelope further with the brilliant Can't Get You Out Of My Head. But what about Robbie?

2001 was pretty good to Robbie too, with three singles, two of which hit the top spot. 2002 saw just the one single, Feel, reaching #4 at the end of the year. Not that I was really all that bothered. 

What interested me more with his guest spot on My Culture by 1 Giant Leap. It's a really good song and deserved to be a hit, but would it have been a Top 10 hit without Robbie and Maxi Jazz from Faithless on it? 

Well... follow-up single Braided Hair featuring Neneh Cherry and Speech from Arrested Development managed one week at #78, whilst the eponymous debut album fared slightly better at #51. Which is a shame as 1 Giant Leap is a really good album. People were sadly more interested in buying the latest steaming slop by Blue and Celine Dion. 

Likewise, Cornershop had followed up a #1 hit single and Top 20 album in 1998 with a great album, Handcream For A Generation, and a rifftastic lead single in Lessons Learned From Rocky I To Rocky III. Although neither could be considered a flop, with a Top 30 and Top 40 placing respectively, Cornershop never again  enjoyed the UK chart success of the 1990s,. Didn't stop them making fantastic music, though.

Another legendary artist that consistently delivered wonderful music for frustratingly little reward is Edwyn Collins. His 2002 album Dr. Syntax is chock full of tunes that his contemporaries would sell their souls for, and Johnny Teardrop is in my Top 5 favourite Edwyn Collins songs. It's the perfect distillation of everything that makes Edwyn such a superb songwriter. And it got to bloody #192! Were there really 191 better singles on sale in the UK that week?!

The previous week, Sugababes were back with a vengeance - and their first UK #1 - with Freak Like Me. Having just watched the excellent Girlbands Forever documentary series on BBC2, I appreciated just how much was on the line for the group. Founder member and childhood friend Siobhan Donaghy had left, and Mutya Buena and Keisha Buchanan were teamed up with new member Heidi Range. Sugababes had been successful, but without a #1 single or album to date, it was make or break time.

DJ and producer Richard X has gained notoriety, not least for his bootleg mash-up of Freak Like Me by Adina Howard and Are 'Friends' Electric? by Tubeway Army. Sugababes and Richard X were paired up in the studio to record a commercial version for single release. It turned out to be a smart move for them both. 

Another mash-up artist who exploded in 2002 was Mark Vidler aka Go Home Productions. The Weather Episode is a glorious melding of The Next Episode by Dr. Dre featuring Snoop Dogg and Weather With You by Crowded House. When a mash-up works, it really hits the spot and this is a prime example.

I am completely disregarding the rules here, as The Weather Episode was released as a free bootleg MP3 download and therefore ineligible for the Official Chart in the UK. I'm applying the "played by Zane Lowe on his XFM On-Air radio show" rule to sneak this one into its rightful place in today's selection.

Other great songs in 2002 by Radio 4, Badly Drawn Boy and Amorphous Androgynous also gave a nod to producers that were gaining recognition in their own right, namely The DFA aka James Murphy and Tim Goldsworthy, Four Tet aka Kieran Hebden, and Jacknife Lee aka Garret Lee.

Another remix that I loved was by dub legend Scientist aka Hopeton Brown, taking the title track of Death In Vegas' third album, Scorpio Rising. The second Top 20 single for Richard Fearless and co, their previous #9 hit had a guest spot from Iggy Pop and Scorpio Rising repeated the formula by featuring a certain Liam Gallagher.

I'm not a fan of Oasis or, generally speaking, the exploits of the Gallagher brothers in or out of the studio, so I was bought this single purely because it was Death In Vegas and Scientist. I don't think even a diehard Liam fanatic would deny that this is far from his best vocal performance, but I love Scientist's game attempt to wrestle it into a dubtastic shape.

Unlikely collaborations were plentiful at his time, yet X-Press 2 teaming up with David Byrne was a real surprise for Lazy A deserved #2 hit in April 2002, I was pleased to see Lazy included in Byrne's stunning American Utopia live set on the Sky Arts channel a while ago.

Another unlikely collaboration, and even more unlikely reunion in 2002, was David McAlmont and Bernard Butler. Bring It Back - album and single - proved beyond a shadow of a doubt that the magic that peppered previous hits Yes and You Do was still there. This partnership also holds a special place in my heart as they were the first gig that Mrs. K and I went to together. They were utterly fantastic, of course. 

Concidentally, I saw McAlmont and Butler perform live again in 2025, albeit not together. David was with current musical partner Hifi Sean, Bernard with James Grant and Norman Blake. Sadly, Mrs. K was unable to join me for either as I think she would have loved them.

Another welcome return for the Pet Shop Boys and Johnny Marr, who have both appeared in the previous 'decade' series. Home And Dry signalled a more reflective PSB and one which signalled and embraced their - and their audience's - transition from Radio 1 to Radio 2. Johnny had collaborated with Neil and Chris previously and his trademark guitar lines add class to a classy song.

And so, we've suddenly come to the end of another year and, if you ignored most of the Top 40 most of the time, another great year for music. 

Could 2003 hope to find some gold amongst the grit? Join me on Sunday to find out.

1) Lessons Learned From Rocky I To Rocky III (Radio Edit): Cornershop

2) Freak Like Me (We Don't Give A Damn Mix By Richard X): Sugababes

3) Dance To The Underground (Edit By The DFA aka James Murphy & Tim Goldsworthy): Radio 4

4) Something To Talk About (The Four Tet Convention Remix By Kieran Hebden): Badly Drawn Boy

5) Johnny Teardrop (Remixed & Radio Edited): Edwyn Collins

6) Bring It Back (Album Version By Bernard Butler): McAlmont & Butler

7) Lazy (Radio Edit): X-Press 2 ft. David Byrne

8) Home And Dry (Single Mix): Pet Shop Boys ft. Johnny Marr

9) The Weather Episode (Original Version): Go Home Productions ft. Dr. Dre, Snoop Dogg & Crowded House

10) My Culture (We Love This Mix (Video Edit)): 1 Giant Leap ft. Maxi Jazz & Robbie Williams

11) The Mello Hippo Disco Show (Jacknife Lee Mix): The Amorphous Androgynous

12) Scorpio Rising (The Scientist Mix): Death In Vegas ft. Liam Gallagher

10th March 2002: Handcream For A Generation (#37): 1

24th March 2002: Release (#14): 8

14th April 2002: Muzikizum (#2): 7

14th April 2002: 1 Giant Leap (#9): 10

28th April 2002: Angels With Dirty Faces (#1): 2

5th May 2002: Doctor Syntax (#192): 5

16th June 2002: About A Boy OST (#28): 4

23rd June 2002: This Was Pop (2002-2007) (# n/a): 9

11th August 2002: The Isness (#68): 11

3rd November 2002: Bring It Back (#36): 6

24th November 2002: Gotham! (#94): 3

22nd December 2002: Scorpio Rising (#14): 12

Side One (46:42) (GD) (M)

If you enjoyed this, you may also wish to check out my previous selections for 1982 and 1992.

Keep One Step Ahead Of Yourself

Kenny 'Dope' Gonzalez collaborating with Róisín Murphy on a cover of a Talking Heads classic?

When you think of it, why didn't they think of it sooner?

The song in question, Born Under Punches (The Heat Goes On), at once feels at home with Kenny's Nuyorican palette of rhythms and grooves, whilst at the same time sounding like it could have been lifted straight from Róisín's current catalogue. 

I've gone for all nine minutes of the extended version here - and why not? - but the original comes in at a more radio-friendly 3:48, whilst a dub version at just under a minute longer rounds out the digital single package available on Bandcamp.

I've clearly not been keeping up with the music press, as Born Under Punches (The Heat Goes On) is apparently lifted from Naive Melodies, an expansive tribute to Talking Heads’ rhythmic legacy, due on 24th October.

Naive Melodies is curated by DJ/Producer/Artist Manager Drew McFadden, and features artists that, with a few exceptions like Theophilus London and Wu-Lu, are largely unfamiliar to me. 

I'll need to delve into the album a bit more before deciding to buy but Kenny and Róisín's EP is in the (shopping) bag.

It would be negligent of me not to refer back to the original Born Under Punches (The Heat Goes On), with a detour by way of David Byrne's own (re)version from his American Utopia show at the O2 Arena in London on 29th October 2018.

I saw a broadcast version of the entire show on Sky Arts a while back and it was memerising from start to finish. 

And to close,  a fan-made video of the definitive version of Born Under Punches (The Heat Goes On) by Talking Heads, taken from their 1980 album Remain In Light. 

By sheer coincidence, this album has been on regular rotation on my playlist in the past month or so, and the grooves are etched deep in my mind. 

In My Dreams I Wrote The Best Song I've Ever Written

Another random, eclectic selection for your listening pleasure.  

 

Fujiya & Miyagi start proceedings with a bold attempt at a New Order classic from Power Corruption & Lies, swiftly followed by a track from the sole EP from The Badgers, one of many (I've lost count now) bands that I've discovered thanks to the ever-wonderful music blog The Vinyl Villain. We then jump from Norfolk to the Netherlands, and 90s indie pop to 80s electro disco, with the Modern Danceable Music Company, who thankfully also used the acronym M.D.M.C. Ben Liebrand on the mix here, luckily a few years before he incorporated the break from Think (About It) by Lyn Collins in every bloody remix he produced.

 

Fast forward to a contemporary favourite - and the source of today's post title - the wonderful Courtney Barnett, remixed by the equally wonderful 10:40 aka Jesse Fahnestock. As the mix title suggests, most of the vocals have been excised but this is definitely a case of less is more, with a lovely dreamy vibe leading into Psychic TV's foray into vocal house music with 1990's Towards Thee Infinite Beat and remix companion Beyond Thee Infinite Beat.

 

A sharp swerve Psychic TV to Micah Blue Smaldone, who was brought to my attention earlier this month by The Swede, firstly via an excellent Imaginary Compilation Album at The Vinyl Villain then a follow up post on his own blog, Unthought Of, Though, Somehow. The Swede perfectly describes Micah Blue Smaldone as "an old-timey acoustic folk-blues troubadour [...] delivering a series of lyrically dense, folk-noir songs" and Time, the track featured here, was the stirring closer to his ICA. 

A trio of legends follow: John Cale collaborating with Bob Neuwirth and David Byrne almost remixed out of existence by Jack Dangers, the latter dovetailing into an early instrumental of The News About William, preceding the vocal version that appeared on Calexico's 2008 album Carried To Dust.

 

Bringing the selection to a close is Irish singer/songwriter Gemma Hayes who I first heard via her cover of Bob Dylan's Lay Lady Lay in 2004, which I featured with multiple other versions of the song in January this year. Iona features on Gemma's (to date) last album, 2014's Bones + Longing but Gemma's been back on the live circuit this month and is promising new music later in 2022.

 

1) Your Silent Face (Cover of New Order): Fujiya & Miyagi (2011)

2) Ragged Jack: The Badgers (1992)

3) How About It (12" Version By Ben Liebrand & Sander Bos): M.D.M.C. ft. Karin Klare & Margie Davies (1983)

4) History Eraser (10:40's Redacted Dub) (Remix By Jesse Fahnestock): Courtney Barnett (2021)

5) Horror House (Album Version): Psychic TV (1990)

6) Time: Micah Blue Smaldone ft. Colleen Kinsella (2013)

7) Who's In Charge?: John Cale & Bob Neuwirth (1994)

8) Ava (Nu Wage Mix By Jack Dangers): David Byrne (1991)

9) The News About William (Instrumental Version): Calexico (2007)

10) Iona: Gemma Hayes (2014) 

1983: How About It EP: 3

1990: Towards Thee Infinite Beat: 5

1992: Picnic EP: 2

1994: Last Day On Earth: 7

2002: Pro.File 1: Meat Beat Manifesto/Jack Dangers Remix Collection: 8

2007: Tool Box: 9

2011: Power Corruption & Lies Covered (Mojo magazine promo CD): 1

2013: The Ring Of The Rise: 6 

2014: Bones + Longing: 10

2021: Left Behind Blues EP: 4

 

In My Dreams (45:25)

Zoo Time Is She And You Time

Side 1 of a mixtape cassette titled heartbeatincreasingheartbeat, recorded 25th September 1991. 

 

Back in Bristol after a year working and travelling in Australia, back at college for a second go at 'A' levels having dropped out after 6 months a few years previously, back living with my parents after a period of independence and freedom and back in local record shops, sniffing out new and old vinyl.

1) The Man With The Golden Arm (Full Length Version) (Cover of Elmer Bernstein): Barry Adamson (1988)

2) Strange Days: The Doors (1967)

3) Trip, Stumble & Fall: The Mamas & The Papas (1966)

4) De-Luxe: Lush (1990)

5) Theme II: Clan Of Xymox (1986)

6) Spoil The Child: Fad Gadget ft. Joni Sackett (1983)

7) This Town Ain't Big Enough For Both Of Us: Sparks (1974)

8) Thank You For Sending Me An Angel: Talking Heads (1978)

9) The Light Pours Out Of Me ('One Pound Ninety-Nine' Version) (Cover of Magazine): Peter Murphy (1985)

10) The Sleeper: John Cale (1985)

11) The Avenue: O.M.D. (1984)

12) The 'In' Crowd (Cover of Dobie Gray): Bryan Ferry (1974)

13) Wheels Of Fortune: Fad Gadget (1982)

Side One (47:19)

Find Side Two here