Showing posts with label The Mock Turtles. Show all posts
Showing posts with label The Mock Turtles. Show all posts

Sunday, 2 February 2025

Decadance I: 1991

Side 2 of a made up mixtape, focusing on the Nineties. Today we arrive in 1991. 

Guitars are beginning to creep back into the mix, but today's selection is still very much about getting on to the dancefloor, whether of the club or indie variety.

Looking at the best-selling UK singles of 1991, there was clearly a collective madness permeating society as far as record buying was concerned. How else do you explain Bryan Adams spending four effing months at #1? Or The Simpsons also hitting the top spot and having the 5th best seller of the year? Is there any rational explanation for the existence of Color Me Badd?!!

I spent a large part of 1991 in Australia, whose singles charts were arguably just as bad, though I was at least spared The Stonk by comedians Hale & Pace. 

Continuing with the info on each single's peak (UK) chart placing and date throws up some interesting observations. As with yesterday's selection, 1991's dozen songs include eight UK Top 40 hits and four that, well, weren't.

Just the one #1 this time and that a cheeky piggy back on a re-release of Should I Stay Or Should I Go by The Clash thanks to a jeans TV advert. Mick Jones had regrouped and relaunched Big Audio Dynamite II the previous year and included a reworked and renamed song from their debut album. Change Of Atmosphere became Rush and it gave Mick another hit single...though it made little if no difference to the chart fortunes of follow up album The Globe.

The selection opens with Intastella, a band I loved but for whom commercial success seemed elusive. Century, despite a 12" remix from Adamski, peaked at #70 and proved to be the second highest charting single of their career in the UK. A shame, as they had some cracking tunes, including this one.

Today's MAW (Mandatory Andrew Weatherall, not to be confused with Masters At Work, although he's equally deserving of the label) is a monumental remix of 101 by Finitribe. Even the 3:20 single edit is a masterclass, to the extent that this was the album version selected for An Unexpected Groovy Treat the following year. 

Released in July 1991, as far as I can tell 101 managed to scrape to #171 by the end of August and that was it's peak. As I said above,  clearly a collective madness permeating society as far as record buying was concerned.

Apart from the aforementioned Big Audio Dynamite II stowaway, the only other song from 1991's Top 20 best sellers is Sunshine On A Rainy Day by Zoë. Quite an achievement given that the original 1990 version failed to make the same impression. All I will say is that returning to the UK and seeing the leather trousered, barefoot Zoë throwing all manner of shapes on Top Of The Pops made a lasting impression on me.

An unexpected delight whilst I was on the other side of the world was hearing Bristol-born boy done good Gary Clail cracking the Top 10 with Human Nature. I was already a fan of his work with Adrian Sherwood and On-U Sound System, but the additional boost of an in-vogue remix by Paul Oakenfold and Steve Osborne made all the difference. Hearing Gary's Bristolian burr ("put their hands in their pockets") alongside the dulcet tones of the legendary Alan Pillay still makes me smile.

Poor If? though, they really did try. They had some great tunes, seemingly tapped into the zeitgeist with their lyrical subjects and had impeccable taste in remixers, including Leftfield and Justin Robertson. Sadly, people just didn't buy any of their records. They had three goes with Saturday's Angels between 1991 and 1992, the 2nd being the best, with a peak of #83. This radio-friendly remix by The Grid aka Dave Ball and Richard Norris didn't in fact feature on any of the three attempts, instead tucked away as a B-side on another undeservedly flop single from 1991, Open Up Your Head.

Unfinished Sympathy was Massive Attack's first big hit...except it wasn't. Following a frankly bizarre edict regarding band names that might be triggering due to the ongoing Gulf War, the BBC banned a load of songs during this period.

The list apparently included Atomic (Blondie), In The Army Now (Status Quo), I'm On Fire (Bruce Springsteen), State Of Independence (Donna Summer), Walk Like An Egyptian (Bangles) and When the Going Gets Tough, the Tough Get Going (Billy Ocean).

The record label dodged this potential issue by renaming Massive Attack as Massive for this one single, but it seemed to work, although I sure that there were some music lovers out there devastated this this wasn't in fact a belated follow up by Massivo ft. Tracy.

Intastella weren't the only young upstarts, however. Saint Etienne, Flowered Up and The Mock Turtles were all establishing themselves, though arguably I should have made some room here for James or Manic Street Preachers. 
 
However, there was another band who showed some early promise, by the name of Blur. I wonder what became of them?

Be here next Saturday for some 1992 action. I'll be as surprised as you to find out what makes the final twelve.

1) Century (7" Version By Chris Nagle & Mike 'Spike' Drake): Intastella
2) 101 (Sonic Shuffle Edit By Andrew Weatherall & Hugo Nicolson): Finitribe
3) Nothing Can Stop Us (Album Version): Saint Etienne
4) Sunshine On A Rainy Day (7" Radio Mix 1991 By Youth & Mark 'Spike' Stent): Zoë
5) Do What You Feel (Dum Dum Vocal Edit By Dave Lee): Joey Negro ft. Debbie French
6) Human Nature (On The Mix Edit By Paul Oakenfold & Steve Osborne): Gary Clail / On-U Sound System ft. Alan Pillay
7) Saturday's Angels (Elevator Heaven Mix By The Grid): If?
8) Unfinished Sympathy (Nellee Hooper 7" Mix): Massive Attack ft. Shara Nelson
9) Take It (Album Version): Flowered Up
10) Rush (Edit): Big Audio Dynamite II
11) Can You Dig It? (Extended Mix By Martin Coogan, Pete Smith & Karl Madert): The Mock Turtles
12) There's No Other Way (Album Version By Stephen Street): Blur

20th Jan 1991: Saturday's Angels EP (#83): 7
3rd Mar 1991: Should I Stay Or Should I Go EP (#1): 10
10th Mar 1991: Unfinished Sympathy EP (#13): 8
14th Apr 1991: Can You Dig It? EP (#18): 11
21st Apr 1991: Human Nature EP (#10): 6
12th May 1991: Foxbase Alpha (#54): 3
12th May 1991: A Life With Brian (#34): 9
12th May 1991: There's No Other Way (#8): 12
25th Aug 1991: 101 EP (#171): 2
8th Sep 1991: Sunshine On A Rainy Day EP (#4): 4
17th Nov 1991: Century EP (#70): 1
17th Nov 1991: Do What You Feel EP (#36): 5

Side Two (47:18) (GD) (M)

Monday, 19 September 2022

Mo' Monday Blues

Today is a public holiday in the UK, the second additional day in 2022. The first, in June, marked Queen Elizabeth II's Platinum Jubilee, the first British Monarch to reign for 70 years. The second, today, observes the funeral of the Queen, a day-long event starting at Westminster Hall, moving to Westminster Abbey then Windsor Castle and culminating in her burial within St. George's Chapel. As has been the case since the Queen's death on 8th September, there will be live coverage throughout the day, should you wish to follow it. Judging by the shelves at a local supermarket, I'm guessing many will be doing so whilst getting blotto on whisky.
 
I've hesitated to post anything about the event to date; this blog is primarily about the music I love, with little bits of my life story popping up here and there. I've been interested by how several fellow music bloggers have acknowledged their own feelings, whilst being aware that it's a potential minefield of trolling and negative comments. 
 
I'm at home at Casa K today. I won't be watching the TV but I will make the most of this opportunity to be with my family and be productive.
 
I've started as I mean to go on with a freshly curated selection of tunes. The theme is very simple and completely unrelated to the Queen's funeral: being Monday, the name of every artist featured begins with 'Mo' (or 'The Mo'). The shortlist was still pretty long - 50 songs - and I reluctantly left off a few that I thought would be a sure thing: Mogwai, The Modern Lovers, Mojave 3, Momus, The Moonlandingz, The Monochrome Set; even The Monkees failed to make the final 11.

However, I do like how the selection has worked out. Moaning and Movement 98 (featuring Carroll Thompson) were dead certs for the opening and closing songs. Mohamed Karzo is another delightful discovery from my Sahel Sounds compilation purchases, whilst Mount Sims first came to my notice in a collaboration with The Knife and planningtorock. Mono were late to the trip hop party but perhaps would have soundtracked Killing Eve in an alternate reality. The two cover versions by Moodswings and Monkey Mafia are sublime. The rest of the selection is made up with Moby, Moloko, The Mock Turtles and Mojave Lords.
 
Any connection that can be made between the song titles and today's events is, I promise you, entirely coincidental.
 
1) Don't Go: Moaning (2018)
2) There's Nothing Wrong With The World There's Something Wrong With Me: Moby & The Void Pacific Choir (2017)
3) C'est La Vie: Mohamed Karzo (2017)
4) Spiritual High (Original Edit) (Cover of 'State Of Independence' by Jon & Vangelis): Moodswings ft. Martin Luther King (1991)
5) Being Is Bewildering: Moloko (2000)
6) Long As I Can See The Light (Adrian Sherwood's Dub Lighting) (Cover of Creedence Clearwater Revival): Monkey Mafia ft. Shirzelle (1998)
7) Strings And Flowers (Single Version): The Mock Turtles (1991)
8) Sweet Little Down & Out: Mojave Lords (2014)
9) Hollywood Bride: Mount Sims (2002)
10) Silicone (Mr. Scruff Remix): Mono (1997)
11) Joy And Heartbreak (Future Mix (Airplay Edit) By Paul Oakenfold & Steve Osborne): Movement 98 ft. Carroll Thompson (1990)
 
1990: Joy And Heartbreak EP: 11
1991: Spiritual High EP: 4
1991: Strings And Flowers EP: 7 
1997: Silicone EP: 10
1998: Long As I Can See The Light EP: 6
2000: Things To Make And Do: 5 
2002: UltraSex: 9
2014: Unfuckwithable: 8
2017: Agrim Agadez: 3
2017: More Fast Songs About The Apocalypse: 2
2018: Moaning: 1