Decadance IV: 1997

Side 2 of my sojourn through the 1990s, skidding to a halt in 1997.

The year that Labour ousted the Tories from government in a landslide general election result. The year that Princess Diana died in a car crash, attempting to escape the paparazzi. The year that The Notorious B.I.G. was murdered. The year that we got a glimpse of the comet Hale–Bopp passing by our tiny planet. The year that South Park debuted on TV.  

It was also the year of the mud, at least if you were at Glastonbury that summer.  If that wasn't disappointing enough, Neil Young pulled out of a headline slot, to be replaced by Kula Shaker. No refunds on your £75 ticket.

At a glance, 1997 may seem like a dire year for music. Candle In The Wind by Elton John was the year's biggest seller by a long chalk, released the weekend following Princess Diana's funeral. The rest of the Top 5 was made up of Aqua, Puff Daddy and Faith Evans, and the 'various artists' patchwork cover of Perfect Day by Lou Reed. Oh, and Teletubbies.  

Sadly, Bristol-born actor and comedian Dave Thompson couldn't enjoy the latter's #1 success in December 1997 as five months previously he'd been given the boot as Tinky Winky (the purple one, I had to look it up). Apparently, BBC bosses deemed that Dave's "interpretation of the role was not acceptable". 

No such comment from the BBC about Katrina & The Waves' performance at the Eurovision Song Contest, representing the United Kingdom. Surprisingly, they won it. Less surprisingly, 1997 remains the last time that the UK have won it. 

There was lots of great music in 1997 too, so don't despair. I've sifted through and found a dozen nuggets that haven't lost their shine in the last three decades.

Remember Indie Kylie? Kylie Minogue's sixth album Impossible Princess underwent a swift swap to an untitled/eponymous UK release in 1997, following Diana's death (the original title reinstated in 2003). 

Kylie co-wrote the album, mostly with Brothers In Rhythm, Dave Ball and Ingo Vauk. A couple of songs were written with Manic Street Preachers, including the rather fab Some Kind Of Bliss. These were the days when Kylie wasn't guaranteed a #1 with every single but even so, #22 was a bit harsh.  

I've surprised myself by upping 1996's brace of UK #1s with a hat-trick today. First up is You're Not Alone, originally a #42 hit for Olive in September 1996, then re-released and hitting the top spot in May 1997. Olive never really bettered this song. 

Likewise, White Town whose single Your Woman gained traction on Radio 1 thanks to Mark Radcliffe and became a global hit. Your Woman proved to be a lightning-in-a-bottle moment for Jyoti Mishra, and neither the B-sides, album or subsequent music could hope to match the inspired brilliance of this song. 

Block Rockin' Beats was The Chemical Brothers' second #1 and also proved to be their last, although Tom and Ed enjoyed a further ten Top 20 hits between 1997 and 2007. 

A second appearance for Suede, with the final single from third album Coming Up. Feeling sidelined and dismissed by the music press, who were lathering over Blur, Oasis and Pulp, Brett Anderson determined to "write a straightforward pop album. Just ten hits." And he was half right, in as much as Suede's label released five of the ten songs as singles in the UK, every one of them cracking the Top 10. 

When I first settled on the track listing for 1997 (from the usual shortlist of nearly 50 songs), I'd expected quite a few of them to have been minor hits, outside the Top 40 at least. I was surprised to find that only two fit that particular bill.

Today's Mandatory Andrew Weatherall song is Touch Me With Your Love by Beth Orton, which peaked at 60 in January 1997. Touch Me With Your Love was released as a standalone single and, according to the credits, reproduced rather than remixed by Weatherall and his fellow lone swordsman Keith Tenniswood. 

Death In Vegas, led by Richard Fearless, would go onto greater things in 2000s but I was a huge fan of debut album, Dead Elvis. Rocco only got to #51 but it's a cracking single, with it's sampled refrain of "Gonna die if sweetness should pass me by" inspiring the name of a mixtape I made for my brother.

Other first-timers which I happily discovered all made a dent in the Top 40 are My Life Story, Tindersticks and Monaco, the latest venture from Peter Hook. In What Do You Want From Me?, Hooky created one of the best New Order singles that New Order never made.

An honorable mention to Blue Boy aka Lex Blackmore. Like You're Not Alone, Remember Me was released as a single the year before, but a remix by Sure Is Pure in 1997 rocketed the song to #8. Like Olive, Blue Boy are pretty much only remembered for Remember Me (see what I did there?). Trivia fans may be thrilled to know that this is Lex Blackmore's second appearance in the Decadance series. Way back in 1990, Lex accompanied The Shamen on Make It Mine as one half of rap duo Rhyme & Reason.

Last but not least, Daft Punk with a catchy little tune called Da Funk. The song first came out in 1995 and I first heard it on Annie Nightingale's late night Radio 1 show sometime in 1996. Da Funk was edited and packaged as a double A-side with Musique, giving the French robots a #7 hit in February 1997. The rest is history. Well, of course it is!

Next weekend sees the final two installments of the Decadance series, as I take a long hard look at 1998 and 1999, trying to decide whether to party like Prince or try to back up all my computer files ahead of the inevitable crash caused by the Millennium Bug, dragging society as we know it back into The Dark Ages.

1) Some Kind Of Bliss (Radio Edit): Kylie Minogue 

2) Filmstar (Original Demo): Suede 

3) Strumpet (Album Version): My Life Story 

4) What Do You Want From Me? (Edit): Monaco 

5) Remember Me (Sure Is Pure 7” Edit): Blue Boy ft. Marlena Shaw 

6) Touch Me With Your Love (Radio Edit): Beth Orton 

7) Bathtime (Single Remix): Tindersticks 

8) You're Not Alone (Radio Edit): Olive 

9) Rocco (DRVRSLZ Edit): Death In Vegas 

10) Block Rockin' Beats (Radio Edit): The Chemical Brothers ft. Schoolly D 

11) Da Funk (Radio Edit): Daft Punk 

12) Your Woman (Album Version): White Town 

19th January 1997: Women In Technology (#1): 12 

26th January 1997: Touch Me With Your Love EP (#60): 6 

9th February 1997: Remember Me EP (#8): 5 

16th February 1997: Da Funk/Musique EP (#7): 11 

9th March 1997: What Do You Want From Me? (#11): 4 

30th March 1997: Block Rockin' Beats EP (#1): 10 

11th May 1997: The Golden Mile (#27): 3 

11th May 1997: You're Not Alone EP (#1): 8 

1st June 1997: Bathtime EP (#38): 7 

17th August 1997: Filmstar EP (#9): 2 

14th September 1997: Some Kind Of Bliss EP  (#22): 1 

26th October 1997: Rocco EP  (#51): 9 

Side Two (46:09) (GD) (M)

Side One here

Hokey Karaoke

Volume 1 of a CD-R of cover versions recorded for my friend Stuart on 19th August 2008.

 

I love a cover version and my forays into cassette compilations included many made up of people singing other people's songs. Many of the songs featured here have cropped up on previous mixtapes but I quite like the flow of this CD-R that I made for my friend's birthday a decade and a half ago. Always one for overdoing things, this was the first of three volumes that I gifted him at the time.

My Bloody Valentine start off with their version of the key song from the sixth James Bond film On Her Majesty's Secret Service, originally recorded by Louis Armstrong in 1969. If you're expecting a typical MBV wall of noise, you'll be disappointed; unexpectedly, it's a faithful and rather lovely cover version.

A few cover versions go acoustic. Get Cape. Wear Cape. Fly deliver an urgent Northern take on Gallic dance duo Justice. Devine & Statton aka Ian Devine (nee Pinchcombe) from Ludus and Alison Statton from Young Marble Giants and Weekend team up for a beautifully stripped down version of a New Order classic. I remember hearing this on the John Peel show back in 1989. Australian band Frente! were clearly paying attention. Deacon Blue aren't particular favourites of mine but anyone willing to have a stab at a Julian Cope song gets a thumbs up from me. 

Several versions take the song in interesting directions. Whilst not surpassing the originals, they've come up with a different approach that makes the song their own. Primal Scream are the first in line, with an amped up, dirty version of The Clash's Know Your Rights. Tunng go all folky with club classic Naked In The Rain by Blue Pearl, whilst Locust offer up an almost jazz lounge duet on Depeche Mode's Master And Servant. 

 

I'm also a big fan of Mark Eitzel's uptempo but downbeat run through Move On Up by Curtis Mayfield. Associates' bold debut in 1979, covering Boys Keep Swinging weeks after the original was released, is every bit as good as David Bowie. If I had to choose between the two, Anita Lane's unique take on Sexual Healing, ably assisted by Mick Harvey and Barry Adamson, surpasses Marvin Gaye's original.

Ciccone Youth aka Sonic Youth take things to the natural and extreme end with a version of Robert Palmer recorded in a karaoke booth. The video - recorded in the same booth for $25 - is a striking send up of the overblown original, Kim Gordon's deadpan singing and lacklustre dancing against a backdrop of images from the Vietnam War. I vaguely recall watching this on a late night TV show and the studio guests ripping the song and video to shreds, but they were woefully missing the point.

Speaking of overblown, sometimes the only way to do a cover is go even bigger and louder. Stairway To Heaven is one of those songs indelibly etched in the memory of my childhood listening to music on the radio and has been covered countless times over the last half-century. I remember being subjected to a version during a school assembly in the 1980s by a 'supergroup' made up of my Biology, Geography and P.E. teachers. It wasn't pretty.

Like many, seeing Aki Kaurismäki's 1989 road movie Leningrad Cowboys Go America was my first introduction to the titular Finnish band. Leningrad Cowboys continued to release records up to 2013 but they appear to have disbanded some time after. Their version of the Led Zeppelin song came from a collaborative album with The Alexandrov Red Army Ensemble aka The Alexandrov Ensemble aka The Red Army Choir, the official choir of the Russian armed forces. Tragically, on Christmas Day in 2016, 64 members of the Ensemble were killed when their plane crashed into the Black Sea.

The world has changed dramatically this year and collaborating with the official choir of the Russian armed forces is unlikely to be on anyone's wish list, now or any time in the foreseeable future. How different things were in 2008 when I compiled this collection.

 

1) We Have All The Time In The World: My Bloody Valentine sing Louis Armstrong (1993)

2) Know Your Rights (Full Length Version): Primal Scream sing The Clash (1994)

3) There's A Ghost In My House: The Fall sing R. Dean Taylor (1987)

4) Naked In The Rain (Rob Da Bank Session): Tunng sing Blue Pearl (2007)

5) D.A.N.C.E.: Get Cape. Wear Cape. Fly sing Justice (2008)

6) Move On Up: Mark Eitzel sings Curtis Mayfield (2002)

7) Everybody's Gotta Learn Sometime: Beck sings The Korgis (2004)

8) Bizarre Love Triangle: Devine & Statton sing New Order (1989)

9) Addicted To Love: Ciccone Youth sing Robert Palmer (1988)

10) Making Plans For Nigel: Datassette sing XTC (2006)

11) Boys Keep Swinging: Associates sing David Bowie (1979)

12) Master And Servant: Locust sing Depeche Mode (1998)

13) It's A Man's Man's Man's World: Natacha Atlas sings James Brown (2003)

14) Some Velvet Morning: Slowdive sing Nancy Sinatra & Lee Hazlewood (1993)

15) If You're Lookin' For A Way Out (Album Version): Tindersticks sing Odyssey (1999)

16) Sexual Healing: Anita Lane ft. Mick Harvey & Barry Adamson sings Marvin Gaye (1993)

17) Trampolene: Deacon Blue sing Julian Cope (1989)

18) Stairway To Heaven: The Leningrad Cowboys & The Alexandrov Red Army Ensemble sing Led Zeppelin (1994)

Volume One (1:19:43) (GD) (M)

Can't Stop The Feeling

Before You Close Your Eyes, track 2 side 2 of Tindersticks' 1999 album Simple Pleasure, popped up on my random shuffle playlist. This prompted me to me to trawl YouTube for a live performance of the song. Not many, and fewer in good quality, but I found a reasonably decent version from the Lycabettus Theatre in Athens, Greece on 19th September 2010.

I haven't really followed Tindersticks since their run of excellent 1990s albums, a couple of early 2000s EPs and a few tracks from a Claire Denis Film Scores sampler CD with Sight & Sound magazine from 2011 but that's about it.

A bit of shock to realise that, whilst the line-up is substantially different from those early albums, Tindersticks celebrated 30 years in 2021 with a career-spanning retrospective, Past Imperfect. The core of the band throughout has remained Stuart A. Staples, Neil Fraser and David Boulter and, since 2008, Dan McKinna and Earl Harvin.

Past Imperfect included a new song, Both Sides Of The Blade, recorded for Claire Denis' film Avec Amour Et Acharnament (With Love And Determination) starring recent Dubhed headliner Juliette Binoche. In January this year, an official video of the song was released, directed by Stuart A. Staples, which is sublime.

The compilation also includes a new version of Willow, with vocals by Stuart A. Staples, a beautiful, delicate song that would not sound out of place on a film soundtrack.

This then led me back to the original version, which unsurprisingly was recorded in 2019 for another Claire Denis film, High Life, but surprisingly features vocals by the lead actor, Robert Pattinson.

Tindersticks' most recent album, Distractions, was released in 2021. The album opens with the 11-minute epic Man Alone (Can't Stop The Fadin'). Again, there's a video by Stuart A. Staples, this time from the back of a London cab in the wee hours. Both the song and visuals are quite a ride.

Whenever I see the name of Tindersticks' guitar player Neil Fraser, my mind can't help but think of his namesake aka Mad Professor. I've often thought that I'd like to hear a Mad Professor dub rinse of Tindersticks songs, ever since Adrian Sherwood delivered a remix of I Know That Loving, also from 1999's Simple Pleasure. 

 

I'm still waiting for that day but, in May 2021, Charles Webster provided a dub and vocal remix of Man Alone (Can't Stop The Fadin'), which are both pretty wonderful. No vinyl release that I'm aware of but you can purchase both tracks digitally via Bandcamp.

  

Time now for me to dive back into the last twenty years of Tindersticks and see what I've been missing...

I Want You (Again & Again & Again)

Four-nil. Wow, that was really something, wasn't it?

Anyway, it's Sunday, it's raining, it's time for the post that was originally planned for yesterday. Just under an hour of musicians repeatedly telling you that they want you for a variety of reasons. 

1) I Want You ('Feel So Sad' EP Version): Spiritualized (1991)

2) I Want You Back: Hoodoo Gurus (1984)

3) I Want You: The Godfathers (1985)

4) I Want You: Salad (1996)

5) I Want You (7" Remix By Mark Kamins): Animotion (1986)

6) I Want You Back (Medicine8 Mix): X-Press 2 ft. Dieter Meier (2002) 

7) I Want You Now (Alan Wilder Reconstruction Mix) (Re-Edit By Andy Dominatrix): Depeche Mode (2014)

8) I Want You: Tindersticks (2003)

9) (I Want You) More Than Ever: The Clientele (2000)

10) I Want You (Single Mix By Pascal Gabriel): Inspiral Carpets ft. Mark E. Smith (1994) 

11) I Want You (Edit): Utah Saints (1993)

12) I Want You (Album Version): Cabaret Voltaire (1985)

13) I Want You (Cover of Bob Dylan): Phosphorescent (2016)

14) I Want You (Album Version): Elvis Costello & The Attractions (1986)

I Want You (Again & Again & Again) (54:24)
 

Songs For The Young At Heart

I discovered a second hand copy of Songs For The Young At Heart almost by accident, but it's become a much-loved album since. Recorded & compiled by Stuart A. Staples & David Boulter from Tindersticks, Songs For The Young At Heart is a children's music album, featuring classic children's songs, nursery rhymes & stories set to music, with vocals from a number of guest artists including Cerys Matthews, Jarvis Cocker, Martin Wallace, Red aka Olivier Lambin, Robert Forster, Stuart Murdoch, Suzanne Osborne & Bonnie 'Prince' Billy aka Will Oldham.

 

According to Wikipedia, David Boulter said that the inspiration for the album came following the birth of his son.

 

"I began thinking of songs and nursery rhymes from my own childhood to play to him", Boulter stated. "I realised there was a lot of interesting and almost forgotten music, from the school room, the radio, and the television, that maybe was the reason I'd begun to make my own music in the first place."

 

I have one of the initial copies of the CD, in hardback book format, containing stories, poems & artwork by Sexton Ming, founding member of The Medway Poets and the Stuckism art movement, as well as sometime member of Armitage Shanks, Television Personalities and Thee Headcoats.

 

Theme For The Young At Heart: Stuart A. Staples & David Boulter (You Tube) (2006) (2:36)