Showing posts with label La Guardia De La Luz. Show all posts
Showing posts with label La Guardia De La Luz. Show all posts

Friday, 27 September 2024

My Instinct For Survival Is To Celebrate


No mash, all bangers, as today's selection focuses on some club friendly highlights from 2024 so far.
 
Not just a nod to the artists themselves, who have all delivered some great music this year, but also to the labels that have continued to be a go to each Bandcamp Friday (and in between):
 
 
Enjoy!

1) Bibbles (Craig Bratley's Cali Gold Remix): Andres Y Xavi (Lagos EP)
2) On Fire (Single Version): Stylic (PoPoPoPom EP)
3) Celebrate (Night Version): Hifi Sean & David McAlmont (Celebrate Remix E.P.)
4) Trance Stance (Cole Odin Vocal Mix): Electric Blue Vision (Trance Stance EP)
5) Tongue-Tied (Moodymanc's 'Listen To Me' Mix): Psychederek (Tongue-Tied EP)
6) Jellyfish Albino (Single Version): Elninodiablo (Infinitely Venus EP)
7) I First Learned About Shelley's Through A Magazine (Single Version): La Guardia De La Luz (México 24 EP)

My Instinct For Survival Is To Celebrate (44:10) (KF) (Mega)

Sunday, 30 June 2024

Waiting For The Time To Come

Even now and then, I do a mix on the fly that lands just so, really hitting the sweet spot. I like to think I've managed it again today with a 63-minute selection of songs that have come out in the first half of 2024.

I say this every year, but it's been a bloody good year for music. If there's ever a moment when you think you've heard it all before and there's nothing to lift the spirits, along comes something to dissolve that cynicism. My longlist was at least twice as long as the 11 songs that made the final selection. I love every second of it and I hope you do too.

Fluke's surprise comeback this year was a delight, not least with the release of the, well, insanely beautiful single Insanely Beautiful. All of the mixes are worth your time, but I have been obsessed with their remix featuring lead vocals by Leah Cleaver. I think it's one of the best things they've ever done and I can't wait to hear what's next.

Likewise, Fruits Of The Deep, the first new album in 8 years by The Woodentops was like a gift from the heavens. Ride A Cloud paved the way in spring 2023, followed a year later by Dream On, which frankly should be mandatory listening. Rolo supplied a wonderful dub along with a superb, uplifting remix from Balearic Ultras which I've included here.

Pete Paphides has delighted me on two fronts this year: firstly, a belated catch up with his autobiography, Broken Greek; secondly, by signing Iraina Mancini to his Needle Mythology label. Following up on last year's Saint Etienne remix, Richard Norris and Erol Alkan have got together again as Beyond The Wizards Sleeve to re-animate the title track of Iraina's debut album, Undo The Blue. I'm so glad that they did as they have created a thing of exquisite beauty from a song that was already special.

C.A.R. is Chloé Alexandra Raunet, who I was vaguely aware of from her time in Battant and associations with Timothy J. Fairplay and Andrew Weatherall, but came back to in her current incarnation via a remix by (and for) GLOK aka Andy Bell. I previously included the Anzu EP in my 2023 'best of' singles. However, Anzu was re-released in March with a brace of Hardway Bros remixes that will make you fall for the song all over again. I've opted here for the dub, which is equally precision tooled for the dancefloor.

In February, Matt Gunn released the Elexperimental EP, four tracks self-described as resembling "something akin to Kraftwerk & LCD with a bass after a big night on the sauce". Drive Thru Century, featured here, is labelled as "Matt Gunn vs The Death Rattle Of An 80’s CR78", which may tell you all you need to know. Matt released a brand new track on Friday, Dub Clone Rising, too late to make this mix but well worth a listen, nearly ten minutes of bass heavy vibes.

Another February release on the always excellent Paisley Dark label was the 3-track PoPoPom EP by Spanish artist Stylic. Second track Like This is a thunderous beast, laden with vocal samples and locking into a hypnotic groove that's hard to resist. A remix EP followed in April, with both Keith Forrester and Mindbender aka Mårten Attling eager to get their hands on the track, and with good reason.

From there and a superlative remix from the aforementioned Andy Bell in his GLOK guise. David Holmes' album with Raven Violet, Blind On A Galloping Horse, is astonishing and between February and May, a steady stream of remixes and versions have emerged. Andy seems to be steering GLOK in a slightly different direction, if this and other recent remixes are an indication, though similarly transporting the listener to a wholly different headspace. 

Easing a little bit of funk back into proceedings is Steve Cobby & Third Attempt aka Torje Fagertun Spilde, with the closing track from their Offshore Sunsets EP. Feeling Seen is fuzzy funk (is that a thing?), perfectly connecting Kingston upon Hull and Tromsø, Norway.

Another international partnership that continues to deliver the goods is Jezebell aka Jesse Fahnestock and Darren Bell. Weekend Machines is the lead track from a 4-track EP landing on 3rd July and it signals a further evolution in the duo's work, which never fails to excite and entertain. If this doesn't get you moving, check your pulse.

I enthused about the México 24 EP by La Guardia De La Luz and Picotropico in May and I'm still feeling the love. I've inevitably gone for the best song- and remix title of the four, and it's chock full of chug, to put it mildly.

The closing track isn't new at all - it was released in September 2022 - but is new to me as I was gifted it on Saturday night. I'm on the mailing list for Lithuanian label Electric Shapes and they are extremely generous in dropping emails with free download codes for their back catalogue. Unfortunately, without fail I've seen the emails when the codes have long been used...until last night, when I just happened to be checking emails when their latest gift landed.

So, I am now the happy owner of the Crouching Tiger EP by Jokios Kultūros aka Dovydas Platakis. Jokios Kultūros loosely translates as 'uncultured' though this release is anything but. I've enjoyed all seven tracks, though the remix here by German DJ/producer Tassilo Vanhöfen has currently nudged ahead as my favourite.

I usually include Discogs links to the artist's names. This time around, I've gone for Bandcamp links so that you can check out purchase their releases if you like what you hear.

1) Insanely Beautiful (Leah’s Mix): Fluke ft. Leah Cleaver
2) Dream On (Balearic Ultras Brooking Bass Remix): The Woodentops
3) Undo The Blue (Beyond The Wizards Sleeve Re-Animation): Iraina Mancini
4) Anzu (Hardway Bros Conqueror Knock Dub): C.A.R.
5) Drive Thru Century: Matt Gunn
6) Like This (Single Version): Stylic
7) Agitprop 13 (GLOK Remix): David Holmes ft. Raven Violet
8) Feeling Seen: Steve Cobby & Third Attempt
9) Weekend Machines (Single Version): Jezebell
10) I First Learned About Shelley's Through A Magazine (Pico's Stoke-on-Trent Is Not In Mexico Remix By Picotropico): La Guardia De La Luz
11) Crouching Tiger (Tassilo's Vision Serpent): Jokios Kultūros

Waiting For The Time To Come (1:13:38) (KF) (Mega)

Wednesday, 8 May 2024

México Via Stoke-On-Trent

One from last Friday's stuffed shopping bag is the México 24 EP, a 4-track split single by La Guardia De La Luz and Picotropico, each contributing a track and then remixing each other.

First up is the brilliantly-titled I First Learned About Shelley's Through A Magazine, nine and a half minutes of stomping beats, channeling an Altern 8 ravey synth break for reasons which become clear when you know a little of Shelley's back story.

Picotropico's equally brilliantly-titled Stoke-on-Trent Is Not In Mexico Remix ups the ante, adding extra circular synth riffs and bouncing bass lines.

 
Strangers by Picotropico is the shortest track on the EP at a mere five and a minutes, though it packs a lot in. Chimes, 70s cop show funk, chugging rhythms, the threat of it all falling apart yet holding it together.

La Guardia De La Luz stretches out and slow things down on his Pico Is Not A Stranger Anymore Remix, settling into a ten minute groove that is much more sedate but no less compelling. 

The latter title suggests that although Santiago Rionda (La Guardia De La Luz) and Francisco Azpiri (Picotropico) are veteran DJs and residents of México City, they didn't really know each other until UK label Paper Recordings suggested this collaboration. On the strength of this EP, I hope they are inspired to collaborate again in future.

 
I only had one other track by each of the artists in my collection prior to this, again courtesy of Paper Recordings and their excellent EP series, The Wild Army.
 
Trance Alemán De Los 90's by La Guardia De La Luz appeared on Volume 6 in 2022, another ten minutes albeit upping the tempo considerably.

 
Front Tears by Picotropico appeared the previous year on 2021's Volume 5, a throbbing, borderline menacing beast of a track, the title hinting at the Peter Gabriel sample that it's built upon. 
 
 
If you played the video at the top before reading on, you'll have heard that Picotropico revisited a solo outing by the other Genesis front person at the end of last year.

For the curious like me, further music by both artists is scattered across various releases and labels on Bandcamp. Likely about as close to México City as I'll get in this lifetime, but worth further exploration.

Thursday, 19 May 2022

Return Of Thee Wild Party

Neu Tech by D.S.D. aka Damien Doherty has just been released as the closing track on the latest volume (six) of Thee Wild Party EP series via the always reliable Paper Recordings. It's a pulsing, insistent monster of a track that manages to evoke the last five decades of synth-based disco, whilst embodying the sound of right now. At a tad over eight minutes, I could easily listen to Neu Tech if it was twice as long, lost in the deep groove.

It's available on Bandcamp as an individual track, but I'd strongly recommend buying the entire EP, featuring Benny Pitcher, La Guardia De La Luz and a fantastic gospel-sampling opener from Lanowa.
 
Sean Johnston (A Love From Outer Space / Hardway Bros) describes Thee Wild Party Volume 6 as "all great!" and he's not wrong.