I hope you're all doing okay, wherever you are. This week, I've been frequently dipping into my collection of 12" mixes from the 1980s, the random shuffle throwing up lots of familiar tunes, as well as plenty of more obscure songs and/or versions.
I've created a 46-minute selection of eight, none of which have appeared on this blog (at least I'm 99.9% sure of this), spanning 1981 to 1988 and several genres, but all extended to enhance their danceability as Heaven 17 (cruelly omitted here) once said.
Touched By The Hand Of God is one of my favourite New Order songs, with a fun video to match. The remix here is from the soundtrack to Salvation!, a 1987 US film and an early credit for Viggo Mortensen.
I've never seen Salvation!, but the soundtrack album (issued in 1988) is top notch, with contributions from New Order, Arthur Baker and Cabaret Voltaire. The Arthur Baker remix of Touched By The Hand Of God featured in today's selection is a bonus track on the CD and as far as I'm aware is unique to this release.
Dale is better known as Dale Bozzio, a Boston-born musician, former Playboy Bunny, member of Frank Zappa's recording ensemble and most famously (in the USA at least), co-founder of Missing Persons in 1980.
Fast forward to 1st Janaury 1988 and Dale's debut solo album, Riot In English, was released on Prince's label Paisley Park Records. Simon Simon was the opening song and lead single, remixed here by superstar DJ Shep Pettibone (CV includes the stellar remix of New Order's Bizarre Love Triangle) and Junior Vasquez, also on the ascendant.
By the mid-1980s, any artist was fair game for the extended 12" remix treatment and Bruce Springsteen was no exception. Arthur Baker (him again) was drafted to remix a trio of singles from Born In The U.S.A., the title track, Dancing In The Dark and Cover Me.
The latter is today's pick and it's probably the best of the three, although if you're not a fan of this kind of thing, then it will not be the one to convert you.
Bow Wow Wow shone briefly in the early 1980s, more than just another Malcolm McLaren vehicle to incite controversy but it feels often unfairly overshadowed by the latter. I was ten when the Prince Of Darkness single came out. Annabella Lwin was five years older than me at the time.
Boggles the mind but, to this tiny listener, she had an incredible voice and presence and the songs were a lot of fun even if I didn't understand what they were really about. I've just discovered a performance of Prince Of Darkness on German TV, followed by an awkward though thankfully brief interview with Annabella afterwards.
The Pasadenas, from their name to their image, of 50s-style greased back quiffs, leather jackets and denim, to their sound, a contemporary update of soul, funk, do wop and R'n'B, screamed America.
In fact, the 5-piece was a British group, originally a dance troupe called Finesse, before taking a punt at pop success in the late 1980s. And it worked: Riding On A Train, which they also wrote, got to #13 in the UK and their debut album peaked at #3.
So why The Pasadenas? It was the birthplace of founders and twin brothers David and Michael Milliner, before their relocation to England.
An early building block in my vinyl record collection was The 12" Album by Howard Jones, with the on-the-nose cover featuring Howard in profile standing next to an image of a 12" wooden ruler. Presumably not an indication of Howard's actual height, though I must ask Mrs. K as she has seen him out and about in his old stomping ground of High Wycombe.
Whilst four of the six songs were extended versions of Howard's singles, Total Conditioning was an album track, then a B-side of the Pearl In The Shell 12". Ironically, the version on The 12" Album is about a minute shorter than said 12" album. I'll leave you to decide whether that's a travesty or a small mercy.
I'm sure that I trot this out every time that I mention Bananarama, but Sarah and Keren used to go to the same secondary school as me. Unfortunately, unlike Annabella Lwin, the age gap was sufficienty great that they were long gone by the time I arrived at the gates, wet behind the ears, crap haircut and sweating in my school blazer and jumper (it was a hot September).
Do Not Disturb sits, in my mind at least, in that transitional period between the early, vaguely indie/DIY feel singles and the full-blown bouncy pop (especially with Stock, Aitken & Waterman) that top and tailed the 1980s. It's fun, but less memorable.
Closing out this collection is a cover of Low Rider, originally by War in 1975, recorded a decade later by Quando Quango. in 1985, they had gained cool points for being on the Factory label, but disbanded following their debut album, Pigs + Battleships. The remix of Low Rider here is by 400 Blows and appeared on volume two of the Funky Alternatives compilation series, which was always worth a punt.
Ten years later, Quando Quango co-founder (and Hacienda DJ) Mike Pickering found global success with M-People.
Stay cool out there today!
1) Touched By The Hand Of God (Remix Version By Arthur Baker): New Order (1988)
2) Simon Simon (Extended Remix By Shep Pettibone & Junior Vasquez): Dale (1988)
3) Cover Me (Undercover Mix By Arthur Baker): Bruce Springsteen (1984)
4) Prince Of Darkness (12" Version By Bow Wow Wow & Brian Tench): Bow Wow Wow (1981)
5) Riding On A Train (Album Version By Pete Wingfield): The Pasadenas (1988)
6) Total Conditioning (12" Version By Rupert Hine & Stephen W. Tayler): Howard Jones (1984)
7) Do Not Disturb (12" Version By Steve Jolley & Tony Swain): Bananarama (1985)
8) Low Rider (400 Blows Remix By Andrew Beer & Robert Taylor) (Cover of War): Quando Quango ft. Beverly McDonald (1985)
1981: Prince Of Darkness EP: 4
1984: Cover Me EP: 3
1984: The 12" Album: 6
1985: Do Not Disturb EP: 7
1987: Funky Alternatives Vol 2: 8
1988: Salvation! OST: 1
1988: Simon Simon EP: 2
1988: To Whom It May Concern: 5
