Covered Dub

Back in April, I posted Under Dub Covers, a selection of reggae and dub cover versions and it was well received, so here's the follow up!

Fourteen tracks this time, a 50/50 split between reggae and dub, 60s-90s and 21st Century, but 100% certified excellent. Well, the tunes, if not the sequencing!

Some of my all-time favourite singers are featured, opening with Pat Kelly and Marcia Griffiths, taking in Horace Andy, Dennis Brown and Jackie Edwards and, more recently, Shniece McMenamin.

Sly & Robbie, Adrian Sherwood and Lee 'Scratch' Perry feature heavily throughout, whether up front or in the studio.

This week in 1985, I Got You Babe by UB40 "with guest vocals by" Chrissie Hynde first entered the UK singles chart at a modest #22. It was Top 5 a couple of weeks later and #1 a couple of weeks after that. 

There was a dub version on the flip side but no extended version on the 12", so I've taken the liberty of creating my own edit for this selection. I've literally spliced the dub intro and outro with (most of) the vocal version. A dub sandwich, if you will, crackles and all.

1) Stoned In Love (Cover of 'I'm Stone In Love With You' by The Stylistics): Pat Kelly (1979)

2) It's Too Late (Cover of Carole King): Marcia Griffiths (1974)

3) A Wonderful Version (Cover of Louis Armstrong): Rhoda Dakar ft. Natty Campbell (2023)

4) Safe From Harm (Album Version By Adrian Sherwood) (Cover of Massive Attack): Horace Andy (2022)

5) Night Nurse (Dub With Vocal) (Remix By Mick Hucknall) (Cover of Gregory Isaacs): Sly & Robbie ft. Simply Red (1997)

6) To Love Somebody (Album Version By Lee 'Scratch' Perry) (Cover of Bee Gees): Busty Brown (1969)

7) The Model Dub (Cover of 'Das Modell' by Kraftwerk): Prince Fatty ft. Shniece McMenamin (2020)

8) Chase The Devil (Adrian Sherwood Dub) (Cover of Max Romeo): Dubblestandart ft. Lee 'Scratch' Perry, Coshiva & Emch (2014)

9) I Got You Babe (Dub Sandwich Re-Edit By Khayem) (Cover of Sonny & Cher): UB40 ft. Chrissie Hynde (2025)

10) Long As I Can See The Light (Adrian Sherwood's Dub Lighting) (Cover of Creedence Clearwater Revival): Monkey Mafia ft. Shirzelle (1998)

11) Dock Of The Bay (Cover of '(Sittin' On) The Dock Of Tthe Bay' by Otis Redding): Dennis Brown (1972)

12) Everything I Own (Dub Version By Stewart Levine) (Cover of Bread): Boy George (1987)

13) All Shook Up (Cover of Elvis Presley): Jackie Edwards (1979)

14) Exodus (Dubvisionist Dub) (Remix By Felix Wolter) (Cover of Bob Marley & The Wailers): Tackhead (2011) 

1969: The Upsetter: 6

1972: Superstar: 11

1979: So Proud: 1

1980: All Shook Up EP: 13

1987: Everything I Own EP: 12

1997: Night Nurse EP: 5

1998: Long As I Can See The Light EP: 10

2011: Exodus EP: 14

2014: Dubblestandart In Dub: 8

2015: Play Me / Sweet And Nice (Expanded Edition): 2

2020: Disco Deception Dubplate LP: 7

2022: Midnight Rocker: 4

2023: What A Wonderful World EP: 3

2025: I Got You Babe (bootleg MP3): 9

Covered Dub (59:23) (GD) (M)

You can find Under Dub Covers here

A few cover versions that didn't make today's final selection were produced by the legend that is Dennis Bovell. That didn't sit right with me so, as compensation, I've restored links to the two DB-themed selections that I've previously posted. With the above, that's pretty much four hours of dub nutrition!

Weakened/Weekend In Dub (August 2023)

From Conception To The Grave (October 2021)

Someday Roots, Sunday Culture

Today's selection is by way of compensation to Ernie at 27 Leggies for last Sunday's crushing disappointment of posting a mixtape side titled Roots 'n' Culture that was completely devoid of dub and reggae.

No red herrings here, with plenty of bass-heavy rhythms amongst the genre-hopping bakers' dozen of tunes. At least one tune from each of the last six decades and, as far as I can tell, all appearing here (in these versions at least) for the first time. 

Lee 'Scratch' Perry is hidden in plain sight, collaborating with Bob Marley on the opening song and reappearing as the Upsetter on the penultimate track. 

 

There are a trio of tunes from 1982, quite by accident, featuring UB40, Rico ably accompanied by The Specials and one of the greatest voices of all time, Bim Sherman.

 

As you may have guessed, International Beat was a spin-off from The Beat, their debut album produced by none other than Ranking Roger.

 

The 21st Century is well represented by Richard Norris, Adrian Sherwood and Prince Fatty, plus Wrongtom remixing Staines skankers Hard-Fi.

There are a couple of covers, with Rico and The Special AKA taking on the title track of Japanese jazz musician's Sadao Watanabe's 1979 album Morning Island.  

 

For Me You Are by Prince Fatty, Hollie Cook and Horseman has a rather more complicated history. The song was originally titled Bei Mir Bistu Shein and written by Jacob Jacobs and Sholom Secunda in 1932 for a Yiddish language comedy musical, I Would If I Could, performed by Aaron Lebedeff and Lucy Levin.

Five years later, Sammy Cahn and Saul Chaplin got their hands on the song, wrote English lyrics, Germanised the song title spelling and created a global hit for The Andrews Sisters with Bei Mir Bist Du Schön (Means That You're Grand)

 

The name of Prince Fatty's 2012 remake is an approximation of the original Yiddish to English song title translation, To Me You're Beautiful. 

 

Phew, history lesson over, time to enjoy the music!

1) Keep On Skanking: Bob Marley (1972)

2) Golden Morning Song: Bim Sherman (1982)

3) Better Do Better (Wrongtom Wild Inna 81 Version): Hard-Fi (2006)

4) Rock Steady: International Beat (1989)

5) Foundation Style: Richard Norris (2024)

6) Two Versions Of The Future: Adrian Sherwood (2006)

7) I Won't Close My Eyes (Remix): UB40 (1982)

8) Jah Vengeance / Jah Bible: Yabby You & Trinity (1980)

9) For Me You Are (Single Version) (Cover of Aaron Lebedeff & Lucy Levin / Andrews Sisters): Prince Fatty ft. Hollie Cook & Horseman (2012)

10) Tapper Roots: Tapper Zukie (1979)

11) Easy Dub: Alpha & Omega (1994)

12) Rumplesteelkin: Upsetter (1973)

13) Easter Island (Cover of 'Morning Island' by Sadao Watanabe): Rico ft. The Special AKA (1982)

 

1973: Rhythm Shower: 12

1979: Tapper Roots: 10

1980: Jah Jah Way: 8

1982: Across The Red Sea: 2 

1982: Jungle Music EP: 13

1982: UB44: 7

1989: The Hitting Line: 4

1990: The Best Of Bob Marley 1968-1972: 1 

1994: Safe In The Ark: 11

2006: Becoming A Cliché: 6

2006: Better Do Better EP: 3

2012: Prince Fatty Versus The Drunken Gambler: 9

2024: Oracle Sound Volume Three: 5

Someday Roots, Sunday Culture (47:54) (KF) (Mega)

Dub Disco

Continuing with yesterday's extended 12" tip, here's seven songs stretched out into discomixes and dub excursions by some of the finest producers ever to step on this planet.

I'd love to say that my shelves are crammed with well-loved and oft-played reggae and dub 12" vinyl. Sadly, not the case. Thankfully, so much has been released on CD and digitally in the last two or three decades that I've been able to regularly satisify my voracious appetite for the music and the artists and producers that created it.

 

Another hour long selection, the shortest version on here clocking in at eight and a half minutes, the longest just shy of nine and three quarters, all solid gold. And a reminder of when UB40 were really good.

 

I usually list the EP or album that the song originally appeared on. This time, I've listed the compilation that I first discovered the version on. Physical copies still out of print in many cases, but possibly slightly easier to track down...and afford.

 

Enjoy!

 

1) Prophecy (Discomix By Lloyd Coxsone): Fabian (1977)

2) Know Love (Discomix By Lee 'Scratch' Perry): The Twin Roots (1977)

3) Pure Ranking (Discomix By King Tubby): Horace Andy (1979)

4) Liberated Woman (Album Version By Mad Professor): Ranking Ann (1982)

5) Rasta Train (Discomix By Lee 'Scratch' Perry): Raphael Green & Dr. Alimantado (1977)

6) All I Can Say (Album Version By Bullwackie): Love Joys (1983)

7) The Earth Dies Screaming (12" Version By Ray 'Pablo' Falconer): UB40 (1980)

 

1982: A Slice Of English Toast: 4 

1983: Lovers Rock Reggae Style: 6

1997: Good Vibes: 3 

2005: Trojan Roots & Culture Box Set: 5

2012: Lee 'Scratch' Perry & Friends: Disco Devil: The Jamaican Discomixes: 2 

2014: 12"/80s New Wave: 7

2015: Island Records Presents Reggae Discomixes: 22 Essential Extended Mixes: 1

Dub Disco (1:02:00) (KF) (Mega)

Don't Want To Mess Around

I have a couple of gig reviews to post, but they're taking on a life on their own and need some more work so they'll make an appearance later in the week.

 

My fall back, as ever, is reggae and dub and I hope you'll agree that it's stepped up and delivered. Five decades of riddims and rhymes taking in some musical heavyweights and contemporary inspirations. Derrick Morgan technically manages to sneak in two appearances, the second via a dub courtesy of Augustus Pablo. 

Sadly, some of these great artists are no longer with us, though many are and continue to produce great sounds. I'm seeing one of them next month, so expect a gig review here...when I've caught up on the backlog!

 

1) Revolution (Single Version): Dennis Brown (1983)

2) I Was Appointed (Album Version): Junior Murvin (1977)

3) Great Musical Battle: Derrick Morgan (1973)

4) Cleopatra King Size: Jah Wobble & ft. Temple Of Sound (2002)

5) The Gorgon Of Dubs & Horns: Tommy McCook & The Aggrovators (1975)

6) Rough Rider Dub: Augustus Pablo (????)

7) Virus Return: David Harrow (2020)

8) My God: African Head Charge (1990)

9) Super Charge: Jackie Mittoo (1977)

10) Own Man: Lee Perry & The Upsetters (1975)

11) D.U.B. D.U.B. (12" Version): UB40 (1984)

 

1973: Great Musical Battle EP: 3 

1975: Cookin': 5

1975: Revolution Dub: 10

1977: Police & Thieves: 2

1983: Revolution EP: 1

1984: Riddle Me EP: 11

1990: Songs Of Praise: 8

2002: Shout At The Devil: 4

2003: Champion In The Area: 9

2004: The Bunny 'Striker' Lee Story: 6

2020: Virus Dubs: 7

Don't Want To Mess Around (45:36) (KF) (Mega)

Everything's Gonna Be Alright

Fancy a coffee? Take a seat and relax whilst I put some music on.

For someone who was born and grew up in Bristol, I've seen relatively few reggae acts live in concert and the vast majority of these will have been at either the St. Pauls Carnival or Ashton Court Festival in the 1980s and 1990s, the latter now sadly long gone. The former thankfully returned in 2023 as a bi-annual event and fundraising for 2025 is underway; you can donate here.

Over the years, I've amassed a modest collection of live concerts, some officially released, others bootleg recordings of variable quality but made more accessible via t'internet. Here's a 45-minute selection featuring some of my favourite performances.

Misty In Roots are first up with Ghetto Of The City from their debut album, Live At The Counter Eurovision 79. As the title suggests, this was a recording of a show in Belgium and is quite rightly lauded as not just one of the greatest live reggae albums of all time, but one of the greatest live albums, full stop. You'll see this happening a few times in this brief Dubhed selection and I will not be arguing to the contrary.

 

Talisman are from my birthplace, so it's very likely that I saw them at one of the aforementioned live events. Unfortunately, as I was generally under the influence and these happenings were ticketless, I have no idea if I did or not. A shame as they were clearly on fire, as this extract from 1981 shows. I picked up the excellent 2011 compilation The Bristol Reggae Explosion 1978-1983 on CD which features Wicked Dem. It's now available on Bandcamp and is highly recommended, as is pretty much everything on Bristol Archive Records, to be honest.

What can I say about Bob Marley & The Wailers that hasn't already been said and more eloquently? One of the greatest songs of all time from one of the greatest artists of all time from one of the greatest albums of all time, Bob Marley & The Wailers Live! (or Live! At The Lyceum, if you're scrutinising the vinyl label). 

 

No Woman No Cry is credited to Bob's friend Vincent Ford, but is believed to be a pseudonym that Bob used in order to evade his publishing company at the time. Clearly, the courts agreed as Marley's estate gained control of these compositions in 1987 and successfully resisted a counter claim by the label in 2014.

Speaking of Bob, the Performing Arts Center in Montego Bay, Jamaica was dedicated to him and 18 months after his death, Black Uhuru performed there as part of the Jamaica World Music Festival. The quality of this 1982 bootleg recording is a bit ropey to say the least but the quality of the music shines through.

Another bootleg of slightly better quality is UB40 with a 'short' version of Madam Medusa, their damning indictment of Margaret Thatcher and a reminder of how very good they were in their early years. This was originally featured in the seminal music film, Urgh! A Music War. The version here is a rip from the VHS release that I found online. Incredibly, UB40 didn't make the cut for the vinyl album release, itself a must-have in any record collection.

Staying with another legendary reggae band from Birmingham, Steel Pulse are up next with Makka Splaff. The song originally featured (as Macka Splaff) on their debut Handsworth Revolution. The version here appeared on the legendary Short Circuit: Live At The Electric Circus album, released on 10" vinyl with a limited edition bonus 7". A copy on Discogs will set you back (I think a rather reasonable) £29.00, less if you're not bothered about the 7".

Another contender for greatest (live) album of all time is Aswad with 1983's Live And Direct, recorded at that summer's Notting Hill Carnival in London. I remember seeing a full-page ad in Smash Hits at the time, priced as a mini-album at £2.99. At 9 tracks (10 if you split the 2-song Rockers Melody) and 45 minutes in length, there's no 'mini' about it and the sound is as fresh and crisp now as it was three decades ago.

Closing today's selection is Matumbi, whose theme tune to the BBC TV series Empire Road was also included on the 1978 compilation Don't Walk, Boogie nestled in my parent's record collection. Both the TV show and the song made a big impression on me and - unknown to me at the time - introduced me to the genius of Dennis Bovell.

After Tonight is another classic from the Matumbi catalogue, which Dennis has revisited and re-recorded several times throughout his career, most recently in 2022 with Winston Reedy. This live version was recorded on day 2 of the Concerts For The People Of Kampuchea in December 1979. A fund-raiser for victims of the conflict in Cambodia, it was a mammoth 4-day event at the Hammersmith Odeon, kicking off with Queen, ending with Paul McCartney and Wings and featuring The Pretenders, The Specials, The Who and Elvis Costello & The Attractions.

The day 2 line-up was Ian Dury & The Blockheads and Matumbi, Dennis and other bandmates bolstering the former's line-up, followed by The Clash. What a night that must have been. You needn't wonder: with another name check for the Albums That Should Exist blog, you can find collated selections from all four days posted last summer. Zip file links are still live, though I had to close down multiple pop-ups and revisit the initial link page to eventually get the download. Well worth the effort though, as all three acts are on top form.

All that yakking and I need another brew! Let me just stick this selection on repeat...

 

1) Ghetto Of The City: Misty In Roots (1979)

2) Wicked Dem: Talisman (1981)

3) No Woman No Cry: Bob Marley & The Wailers (1975)

4) Guess Who's Coming To Dinner: Black Uhuru (1982)

5) Madame Medusa: UB40 (1980)

6) Makka Splaff (The Colly Man): Steel Pulse (1977)

7) African Children: Aswad (1983)

8) After Tonight: Matumbi (1979)

 

18 July 1975: The Lyceum, London, England: 3

02 October 1977: Electric Circus, Manchester, England: 6

31 March 1979: Cirque Royal/Koninklijk Circus, Brussels, Belgium: 1

27 December 1979: Concerts For The People Of Kampuchea, Hammersmith Odeon, London, England: 8

28 August 1980: Arènes De Frejus, Fréjus, France: 5

28 July 1981: Bath Pavilion, Bath, England: 2

26 November 1982: Jamaica World Music Festival, Bob Marley Performing Arts Center, Montego Bay, Jamaica: 4

26 August 1983: Meanwhile Gardens, Notting Hill Carnival, London, England: 7

 

Everything's Gonna Be Alright (45:08) (KF) (Mega)