Decayed I: 2001

Side 2 of an imaginary compilation cassette, travelling through the 2000s.

Troubling the upper reaches of the UK's best-selling singles of 2001 were Shaggy, Atomic Kitten and S Club 7. Not to forget yesterday's reference to Westshite, who must have had a sideline commission on bar stools, the amount of time they spent with their arses glued to them whilst inflicting another ballad or cover version (or both) on us.

Yet, there was hope. Kylie Minogue was experiencing a purple patch of perfect pop songs, arguably none more so than Can't Get You Out Of My Head. Bucking the trend of one-week-only #1s, Ms. Minogue spent four weeks at the top, seven in the Top 10 and the best part of six months in the Top 75. 

Can't Get You Out Of My Head was apparently offered first to S Club 7 (well, their manager) then Sophie Ellis-Bextor, who both turned it down. I bet they've been kicking themselves ever since.

Basement Jaxx were also wanting to know Where's Your Head At, cracking the UK Top 10 in December. Featuring Damien Peachey on vocals, the song is built on the riff from Gary Numan's 1979 song M.E. and was accompanied by a memorable video.

Speaking of samples, there's a serendipitous connection between today's playlist and the original Decade mixtape series. In October 2001, Felix Da Housecat charted with the single Harlot, sampling the synth percussion of The Sound Of The Crowd by The Human League. That very song featured in my 1981 selection, having reached #12 in May of that year. It's almost like I planned it...!

Missy Elliott had previously scored a UK #1 in 1998, but it was a guest on ex-Spice Girl Melanie B's single I Want You Back. Get UR Freak On got to #4 in April 2001 and would prove to be Missy's highest charting single in the UK as a solo artist. It's a magnificent record, and Timbaland's production and the tabla frenzy underpinning the song cannot be underestimated. Yet, it wouldn't be half as good without Missy herself: her delivery is spot on and a breath of fresh air compared to many of her male contemporaries.

This was the year that we were introduced to The Strokes. I wasn't as blown away by them as the gushing music press appeared to be, though I found myself morbidly fascinated by Last Nite, both the video and the song. Both were unashamedly retro, yet there was something compelleing about their sound and look, even to an old cynic like me.

2001 also saw the first collaboration between Daft Punk and Pharrell Williams, a partnership that would really pay off a decade and a half later. Here, The Neptunes (Pharrell and Chad Hugo) get their hands on Harder, Better, Faster, Stronger and take it in a completely new direction.

The Charlatans, Depeche Mode, Faithless and Damon Albarn all came back with strong songs, reasserting their relevance in the 21st century. Albarn especially so, as in a radical departure from Blur, he co-created 'virtual' band Gorillaz to great critical and commercial acclaim. 

Trevor Jackson is the brains behind Playgroup, the only non-charting single in today's picks. Never heard of him? Break 4 Love by Raze or House Of Lovers by The Rapture? Two of the many record sleeves Trevor designed. The Underdog remixes of Massive Attack, House Of Pain, U2 or Everything But The Girl? That's Trevor. Late 1990s releases by Fridge and Four Tet (Kieran Hebden) on the Output label? Trevor ran it.

Playgroup's self-titled debut album is a thing of wonder and I will write about it at some point, here or elsewhere. Suffice to say that both it and the various singles should have been smash hits. Front 2 Back is featured here, with a strong lead from KC Flightt and a wonderful guest spot from Edwyn Collins on guitar, who nails it.

Robert Miles had a #2 hit with Children in January 1996. Nina Miranda, fronting Smoke City, got to #4 with Underwater Love in April 1997.  On paper, a collaboration between the two had 'hit' written all over it, surely? Sadly not. 

Paths is a great song, but managed just one week at #74 in July 2001. The Future Sound Of London aka Brian Dougans and Garry Cobain were no strangers to the UK charts themselves in the 1990s and they provide a stunning remix here. There is a full-length 7+ minute version on the 12" single, though everything you need is captured here in two hundred and twenty eight wonderful seconds.

Although labelled as a remix by The Future Sound Of London, Brian and Garry were revisiting another of their aliases, and this remix signposted their new direction. Stay tuned, as you'll find out what they were up to next week.

For your further listening pleasure, you may wish to head back to 1981 and 1991.

1) Love Is The Key (Album Version): The Charlatans
2) 19/2000 (Soulchild Remix By Damien Mendis & Stuart Bradbury): Gorillaz
3) I Feel Loved (Single Version): Depeche Mode
4) Get Ur Freak On (Edit By Timbaland & Jimmy Douglass): Missy Elliott
5) Harlot (Edit): Felix Da Housecat ft. Melistar
6) Muhammad Ali (Radio Edit By Rollo & Sister Bliss): Faithless ft. Pauline Taylor
7) Last Nite (Album Version): The Strokes
8) Front 2 Back (Album Version): Playgroup ft. KC Flightt & Edwyn Collins
9) Harder, Better, Faster, Stronger (The Neptunes Remix Edit By Pharrell Williams & Chad Hugo): Daft Punk
10) Where's Your Head At (Radio Edit): Basement Jaxx ft. Damien Peachey
11) Can't Get You Out Of My Head (Album Version): Kylie Minogue
12) Paths (Future Sound Of London 'Cosmic Jukebox' Remix (Edit)): Robert Miles ft. Nina Miranda, Garry Cobain & Justin Gibson

22nd April 2001: Miss E ...So Addictive (#4): 4

1st July 2001: Gorillaz (#6): 2

22nd July 2001: Organik Remixes (#74): 12

5th August 2001: Exciter (#12): 3

2nd September 2001: Wonderland (#16): 1

23rd September 2001: Outrospective (#29): 6

23rd September 2001: Fever (#1): 11

21st October 2001: Kittenz And Thee Glitz (#79): 5

21st October 2001: Playgroup (# n/a): 8 *

11th November 2001: Is This It (#14): 7

11th November 2001: Discovery (#25): 9

2nd December 2001: Rooty (#9): 10

Side Two (45:05) (GD) (M)

* Front 2 Back failed to chart as a single, but Playgroup's self-titled album got to #94 in this week.

Drowning In The Sound Of Orpheus

Austra is another artist that has been around a long while, but who I know little about.

Austra is essentially Katie Selmanis, who has been releasing music under this name since 2011. Which is kind of where I came in, as my collection includes two songs by Austra, both from 2011 but neither from their debut album Feel it Break.

Austra is now about to drop their fifth album, Chin Up Buttercup, preceded by the singles Math Equation in August and Siren Song on Tuesday (7th). I like them both a lot.

The electronic chord structures and beats are familiar territory perhaps, but Katie's voice that soars from opera to Cyberman and back again, provides a pleasing combination that sets it apart from other like-minded singer songwriters.

Chin Up Buttercup is out on 14th November and available for pre-order. You can also find Austra's previous four albums and Katie's soundtrack for Canadian docu-series Swan Song on Bandcamp.

Here are the two Austra songs I already have.

First up, a cover of Alone, Together by The Strokes, which appeared on the MP3-only 2011 release Stereogum Presents… Stroked: A Tribute To Is This It. 

At the time, it was available as a free download; now, it appears that you need to be a paid-up subscriber to access the album.

Orpheus The second tracks is a remix of Beat And The Pulse from Austra's debut, by New York's Still Going aka Eric Duncan and Oliver Spencer (who ironically, aren't still going as Still Going). 

I found this one as the opening track on the 2012 double CD Motion Sickness: A Domino Remix Compilation, which was troubling the bargain bins during a record store browse around that time. I was admittedly drawn in by other artists, and I was more familiar with Still Going than Austra, but it's strong start to a consistently good collection.

Further investigation required.

#14 Dreams

The BBC began broadcasting one hundred years ago today, on 14th November 1922. The NME published the first ever UK singles chart on 14th November 1952. The first #1 was Here In My Heart by Al Martino (Jasper Cini to his folks).

 

So, the obvious thing to do here then is to celebrate...the #14 UK single on 14th November at various points over the last seven decades, right?

 

Starting off randomly with 1967, There Is A Mountain by Donovan was on it's third week in the chart, peaking the following week at #10 before starting a slow retreat over the next six weeks. I found a lovely clip of Donovan duetting with Bobbi Gentry on her TV show in 1968. The video and sound quality is ropey - the flute nearly drowned out by the audio hiss - but it's a joy to hear. There's another fun performance with Sergio Mendes from the same year which is worth a look and listen.

On to 1970, a few weeks before my birth and the fabulous sound of The Temptations with Ball Of Confusion (That's What The World Is Today). By 14th November, the song had spent two weeks at #7 and would spend the next two at #14 before dropping out of the Top 50 in January 1971. This is a performance on (I assume) US TV where the flared suits and psychedelic backgrounds try hard but fail to distract from the brilliance of the song.

 

Next up are The Pointer Sisters with I'm So Excited, still a staple of ad campaigns and gym playlists, nearly four decades on. And yes, unlike those chancers The Thompson Twins, The Pointer Sisters were actually sisters, although successive line-ups have included daughters and grand-daughters. I'm So Excited was originally a (non-UK) single in 1982 but it was the remixed and re-edited single release in 1984 that proved to be a smash, peaking at #11 in the UK. The video shows the sisters getting ready for a night out at what frankly looks like one of the shittest nightclubs ever, but it's worth watching just to wonder why June Pointer keeps her sunglasses on in the bath...!

Another remix and re-release, this time from 1991 and Seal's second stab at the charts with Killer. You can understand why: the original hit #1 the previous year but was credited only to Adamski. Getting William Orbit on board to add some bells and whistles to the music, the incredible voice is still the dominant force here. Seal didn't score a double #1 but a peak of #8 isn't bad, considering the previous version had charted relatively recently. Like The Pointer Sisters, Seal also seems dressed up for a night out in his video, although  he seems to have opted for LaserQuest rather than the local nightclub.

 

The Strokes' Last Nite from 2001 is brilliant and the video, directed by Roman Coppola, equally so. A pastiche/piss-take of music performances on US TV shows in the 1960s and 1970s, with Julian Casablanca throwing his mike stand off set like a spear and drummer Fabrizio Moretti's overhead mikes falling over after guitarist Albert Hammond, Jr. stumbles backwards into the podium. As was the trend at the time, Last Nite burst into the UK chart at #14 in it's first week, dropped to #22 the following week and was out of the Top 40 altogether by 8th December. Doesn't make the song any less brilliant, though.

 

I was intending to include one or two more songs but, having trawled every #14 on 14th November from 2010 to 2021, I can say without fear of contradiction that they were all complete and utter shite. So, rather than inflict Coldplay or Jonas Blue on you or that timeless classic from 2020, Mood by 24GLDN featuring Iann Dior, I'll leave it there. 

 

This #10 from 2020 is an absolute cracker, though.