Showing posts with label ohayoumadayarou. Show all posts
Showing posts with label ohayoumadayarou. Show all posts

Saturday, 19 September 2026

Out Of The Frying Pan, Into The Fire

Beck to the rescue, as I've been unable to complete my planned post for today. If I can get my shit together, it will mean a double post for Sunday, which is a win-win, right?

Run Away appears on Beck's latest album Ride Lonesome and was released as a single on Friday. I'm aware that it's not the first single or video to come out, but it's the first that I've heard. 

If Run Away is indicative of Ride Lonesome as a whole, then we're revisiting contemplative/wistful/acoustic-and-strings Beck, which is no bad thing. I've never become obsessive about any particular Beck album or phase, but I like the fact that he moves around from time to time, sometimes breaking new ground, sometimes returning to and embellishing his previous narratives.

Run Away might not be the most memorable song in the Beck catalogue, but it's a pleasant listen. If John Lewis picked this for their Christmas TV ad campaign, it wouldn't sound out of place, but would make a welcome change from the downtempo cover versions that are often the go-to picks.

As this played out on YT, here are some of the other fresh picks from the past week or so that were stuck in the sidebar, trying to attract my attention.

That was Matt Berninger with Ask For Water, from the Type It Up EP. I know there's a lot of love for The National, including in this corner of the blogosphere, but I'm largely ignorant of their music. A quick check and I have the Cherry Tree EP from 2004, and a bunch of random songs, which suggests that the majority of these have come from music magazine cover mounted CDs. 

I have one Matt Berninger song in my collection - My Eyes Are T-Shirts - with the album listed as "The National: Uncut 2023", so this is definitely from a freebie CD. Ask For Water is considerably more uptempo and rockier than the latter, but I can't really tell you how much of a departure this is from Matt's day job. Good song, though.

I haven't listened to new Ash music in ages, so I was looking forward to listening to their latest release, Bittersweet Blue. Whilst Tim, Mark and Rick now look like a trio of guys in their late forties, the song sounded like the band that I first heard in the late 1990s.

Then I read the small print and realised that Bittersweet Blue was written and recorded in 1996 but didn't make the cut for debut album 1977. Well, kind of.

In fact, all that made it to tape was "a usable drum take, bass, some rhythm guitars, a scratch vocal and not much else. Not even lyrics."

So, arguably Bittersweet Blue is a new song, it just took 30 years to finish writing and recording it. Well worth the wait, if you ask me.

Did you like Lykke Li? Or were you sick of Sick Of Love? I'm firmly in the former camp, a big fan of Lykke and glad that she's back. This is the Mura Masa remix of the track and whilst it sounds like it could have come out at any point in the last 25 years, it presses all the right buttons for me. I found the video exhausting, though. I hope they reached their destination on time.

The hipsters out there will already know that ohayoumadayarou (おはようまだやろう) is the solo music project of MC Rachel (渡賀レイチェル) from the Japanese rap duo chelmico

The single mo osoi was created in collaboration with producer Esme Mori (エズミ・モリ). Sadly, no official website or Bandcamp presence that I can see, so I am going to have to dip into Apple Music to buy this one.

YT was also trying to persuade me to share Midge Ure's newly recorded cover of Fade To Grey, the song he co-wrote for Visage and a cornerstone of the New Romantic movement.

After my initial reaction of "Why?", i had a listen but didn't make it past the first chorus. I'll leave it for you decide if you want to try it. Apparently, this is from a forthcoming compilation of Midge's 80s catalogue, called Chapters. 

Disc 2 of the 3CD version has piqued my curiosity, as it comprises reworks and remixes by 'connected' artists, including Richard Barbieri, Steve Jansen, Craig Armstrong, Blank & Jones and Wolfgang Flür. Now, if these tracks are available individually, I'd be more interested...