Showing posts with label The Fall. Show all posts
Showing posts with label The Fall. Show all posts

Friday, 3 July 2026

"What I Did On My Summer Holidays" By Khayem, Age 35 ½

I have a much-needed week off work next week. No plans, other than to have some fun... well, apart from the long 'to do' list of chores pinned to the wall...! But mostly fun.

In that spirit, I came across this dusty old post, recounting a similar week off, twenty years ago. What was floating my boat in July 2006? Read on!


Saturday 15th July 2006
I attempted to paint a couple of coffee tables in my back garden, with primer that had the consistency of tar thanks to the excessive heat. 

Why do I ever decide to do these jobs? 

I’m crap at DIY!

Sunday 16th July 2006
Mrs. K and I tried and failed to rent Pirates Of The Caribbean: The Curse Of The Black Pearl – or anything else for that matter – on DVD. Spent an inordinate amount of time in The Lounge café bar, getting drunk instead.

[2026 P.S. in July 2006, The Lounge was singiular, a cosy little place in a former opticians, less then 5 mins walk from our home. These days, there are approx. 250 Lounge bars across England and Wales]

Monday 17th July 2006
Left England, entered Wales, left Wales, re-entered England. Arrived at Mallards Pike Lake, the Forest of Dean, to Go Ape in the treetops. 

Severe doubts about my judgement kicked in when I saw people thirty feet up flinging themselves onto cargo nets, balancing on precarious platforms and screaming as they descended the ‘zip slides’ (hey, we know they’re really called ‘death slides’!). 

A faltering start at the briefing session as I put the harness on inside out, but I was determined to show both the slew of hyperactive teens and the inconceivably elderly gent in our group that I had what it takes. I felt adrenalin hitting hitherto unexplored parts of my bloodsystem… as I travelled the ten-foot practice zip slide, a few feet above ground level. 

Three hours later, Mrs. K and I completed our final ‘death slide’ descent, pumped up and ready to take on the world! That said, it’s unlikely that next month I’ll be writing of rap jumping down the side of a skyscraper. Small steps, small steps... 

We stopped off at the appropriately named The Gr(ape) in Chepstow for a bite to eat. Mrs. K ordered feta and vine tomato salad, which was lovely despite the fact that the feta became brie, the vine tomatoes were clearly the common-or-garden variety and the salad was largely conspicuous by it’s absence. 

My choice – black pudding and chorizo on a bed of rocket – uncovered the AWOL vine tomatoes, though the rocket seemed to have launched into the stratosphere, in pursuit of Mrs. K’s salad. However, the combination of meats was surprisingly effective, and ably assisted by full-bodied local beer, the Reverend James.

[2026 P.S. The Grape is sadly no more] 

Tuesday 18th July 2006
Mrs. K and I joined our close friend Jason at the local mutiplex to see Pirates Of The Caribbean: Dead Man’s Chest 

A tad overlong, but great fun. If you’ve not seen the first film, no problem: as there’s no ‘plot’ to speak of, there’s no chance of feeling ill informed. Bill Nighy delivers a star turn, despite having an octopus for a head throughout; likewise, barnacles proved no obstacle to Geoffrey Rush’s sterling performance. 

It’s easy to understand that Johnny Depp has been likened to Keith Richards in this film, but I’ll admit to a slight disappointment that Depp didn’t fully realise this by taking a tumble from a coconut tree

We’re both looking forward to Pirates 3, and may even get around to seeing the first one someday…

Wednesday 19th July 2006
I received an outline of my pre-job interview assignment: to prepare a briefing paper for a presentation/discussion with a panel. 

I successfully avoided soiling myself and dealt with my nervous anxiety by spending the day clothes shopping at Cribbs Causeway with Mrs. K.

[2026 P.S. Twenty years later, the self-proclaimed "South West's premier shopping centre" has dropped 'Causeway', settling for the mononym 'Cribbs'] 

Thursday 20th July 2006
A lazy day at The Relaxation Centre in Clifton, a first-time experience for the two of us. 

We sampled the outdoor hot tub, steam room, the indoor hot tub, sauna and floatation room and felt unbelievably great afterwards. 

I then blew it all that evening as my oldest friend Stuart was in town (check out his film Outlaw in 2007). Mandatory ale quaffing in The Three Sugar Loaves and The White Lion ensued, including pints of the prophetically named Doom.

Friday 21st July 2006
The hangover from hell, accompanied by the obligatory depression and lack of motivation. 

Mrs. K and I started watching a fascinating documentary on Blondie but I passed out before they’d even reached ‘The Tide Is High’ era.

Saturday 22nd July 2006
I spent the morning sitting in Queen Square whilst Mrs. K was having her hair styled by either Toni or Guy, I’m not sure which. I wrote some prep notes for my interview briefing paper, some of them even forming coherent comments. And that was about it.

Sunday 23rd July 2006
As it was a blazingly hot day, we put off going to the Ashton Court Festival until the last minute. 

I remember my earliest visits, when it was a sprawling, seemingly shambolic free community festival. Overflowing with pub bands, cheap lager, variations on goat curry and spicy noodles, and volunteers circulating with buckets to collect money for the following year’s event, the stumble out of the estate grounds in pitch blackness was a veritable rite of passage. 

How things have changed. 

Now, the entire event has been fenced in, lit up and corralled into submission. The £9.00 per day entry fee now offers you the likes of Simple Minds, The Go! Team and Dreadzone, though ‘pub bands’ still dominate. 

The latter two had headlined the previous day, so Mrs. K and I experienced the mighty ‘Juan’ Kerr and co. I only recognised about half of Simple Minds’ songs and those that I did – Don’t You Forget About Me, a dire cover of Van Morrison’s Gloria and the closing third encore (!) of Alive And Kicking - were little more than extended karaoke tracks, with Kerr preferring the audience to do the work on the choruses. 

The sole redeeming moment was a rendition of New Gold Dream (81-82-83-84) seemingly inspired by Utah Saints’ rousing mid-1990s cover version. Apart from that, neither of us were sorry to see Simple Minds return to the ‘where are they now?’ file. 

Still, the walk home was fun, as we dove into the stream of human traffic heading south of the river. Along the way, pockets of inebriated male violence broke out, causing the occasional log jam. Perhaps the festival is still a rites of passage for some, but my feelings towards Ashton Court were aptly personified by Jim Kerr: over priced, over the hill, out of touch and with an inflated sense of self-importance.

[2026 P.S. Bit harsh, eh? I've a lot of love for Simple Minds' first few albums and they have admittedly come back stronger with some good songs in the last twenty years. But this still ranks as one of the worst gigs I have ever experienced.]


Holiday Reading:

Holiday Music:
Time Boom X De Devil Dead: Lee ‘Scratch’ Perry + Dub Syndicate (1987)
Live In London: The Go-Betweens (2004)
Scary Monsters ('Sound + Vision' Expanded Edition): David Bowie (1980/1992)
Pure: The Times (1991)
69 Love Songs: The Magnetic Fields (1999)
Riot City Blues: Primal Scream (2006)
The Infotainment Scan (Expanded Edition): The Fall (1993/2006)

Holiday TV:

Friday, 22 May 2026

Gentleman Rudeboy

In October 2024, I wrote about Ashley Beedle's incredible challenges: stage 4 prostate cancer, a brain bleed and seizure, followed by a massive stroke, that also robbed him of speech.

The physical and mental toll is in parallel with the financial cost: we are so fortunate to have the NHS, but that's frequently only part of the story, for example full-time, ongoing care, physio treatment, adaptations, the list goes on.

And that's without considering the drop in gig bookings and work - and income - in the last few years, as Ashley met one challenge after another. 

A GoFundMe page was set up, smashed it's initial targets of £50,000 then £160,000 and is currently approaching it's present goal of £175,000. You can donate here.

Last week, the PRS Members' Fund posted a short video featuring Ashley and his wife Jo. It's incredible to see not only how far Ashley has come in his recovery - the voice, the smile, the humour - but Jo as an example of the difference that a loved one - a spouse, a partner, a friend - can make. 

This always comes at great personal cost, and it's what you do when you love someone, but it also gives hope, in the face of the craziness around us, that human beings are capable of immense strength, determination, selflessness and love.

It's also a reminder, at a time that music is increasingly seen as without monetary value, and those that make it should be honoured that people are even listening to/streaming their music, and that this should be given for free.

The PRS Members’ Fund was formed in 1934, to support songwriters and composers during the Great Depression. Nearly 100 years later, as Ashley and Jo's story proves, it's needed as much as ever.

All love and power to you, Ashley and Jo.

Back in 2024, I posted a fantastic 2-hour set that Ashley created for BBC Radio 1's Essential Mix in 1997, which you can find here. 

I signed off with the promise of "a (relatively shorter) Dubhed selection of Ashley Beedle's remixes and collaborations which will hopefully see light before the end of the year..." 

[embarrassed cough] Er, nineteen months later, I've created a 64-minute selection of Beedle bangers, starting with a remix of Manic Street Preachers (sacrilege in 1993) and Lazy, his global smash hit with X-Press 2 and David Byrne. The rest spans Femi Kuti, The Fall, David Holmes/Unloved and D:Ream, so you are in for a real treat.

And. after you've finished dancing, why not donate?

1) Roses In The Hospital (51 Funk Salute Mix By Ashley Beedle): Manic Street Preachers (1993)
2) Lazy (Freeform Reform Vocal) (Remix By Freeform Five): X-Press 2 ft. David Byrne (2002)
3) Jonny Lipshake (The 360° Drunken Master Soundboy Special) (Remix By Ashley Beedle): Baby Fox (1996)
4) Brother Sun ft. Kimbra (Rodi Kirk & Aron Ottignon Version) (Ashley Beedle's North Street Dub): Electric Wire Hustle (2016)
5) Beng Beng Beng (Ashley Beedle's Afrikans On Marz): Femi Kuti (1999)
6) Same (Ashley Beedle's Afroart Vocal Mix): Smith & Mighty ft. Tammy Payne (2000)
7) Touch Sensitive (Ashley Beedle Re-Edit): The Fall (2014)
8) Witchi Tai To (Album Version) (Cover of 'Everything Is Everything' by Jim Pepper): X-Press 2 ft. Tim De Laughter (2006)
9) Number In My Phone (Black Science Orchestra Remix By Ashley Beedle): Unloved (2022)
10) I Used To Believe In Love (Ashley Beedle's NSW Love & Joy Dub Mix): D:Ream (2021)

1993: Roses In The Hospital EP: 1
1996: Jonny Lipshake EP: 3
1999: Shoki Remixed: 5
2000: Same EP: 6
2002: Lazy EP: 2
2006: Makeshift Feelgood: 8
2014: Message In The Music: The Ashley Beedle Re-Edits (2x CD + DVD): 7
2016: Brother Sun EP: 4
2021: I Used To Believe In Love EP: 10
2022: Number In My Phone EP: 9

Gentleman Rudeboy (1:03:48) (GD) (M)

Friday, 24 April 2026

Friday On Friday

There's a long-running and ongoing series on BlueSky called #FallFriday which - no surprise here - sees people posting a song by The Fall on a Friday.

This is my first contribution to #FallFriday and of course I had to be a clever dick by picking a song that guest stars Gavin Friday.

Clear Off! wasn't even a single, but followed on from Draygo's Guilt on Side 1 of the Call For Escape Route EP, a 1984 12" single which came with a free 7" single, racking up five songs in total. All bloody good songs, too.

Clear Off! isn't Gavin's only collaboration with Mark E. Smith and co., maybe I'll feature either or both when I finally have the nerve to create a Dubhed selection for The Fall...



When the off license asks
I've been 2 months
Checks the crack
On their forehead
Should comb a hair
Over that

And these Czech shoes
Are a bloody reminder
And this town
Is not much different
The clothes, the stooped appearance

Over the hill
Goes killer civil servant

I still remember
The white leafy border
The scheiss in winter

Over the hill
Goes killer civil servant

There's a song she had before
Borough town
That had the snappy rejoinder

Who's there?
What's wrong?
Clear off!


Saturday, 31 January 2026

#70sTop30

A treat for you this morning with not one, not two, but three Dubhed selections. Nearly two hours of top tunes!

I've just completed #70sTop30, the latest musical challenge on BlueSky. If I'd been slightly more organised, I could have stretched thsi out over three posts, but no!

So, here's my 'unranked and random' selection in three rounds, each one running chronologically from 1970 to 1979.

The first selection can loosely be described as 'the hits', in that they all troubled the UK Top 40 singles in their respective year. 8th January could only have been a Bowie pick.

Rounds two and three is half-and-half well known and wilfully obscure, and the very last song is probably the only exception to the 'random rule' as I pretty much knew how I wanted to close the series pretty early on.

Given that I didn't give too much thought in advance about the overall selection and running order, it's not turned out too bad.

In keeping with previous 70s-themed posts, the cover art is a selection of UK Marvel first issues from my collection, most of which have been stored in a box and been unopened for years. As a kid, I loved how busy, loud and dynamic the comic covers were, demanding to be picked up from the newsagent's shelf, bought and read again and again.

Round One
1) Brontosaurus: The Move
2) Tokoloshe Man: John Kongos
3) Jungle Fever: Chakachas
4) Big City: Dandy Livingstone
5) Dance With The Devil: Cozy Powell
6) The Wild One: Suzi Quatro
7) Both Ends Burning: Roxy Music
8) Sound And Vision: David Bowie
9) Punky Reggae Party: Bob Marley & The Wailers
10) I'm Every Woman: Chaka Khan

Round Two
1) Clarence In Wonderland: Kevin Ayers & The Whole World
2) Gimme Shelter (Cover of The Rolling Stones): Ruth Copeland ft. Parliament
3) Sniffin' & Snortin' Pt. 1 (Vitamine C): Speed, Glue & Shinki
4) The Groover: T. Rex
5) At Home, At Work, At Play: Sparks
6) Jive Talkin': Bee Gees
7) Ninety-Nine And A Half: Trammps
8) Funtime: Iggy Pop
9) Dance Like A Star: The Human League
10) Spanish Bombs: The Clash

Round Three
1) Effervescing Elephant: Syd Barrett
2) Beautiful Brother Of Mine: Curtis Mayfield
3) Screaming Target: Big Youth
4) Willow's Song: Magnet
5) Fight Your Revolution: Keith Hudson
6) Koun'Toupack: Godchild
7) I Keep On Loving You: Susan Cadogan
8) Time's Up: Buzzcocks
9) It's The New Thing: The Fall
10) Memories Can't Wait: Talking Heads

Round One (40:43) (GD) (M)
Round Two (40:05) (GD) (M)
Round Three (34:38) (GD) (M)


There are a load of new musical challenges starting on 1st February. Time constraints being what they are, I'll likely only have time to participate in one. But which one?

Select your 28 favourite string arrangements in songs. Solo, full orchestra, electric, synthetic or sampled. Singles, b-sides, album tracks, live versions and remixes can all be included.

A month-long celebration of all things guitar. From 80s Indie and Alt-Rock, to Shoegaze and Grunge and beyond, up to the present day. Think My Bloody Valentine, Ride, Pixies, Cocteau Twins, Hüsker Du, Nirvana, DIIV, Just Mustard…

Throughout February choose 28 of your favourite standalone singles. Post one per day, ranked or unranked. Lead tracks on EPs and singles tagged on to Best Of compilations can be selected, the main criteria is that they aren’t on an artist’s studio album.
Just post any instrumental song each day in February.

All February: for the Disney/Pixar film of the day (calendar provided)
Post a song that fits in some way — title, lyrics, theme, vibe, character — but isn’t from the actual soundtrack.

Friday, 31 October 2025

Ha Ha Hallowe'en

A spooky selection today, in a nod to Hallowe'en, whether you will ready for the hordes of Trick or Treaters, or battening down the hatches and pretending you're not in when the doorbell rings.

Inevitably, lots of Halloween-referencing songs to choose from, though dig a little deeper into some of the lyrics and you may be surprised by what you find. I've also lobbed in a few pumpkins, though they're not necessarily seasonal tunes.

I had to include some music by John Carpenter, though rather than go for the obvious with the main theme of 1978's defining moment Halloween, I've instead picked an extract from the 2018 'sequel', which Carpenter scored for director David Gordon Green. 

1979 by The Smashing Pumpkins was a classic slice of nostalgic rock until Moby got his hands on it and transformed it into a spine-tingling horrorshow. 1979 was a ripe year for horror films, with AlienPhantasm, The Driller KillerThe Amityville Horror, The Brood, Nosferatu The Vampyre, and a(nother) remake of Dracula.

The Prisoner by Tears For Fears is the penultimate song on their debut album The Hurting and a re-recorded version of an old B-side. It gave me the chills when I listened to it as a young lad, though it was - and remains - one of the best things they've ever done.

The Basement Jaxx remix of Trick Me by Kelis is arguably far too upbeat for inclusion in this selection, but I like the jarring juxtaposition with Siouxsie & The Banshees before and Phoebe Bridgers afterwards.

And, having recently discovered EMF's unexpected but strangely compelling cover of Bauhaus' classic Bela Lugosi's Dead, it was a shoo in for this selection.

And who better to start and end proceedings than Misfits

1) Halloween: Misfits (1981)
2) Halloween Parade: Lou Reed (1989)
3) Halloween: Ash (1997)
4) Laurie Sees The Shape: John Carpenter (2018)
5) 1979 (Moby Mix): The Smashing Pumpkins (1996)
6) Pumpkin (Reincarnated): Tricky ft. Lucia (2023)
7) Halloween: The Gaslight Anthem (2014)
8) Pumpkin Head Xscapes: The Fall (1992)
9) Halloween: Japan (1979)
10) Halloween: Kirsty MacColl (1991)
11) Halloween: Sonic Youth (1986)
12) The Prisoner (Album Version): Tears For Fears (1983)
13) Halloween: Dead Kennedys (1982)
14) Halloween (Album Version): Siouxsie & The Banshees (1981)
15) Trick Me (Jaxxbackclash Rerub) (Remix By Basement Jaxx): Kelis (2004)
16) Halloween: Phoebe Bridgers (2020)
17) Bela Lugosi's Dead (Cover of Bauhaus): EMF (2025)
18) Halloween II: Misfits (1981)

1979: Quiet Life: 9
1981: Halloween EP: 1, 18
1981: Juju: 14
1982: Plastic Surgery Disasters: 13
1983: The Hurting: 12
1986: Flower / Halloween EP: 11
1989: New York: 2
1991: Electric Landlady: 10
1992: Ed's Babe EP: 8
1996: 1979 EP: 5
1997: A Life Less Ordinary EP: 3
2004: Trick Me EP: 15
2014: Get Hurt (Deluxe Edition): 7
2018: Halloween OST: 4
2020: Punisher: 16
2023: Maxinquaye (Reincarnated): 6
2025: Bela Lugosi's Dead EP: 17

Ha Ha Hallowe'en (1:06:08) (GD) (M)


If that's not frightening enough for you, then I've refreshed my #SpookyTunesSeason selections, originally posted on Bluesky this time last year. Follow the link for Volume One and Volume Two

Saturday, 19 April 2025

A Bob Hoskins Inspired Compilation Of Crime Fuelled Carnage

I rarely do requests but in an effort to assuage George's disappointment following Friday's post, here's a Bob Hoskins inspired compilation of crime fuelled carnage.

A 13-song, 46-minute trawl through Bob's formidable film and television CV, with namesake songs from some heavyweight artists. 

A few notable omissions, however. I was unable to find any songs named after Who Framed Roger Rabbit? or Super Mario Brothers. 

I also left off A Prayer For The Dying for three reasons:
1) I only had one song in my collection and that was by Seal;
2) The lead actor, Mickey Rourke, has been getting more screen time in the past week than he deserves;
3) The film is utter shite.

Whilst at least one of Bob's films name checked here is a classic crime drama, at least one is arguably a crime that it was ever committed to celluloid. I'll leave you to decide which is which. 

1) Mona Lisa: Grant Lee Phillips (2004)
2) Brazil: Lloyd Cole (2003)
3) Play For Today (Black Sand Extension): The Cure (2010)
4) Kate (Cover of 'You Put Me Here (Sure as Your Name’s Kate)' by Rex Allen): Johnny Cash (1972)
5) Performance: Japan (1978)
6) Hook (4-Track Demo): PJ Harvey (1992)
7) Shoulder To Shoulder: Pete Wylie (1987)
8) Outlaw: Alan Vega (1981)
9) Thick As Thieves: The Jam (1979)
10) Last Orders (Live @ Electric Circus, Manchester): The Fall (1977) 
11) Full House: Kate Bush (1978)
12) Inner Circle: The Frowning Clouds (2014)
13) Mermaids: Nick Cave & The Bad Seeds (2013)

1972: A Thing Called Love: 4
1978: Adolescent Sex: 5
1978: Lionheart: 11
1978: Short Circuit: Live At The Electric Circus: 10
1979: Setting Sons: 9
1981: Collision Drive: 8
1987: Sinful: 7
1993: 4-Track Demos: 6
2003: Music In A Foreign Language: 2
2004: Virginia Creeper: 1
2010: Extensions Volume 1: A Collection Of New Wave Remixes By Black Sand (bootleg MP3): 3
2013: Push The Sky Away: 13
2014: Legalize Everything: 12

A Bob Hoskins Inspired Compilation Of Crime Fuelled Carnage (46:20) (KF) (Mega)

Saturday, 5 April 2025

Why Everybody Needs A Bosom For A Pillow

Side 2 of a mixtape, compiled 14th February 1998. 
 
As I reflected when I posted Side 1 in 2022, this date was either the most unforgettable Valentine's Days ever, or one so traumatic that I've erased it from memory. I was in a relationship at the time, though not the long-suffering Mrs. K, who I hope can at least vouch that Valentine's Days have been a slight improvement on this one.

I was either in an upbeat mood or urgently needed cheering up, if the tracklist of this cassette is anything to go by. Beats, happy keys, lots of energy...I even wrote the word 'funky!' on the DIY front cover!
 
This 10-song selection picks from 1990 to 1994 and is chock full of gems, opening with Freaky Realistic and Subsonic 2, two acts that I loved but never got the attention that they deserved, seemingly due to record label shenanigans and mishandling.
 
The Grid on the other hand hand a monster hit on their hands with Swamp Thing (see what I did there?). It was a thrill to see Dave Ball and Richard Norris on Top Of The Pops, when it was still (just about) worth watching.
 
Fame was fleeting for poor ol' Adamski, sadly. Barely two years after enjoying #1 success, both follow up singles and album failed to make much of an impression, chart-wise. Which is a shame as the PiL-sampling Back To Front was a great single, bolstered by superb remixes by Leftfield. Vocalist Ricky Lyte had also enjoyed Top 5 success thanks to his guest spot (as MC Lyte) with The KLF on What Time Is Love?
 
Peppering their song with a sample announcing that "one spliff a day keeps the evil away" ensured that Fortran 5 were never going to trouble the charts, but Groove takes the already groovy album version down a notch, riding on a infectious bassline. Great stuff.
 
The Shamen, Scritti Politti and Sparks all hook up with remixers du jour, with Tommy D, Apollo 440 and The Rapino Brothers delivering tasty variations.
 
And, to add a little grit to the honey, The Fall's cover of Lost In Music by Sister Sledge, which I was clearly obsessed by in the 1990s, given the number of my mixtapes it appeared on. Admittedly, I still think it's a brilliant version and one that, when it comes crashing through the speakers, I turn up the volume.

1) Something New / Cosmic Love Vibes (Full Frealistic Version): Freaky Realistic (1992)
2) Addicted To Music (Incognito Brass Mix By Jean-Paul Maunick) (Edit): Subsonic 2 (1991)
3) Swamp Thing (Radio Mix): The Grid (1994)
4) Back To Front (Album Version): Adamski ft. Ricky Lyte (1992)
5) Groove (Edit): Fortran 5 ft. Shola Phillips (1991)
6) African And White (The Steve Proctor Remix) (7" Version): China Crisis (1990)
7) Phorever People (D's Mellow Dub) (Remix By Tommy D): The Shamen ft. Jhelisa Anderson (1992)
8) Lost In Music (Single Version) (Cover of Sister Sledge): The Fall (1993)
9) She's A Woman (The Apollo 440 Remix) (Cover of The Beatles): Scritti Politti ft. Shabba Ranks (1991)
10) When Do I Get To Sing 'My Way' (The Rapino Brothers Extended Sola Mix): Sparks (1994)

Side Two (46:09) (KF) (Mega)
Side One here

Saturday, 1 February 2025

Decadance I: 1990

Side 1 of a mock cassette compilation, kicking off a new series of mixtapes that never were, and a sequel of sorts to one that I posted last August and September.

As 1989 turned into 1990 I had the idea of creating a themed series of cassette compilations, looking back at the previous decade and inspiringly titled Decade. Five C90s, one year per side, 12 songs apiece. 

I recorded the first volume on 3rd February 1990. Thirty five years later, I've finally got around to the follow up.

Decadance (sic) was originally the title of a planned companion to the Decade series, featuring selected 12" versions of 80s songs. I've appropriated it for this series instead, intentional misspelling and all, starting obviously with 1990.

The next five weekends will feature each year of the 90s, sticking with the same format of a dozen songs that dip into my record collection, which grew exponentially during the decade as I got a regular wage and a increasing addiction to music.

This was a bloody tough one to begin with. My 'shortlist' ran to over 50 songs. I decided quite early on that 1990 was going to be limited to more dance-oriented music. Although I still buying lots of guitar-based and indie records, the songs here are more reflective of what I was leaning into and hearing when I was out and about.

So, that immediately relegated Pixies, Lush, Nick Cave & The Bad Seeds, Mazzy Star, Inspiral Carpets and, reluctantly, World Of Twist. Being in the list of 1990s biggest sellers was no guarantee either, as Sinéad O'Connor, Maria McKee, Madonna found out to their cost. 

And Vanilla Ice, MC Hammer and especially Turtle Power by Partners In Kryme were proof if needed that being in the Top 15 best-selling singles of 1990 does not mean that the record buying public was right. Although I agonised longer than perhaps I should have about whether to include Infinity (1990's...Time For The Guru) by Guru Josh (RIP).

That said, two-thirds of today's selection were Top 40, and I've even managed to include two #1's with Beats International and Adamski (who naughtily didn't co-headline with Seal) although I would have sworn that there were three.

In fact, Groove Is In The Heart by Deee-Lite didn't hit the top spot. It was kept at #2 for two weeks by the re-release of The Joker by The Steve Miller Band, before Maria McKee came in with Show Me Heaven and ruined it for both of them.

Before I'd picked any of the other songs, I knew 1990 would begin with Renegade Soundwave, simply because I loved their singles and debut album, Soundclash.  Andrew Weatherall's game changing overhaul of Primal Scream with Loaded was a strong contender but inevitably was the only way to end the selection.

In between, there are perhaps some obvious choices, with The KLF, EMF and The Beloved but hopefully a few pleasant surprises too. 

Of the singles that stalled outside the Top 50, The Fall's inspired collaboration with Coldcut was huge for me, as was The Shamen's game changing album En-Tact. The single version of Make It MIne is a different mix, but the version with the rap by Rhyme & Reason that was so cheesy it was cool is the definitive in my opinion.

As well as samples aplenty, a couple of used another song as the entire foundation of their own, to startling effect. Beats International's cover of Just Be Good To Me by The S.O.S. Band laid Lindy Layton's vocals over the rhythm of Guns Of Brixton by The Clash, with a re-recorded verse lifted from Johnny Dynell & New York 88's Jam Hot was just inspired. 

As was A Tribe Called Quest's debut Top 50 hit, Bonita Applebum, whose pairing with Carly Simon & Chic 1982 hit Why? elevated both songs to another level entirely.

Although never in the same league as Andrew Weatherall, I liked Paul Oakenfold's remixes and whilst he's represented here, you may be scratching your heads wondering why I've left off his frankly brilliant remix of Step On by Happy Mondays (#5 in April 1990) for his arguably lesser known remix of Nothing by Frazier Chorus (#51 in August 1990).

Despite Step On coming out earlier in the year, I actually bought the 12" singles of Cloud 8 and Nothing first. Both featured Oakenfold remixes (I'd also recommend the limited edition Chad Jackson reworks of Nothing) and both were a surprising and pleasing departure for Frazier Chorus. Not that it helped them in the commercial sense, unfortunately,  but look what success did to Happy Mondays...

As an added bonus, this time around, I've included info at the end on when each single's peak (UK) chart placing and date, and the respective EP or album the featured version is lifted from. Well, it keeps me occupied and off the streets.

It will come as no surprise that Sunday will take a look at 1991. 

The Top 10 best selling singles of that year included Bryan Adams, Queen, The Simpsons, Chesney Hawkes and Color Me Badd. You may be relieved to know that none of them will be showing up here.

1) Probably A Robbery (7" Remix By Daniel Miller & Rico Conning): Renegade Soundwave
2) Telephone Thing (Album Version By Coldcut): The Fall
3) Unbelievable (Album Version By Ralph Jezzard): EMF
4) Make It Mine (V2.5) (Remix By The Shamen & 'Evil' Eddie Richards): The Shamen ft. Rhyme & Reason
5) Hello (Album Version By Martyn Phillips): The Beloved
6) What Time Is Love? (Live At Trancentral) (7" Version): The KLF ft. MC Bello & The Children Of The Revolution
7) Dub Be Good To Me (Album Version By Norman Cook): Beats International ft. Lindy Layton
8) Bonita Applebum (7" Why? Edit By CJ Mackintosh & Robin Hancock): A Tribe Called Quest
9) Groove Is In The Heart (LP Version By Deee-Lite & Mike Rogers): Deee-Lite ft. Bootsy Collins & Q-Tip
10) Nothing (7" Edit By Paul Oakenfold & Steve Osborne): Frazier Chorus
11) Killer (Edit By Adamski & Mike 'Spike' Drake): Adamski ft. Seal
12) Loaded (Andrew Weatherall Mix) (7" Version): Primal Scream

27th Jan 1990: Extricate (#58): 2
11th Feb 1990: Happiness (#19): 5
18th Feb 1990: Probably A Robbery EP (#38): 1
25th Feb 1990: Dub Be Good To Me EP (#1): 7
18th Mar 1990: Loaded EP (#16): 12
6th May 1990: Killer EP (#1): 11
12th Aug 1990: Bonita Applebum EP (#47): 8
26th Aug 1990: Nothing EP (#51): 10
9th Sep 1990: World Clique (#2): 9
9th Sep 1990: What Time Is Love? EP (#5): 6
22nd Sep 1990: En-Tact (#42): 4
25th Nov 1990: Schubert Dip (#3): 3

Side One (47:24) (GD) (M)

Sunday, 19 January 2025

Roots 'n' Culture, Thirty Years Later


Side 2 of a mixtape recorded sometime around September 1995. 
 
Whereas yesterday's selection was a tape from my brother's former girlfriend, today's is a cassette that I made for a girlfriend that I lived with in the second half of the 1990s. 
 
1995 was the height of Britpop and the dance/indie crossover, both of which was reflected in the mightily impressive line-up for Bristol Sound City '95 running from 17th to 23rd April that year. 
 
Pulp! Radiohead! The Prodigy! Suede! Supergrass! Orbital! Sleeper! Gene! The Chemical Brothers! Teenage Fanclub! Skunk Anansie! The Orb! Elastica! The Bluetones! Utah Saints! Ash! dEUS! Dreadzone! Reef! Marion! and er, Menswe@r!
 
Not that I went to any of these gigs, or was paying that much attention, judging by my track listing over the two sides of C90. The only Sound City '95 act to make the cut was The Jesus & Mary Chain, and nearly half of Side 2 stuck in 1992, with only Björk and Gavin Friday representing releases in 1995.

For all that, I really like this compilation. Both sides kick off with an instrumental, Barry Adamson on Side 1 and the timeless (and beatless) Smokebelch II by The Sabres Of Paradise aka Andrew Weatherall, Jagz Kooner and Gary Burns

A fair few cover versions on this side too, from The Fall, Björk and Vegas, the short-lived partnership of David A. Stewart and Terry Hall.

The LFO track first appeared on the book/CD series Volume Three in 1992, although I didn't get to hear it until I bought the two 2CD 'Best Of Volume' compilations that emerged in 1995. Slow Down Speedy appeared on the first, entitled Wasted, but both are worth tracking down.

And Julian Cope makes a brief cameo, right at the end of the selection, as only he can.
 
This particular love story didn't have a happy ending, but the music never let us down. 
 
1) Smokebelch II (Beatless Mix): The Sabres Of Paradise (1993)
2) Lost In Music (Single Version) (Cover of Sister Sledge): The Fall (1993)
3) Bonita Mañana (Gang Starr Vocal Mix): Espiritu (1994)
4) Deee-Lite Theme (Global Village Mix): Deee-Lite (1991)
5) Phorever People (D's Mellow Dub): The Shamen ft. Jhelisa Anderson (1992)
6) Honey Power (Single Version + Instrumental Coda): My Bloody Valentine (1991)
7) It's Oh So Quiet (Album Version) (Cover of Betty Hutton): Björk (1995)
8) Slow Down Speedy: LFO (1992)
9) Showgirl (Single Version): The Auteurs (1992)
10) Trance Of Hatred: Barry Adamson ft. Maria Zastrow (1992)
11) She (Disco Mix) (Cover of Charles Aznavour): Vegas (1992)
12) Angel (7" Edit): Gavin Friday (1995)
13) Cool Hand Flute (Original Mix): Fluke (1989)
14) Peggy Suicide is Missing...: Julian Cope (1992)
 
1989: Thumper / Cool Hand Flute EP: 13
1991: Power Of Love EP: 4
1991: Tremolo EP: 6 
1992: Jehovahkill: 14
1992: Phorever People EP: 5 
1992: She EP: 11
1992: Showgirl EP: 9
1992: Soul Murder: 10
1992: Volume Three: 8
1993: Sabresonic: 1
1993: Why Are People Grudgeful? EP: 2
1994: Bonita Mañana EP: 3 
1995: Angel EP: 12
1995: Post: 7

Side Two (46:39) (KF) (Mega)
 
And for those of you who weren't here 993 days ago when I posted Side 1, you can find it here.