Showing posts with label Annie Hogan. Show all posts
Showing posts with label Annie Hogan. Show all posts

Saturday, 22 June 2024

A Different Donald

Celebrating Donald Sutherland, 17th July 1935 to 20th June 2024.

A brilliant actor, Martin over at New Amusements nailed it with a succinct and spot-on summation of his star turn in the 1978 remake of Invasion Of The Bodysnatchers, also a personal favourite. 

Donald brought an intensity to every role that he played, sometimes seemingly effortlessly, always enhanced by those piercing blue eyes. In ...Bodysnatchers, you could absolutely believe that Donald's character had gone for days without sleep and was running on empty...and that final scene. Stayed with me for a long time!

It was also a joy to see Donald appear in the video for Cloudbusting along with Kate Bush. Frankly, whatever he was in was better for his presence. Much is made of Will Smith's against-type role in 1993's Six Degrees Of Separation, but it stands or falls on the dynamic with the couple that his character encounters. It works because Donald and Stockard Channing were cast in the roles. Worth watching if you can track it down.
 
Which clumsily dovetails into the theme of today's selection. Unlike son Kiefer, Donald didn't release any albums or play gigs at the Cheese & Grain in Frome, However, he has appeared in many, many films, and there are plenty of songs in my collection that share titles. I've got form with this, having created previous selections based on the work of Faye Dunaway, Elizabeth Taylor and Juliette Binoche (possibly others, but I forget).

Unfortunately, no songs titled Six Degrees Of Separation (I do have a 12" by a band of that name, which I'll spare you) but I did run a few posts last year based on the fun variation Six Degrees Of Kevin Bacon
 
So, an obvious starter for today's selection were The Comsat Angels, whose members include (the other) Kevin Bacon. Conveniently, they also recorded a song for 1982 album Fiction with the same name as one of Donald's most famous films. Don't Look Now, but I think I've got away with that tenuous connection!

It's an eclectic sequence of songs and artists, taking in Roxy Music, The Kingfishers, Black Uhuru, late period Ultravox and Scanner aka Robin Rimbaud collaborating with Anni Hogan and Thomas Lang. I've taken some liberties with spelling and the inclusion or omission of the definite article here and there. I've also crowbarred in a reference to Donald's starring role in 1971 film Klute, where the titular drum & bass artist appears in the song name. It also allows me to sneak Mogwai in through the back door. Just imagine if Donald had accepted a role in Gremlins, it would have been even better...!

I felt compelled to include Cloudbusting but at the eleventh hour swapped Kate Bush for a cover version that Neil Halstead (Slowdive, Mojave 3) recorded for a US compilation in 2010. I like it.

It seemed appropriate somehow to pick a fellow Canadian to close the selection, and Neil Young happily stepped up to the mark. Ordinary People was Robert Redford's directorial debut in 1980 and Donald is astonishing as you might expect. Timothy Hutton won an Oscar for Best Supporting Actor. Donald was never nominated for an Academy Award, though he received an honorary Oscar in 2017.  

Not one to do things by halves, Neil Young's take on Ordinary People is an 18-minute chug-a-thon epic, with all the bells and whistles that you may expect, but doesn't feel a second too long. I don't know what Donald thought of Neil's music but I've just discovered that they did meet at least once, when they were both inducted into Canada's Walk Of Fame in 2000, along with Joni Mitchell, Michael J. Fox, Martin Short and William Shatner. Now, that must have been some dinner table conversation...!

Ninety minutes of music then that I hope will also get you looking up some more of Donald's films - Kelly's Heroes! - and rediscovering what singular, otherworldly talent Donald Sutherland is.

And the post title? Well, another take is that when I read the sad news, I wished that the Grim Reaper had come calling for a different Donald instead...

Rest easy, Mr. Sutherland, you did good.

1) Don't Look Now: The Comsat Angels (1982)
2) Casanova: Roxy Music (1974)
3) Instinct: Iggy Pop (1988)
4) Setting Sun (Edit): The Aliens (2007)
5) The Eye Of The Needle: The Kingfishers (2023)
6) Alone: Scanner & Anni Hogan ft. Thomas Lang (2016)
7) Fools Gold (7" Version By John Leckie): The Stone Roses (1989)
8) Heaven Help Us (Try) (Manyanamegamix): Zeke Manyika ft. Sylvia & The Sapphires (1984)
9) Ask The Dust: The Porch Song Anthology (2006)
10) Kelly's Heroes (Album Version): Black Grape (1995)
11) The Great Train Robbery (Dance Mix By Arthur Baker): Black Uhuru (1986) 
12) Cloudbusting (Cover of Kate Bush): Neil Halstead (2010)
13) Thee Eagle Has Landed: Genesis P-Orridge & Psychic TV (1994)
14) Summer (Klute's Weird Winter Remix By Tom Withers): Mogwai (1998)
15) Time To Kill (Album Version): Ultravox (1986)
16) Ordinary People: Neil Young (2007)

1974: Country Life: 2
1982: Fiction: 1
1984: Heaven Help Us (Try) EP: 8 
1986: The Great Train Robbery EP: 11
1986: U-Vox: 15
1988: Instinct: 3
1989: Fools Gold EP: 7 
1994: Ultradrug: 13
1995: It's Great When You're Straight...Yeah: 10 
1998: Kicking A Dead Pig: Mogwai Songs Remixed: 14
2006: Spell Of The Trembling Earth: 9
2007: Chrome Dreams II: 16
2007: Setting Sun EP: 4
2010: Sing Me To Sleep, Indie Lullabies: 12
2016: Scanni: 6
2023: Reflections In A Silver Sound: 5

A Different Donald (1:30:03) (KF) (Mega)

Friday, 19 August 2022

Easier Than A Comedown

For your weekend delectation, an hour long mix of favourite tunes from the last couple of years, with a few samples and stems thrown in to spice things/mask some dodgy segue-ways (delete as applicable).

Persevere and you will get some wonderful tunes courtesy of Róisín Murphy and The Orielles, an unexpected appearance from Annie Hogan with Kid Congo Powers, a rather good cover version/remix of Groove Armada's Superstylin' and living legends David Holmes, A Certain Ratio and Humanoid. I've also dusted off a song by Iklan featuring Law Holt. If the band name isn't familiar, you will undoubtedly have heard of them in their previous incarnation, when they had a rather big hit with this song.
 
I just went with the flow, so the mix is all over the place BPM-wise and I'm not sure if you're supposed to dance, relax or just arch your eyebrows at various points throughout. If it makes you smile, shimmy, sigh (happily not dejectedly) or, even better, all three then my job is done. You can see why I don't do this for living, can't you?!
 
1) Look For What's Looking: Alex Donofrio (2021)
2) Maneki Neko (Watch Sample): Miss Kittin (2013)
3) Into The Madness: Mundo D (2022)
4) sT8818r (Yage Remix By Brian Dougans & Garry Cobain): Humanoid (2022)
5) "...a ghost": Lord Of The Flies OST (1963)
6) Kingdom Of Ends (Album Version By Crooked Man aka Richard Barratt): Róisín Murphy (2020)
7) Stelele (Sakdat & Balaur Remix - Dub): Unu' Marika (2021)
8) No Use: Iklan ft. Law Holt (2020)
9) Superstylin' (Rob Smith aka RSD - Remix) (Cover of Groove Armada): Rude Boy ft. Kardi Tivali (2021)
10) "...you're nicked": John Thaw (The Sweeney OST) (1975)
11) It's Over, If We Run Out Of Love (Working Mens Club Remix): David Holmes ft. Raven Violet (2022)
12) Get A Grip (Maps Remix By James Chapman): A Certain Ratio ft. Maria Uzor (2021)
13) Yuka (Ranga Remix By Coen Helfenrath & Ted De Jong): Flamingods (2017)
14) My Career (Mekon Remix By John Gosling): A.M Hogan ft. Kid Congo Powers (2021)
15) Prince Introducing "Purple Rain": Prince (1984)
16) Sjaj (Dan Wainwright Remix): DJ Magija (2020)
17) Dancing Flame '21: Faint Waves (2021)
18) Bobbi's Second World (Confidence Man Remix): The Orielles (2020)
19) Looking (VC Man Swell Stem): Tosca (2013)
20) Deeper Space: Pye Corner Audio (2020)

 

Saturday, 29 January 2022

A Promise Of Heaven Or Hell In Your Song

Hot on the heels of the triumphant Soft Cell tour late last year and their imminent new album *Happiness Not Included, Marc Almond has announced 5 solo concerts for March and April.

I've only seen Marc Almond live on stage once, in October 1988 promoting The Stars We Are. The album had only been released a few days prior to the concert and ultimately matched it's predecessor, Mother Fist And Her Five Daughters, peaking at #41 in the UK. The previous month, Marc had enjoyed his highest UK singles chart placing in three years when Tears Run Rings made it to #26. Follow up Bitter Sweet didn't fare so well but the next single, re-recorded as a duet with Gene Pitney, would see Marc back at #1.

The Bristol Studio Ballroom sounds grand, doesn't it? It evokes images of faded glamour and a building steeped in history, a perfect setting for Marc's evocative tales of grit and glitter. The reality was a bit different. The Studio was at the top of a multi-storey building, above a cinema and adjoining an ice rink. The Studio itself generally had a main space for the lager louts and pop dance toons, with occasionally some great DJs passing through. There was also a very small side room, with sweat-dripping walls and minimal lighting, for anything deemed "alternative" (for me, this was invariably goth). The main space was where gigs would happen. I don't remember The Studio with any real affection as a building/space, but I had some great times there with some great people, and the collision of queues to get into the various destinations was always interesting, to say the least.

The other significant memories of the Marc Almond gig are:
(1) I ended up going alone and I didn't see anyone else at the gig that I knew; and 
(2) I ended up having to leave early to get the last bus home. 
 
I do recall that it was Tuesday night, I had the work the next day, I was flat broke and I couldn't afford a solo taxi fare as I lived in some godforsaken suburb, miles away. I'd passed my driving test by then but hadn't yet been able to afford a car and no way were my parents going to lend me theirs to drive into the big bad city.

So, my euphoria at what was a brilliant concert was tempered by being really pissed off as I sat on the bus, rattling my bones with every pothole on its interminable, roundabout journey back home. 

Marc Almond was fantastic. Oddly enough, although I was familiar with his songs, particularly the singles, at that point I don't think I actually owned any Soft Cell, Marc & The Mambas or solo albums, so a fair chunk of the songs were new to me. As the ticket proudly states, there was no "supporting artiste", so it did mean that I managed at least two thirds of the set before having to dash to the bus stop; I definitely made it to Anarcoma, but it's a bit hazy after that. Marc was supported, as on the studio recordings, by La Magia aka Annie Hogan, Billy McGee and Steven Humphreys. The three plus Martin McCarrick had been The Willing Sinners and Hogan, McGee and McCarrick had also been members of Marc & The Mambas, and brought a cinematic lush quality to underpin Marc's singing and storytelling.

There isn't a setlist available for the Bristol Studio gig, so I've referenced the show at the Victoria Palace Theatre in London a few nights later. I've not replicated the full set for the simple reason that I still (still!) don't have all of Marc's earlier albums, including The Stars We Are (and I've long lost the C90 copies of those I did). Instead, today's selection is singles-heavy, plundering 1995's Treasure Box collection, 12" remixes and rarities. 
 
From the latter, I've included the version of Melancholy Rose from the Videos 1984-1987 (on VHS!) as I love the introduction. Not a spoiler, but I keep mishearing "Circus of Sighs" as "Circus of Size", which always makes me smile. I've also included the Pitney-free original album version of Something's Gotten Hold Of My Heart, which was how I first heard the song, on a friend's copy of The Stars We Are, although I missed it being performed live. 
 
The set was liberally sprinkled with Jacques Brel covers, preceding Marc's 1989 album Jacques, and closed with If You Go Away. I don't have that particular version, so I've gone for the earlier take from 1982 by Marc & The Mamba, in truth just Marc singing and Annie on piano, to stunning effect. Brel's original 1959 song Ne Me Quitte Pas was translated by Rod McKuen in 1966 and the version included here is spine chilling. 

Marc's upcoming concerts will finally provide an opportunity to perform songs from Chaos And A Dancing Star, released in January 2020 just before the pandemic hit. It was one of my highlights of the year but, let's face it, it's going to be a fantastic show whatever he chooses to sing.

1) The Stars We Are (Full Length Mix): Marc Almond with La Magia (1988)
2) Melancholy Rose (Video Version): Marc Almond & The Willing Sinners (1987)
3) Bitter Sweet (The Big Beat Mix By The Extra Beat Boys): Marc Almond with La Magia (1988)
4) Anarcoma: Marc Almond & The Willing Sinners (1986)
5) Tenderness Is A Weakness (With Instrumental Overture) (10" Version By Mike Hedges): Marc Almond & The Willing Sinners (1984) 
6) Ruby Red (Special Re-Recorded Extended Dance Mix By Mike Hedges & Marc Almond): Marc Almond & The Willing Sinners (1986)
7) The Sensualist (Ultimate Ecstacy Mix): Marc Almond with La Magia (1988)
8) Tears Run Rings (The Just Rite Edit By Justin Strauss): Marc Almond with La Magia (1988)
9) Something's Gotten Hold Of My Heart (Album Version By Bob Kraushaar): Marc Almond with La Magia (1988)
10) If You Go Away (Cover of Jacques Brel): Marc & The Mambas (1982)
 
A Promise Of Heaven Or Hell In Your Song (1:01:29) (KF) (Mega)