Decadance V: 1998

Side 1 of an imaginary 90s compilation cassette, spooling out in 1998.

This selection went through several last minute changes as I discovered that several songs, whilst listed as or appearing on albums in 1998, weren't released or charted as singles until 1999. You may see some of those tomorrow, but the short list was already rather long, so maybe not...

Not the substitutes were sloppy seconds and, in what I think is a record for this series, a third of the selection all hit the UK #1 spot. Mind you, this was at a time when new releases would crash into the Top 5 in the first week and promptly disappear without trace the next. I'm not even sure that the guaranteed Top Of The Pops appearance carried all that much weight by then.

This was the first time I struggled to fill the MAW slot in this series. In 1998, Andrew Weatherall and Keith Tenniswood's cuts as Two Lone Swordsmen tended to be glitchy, queasy electro numbers, either very short or very long and with little or no vocals. 

The only real contender for me was their epic remix of Come Together by Spiritualized. The only problems being that it was over fifteen and a half minutes long, with not the faintest trace of Jason Pierce to be found. 

My solution - Lord Sabre forgive me - was to create my own vocal edit. I found a bootleg MP3 of the filtered vocal of Come Together and with some painstaking cutting, editing and sequencing, ended up with a version that comes in at just over four and a half minutes. The sound quality is shonky. the editing amaterish, but it's not as awful as I thought. Please feel free to disagree, I will not argue!

Cornershop were one the surprise #1s, entirely thanks to Norman Cook who was everywhere at the time as Fatboy Slim. Brimful Of Asha was a (very) modest hit in 1997, but Norman liked it, wanted to include it in his sets but needed to speed it up a bit. Cue the trademark big beats and carousel swirls and a chart topper was born. I still quite get over Tjinder Singh sounding like a member of Alvin & The Chipmunks and I will also prefer the original over the remix, but I'm happy that it gave Cornershop (and their album) a well-deserved boost.

A fair bit of rap here, from the masters Run-D.M.C. to new kids on the block Jurassic 5 and superb homegrown talent in Asian Dub Foundation. 

Roni Size Reprazent, er, represented my birthplace and, fresh off of winning the 1997 Mercury Music Prize, ploughed the prize money straight back into Bristol. Not the only Bristol artist though: Massive Attack return, this time with Elizabeth Fraser for Teardrop. Even the truncated promo edit featured here is phenomenal, and seeing it performed live last year was a real 'pinch me' moment.

Madonna returned with William Orbit at the controls for Frozen, with a Chris Cunningham-created video that had Madge looking her Gothic best. A slew of remixes accompanied the single as you might expect, though Stereo MC's version was head and shoulders above the rest.

Just outside the Top 30 was Don't Die Just Yet by David Holmes, sampling Serge Gainsbourg with aplomb. David remixed Failure by Skinny, label mates with Dido who also provided backing vocals on the song.

Speaking of samples, somehow Italian duo The Tamperer aka Alex Farolfi and Mario Fargetta managed to clear a hefty sample of The Jacksons' 1981 hit Can You Feel It? for their own song. 

Frankly, the sample does all the heavy lifting, but American singer and actor Maya Days gamely adapts lyrics from Urban Discharge's 1995 single Wanna Drop A House (On That Bitch), including the unforgettable line, "What's she gonna look like with a chimney on her?"  They don't write 'em like that anymore...

As a counter to all of the hits, 1998 closes with a 'flop' single from what proved to be one of my favourite albums of the year, by the wonderful Solex aka Elisabeth Esselink. Solex vs. The Hitmeister featured 12 songs, every single one featuring Solex in the title. I hadn't heard any of the music, but was so taken by the review I read that I tracked it down and bought the CD. A fabulously quirky album and a perfect way to round off the year.

Amazingly, sadly (for me at least), Sunday will see the final instalment of this alternative tour of the 1990s. Pre-millennium tension? Not 'arf!

 
1) Black White (Brendan Lynch Mix): Asian Dub Foundation

2) Concrete Schoolyard (Clean Radio Edit): Jurassic 5

3) Failure (Radio Mix): Skinny ft. Lee Stevens, Dido & Pauline Taylor

4) Watching Windows (Roni Size Vocal Remix): Roni Size Reprazent ft. Onallee

5) Brimful Of Asha (Brighton) (Norman Cook Remix Single Version): Cornershop

6) It's Like That (Drop The Break Radio Edit): Run-D.M.C. vs. Jason Nevins

7) Feel It (Blunt Edit): The Tamperer ft. Maya

8) Frozen (Stereo MC's Remix Edit): Madonna

9) Don't Die Just Yet (Radio Edit): David Holmes

10) Teardrop (Edit): Massive Attack ft. Elizabeth Fraser

11) Come Together (Two Lone Swordsmen Meet Khayem Downtown) (Vocal Edit): Spiritualized

12) Solex All Licketysplit (Album Version): Solex

4th January 1998: Don't Die Just Yet EP (#33): 9

22nd February 1998: Brimful Of Asha EP (#1): 5

1st March 1998: Frozen EP (#1): 8

8th March 1998: Watching Windows EP (#28): 4

15th March 1998: It's Like That EP (#1): 6

5th April 1998: Failure EP (#31): 3

12th April 1998: Solex vs. The Hitmeister (#n/a): 12

3rd May 1998: Teardrop EP (#10): 10

24th May 1998: Feel It EP (#1): 7

31st May 1998: The Abbey Road EP (#39): 11

28th June 1998: Black White EP (#52): 1

18th October 1998: Concrete Schoolyard EP (#35): 2

Side One (46:56) (KF) (Mega)

Still Watching, Yet Not Wanting

Side 1 of a cassette compilation, compiled 8th August 1998. If Side 2 stretched the C90 capacity to it's limit, Side 1 must surely have snapped the tape...

Your ride begins with Trust by Money Mark, from his 1998 album Push The Button. I knew of Money Mark from his association with Beastie Boys but this record saw him veering into - in my mind, at least - Elton John territory at times. Though thankfully by that I mean Elton's imperial 1970s phase, not the then-contemporary Something About The Way You Look Tonight/Candle in the Wind 1997, which remains the all-time best-selling single in the UK. Money Mark's track is building, rabble-rousing instrumental, much more in keeping with what follows.

 

Barry Adamson versus Skylab, Kid Loco taking on both Pulp and Saint Etienne. I previously described the mixtape as "dirty, downtempo beats" and this was very much the style du jour in the late 1990s.  

 

Theo Keating continues to release music as Fake Blood but when I recorded this cassette, he'd released a single called Ooh La La as The Wiseguys. It entered - and peaked - the UK chart at #55. The song's subsequent use in a Budweiser commercial saw it released a year later in June 1999, where it did rather better, entering at #2 and spending 5 weeks in the Top 30. His remix of Desire by Mulu is really good but had little positive impact on it's own chart placing, managing just 1 week at #84 in November 1997. 

 

My introduction to Trembling Blue Stars came by my jangly indie music-loving girlfriend, who was a big fan of The Field Mice and followed Bobby Wratten's subsequent band. I'm very glad she did. I'm only familiar with Trembling Blue Stars' two albums from the 1990s (there were two more before they disbanded in 2010) and they're both things of understated beauty. The Rainbow was released as a single and really shines in it's longer (album) version.

 

A small confession #1. The original cassette featured an alternative mix of A Little Soul by Pulp, from the CD single. I haven't unearthed and uploaded the shiny disc, so swapped it out for the Kid Loco. It's to blame for the ridiculous running time though I think the segue into Desire by Mulu works better than the original sequence.

 

A small confession #2. This is the second appearance of The Box (Part Four) by Orbital, following a previous appearance in my Boxing Day selection in December 2021. However, as the link for that one is long dead, I'm glad to represent the song here.

Also making a second appearance on this mixtape is Justin Warfield. On Side 1, he's hiding in plain sight as One Inch Punch; here, he's a guest of Cornershop. 

Moby ups the ante with a remix of Honey, his 'comeback' single in 1998 following his thrash metal phase. I've not counted, but I'm assuming the 118 in the mix title refers to the beats per minute. Try making a cup of tea whilst dancing to this one and not making a complete mess. Maybe that's not what Moby intended.

Bringing things to a close is Leila with a track from her astonishing debut Like Weather. It's typical of the album as a whole: beautiful, simple yet stirring chords and synth washes with moments that push the needle way into the red, just in case you were getting complacent.

I'll sign off with an apology to Walter at the excellent A Few Good Times In My Life blog. He left some very kind comments on my original post in April 2022, to which I replied, "I'll try not to leave it too long before posting Side One...!" I think at a little over ten months later, it's fair to say I tried and failed. Sorry, Walter, I hope it was worth the wait...

 

1) Trust: Money Mark (1998)

2) What It Means (Skylab A Smokin' Japanese We're Chicken In Moss Side Mix): Barry Adamson (1998)

3) A Little Soul (Lafayette Velvet Revisited Mix By Kid Loco): Pulp (1998)

4) Desire (Wiseguys Remix By DJ Touché aka Theo Keating): Mulu (1997)

5) 4.35 In The Morning (Talkin' Blues Mix By Kid Loco): Saint Etienne (1998)

6) The Rainbow (Long Version): Trembling Blue Stars (1998)

7) The Box (Part Four) (Vocal Reprise): Orbital ft. Grant Fulton & Alison Goldfrapp (1996)

8) Candyman: Cornershop ft. Justin Warfield (1997)

9) Honey (118 Mix): Moby (1998)

10) Piano-String: Leila (1998)

 

Side One (47:37) (Box) (Mega)

Side Two here

You Can Touch It But It Will Not Fade

Side 1 of a mixtape, compiled 11th January 1998.

Following on from yesterday's post, this selection remains in the 1990s and features eight remixes that I was unlikely to ever hear down the local indie disco, but which in their own way, kick ass. What better way then to usher in the weekend?

 

In order to squeeze all the tracks onto a side of a C90 cassette, I originally cut Cornershop's Jullandar Shere in half with an early fade. For today's selection, I've kept the remix by Richard Norris (The Grid) and Choque Hosein (Black Star Liner) in all it's full, joyous glory. 

 

Conversely, I think the edit of Ain't No Longer (The Lost Riff) is possibly unique to a Select magazine cover-mounted CD. The full length version was intended for FPS-2, a remix companion to Dodgy's third album Free Peace Sweet, which was never released. FPS-2 was eventually snuck out on 1999's Ace A's + Killer B's compilation as a limited edition bonus disc and reappeared earlier this year on the gargantuan 8CD box set The A&M Years. Ain't No Longer (The Lost Riff) was also one of four tracks on a promo 12" of FPS-2 released in 1996, but I'm not heard it so I'm unsure if it's the edit or full length version.

Fans of Six Degrees Of Kevin Bacon (which originated in 1994) will be disappointed to find that the titular Hollywood actor is not responsible for track 5's Audioweb remix. This Kevin Bacon is the former Comsat Angels bass player who teamed up with Floy Joy's touring keyboard player Jonathan Quarmby to form a successful production duo.

Without doing a disservice to Primal Scream, Fluke and Natacha Atlas, the final mention goes to Andy Bell, who delivers a remix (possibly his first?) of Ride that takes the original, Rolling Stones-indebted song to the moon and back. A precursor to his future music as GLOK, Andy Bell has also continued to record and release music with Ride and as a solo artist, including one of 2022's best albums so far, the majestic Flicker. I really must get an Andy Bell selection up here soon...

 

Wherever you are and whatever you're doing, have a rocktastic weekend, everyone. More tomorrow.

1) Jailbird (The Toxic Trio Stay Free Mix By Kris Needs & Bent Recknagel): Primal Scream (1994)

2) Familus Horribilus (Mega Wob 1) (Remix By Jah Wobble): Pop Will Eat Itself (1993)

3) Jullandar Shere (Jeh Jeh Mix By Richard Norris & Choque Hosein): Cornershop (1996)

4) Absurd (Headrillaz Vox): Fluke (1997)

5) Faker (I, Mental Mix By Manna aka Kevin Bacon & Jonathan Quarmby): Audioweb (1997)

6) Ain't No Longer (The Lost Riff) (Remix By Jerome De Pietro) (Edit): Dodgy (1997)

7) I Don't Know Where It Comes From (Apollo 11 Mix By Andy Bell): Ride ft. The Christchurch Cathedral School Choir (1994)

8) Yalla Chant (The Lesson Four Edit By Youth): Natacha Atlas (1995)

 

1993: Familus Horribilus / RSVP EP: 2 

1994: I Don't Know Where It Comes From EP: 7

1994: Jailbird EP: 1 

1995: Yalla Chant EP: 8

1996: Jullandar Shere EP: 3

1997: Absurd EP: 4

1997: Faker EP: 5

1997: Vrooom! Motorcycle Loveliness (Select magazine promo CD): 6

Side One (50:36) (KF) (Mega)

Oh Gosh, Oh Gosh, I'm Juliette Binoche!

Another in my occasional series of song selections named after an actor's films, Juliette Binoche follows in the footsteps of Faye Dunaway and Elizabeth Taylor.

At first, a tougher call than you might think. I mean, who on Earth would record songs called The English Patient, The Unbearable Lightness Of Being or Three Colors: Blue (or Red or White, for that matter)?

Thankfully, there were plenty of other selections to encompass her debut, 1983's Liberty Belle right up to this year's Fire, the latest film by Claire Denis and one that is unlikely to be screening at my nearest cinemas which are currently dominated by Tom effing Cruise.

Perfect timing, with Kate Bush securing her first UK #1 in ages with Running Up That Hill, that her debut single gets a look in here, still as stunning now as when I heard it as a 7 year old. This is followed by Vanessa Contenay-Quiñones, better known in the 1990s as Espiritu, with the only French language song in this selection. A bit of cheat here as Juliette Binoche starred in 2005's singular Caché, but I'm pretending that it was so good that I watched it twice...

 

Juliette is mentioned in the Earthling song 1st Transmission, which also provides today's post title. In a nice touch, the album version and remixes by Plunderphonics and Portishead name check a different location, taking in Ilford, Bombay, Stokes Croft in Bristol and, in the version featured here, stopping off at Woodstock.

 

Diamond Hoo Ha Men and The Magnetic North are both aliases/side projects for other artists. The former are better known as two thirds of Supergrass and this grungier version popped up on the Bad Blood single in 2008. The Magnetic North are a trio comprising Erland Cooper, Hannah Peel and Simon Tong, remixed here to atmospheric effect by White Label, another trio including Steve Aungle, who worked with the late Billy MacKenzie and has done much to keep his musical legacy alive.

 

Quite an eclectic selection again, which includes arguably Binoche's career nadir Damage - the Yo La Tengo song is much better - and several songs that I could easily imagine being used in a film soundtrack, assuming they haven't already. This one's a keeper.

1) Chocolat: Cornershop (1997)

2) Liberty Belle (Remix By Mario Caldato Jr): Super Furry Animals (2004)

3) Wuthering Heights (Album Version): Kate Bush (1978)

4) Cache Cache: Vanessa Contenay-Quiñones (2020)

5) 1st Transmission (Acoustlick) (Remix By Plunderphonics): Earthling (1994)

6) Bad Blood (DHHM Version): Diamond Hoo Ha Men (2008)

7) Let The Sunshine In (Recorded Live @ Maida Vale Studios For Lamacq Live On Radio 1, 4th October 2002) (Cover of The 5th Dimension): Badly Drawn Boy (2002)

8) High Life (White Label Remix By Steve Aungle, Anth Brown & Tom Doyle): The Magnetic North (2017)

9) Rendez-Vu (Album Version): Basement Jaxx (1999)

10) Fire: Black Pumas (2018)

11) Damage: Yo La Tengo (1997)

12) Paris: The Anchoress (2021)

1978: The Kick Inside: 3 

1994: 1st Transmission EP: 5

1997: I Can Hear The Heart Beating As One: 11

1997: When I Was Born For The 7th Time: 1

1999: Remedy: 9

2002: All Possibilities EP: 7

2004: Phantom Phorce: 2

2008: Bad Blood EP (by Supergrass): 6 

2017: Borrowed Voices (by White Label): 8

2018: Black Pumas: 10

2020: Voodoo Girl: 4

2021: The Art Of Losing: 12

Oh Gosh, Oh Gosh, I'm Juliette Binoche! (43:27)

Everybody Needs A Bosom For A Pillow

Side 1 of a mixtape, compiled 14th February 1998. 

 

I have no memory of this particular day so I can only hope that I'd woken early (as I do) to record this mixtape, rather than it being one of the least romantic Valentine's Days ever. I hasten to add that, either way, my girlfriend at the time was not the currently long-suffering Mrs. K.

This was definitely an attempt at an 'upbeat' selection, starting off with a Manchester two-hander from 808 State and Intastella, the latter remixed by A Certain Ratio's Martin Moscrop. Things then take a veer left(field) with possibly one of the maddest singles The Times/Ed Ball ever released, and that's including I Helped Patrick McGoohan Escape. 

 

Next up is Mucho Macho's remix of Cornershop's Brimful Of Asha, from the 'flop' first release of the single in 1997. I had to check the dates but, a mere two weeks after this mixtape was recorded, Brimful Of Asha was re-released with a Norman Cook remix and went straight to #1 in the UK, where it remained for a further 12 weeks, 11 of those remaining above the #60 peak of the original release. Spooky.

 

Planetary Sit-In is Julian Cope in string-drenched pop-with-a-message mode, his last ever UK singles chart hit, #34 in October 1996. 

 

Stay was 18 Wheeler's biggest UK hit, charting at #59 in March 1997. Wikipedia damningly cites their biggest claim to fame as being the band that Oasis were supporting (at King Tut's Wah Wah Hut in 1993) when Creation head honcho Alan McGee discovered the latter. Being on the same label clearly did 18 Wheeler no favours.

Fellow Scots The Apples fared similarly poorly with the record-buying public, managing just one UK #75 single, which isn't this one. This version appeared on the CD single, mis-labelled as the Stereo Guitar People Mix by Pete Lorimer. Ironically, this remix by James Reynolds is actually heavier on the guitar so you can understand the mix up. Reynolds arguably enjoyed much greater success, not least being the 4th Baronet of Woolton, having succeeded to the title in 2015.

Freak Power (aka Norman Cook & Ashley Slater) took two goes to have a hit with Turn On Tune In Cop Out, #29 in 1993 then #3 in 1995. Ashley Slater went on to appear in 2014 with his partner Scarlett Quinn as Kitten And the Hip in an excruciating X-Factor audition, which YouTube has preserved for posterity). Having survived this ordeal, the pair continue in a reformed Freak Power.

 

Not much to say about Groove Is In The Heart, other than Deee-Lite were a breath of fresh air in 1990 and this song still has the desired effect, three decades on.

 

Last but not least, the mysterious collective, The KK Kings. I heard this song originally on the soundtrack to the wonderful 1993 film Bhaji On The Beach. I think this was their only official single, though they'd previously released a promo, Justified & Ancient, which together with their prodigious use of samples, led to comparisons with The KLF. It's so much better than that and a shame that we didn't get to hear more from them.

 

As a final note, the mixtape title comes from a key line in Cornershop's Brimful Of Asha, which itself is the hook of the Mucho Macho remix. Despite all this, I still managed to write Everyone Needs A Bosom For A Pillow on the cassette sleeve. Again, either a case of not enough sleep or the worst Valentine's Days ever. Amazingly, I was in the same relationship the following year, but I have no record of whether Valentine's Day 1999 fared any better. It couldn't have been any worse, could it?

 

1) Lift (7" Version): 808 State (1991)

2) This Is Bendy (Remix By Martin Moscrop): Intastella (1991)

3) Finnegans Break (Edit By Ian Shaw & The Big Noize Supremists): The Times ft. Tippa Irie (1993)

4) Brimful Of Asha (Mucho Macho Bolan Boogie Mix): Cornershop (1997)

5) Planetary Sit-In (Album Version): Julian Cope (1996)

6) Stay (Radio Edit): 18 Wheeler (1997)

7) Beautiful People (Silver Sky Mix By James Reynolds): The Apples (1991)

8) Turn On Tune In Cop Out (Radio Mix By Norman Cook & Simon Thornton): Freak Power (1993)

9) Groove Is In The Heart (Peanut Butter Mix): Deee-Lite (1990)

10) Holidays (In The United KK Kingdom) (Extended) (Remix By Mikha K): The KK Kings (1994)

 

Side One (45:25) (KF) (Mega)

Watching, Not Wanting

Side 2 of a mixtape, compiled 8th August 1998.

 

Some dirty, downtempo beats for you today, with a selection of tracks from the 1996-1998 period. Goodness knows how I managed to squeeze this onto a C90 cassette side, but...

Starting off with a superior demo of Blue Mug by GusGus, which subsequently appeared on their 1999 album This Is Normal and ending with a swampy remix of Massive Attack's Teardrop by Primal Scream, featuring the superlative vocals of Liz Fraser. In between, you get a couple of early 90s rappers - Justin Warfield and MC Tunes - in their respective new groups, One Inch Punch and Dust Junkys. 

 

Solex vs. The Hitmeister was one of my favourite albums of 1998 and Solex aka Elisabeth Esselink was a great live act, as was Laika, both of whom I saw at the time, to undeservedly modest audiences.

 

New Forms by Roni Size Reprazent was ubiquitous in 1998, yet more than lived up to the hype around it. The same can be said for When I Was Born For The 7th Time, Cornershop's 'surprise' hit on the back of a number 1 single with Brimful Of Asha.

 

I only have this one single by Rare and undoubtedly bought it for the Justin Robertson remix, not included here, but quite liked the other versions on the CD. As an added bonus for fact fans, Rare was a short-lived band from Derry, Northern Ireland, featuring none other than John O'Neill (credited as Seán Ó'Néill), formerly of The Undertones and That Petrol Emotion. The following year, Rare disbanded, The Undertones reformed without Feargal Sharkey, and continue to this day.

 

1) Blue Mug (Demo Version): GusGus (1998)

2) Metaphysics (ft. Mannish): One Inch Punch (1996)

3) Watching Windows (Album Version): Roni Size Reprazent ft. Onallee (1997)

4) Looking For The Jackalope (Single Version): Laika (1997)

5) The Foundation (Album Version): Thievery Corporation (1996)

6) Your Selfish Ways (Album Version By Mark Van Hoen): Locust ft. Zoe Niblett (1997)

7) What Is Happening: Cornershop (1997)

8) Solex In A Slipshod Style: Solex (1998)

9) Mind My Make-Up (Dust Junkys Remix): Finitribe ft. Katy Morrison (1998)

10) Seems Like (Bang Bang Mix By Xavier Jamaux): Rare (1998)

11) Teardrop (Scream Team Remix): Massive Attack ft. Elizabeth Fraser (1998)
 

Side Two (46:56) (Box) (Mega)

Kinesthesia

Side 1 of a mixtape, compiled in 1998 for my brother and his wife, probably as a Christmas/New Year gift. 

 

The selection is essentially my 'favourites of 1998', with one or two in-year purchases thrown in for good measure. Two of the standout albums for 1998 were Like Weather and Solex vs. The Hitmeister, whilst UNKLE finally delivered their debut as an artist, Psyence Fiction, which had a impressive line-up of guests and almost - but didn't quite - live up to the hype. However, it delivered an outstanding video for Rabbit In Your Headlights and remix by 3D from Massive Attack.

 

Singles-wise, Cornershop's Sleep On The Left Side included a brace of great remixes from Ashley Beedle, plus the none-more-80s retrofit from Les Rythmes Digitales aka Stuart Price, back when he was masquerading as French DJ Jacques Lu Cont. 

 

Opening track To Ulrike M. appeared on a Select magazine promo CD; the single itself featured remixes by Zero 7 and Tosca (aka Richard Dorfmeister & Rupert Huber), which I've still yet to hear. Every time I hear this track I remind myself that I need to track down a copy, then promptly forget. This has been going on for over two decades now.

 

Likewise, the Jungle Brothers remix is another that popped up on a promo CD in 1998, this time Melody Maker, and may well have been the first music I'd heard by Midfield General aka Skint label head Damian Harris. The line-up of remixers for the single is a snapshot of 1998: Stereo MCs, Natural Born Chillers, Da Beatminerz, Hardknox, even The Fugees.

 

A couple of songs were criminally relegated to B-side/EP status, namely Barry Adamson's cinematic cover of Da Juice's 1991 club track Hear The Angels and another track tucked away on the multi-format release of Mansun's Being A Girl. I wasn't a particular fan of Mansun, although I liked the lead track, but I bought one of the two CD singles specifically for Railings, written by and featuring a guest vocal from Howard Devoto. You may not be surprised to read that, in my opinion, it's Mansun's finest song.

 

Today's photo was taken in St. John's Lane, a side street in Gloucester that leads from the main shopping area and in a roundabout way eventually connects to the cathedral and garden, where I'll often spend a lunch break, when I'm working in the city. The main grafitti quotes Martin Luther King from a speech he gave in St. Louis on 22nd March 1964. 

 

You'll have to zoom in to see it, but I was struck by the handwritten note stuck on the boarding to the left of it, which reads (sic) "If you are readin this, you and your vehicle? are being recorded on C.C.T.V." Judging by the hand prints and stains around the notice, this apparently was an irresistible invitation for some. I hope the C.C.T.V. captured their best side...

 

1) To Ulrike M. (Original Mix): Doris Days (1998)

2) Behind The Mask (The Orbital Remix): Yellow Magic Orchestra (1992)

3) Sleep On The Left Side (Paris) (Les Rythmes Digitales' Living By Numbers Mix By Stuart Price): Cornershop (1998)

4) Madam, Your Carriage Awaits: Bentley Rhythm Ace (1998)

5) Hear The Angels (Cover of Da Juice): Barry Adamson (1996)

6) Rabbit In Your Headlights (3D Mix-Reverse Light) (Remix By Robert Del Naja & Neil Davidge): UNKLE (1998)

7) Something: Leila ft. Luca Santucci (1998)

8) Brain (Midfield General Remix By Damian Harris): Jungle Brothers (1997)

9) There's A Solex On The Run: Solex (1998)

10) Railings: Mansun ft. Howard Devoto (1998)

 

1992: Hi-Tech / No Crime: 2

1997: Brain EP: 8 

1998: Being A Girl EP: 10

1998: Can't Get Loose EP: 5

1998: For Your Ears Only: 4 

1998: Like Weather: 7

1998: Rabbit In Your Headlights EP: 6

1998: Sleep On The Left Side EP: 3 

1998: Solex vs. The Hitmeister: 9

1998: To Ulrike M. EP: 1

 

 

Side One (46:14) (Box) (Mega)