Decadance V: 1999

After five week(end)s and ten posts, the Decadance series ends inevitably with 1999. 

Unlike my previous look at the 1980s, which largely recreated existing mixtapes, each one of these posts started completely from scratch and tried to imagine what my 20-something self would have tried to cram onto each side of a C90.

It's been a lot of fun, but a lot more time consuming. Even compared to my usual posts containing a Dubhed selection, each one has taken about three times longer to complete, sometimes at the expense of other planned posts (like gig reviews, with apologies to Mike...it's coming!)

I'm really glad I did it though, not least because it's enabled to me to revisit lots of artists and tunes that I haven't heard in ages. I also had the impression going into this that, unlike the Decade series, this one would be largely comprised of outlier music that only rarely troubled the UK singles charts. 

I decided to track the highest chart placings for each post and it turns out that my latter assumption was way off. Despite being subjected to some of the most dire, bland, identikit pop pap throughout the 90s, the decade also delivered some great music that made more of an impression (however briefly) with the record buying public. There are way more Top 10 hits than non-charting singles throughout, for example.

Decadance has delivered 120 songs by 110 individual artists, meaning that some - but not many - appeared more than once.  No surprise perhaps to find that Julian Cope and Massive Attack were the only to have three bites of the cherry, though the revelation that the former had at least 3 hits in the 1990s may.

Honorable mentions for those who managed two appearances: Fluke, Lionrock, The Sabres Of Paradise, Saint Etienne, Suede and, just under the wire with today's selection, The Chemical Brothers. Likewise, Dot Allison, by dint of her previous outing with One Dove.

So, let's have a look at who made the final dozen of the millennium.

1999 starts off with The Chemical Brothers and Hey Boy Hey Girl. I had assumed that like Block Rockin' Beats before it, this song had gone straight in at #1, but no. Keeping Ed and Tom off the top spot were Everybody's Free (To Wear Sunscreen) by Baz Luhrmann and the previous week's #1, Sweet Like Chocolate by Shanks & Bigfoot (more of which later).

As with most singles at this time, it was all about first week sales, usually bolstered by multiple formats offering slightly different B-sides and versions. Unfortunately, the following week Hey Boy Hey Girl dropped to #6 and it was downhill from there.

A song that deserved far better than its peak of #54 was Honey by Billie Ray Martin. A great pop song, produced by Dave Ball, remixed by Chicane and Deep Dish, it didn't get the love (or radio play) that it deserved. Time to address that injustice here.

It's hard to comprehend that it's been more than a quarter of a century since Dot Allison released her debut solo single (Mo' Pop) and album (Afterglow). Again, how was Mo' Pop not at least Top 40, higher even? Thankfully, Dot has continued to record and release wonderful music ever since.

I know, I know, there are many other and arguably better James songs that should have seen them appear earlier in the series. That said, I have a real soft spot for I Know What I'm Here For. I didn't buy the single or album but obtained it via Q magazine's 'best albums of 1999' freebie CD at the end of the year and it's remained a much-loved song since.

The Stone Roses made their sole appearance in my Decade mixtape series in 1989, with Fool's Gold. It seems fitting therefore that Ian Brown should make a solo appearance in 1999 with Love Like A Fountain. Never one for modesty, this song was a precursor to Ian's second album, titled Golden Greats. 

Great is a word I'd use to describe GusGus, the unlikely 4AD signing from Iceland, who brought a glacial cool to the dancefloor. Again, many other worthy contenders throughout the mid- to late-90s, but the opening seconds of Starlovers make me want to move every time. And Daníel Ágúst's voice is just sublime.

Lovefool did nothing for me, if I'm honest, and I figured The Cardigans to be just another band that were quickly in and out of favour. Then I heard Your Favourite Game and Erase/Rewind and really liked them both. By sheer coincidence, I'd placed the latter at track 7 in this selection before discovering it's peak UK singles chart placing was...7. 

I remember Sweet Like Chocolate by Shanks & Bigfoot as much for it's crap video, which I haven't seen since but which probably looks even more horribly dated now. Nothing to detract from what was quite a clever dance/pop crossover hit (it was #1 in May 1999). I normally avoided generically titled CD compilations like the plague, but I succumbed to the appeal of The Best Ibiza Anthems...Ever!, which included the Ruff Driverz remix of Sweet Like Chocolate featured here. It remains the only version of the song in my music collection.

Beck was back in 1999, although he'd never really been away, having released his previous album the year before. Sexx Laws was a bit different though, offering up a (retro)poppier take that I found quite appealing, as I did the rest of the Midnite Vultures album. I've know idea what esteem or place in the canon this holds with Beck fans. For me, it was the right music at the right time. Did it appear in the soundtrack to Austin Powers: The Spy Who Shagged Me? If it didn't, it could have.

The final Mandatory Andrew Weatherall (MAW) appearance didn't present the same challenges as 1998. Another Two Lone Swordsmen remix, though this time included on the official CD single release with full vocals and a smidge under five minutes. That the song happens to be Swansong by Rae & Christian featuring the wonderful vocals of Veba aka Beverley Green is just icing on the cake. Andrew and Keith Tenniswood excelled themselves with this one.

Despite being their most commercially successful decade, R.E.M. make their one and only appearance as the penultimate song in the very last post of the series. What a song, though. At My Most Beautiful is a thing of, well, beauty although the jingle bell backing always had me thinking that it must have been released in time to exploit the Christmas market. Not so, it was March! 

I bought the CD single in the bargain bins, many moons later. I'd not heard the lead song at this point and got it solely for the bonus live versions of Country Feedback and The Passenger (Iggy Pop), performed on Later...With Jools Holland. At My Most Beautiful has since become a personal favourite.

How to follow that and close out the series and the decade? By going back to January 1999 and Delta Sun Bottleneck Stomp by Mercury Rev, that's how. The album edit here comes in at just over 3 minutes, stretching my imaginary C90 tape to almost breaking point, though there was no question of ending this selection in any other way. Just a joy from start to finish, which then inspired me to dig out the full length version and remix by The Chemical Brothers to keep it going on and on.

Thank you for sticking with me for the last few weekends. I hope that, as it did for me, these weekly trips have been a reminder of some great music and artists, many of whom are still going in some shape or form today, continuing to add to their rich and varied history.

I suspect that when I get around to a series on the Noughties, the gulf between my singles selections and the UK charts will be vast, yet I know that like Decadance and Decade, there will be many gems to be uncovered and shared. I'm not planning on doing it any time soon, possibly not even this year, though I have come up with the series name. 

Decayed. 

1) Hey Boy Hey Girl (Radio Edit): The Chemical Brothers

2) Honey (Chicane Radio Edit): Billie Ray Martin

3) Mo' Pop (Album Version): Dot Allison

4) I Know What I'm Here For (Album Version): James

5) Love Like A Fountain (Radio Version): Ian Brown

6) Starlovers (Edit): GusGus

7) Erase/Rewind (Cut La Roc Vocal Mix): The Cardigans

8) Sweet Like Chocolate (Ruff Driverz Vocal): Shanks & Bigfoot ft. Sharon Woolf

9) Sexx Laws (Album Version): Beck

10) Swansong (Two Lone Swordsmen Vocal): Rae & Christian ft. Veba

11) At My Most Beautiful (Radio Remix): R.E.M.

12) Delta Sun Bottleneck Stomp (Album Version Edit): Mercury Rev

31st January 1999: Delta Sun Bottleneck Stomp EP (#26): 12

28th February 1999: Erase/Rewind EP (#7): 7

14th March 1999: At My Most Beautiful EP (#10): 11

28th March 1999: Afterglow (#81): 3

18th April 1999: Starlovers EP (#62): 6

23rd May 1999: Sweet Like Chocolate EP (#1): 8

6th June 1999: Hey Boy Hey Girl EP (#3): 1

13th June 1999: Swansong EP (#17): 10

25th July 1999: Millionaires (#22): 4

15th August 1999: Honey EP (#54): 2

31st October 1999: Love Like A Fountain EP (#23): 5

14th November 1999: Midnite Vultures (#27): 9

Side Two (47:01) (KF) (Mega)

Believe (For Adam And Andrew)

Over at Bagging Area for the past six months, it's been Weatherall Remix Friday, a veritable treasure trove of deep cuts and 'lost' classics from the mighty Lord Sabre.

As a tribute and thank you to Swiss Adam and Andrew Weatherall, here's a 65-minute excursion on the version, some early(ish) favourites from 1990 to 1993 with an additional tip of the hat to Jagz Kooner, Gary Burns and Hugo Nicholson.

Apologies for the shonky quality of some of the vinyl rips (not all mine) and the slipshod segues (all mine), hopefully compensated in part by the great tunes and smattering of audio Easter eggs, courtesy of this excellent 2013 interview with Mr. Weatherall.

Peace and love to you all.

 

1) Imperfect List (Unlisted Version By Andrew Weatherall & Hugo Nicolson): Big Hard Excellent Fish (1990)

2) What It Is (Ain't Losin Control) (The Big Bottom End Mix By Andrew Weatherall): Word Of Mouth ft. Linda Love (1990)

3) Regret (Sabres Slow 'n' Lo - Dub Half) (Remix By Sabres Of Paradise aka Andrew Weatherall, Jagz Kooner & Gary Burns): New Order (1993)

4) Everything (Everything's Gone Quiet Remix By The Sabres Of Paradise aka Andrew Weatherall, Jagz Kooner & Gary Burns): Stereo MC's (1993)

5) Transient Truth (Death Of A Disco Dancer) (Remix By The Sabres Of Paradise aka Andrew Weatherall, Jagz Kooner & Gary Burns): One Dove (1992)

6) Fall (Let There Be Drums) (Andrew Weatherall Mix): Deep Joy (1990)

7) Come Home (Skunk Weed Skank Mix By Andrew Weatherall): James (1991)

8) Find 'Em, Fool 'Em, Forget 'Em (The Eighth Out Mix By Andrew Weatherall): S'Express (1991)

9) Shine Like Stars (Andrew Weatherall Remix): Primal Scream (1990)

Believe (For Adam And Andrew) (1:04:55) (KF) (Mega)

Burn Baby Burn

Sunday 5th November is officially Bonfire Night, or Guy Fawkes Night if you prefer, although most of the displays in my neck of the woods inevitably took place on Saturday night. 

Things have changed dramatically since I was a kid. The weeks leading up to 5th November used to see children pitched up outside the local newsagents with a badly stuffed and clothed effigy and calling out for a "penny for the Guy". This year my local shop had a copper-hued approximation of Spongebob Squarepants, no kids and no indication of whether poor ol' Bob was going to end up on the pyre come the evening's festivities.

Hallowe'en was virtually non-existent as a "thing" when I was growing up but seems to have completely taken over from Bonfire Night in the last few decades. We were in Valencia for the former, which is followed on 1st November by el Dia de Todos los Santos ("All Saints Day" itself derived from the pagan festival "All Souls Day"), a national public holiday and a time to remember and honour the dead.

From a meteorological perspective, there couldn't have been a greater contrast. Hallowe'en and All Saints Day were bright and sunny, with temperatures in the mid-high 20s; Bonfire Night was bloody freezing and it had been raining for much of the day. We've not been to the local firework display since Lady K very quickly lost interest in it as a child and this year was no exception. Bah. And humbug.

However, it does give me an excuse to pull together a (let's face it, verrrry loose) Dubhed selection based on fireworks, bonfires and fires in general. Spoiler alert: despite the title, Ash doesn't feature at all.

What you do get for starters is a one-off collaboration between The Go-Betweens and The Birthday Party from 1982. From there, a trio of 1986 treats by XTC, Elvis Costello and Ciccone Youth, with more 1980s gems from Redskins, Siouxsie & The Banshees and Tom Robinson following later.

On Thursday, Walter - he of the excellent A Few Good Times In My Life blog - waxed lyrical about the 50th anniversary reissue of classic film The Wicker Man. As noted, Bristol legend Katy J Pearson was invited to cover a number of the soundtrack's songs. Katy brought some friends along, including Drug Store Romeos, Wet Leg and Sarah Meth for a spine-tingling version of Fire Leap.  

Speaking of covers, the only song I have by Joensuu 1685 is their full-volume cover of I'm On Fire by The Boss. The Helsinki-based band comprises three Joensuus - Markus, Mikko and Risto - though only the first two are related. Their second album was released in 2020 so I assume that they're still a going concern.

It would be remiss of me not to include a Spanish band in this selection and whilst they hail from Madrid not Valencia, who better than the raucous Hinds? 

By complete contrast, things drop down to a much more sedate level for the closing song, The KLF adding a chilled country twang to Build A Fire from their seminal album The White Room.

 

1) After The Fireworks: Tuff Monks (1982)

2) Sacrificial Bonfire: XTC (1986)

3) Indoor Fireworks: The Costello Show ft. The Attractions & The Confederates (1986)

4) Burnin' Up (Mike Watt Original Demo) (Cover of Madonna): Ciccone Youth (1986)

5) Building A Fire: James & Brian Eno (1994)

6) Worn From The Fight (With Fireworks): Castanets (2009)

7) (Burn It Up!) Bring It Down (This Insane Thing) (12" Version): Redskins (1985)

8) Light/Fireworks: The Fall (1993)

9) Fire Leap (Cover of Magnet): Katy J Pearson ft. Drug Store Romeos, Wet Leg & Sarah Meth (2023) 

10) Bonfire: Lamb (1999)

11) Fireworks (12" Version): Siouxsie & The Banshees (1982)

12) I'm On Fire (Cover of Bruce Springsteen): Joensuu 1685 (2009)

13) Looking For A Bonfire (Unreleased Alternate Recording): Tom Robinson (1984)

14) Burn: Hinds (2020)

15) Build A Fire (1991 Album Version): The KLF ft. Maxine Harvey (1991)

 

1982: After The Fireworks EP: 1

1982: Fireworks EP: 11

1985: (Burn It Up!) Bring It Down (This Insane Thing) EP: 7

1986: Burnin' Up/Into The Groove(y) EP: 4

1986: King Of America : 3 

1991: The White Room: 15

1993: The Infotainment Scan: 8

1994: Wah Wah: 5

1997: War Baby: Hope And Glory: 13

1999: Fear Of Fours: 10

2009: Texas Rose, The Thaw, And The Beasts: 6

2010: I'm On Fire / Perfect Grace EP: 12

2016: Skylarking (Steven Wilson Mix): 2

2020: The Prettiest Curse: 14

2023: The Wicker Man EP: 9

Burn Baby Burn (59:13) (KF) (Mega)

Indie Incidentally

...or, single word sounds from the indie underground (kind of).

Dusting off a lucky 13 songs that I haven't played in a while, all done in under 45 minutes. Happy Friday, everyone!

1) Ray: The House Of Love (1990)

2) Spangle: The Wedding Present (1994)

3) Mesh: New Order (1981)

4) Seconds: Pulp (1994)

5) Navigator: The Pogues (1985)

6) Kookaburra: Cocteau Twins (1985)

7) Ambition: The Jesus & Mary Chain (1985)

8) Lullaby: James (1993)

9) Babble: The Cure (1989)

10) Split: That Petrol Emotion (1987)

11) Hoverin': The Breeders (1993)

12) Free: Mazzy Star (1990)

13) White: The Field Mice (1989) 

 

1981: Everything's Gone Green EP: 3 

1985: Aikea-Guinea EP: 6 

1985: Never Understand EP: 7

1985: Rum, Sodomy & The Lash: 5

1987: Babble: 10

1989: Lullaby EP: 9

1989: Snowball: 13

1990: A Spy In The House Of Love: 1

1990: She Hangs Brightly: 12

1993: Divine Hammer EP: 11

1993: Laid: 8

1994: The Sisters EP: 4

1994: Watusi: 2

 

Indie Incidentally (44:29) (Box) (Mega)

Keep On Falling

After yesterday's high energy workout, time to chill out and calm down with an ambient-themed selection.

Thirty two years, thirteen songs and one hour with some stripped back versions of some popular pop songs, an unexpected cover version and a few that are hopefully new to you or at least not heard for a long time.

Sit back with your favourite brew, close your eyes and think lovely thoughts for the next sixty minutes.

1) Dominica (Kenneth Bager's Sunset Ambient Mix): RüF Dug (2016)

2) Golden Brown (Fila Brazillia Remix-Ambient) (Cover of The Stranglers): Better Daze (1997)

3) Brilliant Fault And Sky Was Blue (Ambient Version) (Remixed By LFO): Soft Ballet (1992)

4) So Swell (Ambient Version By James & Brian Eno): James (2001)

5) Love Comes Quickly (Blank & Jones Ambient Remix): Pet Shop Boys (2003)

6) Shot In The Back Of The Head (Ambient): Moby (2009)

7) Ruined In A Day (The Ambient Mix By Booga Bear aka Cameron McVey): New Order (1993)

8) Walking Down Madison (6 a.m. Ambient Mix By Howard Gray) (Single Edit): Kirsty MacColl ft. Johnny Marr (1991)

9) Call A Wave (Return To The Deep Ambient Mix By Mark Moore & William Orbit): Malcolm McLaren & The Bootzilla Orchestra (1989)

10) Ambient 2: Turin Brakes (2005)

11) Come Come The Rain (Ambient Version): Max Essa (2021)

12) Pulsing (Citadel Ambient Version): GLOK (2020)

13) Geek Love (Irresistible Ambient Mix By Mixmaster Morris): Bang Bang Machine (1993)

 

1989: Call A Wave EP: 9

1991: Walking Down Madison EP: 8

1992: Alter Ego: 3 

1993: Geek Love EP: 13

1993: Ruined In A Day EP: 7

1997: Remix Project: 2 

2001: Getting Away With It (All Messed Up) EP: 4

2003: PopArtMix: The Hits (limited edition 3x CD): 5

2005: JackInABox (hidden track): 10

2009: Wait For Me (Deluxe Edition): 6

2016: Island Remixes EP: 1

2020: The Citadel EP: 12

2021: Miró In The Bathroom: 11

 

Keep On Falling (1:00:42) (Box) (Mega)

ElevenPercent Of EarthPercent

The biggest digital purchase I made during Bandcamp Friday was the EarthPercent x Earth Day compilation album, (re)released for 24 hours only, offering up 100 songs for £25.00. I took the plunge, figuring at best that 25p per track was a pretty good deal and if even a third of them were halfway decent, it was still a decent price. 

 

There were enough artists to pique my curiosity - JARV IS..., Dry Cleaning, Peter Gabriel, James, Brian Eno, The Weather Station - as well as a few that I'd heard of but not heard much by, plus many that were completely new to me.

 

The track listing has changed slightly since the previous release, swapping out some tracks and replacing them with new additions. It's meant that I've been spared Coldplay's contribution so I'm not complaining.

 

A whopping 17 of the 100 are given to Anna Calvi's soundtrack album for Peaky Blinders Season 5 which, isolated from the BBC TV series, has already had a few plays in it's own right so I'm already feeling that this was a worthwhile purchase.

I'm about a quarter of the way through the remaining songs and, unsurprisingly, it's a bit hit and miss. As the album is sequenced alphabetically by the artists' first names/words, I've gone for a random shuffle, listening to 45-minute, album-sized chunks over the past few days.

The big draw is perhaps Michael Stipe, who has released very little solo music since R.E.M. ended in September 2011. Future, If Future is a co-write with producer Andy LeMaster, who's only other appearance in my collection is a rejig of R.E.M.'s The Lifting, which appeared on their free download R.E.M.IX album in 2002. On a couple of listens, it's...okay. I'll leave it at that.

Today's selection is 11 songs that I've enjoyed listening to so far. I really like The Big Moon, who I've not heard before, and The Pictish Trail, JARV IS... and The Weather Station do not disappoint. Dry Cleaning made me kick myself again that I didn't see them live earlier this year. Nick Mulvey is a name that I've often seen but not heard. A Prayer Of My Own seemed like a natural choice for a closing song and I'm encouraged to check out more.

 

I've said very little about EarthPercent itself, the environmental charity founded by Brian Eno - you can read more here.

 

1) Act Now: Hannah Peel ft. Ulster Orchestra

2) Leaving (Niklas Paschburg Rework): Hania Rani

3) Her Hippo (Live): Dry Cleaning

4) This Way: The Weather Station

5) Beautiful Beaches (Conservatory Version): James

6) Nuclear Sunflower Swamp (Acoustic): The Pictish Trail

7) BIG: The Big Moon

8) Growing Pains: tummyache

9) Future, If Future: Michael Stipe

10) Depressive Disco: JARV IS...

11) A Prayer Of My Own (LaJoya Remix): Nick Mulvey ft. Liz Wathuti

ElevenPercent Of EarthPercent (45:09)

It's The Why, It's The Where And The When We're United

The long overdue return of an Andrew Weatherall remix selection to this blog, with a half-dozen lengthy reworkings, firmly rooted in the 1990s.

First up, the original version of Smokebelch II, which spawned - and continues to inspire - numerous versions and remixes. Still sounding beautiful and epic, three decades on. 

Andrew Weatherall's relationship with Primal Scream was such that it was an expectation  that he would in some way, shape or form be involved with each new release, whether as producer and/or remixer. I remember the thrill of getting the promo 12" of Stuka, the two mixes a highlight of the Vanishing Point era.

United was originally recorded by Throbbing Gristle in 1978, although I don't think I heard it until the 1990s, via a UK re-release of the 1981 US compilation, Throbbing Gristle's Greatest Hits: Entertainment Through Pain. In 1994, I came across an untitled remix credited to PT001 on The Sabres Of Paradise compilation, Septic Cuts. In 1995, Psychic TV released Sirens, containing 4 Weatherall remixes of the song, re-titled Re-United. Today's post title is lifted from the original Throbbing Gristle song, although ironically that line is cut from the two-part vocal remix included in this selection.

Gone saw Andrew Weatherall repaying a favour to David Holmes, who had remixed Smokebelch II to stunning effect a couple of years previously. Although credited as featuring Sarah Cracknell from Saint Etienne, you'll be hard pressed to find any trace of her in this beat-heavy minimalist mix.

It took me a long time to get hold of the Two Lone Swordsmen remix of Come Together but it was worth the time and effort. A dizzying, discordant trip way south of Spiritualized's original for nearly sixteen minutes, it's easily one of the best things that Andrew Weatherall and Keith Tenniswood produced in their time together.

 

As if that wasn't epic enough, the remix of Jam J that The Sabres Of Paradise originally delivered to James ran to thirty three and and a half minutes. The mix was released split into two sides of a vinyl 12" or in it's full, unedited glory as a single CD. I got the latter. The labeling of the mix described four distinct phases and you get the third phase here, the majestic Sabresonic Tremelo Dub, with off-kilter, shuffling rhythms, washes of squalling guitar and melancholic synth lines that, together, really hit the spot.

 

I've not attempted any ham-fisted mixing, beat matching or re-editing here; you get six sequenced songs in a CD-R friendly track list to listen to. Andrew Weatherall would have undoubtedly have spun this selection off into a completely new shape, but I think they're all pretty wonderful in their own right too.

 

1) Smokebelch II (Entry) (Remix By Andrew Weatherall, Jagz Kooner & Gary Burns): The Sabres Of Paradise (1993)

2) Stuka (Two Lone Swordsmen Mix #1) (Remix By Andrew Weatherall & Keith Tenniswood): Primal Scream (1997)

3) Re-United (Mix 4 By Andrew Weatherall): Psychic TV (1994)

4) Gone (First Night Without Charge) (Remix By Two Lone Swordsmen): David Holmes ft. Sarah Cracknell (1995)

5) Come Together (The Two Lone Swordsmen Mix): Spiritualized (1998)

6) Jam J (Phase 3: Sabresonic Tremelo Dub): James vs. The Sabres Of Paradise (1994)

 

It's The Why, It's The Where And The When We're United (1:09:31)

Audrey Is A Little Bit Partial

Side 2 of a mixtape, compiled 8th December 1996, featuring the remixing genius of Andrew Weatherall. Because every day is a good day to listen to Andrew Weatherall, but particularly today.

 

Andrew James Weatherall, 6th April 1963 to 17th February 2020.

 

1) Jam J (Phase 1: Arena Dub) (Remix By Andrew Weatherall, Jagz Kooner & Gary Burns): James vs. The Sabres Of Paradise (1994)

2) 11 Years (Sabres Main Mix 2 By The Sabres Of Paradise): The Wolfgang Press (1995) 

3) Weekender (Audrey Is A Little Bit Partial Mix By The Sabres Of Paradise): Flowered Up (1992)

4) The Chrono Psionic Interface (The Godiva Mix By Andrew Weatherall): A Man Called Adam (1991)

5) Nowhere (Sabres Of Paradise Mix): Therapy? (1994)

 

1991: The Chrono Psionic Interface EP: 4

1992: Weatheralls Weekender EP: 3

1994: Jam J EP: 1

1994: Nowhere EP: 5

1995: Going South EP: 2 

 

Side Two (46:06) (KF) (Mega)

Now That's What I Call Jangly

Side 1 of a mixtape, originally compiled for me by my girlfriend, sometime around 1996.

Despite the title, it's not entirely jangly but it is resolutely indie. She was a big fan of The Wedding Present, The House Of Love and James and I was immersed in their music for a few years. 

I haven't heard many of these songs in over a decade: I'd completely forgotten about Bedflowers; there's a lovely post about them on the Cloudberry Cake Proselytism blog, which provides some backstory. 

The David Bowie track closing side 1 feels like a bit of an anachronism, though it may have been added because I loved the song so much. 

We didn't part on the best of terms - my girlfriend, that is, not Bowie and I - but this is a reminder of happier times and some great music.

 

1) Ceremony (1st Version By Martin Hannett): New Order (1981)

2) Road: The House Of Love (1988)

3) My Ex-Lover's Address: Bedflowers (1991)

4) Suck: The Wedding Present (1991)

5) Sensitive: The Field Mice (1989)

6) Push: The Cure (1985)

7) Pink Glove: Pulp (1994)

8) Five-O (Album Version By Brian Eno): James (1993)

9) The Old Main Drag (Album Version By Elvis Costello): The Pogues (1985)

10) Jesus Says: That Petrol Emotion (1986)

11) In The Heat Of The Morning (Mono Single Version): David Bowie (1967)

 

Side One (45:13) (GD) (M)