Showing posts with label Sister John. Show all posts
Showing posts with label Sister John. Show all posts

Saturday, 6 June 2026

Time Will Tell

Happy birthday to Robert Hodgens aka Bobby Bluebell aka founder member of The Bluebells, born 6th June 1959.

One of the great things about becoming a paid up member of the Last Night From Glasgow label is that it introduced me to The Bluebells in a big way. I mean, everyone knows Young At Heart, I was familiar with the other singles Everybody's Somebody's Fool and Cath, but that was about it.

I joined just in time to receive The Bluebells' 'comeback' album, In The 21st Century, which I (and Mrs. K) enjoyed immensely. They've followed up this year with This Is...The Bluebells, a fabulous double album (mine's in snowdrop white vinyl) with sixteen songs.

I also bought the LNFG reissue of debut album Sisters on glorious picture disc vinyl. Only forty years late to appreciate what a great album it is.

The core of The Bluebells - Robert with brothers Ken and David McCluskey - continue to make stirring, joyous music and I wanted to celebrate that in today's selection, which focuses exclusively on their songs from the 2020s.

Twelve songs, eleven originals plus one contemporary cover of fellow Glaswegians Sister John, who I featured back in March. In fact, why not create your own C90 cassette-friendly compilation, with Sister John on one side and The Bluebells on the other?

If, like me, you knew about The Bluebells, but didn't really know their songs, I'd strongly recommend heading over to LNFG and treat yourself.

1) Days Of The Revolution (2026)
2) The Boy Who Slipped Away (2023)
3) Trouble Talking (2026)
4) Stonehouse Violets (2023)
5) Glasgow Rainbow (Cover of Sister John) (2022)
6) Dream On (2026)
7) Blue Train (2023)
8) No Pasaran (2026)
9) Daddy Was An Engineer (2023)
10) Indian Summer (2026)
11) Orienteering (2023)
12) The Ballad Of The Bells (2023)

2022: Young At Heart / Glasgow Rainbow EP: 5
2023: In The 21st Century: 2, 4, 7, 9, 11, 12
2026: This Is...The Bluebells: 1, 3, 6, 8, 10

Time Will Tell (45:53) (GD) (M)

Sunday, 8 March 2026

Take The World At 45

I have JC at The Vinyl Villain to thank for my love of Sister John.

It all started innocently enough on 12th March 2022, with #298 of JC's epic Saturday's Scottish Song series (still going strong, with #495 dropping yesterday).

Sister John were that week's featured artist and JC was spot on when he wrote that,

"I’m guessing that, for the vast majority of you, this will be your introduction to Sister John.  I thought that it would therefore be worthwhile to post one song from each of the three albums, and should you find yourself enjoying and liking what you hear, then perhaps you might be tempted to place an order with LNFG for some vinyl."

I did like what I heard but wasn't sufficiently moved to go to LNFG, aka Last Night From Glasgow, to place an order. After all, I hadn't bought any vinyl for years!

That all changed before the year was out, when JC enthused about the imminent debut album from HiFi Sean & David McAlmont, which was available to LNFG subscribers in 2022, ahead of a general release in 2023. 

Suitably motivated, I took out an annual subscription, and got the album - Happy Endings - and was introduced to a load of other artists that I'd either not heard of at all, or not for a very, very long time.

One of the perks of LNFG membership is access to their digital vault of pretty much everything the label has released since day 1. And it was in the vault that I rediscovered Sister John, namely the three albums mentioned in JC's post, plus singles and one-offs.

2025 saw the release of fourth album, Don't Worry, It's Forever, the first that I've received in glorious vinyl and it maintains the high standard of the previous releases.

Sister John is a four-piece, comprising multi-talented multi-instrumentalists Heather Phillips, Jonathan Lilley and Sophie Pragnell and, at the core, Amanda McKeown.

Amanda also writes all of the songs, which manage the balance between achingly sparse and deeply moving. JC reflected on "particularly enjoying [the music] when I’ve needed to, or wanted to, slow things right down."

He's absolutely right. Sister John's albums would fit comfortably in a playlist including Nick Drake, late period Talk Talk, or Portishead, yet sounds like none of these. And chances are, Sister John may have passed me by altogether, were it not for the recommendation from the blogging community, which would have been a tragedy.

Today's Sister John selection has been sitting on my hard drive and on my phone for well over a month. It was a last minute decision to go ahead with posting it today and it was only when referring back to The Vinyl Villain that I realised that it's pretty much 4 years to the day since that fateful Saturday's Scottish Song post. Sometimes, these things are just meant to be.

So, this is me paying forward. As with JC's original post, I've sampled three songs, one from each of the four albums, plus a 2016 single that also ended up on their debut. More by accident than design, the first half focuses on Sister John's earlier recordings, the second half their output in the 2020s.

I had half a thought to match the compilation title by bringing the selection in 45 minutes. Sensibly, I went with a sequence that seemed to flow and play well as an album in it's own right, so the running time went a bit over, but no regrets.

The closing song here is also the closing song on the current album and is as good a sentiment as any, in a world where it's easy to become paralysed by fear and self-doubt. I should take Amanda's advice myself.

And if you like what you hear, but are unsure whether to buy a Sister John album or, better still, subscribe to Last Night From Glasgow, you know what? Just do it anyway.

1) Gone (2017)
2) Silver Whistle (2019)
3) He Came Down (Single Version) (2016)
4) Lost And Won (2019)
5) Backstreet Swimmers (2017)
6) The Other Side Of Love (2019)
7) Strange Ideas (2021)
8) Thinner Air (2017)
9) Grief (2025)
10) The Bud (2021)
11) Me And Nevine (2025)
12) How Can I Keep It Alive? (2021)
13) Just Do It Anyway (2025)

2016: He Came Down EP: 3
2017: Returned From Sea: 1, 5, 8
2019: Sister John: 2, 4, 6
2021: I Am By Day: 7, 10, 12
2025: Don't Worry, It's Forever: 9, 11, 13

Take The World At 45 (46:43) (GD) (M)

Wednesday, 31 December 2025

New To Me...To You...To Me...To You

or, How To Get Away With Two "25 From 25" Albums Lists Whilst Pretending That Wasn't Your Intention All Along, Part Two.

This is the second of two lists, my very loose criteria being the first time I have purchased an album by these artists, irrespective of whether they've been going for years or debuted in 2025.

Again, loads of albums that either remained on the long list or haven't yet made it off the shopping list and as yet are unheard. Honourable mentions to Brian Bilston & The Catenary Wires (sorry, JC!), Ead Wood, Restricted Code, Oklou, Steve Lane, The Morning Early, SPRINTS and Peter Capaldi (yes, him!)

As yesterday, I've listed my 25 picks alphabetically, rather than in order of greatness, but I will also reveal my favourite at the end.


25 From 25 - New To Me
(click on the links to buy these albums...and more!)

1) The Smile You Send Out Returns To You: Constant Follower
2) Gift Of Sorts: Chris Reeve
3) Dan's Boogie: Destroyer
4) Concrete Rockers: Earl Sixteen & The Co-operators
5) Ellen Beth Abdi: Ellen Beth Abdi

6) Mother Of A Thousand: F.O. Machete
8) Om Verda Mi: Lakeshouse
9) Living History: Later Youth
10) LEDLEY: LEDLEY

11) Clients Of Suddenness: Louise Connell
12) A Danger To Ourselves: Lucrecia Dalt
13) Things Must Change: Montjuïc
14) Might As Well Play Another One: Mumble Tide
15) Ways To The Deep Meadow: Ocean Moon

17) Desert Queen: Pearl Charles
18) Disturbia: Phonolab
19) Quad 90: Quad 90

21) Don't Worry, It's Forever: Sister John
22) Rapture Party: The Joshua Hotel
23) Red Door Open: The Twistettes
24) Last Exit To Music: Xavier Corbera
25) Things Found In Books: Yvonne Lyon & Boo Hewerdine


I recommend each and every one of these albums, but my #1 of 2025 is the stunning self-titled debut by Ellen Beth Abdi.

I was fortunate enough to see Ellen Beth Abdi supporting A Certain Ratio in Bristol last May, and although I recognised her from appearances on the ACR album 1982 and 2023 EP, I was completely unfamiliar with her own songs.

I was at the gig with my friend Mike and we were both blown away by her performance. I told Ellen Beth as much at the merch stand after; she didn't have any records for sale at the time, but I did come away with a jar of delicious marmalade...now that's a USP!

So, when Ellen Beth Abdi's album emerged in May 2025, needless to say that expectations were high...and then surpassed.

The voice is something else, enough to carry the songs, but Ellen Beth handles the entire record with a sure hand, from keyboards and flute to co-production with Joel Anthony Patchett, this does not sound like a first album.

A highlight of the gig was a cover of Spellbound by Rae & Christian, a tribute to Ellen Beth's musical inspiration, vocalist Veba aka Beverley Green. She does the song - and the singer - justice, both on stage and in the studio, sublime vocal loops layering and layering to create a mesmerising whole.

Ellen Beth's own songs are more than up to the challenge of meeting this high bar. Tenterhooks, the lead single, was a perfect example of this but honestly, there's not a single song on the album that I don't want to play again and again. And I have, since buying it.

I can't wait to hear what she does next.