Who Can Calculate The Orbit Of His Own Soul?

Celebrating William Orbit aka William Mark Wainwright, 15th December 1956 to 23rd July 2026.

The news of William's passing broke on Friday, unexpected and deeply, deeply sad.

I first encountered William Orbit's work in the late 1980s when he remixed Dreaming by O.M.D., Camouflage by Stan Ridgway and More by Doctor & The Medics. 

The latter two were on the I.R.S. Records label, where William had not only found work as an in-house producer, but a home for his band Torch Song, with Laurie Mayer and Grant Gilbert and his first Strange Cargo album. There was a previous solo album - Orbit - in 1987 but, to be honest, it's not that good.

The 1990s not only saw an exponential growth in his work as an in-demand producer and remixer, but the launch of Guerilla Records, who were a go-to for quality electronic and dance music, including William's own Water From A Vine Leaf, featuring Beth Orton and era-defining remixes from Underworld and Spooky. 

The decade drew to an end with one of his greatest collaborations, Madonna's incredible Ray Of Light album. William's CV expanded to such an extent that I think it might be a greater challenge for anyone to find that they don't have music in their collection that has William Orbit's involvement in some shape or form.

In recent years, I greatly enjoyed William's musings and memories on social media, sometimes completely leftfield or stream of consciousness, but always entertaining. The insight into such an incredibly questing and creative mind, responsible for so much music that I've listened to , bought and treasured through my life.

I've created a 46 minute selection on the fly, very little deliberation over the song choices, other than wanting to include some overlooked gems and deeper cuts, and spanning the 1980s through to the start of the 21st century.

The nine songs create some strange bedfellows: Creation hopefuls 18 Wheeler next to Seal and Kate Garner (post-Haysi Fantayzee) followed by Limp Bizkit. All Saints fans may be out for my blood for choosing the instrumental version Pure Shores, but I wanted the music to have space to breathe. 

Likewise, I've skipped the singles from Ray Of Light for an album cut which is a perfect example of why the team up with William was so inspiring.

Bassomatic's finest moment is represented here with an alternative mix from the 12" single, 

Malcolm McLaren turns up with The Bootzilla Orchestra (remixed with S'Express guru Mark Moore, whilst I've closed the selection with William's remix of The Shamen, a memory of happy times in clubland.

Today's post title is lifted from De Profundis, a letter written by Oscar Wilde in 1897 whilst imprisoned in Reading Gaol, to his beloved Lord Alfred "Bosie" Douglas. If you have time to spare, you can find De Profundis in it's entirety here. The quote in question is on page 22 (of 28) and seemed fitting for this tribute.

Rest easy, William.

1) Stay (Strange L’Escargot Mix By William Orbit & Mat Ducasse): 18 Wheeler (1997)

2) Crazy (William Orbit Mix): Seal (1990)

3) Pure Shores (Instrumental) (Remix By William Orbit & Mark 'Spike' Stent): All Saints (2000)

4) Fascinating Rhythm (Soul Odyssey Mix By William Orbit): Bassomatic (1990)

5) Call A Wave (Orbital Mix By Mark Moore & William Orbit): Malcolm McLaren & The Bootzilla Orchestra ft. Gina Cie & Jeff Beck (1989)

6) Love Me Like A Rocket (Psychomix By Paul Caplin & Torch Song aka William Orbit): Kate Garner (1983)

7) My Way (William Orbit Remix): Limp Bizkit (2001)

8) Shanti / Ashtangi (Album Version By Madonna & William Orbit): Madonna (1998)

9) Hyperreal (Orbit) (Remix By William Orbit): The Shamen ft. Plavka (1990)

1983: Love Me Like A Rocket EP: 6

1989: Call A Wave EP: 5

1990: Crazy EP: 2

1990: Fascinating Rhythm EP: 4

1990: Hyperreal EP: 9

1997: Stay EP: 1

1998: Ray Of Light: 8

2000: Pure Shores EP: 3

2001: My Way EP: 7

Who Can Calculate The Orbit Of His Own Soul (46:45) (GD) (M)

It was only in May this year that I wrote about William and Guerilla Records. I've reactivated the link the to the bespoke Dubhed selection that accompanied the post.

Flat Feet

Time for another dip into my Australia tour diary, on this day in 1991...

I was roped into going on a hike and I must admit that I was less than enthusiastic about it at first. It was good of David and Wendy to go to so much trouble to find things to entertain me, but really, a hike seemed too much like hard work. However, the plans had been made and there was no backing out, so off I went.

We journeyed to the John Forrest National Park, about 30 minutes out of Perth by car, and started off on our walk around 10.45am. Granted, the scenery was indeed beautiful: lush green grass; a rushing river; immense boulders; flowers of a dozen colours. However, I was a little apprehensive about the length of our hike and this preoccupied me for some time.

Stopping for lunch by the beautiful Hovea Falls, we watched amusedly as a group of Asian students messed around at the water's edge. They asked me to take some photos and I obliged, whilst Wendy took one of me standing by the falls a short time later. Then, it was time to set off on foot again, even though mine were starting to kill me. *

We eventually completed our round trip around 3.15pm, after a hike of fourteen kilometres (about eight and three quarter miles). No wonder my feet felt flatter than pancakes!! I did enjoy myself, though.

Back at the house, I finished reading Lord Of The Flies. Whew! What a book. I wonder if anyone will ever use the words "beautiful and desperate" to describe one of my pieces of work? [2026 note; after reading this today, possibly yes] 

I was feeling inspired by all this, so I returned once more to my own writing and, you know, I think I can actually see the end in sight... someday.

I seem to be in the throes of an explosion of creativity at the moment. I've rediscovered my ability to draw; I've been able to put pen to paper again; everything I've hoped to achieve so far I've done. Thank you, Australia!

Meanwhile, whilst I was spared the interminable hogging of the UK singles #1 spot by Bryan Adams with (Everything I Do) I Do It For You and a largely depressing Top 20, there were some poptastic glimmers of hope...

1) Pandora's Box: O.M.D. (#7)

2) Move Any Mountain (Progen '91): The Shamen (#9)

3) Chorus: Erasure (#11)

4) Just Another Dream: Cathy Dennis (#13)

5) 7 Ways To Love: Cola Boy (#18)

* [Foot note (sorry!) I wasn't just whinging about walking. Years later, I was found to have hyper mobile feet, which has gifted me with collapsed arches, chronic sprains, plantar fasciitis, and a lifetime of orthotics. None of that excuses my bad dancing, though.]

Make The Sea Turn Turtle

Ushering in the weekend with 47 (and a half) minutes of electronica, spanning funk(i), broken beats, children's rhymes, new (and old) romantics, scuzzy guitars, pop vocals and non-stop dancing, sometimes ecstatic, always eclectic...

Some of these I haven't heard for at least half a decade, so it was a lot of fun playing mix 'n' match with the various sounds. Some of the segueways actually work, too! Which is nice.

1) Suck Acid, Pearl & Dean: Funki Porcini (1995)

2) Owner Of A Lonely Heart (2 Close To The Edge Mix By 808 State): Yes (1991)

3) I'm Still Searching (Junior Boys Spring 2005 DJ Mix By Jeremy Greenspan & Matthew Didemus): Visage (2005)

4) Leave Your Love (Justin Faust Remix): Young Summer (2014)

5) Backyard (Edit): Clearzone (1997)

6) Seventeen (Soulwax Mix By David Dewaele & Stephen Dewaele) (Edit): Ladytron (2003)

7) A Man Could Get Lost (Non-Stop Ecstatic Dancing Remix By Harvey Goldberg): Soft Cell (1982)

8) Closer Than This (Xaphoon Jones Remix By Noah Beresin): St. Lucia (2012)

9) Make It Mine (Hilltop Mix By Daniel Stoner): The Shamen (1992)

10) Light Up: Fred Again.. & Mr Eazi (2022)

11) Love U More (Album Version): Sunscreem (1992)

1982: Non-Stop Ecstatic Dancing: 7

1991: Owner Of A Lonely Heart EP: 2

1992: Art Of Compilation 10 (Art Of Mix bootleg CD): 9

1992: O₃: 11

1995: Ashabanapal's Big Pink Inflatable EP: 1

2003: nu:electronica_: 5

2005: Junior Boys Spring 2005 DJ Mix: 3

2009: Light & Magic: Remixed & Rare: 6

2012: We Got It Wrong EP: 8

2014: Leave Your Love EP: 4

2022: EarthPercent x Earth Day Compilation Album: 10

Make The Sea Turn Turtle (47:37) (GD) (M)

Why Everybody Needs A Bosom For A Pillow

Side 2 of a mixtape, compiled 14th February 1998. 

 

As I reflected when I posted Side 1 in 2022, this date was either the most unforgettable Valentine's Days ever, or one so traumatic that I've erased it from memory. I was in a relationship at the time, though not the long-suffering Mrs. K, who I hope can at least vouch that Valentine's Days have been a slight improvement on this one.

I was either in an upbeat mood or urgently needed cheering up, if the tracklist of this cassette is anything to go by. Beats, happy keys, lots of energy...I even wrote the word 'funky!' on the DIY front cover!

 

This 10-song selection picks from 1990 to 1994 and is chock full of gems, opening with Freaky Realistic and Subsonic 2, two acts that I loved but never got the attention that they deserved, seemingly due to record label shenanigans and mishandling.

 

The Grid on the other hand hand a monster hit on their hands with Swamp Thing (see what I did there?). It was a thrill to see Dave Ball and Richard Norris on Top Of The Pops, when it was still (just about) worth watching.

 

Fame was fleeting for poor ol' Adamski, sadly. Barely two years after enjoying #1 success, both follow up singles and album failed to make much of an impression, chart-wise. Which is a shame as the PiL-sampling Back To Front was a great single, bolstered by superb remixes by Leftfield. Vocalist Ricky Lyte had also enjoyed Top 5 success thanks to his guest spot (as MC Lyte) with The KLF on What Time Is Love?

 

Peppering their song with a sample announcing that "one spliff a day keeps the evil away" ensured that Fortran 5 were never going to trouble the charts, but Groove takes the already groovy album version down a notch, riding on a infectious bassline. Great stuff.

 

The Shamen, Scritti Politti and Sparks all hook up with remixers du jour, with Tommy D, Apollo 440 and The Rapino Brothers delivering tasty variations.

 

And, to add a little grit to the honey, The Fall's cover of Lost In Music by Sister Sledge, which I was clearly obsessed by in the 1990s, given the number of my mixtapes it appeared on. Admittedly, I still think it's a brilliant version and one that, when it comes crashing through the speakers, I turn up the volume.

1) Something New / Cosmic Love Vibes (Full Frealistic Version): Freaky Realistic (1992)

2) Addicted To Music (Incognito Brass Mix By Jean-Paul Maunick) (Edit): Subsonic 2 (1991)

3) Swamp Thing (Radio Mix): The Grid (1994)

4) Back To Front (Album Version): Adamski ft. Ricky Lyte (1992)

5) Groove (Edit): Fortran 5 ft. Shola Phillips (1991)

6) African And White (The Steve Proctor Remix) (7" Version): China Crisis (1990)

7) Phorever People (D's Mellow Dub) (Remix By Tommy D): The Shamen ft. Jhelisa Anderson (1992)

8) Lost In Music (Single Version) (Cover of Sister Sledge): The Fall (1993)

9) She's A Woman (The Apollo 440 Remix) (Cover of The Beatles): Scritti Politti ft. Shabba Ranks (1991)

10) When Do I Get To Sing 'My Way' (The Rapino Brothers Extended Sola Mix): Sparks (1994)

Side Two (46:09) (KF) (Mega)

Side One here

Decadance I: 1990

Side 1 of a mock cassette compilation, kicking off a new series of mixtapes that never were, and a sequel of sorts to one that I posted last August and September.

As 1989 turned into 1990 I had the idea of creating a themed series of cassette compilations, looking back at the previous decade and inspiringly titled Decade. Five C90s, one year per side, 12 songs apiece. 

I recorded the first volume on 3rd February 1990. Thirty five years later, I've finally got around to the follow up.

Decadance (sic) was originally the title of a planned companion to the Decade series, featuring selected 12" versions of 80s songs. I've appropriated it for this series instead, intentional misspelling and all, starting obviously with 1990.

The next five weekends will feature each year of the 90s, sticking with the same format of a dozen songs that dip into my record collection, which grew exponentially during the decade as I got a regular wage and a increasing addiction to music.

This was a bloody tough one to begin with. My 'shortlist' ran to over 50 songs. I decided quite early on that 1990 was going to be limited to more dance-oriented music. Although I still buying lots of guitar-based and indie records, the songs here are more reflective of what I was leaning into and hearing when I was out and about.

So, that immediately relegated Pixies, Lush, Nick Cave & The Bad Seeds, Mazzy Star, Inspiral Carpets and, reluctantly, World Of Twist. Being in the list of 1990s biggest sellers was no guarantee either, as Sinéad O'Connor, Maria McKee, Madonna found out to their cost. 

And Vanilla Ice, MC Hammer and especially Turtle Power by Partners In Kryme were proof if needed that being in the Top 15 best-selling singles of 1990 does not mean that the record buying public was right. Although I agonised longer than perhaps I should have about whether to include Infinity (1990's...Time For The Guru) by Guru Josh (RIP).

That said, two-thirds of today's selection were Top 40, and I've even managed to include two #1's with Beats International and Adamski (who naughtily didn't co-headline with Seal) although I would have sworn that there were three.

In fact, Groove Is In The Heart by Deee-Lite didn't hit the top spot. It was kept at #2 for two weeks by the re-release of The Joker by The Steve Miller Band, before Maria McKee came in with Show Me Heaven and ruined it for both of them.

Before I'd picked any of the other songs, I knew 1990 would begin with Renegade Soundwave, simply because I loved their singles and debut album, Soundclash.  Andrew Weatherall's game changing overhaul of Primal Scream with Loaded was a strong contender but inevitably was the only way to end the selection.

In between, there are perhaps some obvious choices, with The KLF, EMF and The Beloved but hopefully a few pleasant surprises too. 

Of the singles that stalled outside the Top 50, The Fall's inspired collaboration with Coldcut was huge for me, as was The Shamen's game changing album En-Tact. The single version of Make It MIne is a different mix, but the version with the rap by Rhyme & Reason that was so cheesy it was cool is the definitive in my opinion.

As well as samples aplenty, a couple of used another song as the entire foundation of their own, to startling effect. Beats International's cover of Just Be Good To Me by The S.O.S. Band laid Lindy Layton's vocals over the rhythm of Guns Of Brixton by The Clash, with a re-recorded verse lifted from Johnny Dynell & New York 88's Jam Hot was just inspired. 

As was A Tribe Called Quest's debut Top 50 hit, Bonita Applebum, whose pairing with Carly Simon & Chic 1982 hit Why? elevated both songs to another level entirely.

Although never in the same league as Andrew Weatherall, I liked Paul Oakenfold's remixes and whilst he's represented here, you may be scratching your heads wondering why I've left off his frankly brilliant remix of Step On by Happy Mondays (#5 in April 1990) for his arguably lesser known remix of Nothing by Frazier Chorus (#51 in August 1990).

Despite Step On coming out earlier in the year, I actually bought the 12" singles of Cloud 8 and Nothing first. Both featured Oakenfold remixes (I'd also recommend the limited edition Chad Jackson reworks of Nothing) and both were a surprising and pleasing departure for Frazier Chorus. Not that it helped them in the commercial sense, unfortunately,  but look what success did to Happy Mondays...

As an added bonus, this time around, I've included info at the end on when each single's peak (UK) chart placing and date, and the respective EP or album the featured version is lifted from. Well, it keeps me occupied and off the streets.

It will come as no surprise that Sunday will take a look at 1991. 

The Top 10 best selling singles of that year included Bryan Adams, Queen, The Simpsons, Chesney Hawkes and Color Me Badd. You may be relieved to know that none of them will be showing up here.

1) Probably A Robbery (7" Remix By Daniel Miller & Rico Conning): Renegade Soundwave
2) Telephone Thing (Album Version By Coldcut): The Fall
3) Unbelievable (Album Version By Ralph Jezzard): EMF
4) Make It Mine (V2.5) (Remix By The Shamen & 'Evil' Eddie Richards): The Shamen ft. Rhyme & Reason
5) Hello (Album Version By Martyn Phillips): The Beloved
6) What Time Is Love? (Live At Trancentral) (7" Version): The KLF ft. MC Bello & The Children Of The Revolution

7) Dub Be Good To Me (Album Version By Norman Cook): Beats International ft. Lindy Layton

8) Bonita Applebum (7" Why? Edit By CJ Mackintosh & Robin Hancock): A Tribe Called Quest

9) Groove Is In The Heart (LP Version By Deee-Lite & Mike Rogers): Deee-Lite ft. Bootsy Collins & Q-Tip

10) Nothing (7" Edit By Paul Oakenfold & Steve Osborne): Frazier Chorus

11) Killer (Edit By Adamski & Mike 'Spike' Drake): Adamski ft. Seal

12) Loaded (Andrew Weatherall Mix) (7" Version): Primal Scream

27th Jan 1990: Extricate (#58): 2

11th Feb 1990: Happiness (#19): 5

18th Feb 1990: Probably A Robbery EP (#38): 1

25th Feb 1990: Dub Be Good To Me EP (#1): 7

18th Mar 1990: Loaded EP (#16): 12

6th May 1990: Killer EP (#1): 11

12th Aug 1990: Bonita Applebum EP (#47): 8

26th Aug 1990: Nothing EP (#51): 10

9th Sep 1990: World Clique (#2): 9

9th Sep 1990: What Time Is Love? EP (#5): 6

22nd Sep 1990: En-Tact (#42): 4

25th Nov 1990: Schubert Dip (#3): 3

Side One (47:24) (GD) (M)

Roots 'n' Culture, Thirty Years Later

Side 2 of a mixtape recorded sometime around September 1995. 

 

Whereas yesterday's selection was a tape from my brother's former girlfriend, today's is a cassette that I made for a girlfriend that I lived with in the second half of the 1990s. 

 

1995 was the height of Britpop and the dance/indie crossover, both of which was reflected in the mightily impressive line-up for Bristol Sound City '95 running from 17th to 23rd April that year. 

 

Pulp! Radiohead! The Prodigy! Suede! Supergrass! Orbital! Sleeper! Gene! The Chemical Brothers! Teenage Fanclub! Skunk Anansie! The Orb! Elastica! The Bluetones! Utah Saints! Ash! dEUS! Dreadzone! Reef! Marion! and er, Menswe@r!

 

Not that I went to any of these gigs, or was paying that much attention, judging by my track listing over the two sides of C90. The only Sound City '95 act to make the cut was The Jesus & Mary Chain, and nearly half of Side 2 stuck in 1992, with only Björk and Gavin Friday representing releases in 1995.

For all that, I really like this compilation. Both sides kick off with an instrumental, Barry Adamson on Side 1 and the timeless (and beatless) Smokebelch II by The Sabres Of Paradise aka Andrew Weatherall, Jagz Kooner and Gary Burns. 

A fair few cover versions on this side too, from The Fall, Björk and Vegas, the short-lived partnership of David A. Stewart and Terry Hall.

The LFO track first appeared on the book/CD series Volume Three in 1992, although I didn't get to hear it until I bought the two 2CD 'Best Of Volume' compilations that emerged in 1995. Slow Down Speedy appeared on the first, entitled Wasted, but both are worth tracking down.

And Julian Cope makes a brief cameo, right at the end of the selection, as only he can.

 

This particular love story didn't have a happy ending, but the music never let us down. 

 

1) Smokebelch II (Beatless Mix): The Sabres Of Paradise (1993)

2) Lost In Music (Single Version) (Cover of Sister Sledge): The Fall (1993)

3) Bonita Mañana (Gang Starr Vocal Mix): Espiritu (1994)

4) Deee-Lite Theme (Global Village Mix): Deee-Lite (1991)

5) Phorever People (D's Mellow Dub): The Shamen ft. Jhelisa Anderson (1992)

6) Honey Power (Single Version + Instrumental Coda): My Bloody Valentine (1991)

7) It's Oh So Quiet (Album Version) (Cover of Betty Hutton): Björk (1995)

8) Slow Down Speedy: LFO (1992)

9) Showgirl (Single Version): The Auteurs (1992)

10) Trance Of Hatred: Barry Adamson ft. Maria Zastrow (1992)

11) She (Disco Mix) (Cover of Charles Aznavour): Vegas (1992)

12) Angel (7" Edit): Gavin Friday (1995)

13) Cool Hand Flute (Original Mix): Fluke (1989)

14) Peggy Suicide is Missing...: Julian Cope (1992)

 

1989: Thumper / Cool Hand Flute EP: 13

1991: Power Of Love EP: 4

1991: Tremolo EP: 6 

1992: Jehovahkill: 14

1992: Phorever People EP: 5 

1992: She EP: 11

1992: Showgirl EP: 9

1992: Soul Murder: 10

1992: Volume Three: 8

1993: Sabresonic: 1

1993: Why Are People Grudgeful? EP: 2

1994: Bonita Mañana EP: 3 

1995: Angel EP: 12

1995: Post: 7

Side Two (46:39) (KF) (Mega)

 

And for those of you who weren't here 993 days ago when I posted Side 1, you can find it here.

Deadstock Holiday

Justin Robertson on the mix today with a 10-track, hour-long selection of tunes spanning 1990 to 2023.

 

Justin pops up a lot in my 'various artists' selections but this is only the third time he's received a dedicated post and selection. The previous ones focusing on his 21st century output and one side of a cassette compilation covering Lionrock singles and mixes from the 1990s.

This one is all about remixes of other artists over a much more ambitious time span. If it demonstrates nothing else, it's that Justin has continually adapted and evolved over the last three decades and is creating music for himself and others that excites me as much now as it did then. One to crank up loud and open the windows to!

1) Golden Triangle (Justin Robertson Dub): Cagedbaby (2005)

2) Paradise Garage (Justin Robertson Remix): Vincent Inc (2023)

3) Boss Drum (Dub) (Remix By Justin Robertson): The Shamen (1992)

4) Pesos Not Besos (Justin Robertson's Deadstock 33s Remix): Moderna y Theus Mago  (2019)

5) Bumble Rumble (Justin Robertson's Deadstock 33s Remix): Japanese Television (2022)

6) Universal Hymn (Pure Pandephonium) (Remix By Justin Robertson): Boxcar (1993)

7) Feel The Hit (Spice Remix By Justin Robertson): Mad Jacks (1990)

8) The Clichés Are True (Gentleman Thief Mix By Justin Robertson & Roger Lyons): Manchild ft. Kelly Jones (2000)

9) Fractal (Justin Robertson's Deadstock 33s Remix): Heretic & Buran (2017)

10) Skidoo (Müsli Mix By Justin Robertson): Inspiral Carpets (1991) 

 

Deadstock Holiday (59:38) (GD) (M)

 

And for your continued entertainment, 

 

Truth In The Palm Of Her Hands (Lionrock singles and remixes 1992-1997)

Dip Your Hip (JR/Deadstock 33s tracks and remixes, 2001-2023)

Solid Gould

Sublime sounds for Sunday courtesy of Mixmaster Morris aka Morris Gould aka The Irresistible Force.

Although he's created some deft beats and pieces, Morris is best known for defining then redefining the ambient/chillout crossover in the 1990s. The first time I heard of him though was in 1987 and an insane chopped up edit of Perfect Skin by Lloyd Cole & The Commotions, tucked away on the B-side of the My Bag 12" single. 

 

I also had a 12" of Yon Yonson by The Dave Howard Singers with a couple of bonkers remixes featuring samples of 80s TV sensation and sex therapist Dr. Ruth Westheimer but I didn't realise that these were early Morris mixes until he replied to a Tweet I posted about the record a year or so ago. A remix of the Stump single Charlton Heston the same year is similarly cracked.

Today's mix is a little more laid back...well, apart from a cheeky sneak in of one of the above near the end. Oh, and an even cheekier phone prank pulled by Richard D. James on Morris and Robin Rimbaud aka Scanner.

 

Apart from that though, it's a little more laid back, I promise. You get several of the usual suspects in the early to mid 1990s downtempo arena, plus a few 21st century remixes and a couple of reworks of his own music as The Irresistible Force. All in, a baker's dozen of tracks coming in at a wink over 85 minutes. 

This selection is not a patch on what Morris himself would mix together - for evidence, I can easily recommend any of the mixes that are available to purchase or view online. But I'm learning very slowly.

 

1) Speedlearn (Reformed By The Irresistible Force): The Higher Intelligence Agency (1994)

2) Space Is The Place (Intergalactic Ambient Mix): The Irresistible Force (1991)

3) Freeform Attractor (Remixed By Mixmaster Morris): Aural Expansion (1995)

4) Phone Pranks 1: Caustic Window ft. Morris Gould & Robin Rimbaud (1994)

5) 2046 (The Irresistible Force Remix): Saafi Brothers (2019)

6) Autumn Leaves (The Irresistible Force Full Chill Mix) (Cover of Edith Piaf): Coldcut ft. Janis Alexander (1992)

7) Duende (Mixmaster Morris Ambient Sunrise Mix): The Irresistible Force ft. Nik Turner & Youth (2016)

8) Barbarella (The Irresistible Force Remix): Barbarella (1993)

9) Scientas (Irresistible Force Mix): The Shamen (1993)

10) Yon Yonson Meets Dr. R-R-Ruth (Sex Sample Sequel #One) (Remix By Dave Howard, John King & Morris Gould): The Dave Howard Singers (1987)

11) Fish Dances (Instrumental) (Remix By Mixmaster Morris): The Irresistible Force (1999)

12) Tranquility Gate (Mixmaster Morris Remix): Bluetech (2019)

13) Hey There Look At You, Unravelling (Mixmaster Morris vs Chris Coco Remix): Coco, Steel & Lovebomb (2015)

 

1987: Yon Yonson Meets Dr. R-R-Ruth (limited edition 12"): 10

1991: Space Is The Place EP: 2 

1993: Autumn Leaves (promo white label 12"): 6 

1993: Barbarella EP: 8

1993: Different Drum: 9

1994: Caustic Window LP: 4

1994: Colour Reform EP: 1

1995: Remixed Sheep: 3 

1999: Fish Dances: 11 

2015: The Chillout Album Remixed: 13

2016: Society Of Inner Light: 7 

2019: Liquid Geometries In Dub: 12

2019: Mystic Cigarettes: Special Mixes Of Classic Flavours: 5

 

Solid Gould (1:25:10) (KF) (Mega)

What Power Do You Bring Back Here?

Side 1 of a cassette compilation recorded as a gift from my brother, sometime around March-April 1991. 

 

Some New Beat and some not-so-new beat, generally speaking. As mentioned when I posted Side 2 last year, two key albums for this mixtape are the compilations New Beat, Made In Belgium (1989) and The Third Mind (1990). I might go so far as to say that my brother was either getting bored or tired towards the end of this side and opted to lift the latter's closing two songs on Side 1 to complete his own Side 1 of this compilation. I don't have a copy of The Third Mind and haven't been able to source the Son Of Sam track St. Augustine Said online, so I've instead plumped for a previous 12" aside, which I think sits reasonably well with the music on either side.

The selection kicks off with Psychic TV with the (kind of title track) from their acid house album Towards The Infinite Beat (released with a remix companion titled Beyond The Infinite Beat). From there a brace of classic Paul Oakenfold and Steve Osborne remixes, followed by Paris Angels' finest moment (from the original 1990 12", not the subsequent major label remix and re-release).

 

I guess you could describe English Boy On The Loveranch as a 'supergroup in reverse', comprising Dave Ball, Jamie Fry and Nick Sanderson. Dave of course had found fame and notoriety with Soft Cell and would again with The Grid. Jamie and Nick later co-founded World Of Twist and Earl Brutus. English Boy On The Loveranch only released a couple of singles in 1987 and 1988, but they're both worth tracking down.

A couple of New Beat contributions from 101 and Moments Of Ecstasy, featuring Jos Borremans, Maurice Engelen, Nikkie Van Lierop and Oliver Adams, who also variously recorded as Praga Khan, Lords Of Acid, etc. I was bit unkind about the latter last time, but there's no denying New Beat's allure.

I know next to nothing about Faction but according to Discogs they appear to be the same Faction that backed Nico on her 1985 album Camera Obscura. A nice way to come down from the relentless beats that have preceded it. 

I've no idea how my brother crammed all of this onto one side of a C90, but this is more or less as he originally intended.

 

1) Infinite Beat: Psychic TV (1990)

2) Pro>Gen (Land Of Oz) (Remix By Paul Oakenfold & Steve Osborne) (Album Edit): The Shamen (1990)

3) Human Nature (On The Mix By Paul Oakenfold & Steve Osborne) (12" Version): Gary Clail / On-U Sound System ft. Alan Pillay (1991)

4) All On You (Perfume) (12" Version): Paris Angels (1990)

5) Rock To The Beat (Original Mix) (Cover of Reese aka Kevin Saunderson): 101 (1989)

6) Sex Vigilante (Deadly Weapons Mix By Flood): English Boy On The Loveranch (1988)

7) You And Me (Edit By Maurice Engelen): Moments Of Ecstasy (1989)

8) One Thousand Beats Per Minute (Deejay's Edit): Son Of Sam (1987)

9) Noa Noa: Faction (1990)

Side One (47:58) (KF) (Mega) 

Side Two here

Headed Up To The Stratosphere 'Cause I Need Some Altitude

Take a trip to November 1988 and The Shamen vs Bam Bam with Transcendental.

The memory is a bit hazy but I recall reading about The Shamen's transition from psychedelic indie rock to acid house in the music press - I'd switch between NME, Sounds and Melody Maker so I'm not sure which - in particular a review of this 12" only single.

 

I'd liked what I'd heard of The Shamen's previous material. Christopher Mayhew Says got a slot in the indie countdown on ITV's The Chart Show back in 1987 and I rated Jesus Loves Amerika and Knature Of A Girl, so I was intrigued by this single, a collaboration with a US dance music producer that I'd never heard of.

I think it took a while to get the 12" single, probably early 1989 from Replay or Revolver in Bristol, but it blew my teenage mind. The A-side contained a 'short' version at roughly four and a half minutes. Pulsing, acidic beats with a lyrical edge.

Even better was the House Mix on the flip side, which extended the track to nearly nine minutes.

The version that eventually appeared on 1989's In Gorbachev We Trust was a slicker production that fit in well with the rest of the album but smoothed out the rough edges that I preferred on the original 12".

The duo of Colin Angus and Will Sinnott was The Shamen at their absolute best. 1989 mini-album Phorward would progress their vision, 1990's En-Tact would perfect it. Will's tragic death in May 1991 meant that the duo's exploration of possible worlds came to an untimely end.

Angus continued The Shamen with Richard West aka Mr. C and produced some great music - and achieved commercial success - but nothing that quite hit those earlier peaks.

 

 

Headed up to the stratosphere
'Cause I need some altitude
To clear my head in the higher wind
And change my point of view
Now I'm looking down on everything
And I'm looking down on you

 

Well I don't know but I understand
Yeah I don't know but I understand
 

Transcendental
Transubstantiation
Receptor activation
Transcendental
Transubstantiation
Receptor activation

 

I see the folly of your reason
The chaos of your rules
The madness of your institutions
And the wisdom of your fools
Yeah I'm looking down on everything
And I'm looking down on you

 

Well I don't know but I understand
Yeah I don't know but I understand
 

Transcendental
Transubstantiation
Receptor activation
Transcendental
Transubstantiation
Receptor activation

In Wob We Trust

Jah Wobble today, or at least songs that he has either remixed or been a guest on. He's been on my mind (and playlists) a lot recently, in part due to the excellent In Dub compilation that I purchased just after Christmas. 

I've a couple of mix CDs that I did for my friend Dave in 2004 as a companion piece to the (also excellent) I Could Have Been A Contender anthology, so I've avoided using any tracks that appeared there. Even so, you get an eclectic, unusual and one or two downright bizarre selections, all featuring that unmistakable Wobble bass.

In 1997, record label Mute decided to invite a number of artists to remix Can's back catalogue, including Brian Eno, Sonic Youth, A Guy Called Gerald, Pete Shelley, U.N.K.L.E. and Bruce Gilbert, as well as usual suspects The Orb and System 7. The Secret Knowledge Mix closes the Sacrilege remix album, Kris Needs drafting in Jah Wobble to add his loping bass magic, to great effect.

I was reminded of En-Tact, without a doubt my favourite album by The Shamen, in a post by The Vinyl Villain last week. I'm talking here about the original UK CD issue, rather than the good-but-not-as-good En-Tact USA that superseded the original a year later. In part, this because the former includes the full length version of Evil Is Even, a 13+ rumbling monster of a track, featuring a sonic duel between Darren Millhouse on didgeridoo and Jah Wobble on bass. The winner? The listener.

 

If Love City Groove sound vaguely familiar, but you can't quite place them (or too embarrassed to admit it), they represented the UK in the 1995 Eurovision Song Contest. With the hindsight of a quarter of a century, finishing tenth was a relative success. The single also did well in the UK, reaching #7 and shifting over 200,000 copies, although this proved to be their one and only hit. There were 7 mixes in all, mostly by the band, and there's no obvious reason why Jah Wobble was approached. However, he transforms the rather cheesy original into an 11-minute beauty. Another bit of trivia: rapper Q-Tee aka Tatiana Mais (who featured with Saint Etienne in Friday's post) has a songwriting credit. She was originally approached to provide a rap for the song, but on the record this was subsequently picked up by incoming band member Yinka Charles aka MC Reason. Yinka also performed as The Voice Of Reason, collaborating with Paul Haig on his 1991 single Flight X (as featured by The Vinyl Villain in 2019).

Holly Valance will of course be forever remembered by many as Felicity 'Flick' Scully in legendary Aussie soap Neighbours from 1999 to 2002. Like Kylie Minogue before her, Holly left to pursue the pop star dream. Unlike Kylie, she had released her second and final album by 2003. Kiss Kiss was her debut single, reaching #1 in it's first week and spending 8 weeks in the Top 20. Again, Jah Wobble is an unusual choice of remixer alongside the more obvious Stargate and Agent Sumo, and it's unlikely that the rush of Wobble completists contributed in any way to the chart position. However, it's a good remix and - on this promo only version, you get relatively little Valance and plenty of Wobble, so again it's a win-win.

I know very little about Evil Eye, other than than it appears on a USA compilation, Ambient Extractions, Vol. 2, that I picked up secondhand in a record shop (probably Replay in Bristol) in the late 1990s. It's worth tracking down, including No Man, His Name Is Alive, Steve Jansen & Richard Barbieri and Boymerang. Divination is another collaborative project/alias for Bill Laswell. The compilation includes an edit of a 1993 track, featuring Jeff Bova (Material) and Mick Harris (Napalm Death, Scorn) as well as The Wob.

I know next to nothing about Madredeus, having discovered them via the 1997 Worlds Collide: Global Remixes compilation. They are one of Portugual's most successful bands apparently and are still a going concern.

Closing the compilation, Jah Wobble has collaborated with The Orb on many, many songs over the years, and Blue Room remains a highwater mark. Rather than go for the 40-minute original, I've opted for the rarer Blue Lamp Mix by The Orb, taken from the various artists album Taking Liberties, released as a protest against The Criminal Justice And Public Order Act 1994. No prizes which political party was in government when this was introduced. 

 

More Wob to follow in the not-too-distant future...

1) Oh Yeah (Secret Knowledge Mix By Kris Needs & Henry Cullen): Can ft. Jah Wobble (1997) 

2) Evil Is Even (Album Version): The Shamen ft. Jah Wobble (1990)

3) Love City Groove (Seek Understanding Beyond Immediate Perception Mix Long Version By Jah Wobble): Love City Groove (1995)

4) Kiss Kiss (Jah Wobble Remix) (Promo Full Length Version): Holly Valance (2002)

5) Evil Eye (Edit By Bill Laswell): Divination ft. Jah Wobble, Jeff Bova & Mick Harris (1993)

6) Pregão (Moçárabe Mix By Jah Wobble): Madredeus (1997)

7) Blue Room (Blue Lamp Mix): The Orb ft. Jah Wobble & Steve Hillage (1994)

1990: En-Tact: 2 

1994: Taking Liberties: 7

1995: Love City Groove EP: 3

1996: Ambient Extractions, Vol. 2: 5

1997: Sacrilege: 1

1997: Worlds Collide Global Remixes: 6

2002: Kiss Kiss EP (promo CD): 4

In Wob We Trust (1:13:43) (GD) (M)