#SynthPopSeptember

Another of my occasional engagements with Musk's Mad World, the theme this time being thirty days of synth pop throughout September.

No surprise that the likes of Visage, Depeche Mode, Chvrches, Duran Duran, AIR, New Order, LCD Soundsystem, Blancmange, O.M.D., Goldfrapp, Bronski Beat, Hot Chip, Pet Shop Boys and The Human League were generally well represented by their best-known songs.

 

It was a lot of fun and an opportunity to offer up some lesser tweeted songs by many of the above plus Fad Gadget, Les Rythmes Digitales, Ladytron, Alan Vega, Telex, Boytronic and La Roux, several of whom have featured in posts this month.

My 30 synth pop choices in full were

1) Lady Shave (Single Version): Fad Gadget (1981)

2) Sleep On The Left Side (Les Rythmes Digitales' Living By Numbers Mix): Cornershop (1998)

3) The Black Hit Of Space (Album Version): The Human League (1980)

4) The Sun And The Rainfall (Album Version) (Cover of Depeche Mode): Marsheaux (2015)

5) Cccan't You See... (Single Version): Vicious Pink (1984)

6) Almost (Album Version): O.M.D. (1980)

7) Leave In Silence (Single Version): Depeche Mode (1982)

8) (Hey You) What's That Sound? (Album Version): Les Rythmes Digitales (1999)

9) Clean Your House (The Emperor Machine Extended Remix): Blancmange (2020)

10) Pale Green Ghosts (Album Version): John Grant (2013)

11) Synthesize (Single Version): Autumn (1981)

12) Real Thoughts In Real Time (Vince Clarke Extended Version): Hifi Sean & David McAlmont (2023)

13) Frozen Faces (Single Mix): Propaganda (1985)

14) Let's All Make A Bomb (New Version): Heaven 17 (1983)

15) Gun (Album Version): Chvrches (2013)

16) Saturn Drive (Extended / Album Version): Alan Vega (1983)

17) Seventeen (Darren Emerson Radio Edit): Ladytron (2003)

18) Stand Up (Get Down) (7" Version): Kissing The Pink (1988)

19) You (Extended Version): Boytronic (1983)

20) The Walk (Album Version): Eurythmics (1982)

21) Mixed Bizness (Nu Wave Dreamix By Les Rythmes Digitales): Beck (2000)

22) Moskow Diskow (French 12" Version): Telex (1979)

23) Glam (Album Version): Icehouse (1982)

24) Let Me Down Gently (Prins Thomas Diskomiks): La Roux (2014)

25) Disenchanted (Album Version): The Communards (1986)

26) Mister Imperator (Album Version): Telefís (2022)

27) Lies (Bigger & Better) (12" Version): Thompson Twins (1983)

28) Jackson's Last Stand (Radio Edit): Où Est Le Swimming Pool (2009)

29) When Do I Get To Sing 'My Way' (Album Version): Sparks (1994)

30) Pleasure Boys (Special Dance Mix): Visage (1982)

As my final contribution is being tweeted today, here's a random 10-song selection from the 30, spanning four decades and neatly squeezing onto an imaginary C90 cassette side. Click on the song title links for more YT goodies. Enjoy!

 

1) Pale Green Ghosts (Album Version): John Grant (2013)

2) Cccan't You See... (Single Version): Vicious Pink (1984)

3) Stand Up (Get Down) (7" Version): Kissing The Pink (1988)

4) Glam (Album Version): Icehouse (1982)

5) Frozen Faces (Single Mix): Propaganda (1985)

6) When Do I Get To Sing 'My Way' (Album Version): Sparks (1994)

7) Real Thoughts In Real Time (Vince Clarke Extended Version): Hifi Sean & David McAlmont (2023)

8) Synthesize (Single Version): Autumn (1981)

9) Mister Imperator (Album Version): Telefís (2022)

10) Clean Your House (The Emperor Machine Extended Remix): Blancmange (2020)

 

1981: Synthesize EP: 8

1982: Primitive Man: 4

1984: Cccan't You See... EP: 2

1985: p: Machinery EP / A Secret Wish (CD bonus track): 5

1988: Stand Up EP: 3 

1994: Gratuitous Sax & Senseless Violins: 6

2013: Pale Green Ghosts: 1

2020: Clean Your House EP: 10

2022: a hAon: 9

2023: Real Thoughts In Real Time EP: 7

 

#SynthPop September (46:02) (KF) (Mega)

God Save The Ing

...that is, if your thing is dancing, jigging, shaking or some other ing that involves moving, because the next hour and an a half is all about the beats. 

2023 has been a great year so far, musically speaking and as I hope this 14-track selection ably demonstrates. Several long-time favourites have returned with a vengeance: Cerrone, DJ Nature, A Man Called Adam and Four Tet; all delivering music as good as anything in their rich and varied catalogue. 

 

Others have done so in collaboration: Justin Robertson meets David Holmes' Unloved in the Temple Of Wonders; Telefís aka Cathal Coughlan (RIP) and Jacknife Lee holiday in Madrid with Howie B; Hifi Sean and David McAlmont take a dub excursion to another Happy Ending.

 

Some relatively recent discoveries continue to delight: Jezebell, Max Essa and Duncan Gray have all somehow managed to raise the bar with each successive release; how high can they go?

 

The rest are all artists that I've heard for the first time this year: Minus Yogis, Bárbara Boeing, Cee ElAssaad, DjClick and Masha Natanson; all very different, all worth further investigation.

Apart from Four Tet, I'm not sure if any of these artists will be troubling a stage at Glastonbury next week (though to be honest, my eyesight starting blurring after the tenth or eleventh scroll through the seemingly endless line-up page on their website). If they did though, I think they'd smash it.

 

1) A Part Of You (Club Mix): Cerrone

2) Follow Your Dreams: DJ Nature

3) Fruity Blues (Balearic Mix By Minus Yogis): Minus Yogis

4) It's Science Baby (Funkified): A Man Called Adam

5) Trading Places (6PM): Jezebell

6) Thrill Me (Justin Robertson's Temple Of Wonders Remix): Unloved

7) Short Haul: Duncan Gray

8) Beautiful (Hifi's Dub Excursion): Hifi Sean & David McAlmont

9) Baile Do Silêncio (Donald Dust Remix): Bárbara Boeing

10) Njalo (Full Length Version): Cee ElAssaad

11) Come Come The Rain (Club Mix): Max Essa ft. DC Mathias

12) Strawboy Supernova (Madrid Metal By Howie B): Telefís

13) Three Drums: Four Tet

14) 24022022 (Fluo Sobre RMX): DjClick & Masha Natanson

God Save The Ing (1:28:44) (Box) (Mega)

The One You Won't Regret

Today's selection started out with the intention of being a relaxed, laidback affair, triggered by a week revisiting Baby Ford's brilliant 1992 album Bford 9. I think somewhere along the line it morphed into a late night/headphones kind of vibe...

The nine tracks are all drawn from albums I've been listening to this week, several purchased last year, some having been in my possession for many years and one picked up one of two compulsory Sahel Sounds purchases last Bandcamp Friday. An eclectic bunch, it has to be said, but I think they make good partners.

I'll revisit Bford 9 again in the future but suffice to say my previous preconceptions about Baby Ford were completely upended by this album. I bought it on spec for £7.99 from a record shop in Yate (#45 in 2003's Top 50 Crap Towns) a couple of years after it's release and it's remained one of my favourite electronica/dance albums. There's a vocal version of 20, Park Drive; I've opted for the instrumental version to open this selection, to set the (languid) pace.

Happy Ending by Hifi Sean and David McAlmont was officially released in February this year. To say I love it is an understatement. In fact, I love it so much that when I got the double vinyl last December as a Last Night From Glasgow subscriber, I made it my 2022 album of the year. Transatlantic is a beautiful, downtempo moment, sweeping strings and shiver-inducing vocals.

Electribe 101's contribution dates from 1992 though didn't see an official release for three decades due to the record label dropping them midway through recording their second album. I wrote about it last January in anticipation of the album's long awaited release (thanks to Billie Ray Martin) and it didn't disappoint. Conquering Tomorrow is a bonus track on the CD, a brief instrumental that segues neatly into the next song on this selection.

My sideways step into the world of New York indie pop trio Au Revoir Simone came via their appearance on Paris by Friendly Fires. I picked up a few freebie sample songs via the now-defunct RCRD LBL website and then bought 2009 album Still Night, Still Light, followed by 2010 remix companion Night Light. The version of Take Me As I Am featured here is from the latter, London-based DJ Max Cooper delivering a shimmering version with hushed vocals coming in quite late.

 

Telefís was an inspired meeting of minds between Cathal Coughlan and Garret 'Jacknife' Lee. Debut album a hAon was released in 2022 and whilst the equally excellent follow up a Dó came in October the same year, it sadly proved to be a posthumous release, due to Cathal's untimely passing in May. Picadors is taken from a hAon and an example of a duo at the top of their game, lyrically and sonically. A tragic loss.

I featured a System 7 selection at the end of April and they've continued to be on my playlist since. The Abyss is the penultimate track on 2001 album Seventh Wave, seven and a half minutes of ambient waves which Steve Hillage and Miquette Giraudy do so well.

 

From there and another of my favourite albums of 2022, And In The Darkness, Hearts Aglow by Weyes Blood. Another spine-tinglingly beautiful vocal, this isn't really ambient at all, more 1970s West Coast vibe yet it was an obvious next step from the System 7 song. The build towards the end is just wonderful.

 

Whilst I have a few Wau Wau Collectif songs from previous Sahel Sounds compilations, Friday saw my first purchase of a full length album by them, their second as it transpires. The Senegalese musicians collaborate again with Sweden’s Karl Jonas Winqvist, a name I only recognise from his work with James Yorkston & The Secondhand Orchestra. Again, Mariage Forcé is not a song that would be described as 'chill out' but I was struck by the tone of the two-second intro nearly matching that of the closing seconds of the Weyes Blood song, which made for a serendipitous pairing.

On more familiar territory for the closer, with William Orbit. Strange Cargo was the title of his second album in 1987, with volumes II and III following in the 1990s. The next volume in 1995 was confusingly credited to Strange Cargo and titled Hinterland. Business as usual belatedly resumed (and reverted to a William Orbit release) in 2014 with Strange Cargo 5. Kiss Of The Bee appears on the standalone Strange Cargo release in 1995, featuring Beth Orton and Christine Leach. Beth was about to release her second solo album, to great acclaim, whilst Christine fronted Baby Fox, who were unfairly lumped in with the mid-90s trip hop set.

 

1) 20, Park Drive (Inst): Baby Ford (1992)

2) Transatlantic: Hifi Sean & David McAlmont (2022)

3) Conquering Tomorrow: Electribe 101 (1992)

4) Take Me As I Am (Max Cooper Remix): Au Revoir Simone (2010)

5) Picadors (Album Version): Telefís (2022)

6) The Abyss: System 7 (2001)

7) God Turn Me Into A Flower: Weyes Blood (2022)

8) Mariage Forcé: Wau Wau Collectif (2022)

9) Kiss Of The Bee: Strange Cargo ft. Beth Orton & Christine Leach (1995) 

 

1992: Bford 9: 1

1995: Hinterland: 9

2001: Seventh Wave: 6

2010: Night Light: 4

2022: a hAon: 5 

2022: And In The Darkness, Hearts Aglow: 7

2022: Electribal Soul: 3

2022: Happy Ending: 2 

2022: Mariage: 8

 

The One You Won't Regret (47:34) (Box) (Mega) 

In Space We Trust

The final selection of 2022 highlights was becoming a bit of a monster. This nearly ended up as a 22-track, two-and-a-half hour megalomaniamix, such was my difficulty in paring down the many, many songs that I've loved this year but which hadn't made it onto the previous selections this week. 

 

Nobody needs a monster mix on New Year's Eve though, me included, so here's a rather more reasonable 10 track selection at just over an hour. I could quite decide if I was creating a club or a chill out area but hopefully enough to get a party started...in our case, Clan K, the cat, some food and party games and skipping Jools Holland's Hootenanny.

 

More of the usual suspects but a couple of new (to me) artists, BT COP and Residentes Balearicos, that were respectively introduced via the superb Shelter Me and Higher Love Vol. 2 compilations earlier this year.

 

And, just under the wire for consideration in 2022, I got home from work to find that my first package from my Last Night From Glasgow subscription had arrived. Four beautifully packaged coloured vinyl albums from Popup, Billy Reeves and The Soup Dragons and - most eagerly anticipated of all - on double yellow vinyl, Happy Ending by Hifi Sean and David McAlmont. Needless to say, the latter made my night/week/year.

 

Following yesterday's single of the year award, guess what? They've only gone and done it again.

 

2022 has seen some outstanding albums that I've lived with and listened to repeatedly. However, in face of incredibly strong competition, Happy Ending is just perfect from start to finish. I will be coming back to it again (and again) in future posts but in the meantime, no better way to close this compilation and my 365th post in 2022.

 

Happy Ending is my album of the year. 

 

Thanks for your support and comments and for continuing to inspire and motivate me on a daily basis. I never thought that I'd still be going, two years after starting this blog, but the constant delight of new music, unearthing personal favourites and being introduced to artists and music that I'd missed altogether is stronger than ever.

 

I hope, however you're marking this evening and whoever you're spending it with, that you have a wonderful New Year's Eve and a fantastic start to 2023.

 

1) First Rays Of A New Life: Dan Wainwright & Elle Redding (Mother Oak)

2) Proof Of Stake: BT COP (Shelter Me: various artists)

3) Silent Disco Sucks (Duncan Gray Remix): Pete Bones & The Stones Of Convention (Hyena Hopscotch Remixes)

4) Balearic For President: Residentes Balearicos (Higher Love Vol. 2: various artists)

5) Summer Lovin' (Full Length Version): Cerrone & Purple Disco Machine (Summer Lovin' single)

6) Dexter In Dub (Bedford Falls Players Remix): Perry Granville (Dexter In Dub single)

7) Space Is Us (Basement Jaxx Remix): Telefís ft. Sean O'Hagan (Space Is Us EP)

8) Jezebellearic: Jezebell (Jezebellearica Volume 1 EP)

9) Sail On: Al Mackenzie (Sail On single)

10) Beautiful: Hifi Sean & David McAlmont (Happy Ending)

 

In Space We Trust (1:02:00) (Box) (Mega)

When You're Down, Keep Looking Up

Today's selection highlights 20 of my favourite albums from 2022. I know I probably should have tried to stretch it to 22 from '22, but time constraints meant that I only managed 10 last year so this is a big improvement and fits neatly into a mock-CD running time.

 

As with last year, I've not ranked or scored the albums, just sequenced the selected tracks in a way that I hope makes for a satisfying playlist. Again, I'm a bit tight for time, so the commentary is minimal.

I had a very long shortlist so a mention to several albums that didn't make today's selection but are excellent nevertheless: Midnight Rocker by Horace Andy; Ibibio Sound Machine's Electricity, produced by Hot Chip; Alright by Luxxury; any of the other 5 albums released by SAULT this year; The Album Club's self-titled album; Memoria by Trentemøller, the list goes on. And so many that are still on my 'must buy' list.

 

Several albums, by Andy Bell, Katy J Pearson and Confidence Man, were contenders from the moment I first heard them and have remained playlist staples ever since. A couple - Orbury Common and Tomberlin - came on the back of support slots for other artists featured in this selection that I got to see live in concert. 

 

Julian Cope and Blancmange were back with new albums, whilst Altered Images surprised me with a comeback album full of pop hooks that firmly proclaimed that they were no heritage act. A very welcome return for all.

 

Cathal Coughlan teamed up with Jacknife Lee as Telefís for not one but two albums in 2022. The news of Coughlan's death in May was - and still is - a shock, one of far too many tragic losses this year. Telefís was proof, if any needed, that Cathal was on a creative roll and had so much more to share.

 

Quite a few were late entries, the common thread being that they're all on the Late Night From Glasgow label. I invested in an annual subscription in December and, as a result, received digital copies of the year's releases including In The Forest, Monica Queen, The Bathers, André Salvador & The Von Kings. My first vinyl order/delivery from LNFG has just been dispatched. If it arrives before year end and ignoring my earlier comments about not ranking or scoring, the package will contain what will undoubtedly be my album of the year. 

 

After a gig-less 2021, I finally got back out this year. Just the four, but what a four: Madness (Westonbirt, June), Katy J Pearson (Bristol, September), Blancmange (Stroud, October) and Angel Olsen (Bath, October). All very special in their own way and with great support acts. 

 

Time prevents me from waxing lyrical about every selection but a special mention for Andy Bell, whose album Flicker came out in February and has been followed by a steady stream of singles, cover versions and remixes. These have been collected on a trio of themed EPs - I Am A Strange Loop, The Grounding Process and Untitled Film Stills - plus a compilation/companion, Strange Loops & Outer Psych. And this isn't counting Andy's remixes as GLOK! 

 

Given that Flicker itself is a double album and deservedly so, the sheer amount of quality music that Andy Bell has offered up in the last 12 months is nothing short of phenomenal. I think Flicker would otherwise be my album of the year on a list of excellent albums by Weyes Blood, Pye Corner Audio and Unloved.

 

More tomorrow.

 

1) idkwntht: Tomberlin (i don’t know who needs to hear this...)

2) Fight For Love: SAULT (11)

3) Break It Bought It (Album Version): Confidence Man (Tilt)

4) Hot In Her (Album Version) (Cover of Nelly): Mr. Oizo & Phra (Voilá)

5) Sex Bunting: Telefís (a hAon)

6) Reduced Voltage (Album Version): Blancmange (Private View)

7) Haberdashery: Orbury Common (The Traditional Dance Of Orbury Common EP)

8) Saturation Point (Album Version): Pye Corner Audio (Let’s Emerge!)

9) Waiting For The Call: In The Forest (These Four Walls)

10) Big Time (Album Version): Angel Olsen (Big Time)

11) I Want You To Stop, You're Killing Me: Monica Queen (Stop That Girl)

12) Turn Of The Screw (Album Version): Unloved ft. Raven Violet (The Pink Album)

13) Changing My Luck: Altered Images (Mascara Streakz)

14) Cape St. Vincent: The Bathers (Summer Lightning)

15) Howl: Katy J Pearson ft. Orlando Weeks (Sound Of The Morning) 

16) January: Momus (Smudger)

17) All The Yin-Yangs That Give it Away: Julian Cope (England Expectorates)

18) Dieu Du Ciel: André Salvador & The Von Kings (Draped Apes)

19) Jenny Holzer B. Goode: Andy Bell (Flicker)

20) Twin Flame: Weyes Blood (And In The Darkness, Hearts Aglow)

When You're Down, Keep Looking Up (1:17:22) (Box) (Mega)

Waves Out Of Phase

Another dive into the music that I've been enjoying so far in 2022. The selection has a slightly more melancholy edge than I was intending, but otherwise just a sample of the outstanding sounds that have emerged over the past six months.

 

No surprise to see Andy Bell, Trentemøller and Momus, whose albums have been highlights for quite some time. Telefís (aka Cathal Coughlan and Jacknife Lee) and Katy J Pearson are relatively new acquaintances, whilst the prolific Dan Wainwright has released not one but two albums so far, the latest with his partner Elle Redding. 

 

Enjoy!

 

1) Adar Newlan: Imarhan ft. Gruff Rhys

2) Thickener (Full Fat Original): 10:40

3) Bowroux (Ed Mahon Remix): Pete Callard

4) Totentanz: Momus

5) Cue The Tears (Anton Newcombe Remix): Dot Allison

6) All Too Soon: Trentemøller ft. Lisbet Fritze

7) Bright Star: Anaïs Mitchell

8) Talk Over Town: Katy J Pearson

9) Sing The Blues: Dan Wainwright

10) The Kindness Of Others (Concretism Remix By Chris Sharp): Dohnavùr

11) We No Normal (Anger Management): Sherwood & Pinch ft. Daddy Freddy, Ghetto Priest & Jen Jen

12) Archbishop Beardmouth At The ChemOlympics (Radio Edit): Telefís

13) Mother Oak: Dan Wainwright & Elle Redding

14) Holiday In The Sun: Andy Bell

Waves Out Of Phase (1:08:40)

These Altered States And Altered Bodies Are Telegenic Holy Relics

I'm still trying to take in the fact that Cathal Coughlan has passed. Last week's sad news was a real shock, which reverberated across many of the music blogs that I follow. I posted a celebration of Cathal's music as The Fatima Mansions but, as is often the case in times of loss, it also provided the impetus to finally catch up with his subsequent work.

I'll focus a future post on Cathal Coughlan's last solo album, Song Of Co-Aklan, and companion E.P. Of Co-Aklan, the latter released less than a week before his death on 18th May 2022.

Today is all about Telefís, Cathal's electronic/dance project with producer Jacknife Lee. Of course, being Cathal Coughlan, you inevitably also get the biting satire and acerbic lyrics. I ended up buying the complete Telefís discography available on Bandcamp, including the album a hAon and the Archbishop Beardmouth At The ChemOlympics EP, both released in March this year.

 

Cathal is no stranger to juxtaposing hard-hitting narratives with dancefloor-friendly rhythms, as remixes of The Fatima Mansions' Blues For Ceausescu, The Loyaliser and Nite Flights will attest.

 

Cathal Coughlan and Garret Lee were apparently working on new Telefís songs prior to Cathal's passing and I hope that there is sufficient material that may make it's way into the world in the future. For now, I'd highly recommend the album and EP releases, including a trio of reworkings of Falun Gong Dancer featuring the mighty Jah Wobble.

Today's selection spotlights Archbishop Beardmouth At The ChemOlympics, both in it's original album form and as remixed/versioned by Thomas Leer. 

 

Cathal held his promise to Keep Music Evil right to the end. 

 

 

Archbishop Beardmouth At The ChemOlympics (Album Version): Telefís (2022)

Archbishop Beardmouth At The ChemOlympics (Thomas Leer Version): Telefís (2022)

 

We used to be
And we believed
It's plain to see
Toxicology

 

From the devotional freakout
of Archbishop Beardmouth:
ChemOlympics! ChemOlympics!
Don't call it chemo
These toxins are for fun!
These altered states and altered bodies are telegenic holy relics

 

We used to be
And we believed
It's plain to see
Toxicology

 

The common sense
(doesn't matter, doesn't matter)
Raped by events
(doesn't matter, doesn't matter)
Back in your trench
(doesn't matter, doesn't matter)
The games won't relent, won't relent

 

Culvert, truck-bonnet, crazed mob, crowbars -
We're not going out like poor Muammar
Gollies next to eagles next to crosses
on the aprons of the ungiven tosses

 

We used to be
And we believed
It's plain to see
Toxicology

 

The medals gleam
(doesn't matter, doesn't matter)
The nostrils steam
(doesn't matter, doesn't matter)
COPD
(doesn't matter, doesn't matter)
Google, Pepsi, epilepsy!

 

...Doesn't matter, doesn't matter.