Side 1 of a faux FX Super Ferric C90 cassette, properly kicking off a new series of mixtapes that never were, and a follow on from my previous runs through the 1980s and 1990s.
There was a thirty five year gap between Decade and its sequel, Decadance (sic). A mere eight months' wait this time!
The 2000s was a significant decade for me: I became a house owner, a husband, a father; I changed jobs; I got a home computer (with dial up internet!); I went to more comedy gigs than music gigs; I finally went to Japan with Mrs. K, and we had an unforgettable month there.
I also listened to music, lots of music, but even that was changing. Whereas the move from the 1980s to the 1990s had seen a shift from vinyl to CDs, as the 2000s progressed, there was a further shift from CDs to MP3s.
Entering the decade, I was still making mixtapes, though that shifted quickly to CD-Rs as soon as Casa K had a computer and printer set up at home. Times were changing, and I was trying to keep up.
I was no longer keeping up with Top Of The Pops or the UK charts, though. The former had pretty much lost me in the previous decade, with the predominance of bland bands that were visually and aurally uninteresting.
Likewise, the stupid marketing of the early 2000s saw a smaller number of songs spread across an increasing number of formats. The chances of getting a decent, value-for-money EP were a thing of the past and instead, completists would be forced to buy the two or three CD singles, possibly a DVD and/or a 12" vinyl, to get a mere 5 or 6 songs.
First week promos and multi-buy deals meant that the chances of singles getting to #1 in the UK were pretty good; staying at #1 (or even remaining in the Top 10) by week two less so. According to Iffypedia, there were 274 UK #1 singles in the 2000s, 11 of those by Westshite, which illustrates better than anything how bad things were.
And yet... despite my expectation that this series would highlight a yawning chasm between music I enjoyed and chart success, I've been surprised by the consistent hits across this series. Starting with today's selection, there are a fair number of songs that either didn't chart or failed to crack the Top 30, but there are more Top 5s than I was expecting, too.
Enough of my yakking, let's get into things with the year 2000.
Last Sunday's Decayed Prelude revealed a number of artists that failed to make the cut for any of the ten upcoming selections. Likewise, many in the next five weeks will make just one appearance, including today's opening act, Primal Scream.
When I 'reviewed' their XTRMNTR album for the back page of an A5 DIY comic zine that I was selling in Forbidden Planet for 50p, it amounted to one word: FLLR. My opinion hasn't significantly shifted in the quarter century since: it's a good (imaginary) compilation of mixes and B-sides, but didn't and doesn't hang together for me as a proper album.
Much as I love Kill All Hippies with it's samples of Linda Manz from Dennis Hopper's 1980 film Out Of The Blue and one of the filthiest basslines ever, it didn't (excuse the pun) scream 'single!" to me. Yet it was, I bought it, and it got to #24.
All Saints were also enjoying continuing success by association with a film, albeit a contemporary release. I revisit the soundtrack to The Beach more often than the film itself, due to the spot-on choice of artists.
I wasn't a fan of All Saints, but I was a sucker for William Orbit's bleeps and bloops and on Pure Shores, it was a perfect pairing. The record buying public agreed, and it scored All Saints their fourth UK #1.
Other Top 5 hits include Kids by Robbie Williams and Kylie Minogue, a pop song so good that they both included it on their albums released that year. The single was held off the top spot by U2 (Beautiful Day), though both were supplanted by Steps and the Baha Men the following week.
Porcelain was about the 500th single from Moby's mega-successful Play (an achievement in itself, given that there are only 18 songs on the album). The single peaked at #5, the most successful of the Play singles released here.
Moloko are the third and final Top 5 contender this time, with the sublime The Time Is Now and my personal favourite of everything that Róisín Murphy and Mark Brydon wrote and recorded together. You've got Melanie C and Lisa 'Left Eye' Lopes to thank for keeping this cracker off the top spot, as they released Never Be The Same Again the same week. Prophetic words, as Westshite had evicted them a week later.
Apart from Primal Scream, other Top 30 artists featured here include Black Box Recorder and Finley Quaye, whilst The Dandy Warhols just missed out on the Top 40 this time around with Bohemian Like You. However, they returned with a vengeance (and the same song) the following year, thanks to its use in a Vodafone advert.
Given that I ditched Groovejet by Spiller and Sophie Ellis-Bextor from my 2000 shortlist, the inclusion of obscure Australian electronic act Gerling may be a surprise. What was a surprise to me was that their single Enter Spacecapsule actually made it to #33. I picked it up on spec from the bargain bin at Replay Records in Bristol at the time and immediately fell in love with it. I had a similar reaction to the Mekon single guest starring 80s legend Roxanne Shanté. Bring it on!
Likewise with the lush combo of strings and beats, courtesy of ex-Voodoo Queen, Anjali. Lazy Lagoon was one of the very first MP3s I downloaded (for free) from the Wiiija Records website in 2000. Took bloody ages thanks to my ultra slow dial-up internet connection, though it was worth it. The single failed to chart - I bought the CD single a while later, dirt cheap - but it and the eponymous debut album that homes it, comes highly recommended.
Shocking to think now that Lovely Head, the debut single by Goldfrapp, also failed to chart back in the day. I've pretty much lost track of what Alison Goldfrapp is up to these days, though her work with Will Gregory still has the power to thrill and this song in particular had it all from the start. Excellent whistling, too.
As with the previous series, the info nerd in me has insisted on including info at the end, listing each single's peak (UK) chart placing and date, and the relevant album it sprung from (or EP if it was a standalone single).
Sunday, as it must, will take a long, hard look at 2001. Space odyssey or space oddity? I'll leave you to decide.
In the meantime, I hope you enjoy the next 45 minutes of sounds from 2000!
1) Kill All Hippies (Brendan Lynch Edit): Primal Scream ft. Linda Manz
2) Pure Shores (The Beach Life Mix By William Orbit): All Saints
3) Kids (Album Version): Robbie Williams & Kylie Minogue
4) Porcelain (Single Version): Moby
5) Enter Spacecapsule (Radio Disko Remix): Gerling
6) Lazy Lagoon (Album Version): Anjali
7) The Facts Of Life (Radio Edit): Black Box Recorder
8) Lovely Head (Album Version): Goldfrapp
9) The Time Is Now (Edit): Moloko
10) Spiritualized (Album Version): Finley Quaye
11) What's Going On? (Edit): Mekon ft. Roxanne Shanté
12) Bohemian Like You (Album Version): The Dandy Warhols
20th February 2000: Saints & Sinners / The Beach (Motion Picture Soundtrack) (#1): 2
26th March 2000: XTRMNTR (#24): 1
26th March 2000: Things To Make And Do (#2): 9
16th April 2000: The Facts Of Life (#20): 7
5th June 2000: Felt Mountain (# n/a): 8 *
18th June 2000: Play (#5): 4
25th June 2000: Enter Spacecapsule EP (#33): 5
3rd September 2000: Thirteen Tales From Urban Bohemia (#42): 12 **
17th September 2000: Vanguard (#26): 10
17th September 2000: Relax With Mekon (#43): 11
15th October 2000: Sing When You're Winning / Light Years (#2): 3
22nd October 2000: Anjali (# n/a): 6
* Lovely Head had a second bite of the (black) cherry when it was re-released as a double A-side with Pilots (On A Star), peaking at #68 the week of 11th November 2001.
** Likewise, a re-release of Bohemian Like You rocketed the single to #5 in the week of 4th November 2001.
