Saturday, 20 September 2025

Watt's The Frequency's Zenith?

Today's selection is an hour-long tribute to bartender, auto mechanic and master of the 12" edit, Joseph Watt.

My first experience of Joseph's work was in 1985, buying either the 7" double pack of What's Your Problem? by Blancmange or the import 12" of Master And Servant by Depeche Mode, both of which contained examples of his handiwork.

I soon discovered his vast body of work with Art Maharg as Razormaid, though much of it was out of my reach until the early 2000s, when it became available online via various music blogs.

Since then, I've amassed over a hundred different Joseph Watt edits and remixes, spanning 1983 to 1993 and covering a wide range of genres, but favouring the alternative and electronic pop music of my teens.

In pulling together this selection and post, I discovered a fascinating article-cum-interview with Joseph from 2014 on the Red Bull Music Academy website of all places. It's well worth a read, especially if you have an interest in Razormaid and the US subscription-only remix services that proliferated in the 1980s, but also as an inspirational tale of serendipitous and seismic career changes.

"Where did you come from? 
Are you like some big hotshot DJ from Miami or Paris?’"
They said I was like this enigma. 

I’d just say, 
"What do you mean?
I just came over from my apartment on 17th Street"

I've selected and sequenced nine personal favourites from Joseph's catalogue, some commercially released, some included on the numerous Razormaid 12" singles and compilations from the 1980s and 1990s.

The aforementioned remix of Depeche Mode is present, Blancmange too, though instead of That's Love That It Is from the What's Your Problem? 7", I've gone for Game Above My Head, a stunning extended remix that appeared on the follow up 7" double pack, Lose Your Love.

I offer apologies to anyone led by the post title into thinking there might be some R.E.M. here as well. Not so, but the rest of the mixtape, from Sparks to Erasure, Bronski Beat to Vicious Pink, O.M.D. to Talking Heads and ending with Electronic, is pretty heavyweight compensation. 

1) Burning Down The House (Razormaid Mix): Talking Heads (1987)
2) Music That You Can Dance To (Razormaid! Edit): Sparks (1990)
3) Smalltown Boy (Razormaid Mix): Bronski Beat (1984)
4) Game Above My Head (U.S. Extended Remix Version): Blancmange (1983)
5) Tesla Girls (Razormaid Mix): O.M.D. (1992)
6) Master And Servant (US Black & Blue Version) (Edited By Joseph Watt): Depeche Mode (1984)
7) Cccan't You See... ('89 Mix By Razormaid aka Art Maharg & Joseph Watt): Vicious Pink (1989)
8) Sometimes (Extended Mix By Rico Conning) (Edited By Joseph Watt): Erasure (1987)
9) Getting Away With It (Digital Mix): Electronic (1992)

1983: That's Love, That It Is EP (USA 12" single): 4
1984: Master And Servant EP (USA 12" single): 6
1987: Sometimes EP (USA 12" single): 8
1988: Class X One: 1
1989: Razormaid's 4th Anniversary Issue: The Atrocity Exhibition: 7
1990: Prehistoric Razormaid!: 2
1992: The Best Of... This Is Only A Test!: 3, 9
1992: Razormaid! 7th Anniversary Box Set: 5

Watt's The Frequency's Zenith? (1:02:43) (GD) (M)



Further listening:
Bevans Above! (Bert Bevans, November 2021)
L'art De La Discothèque, Volume 1Volume 2 (François Kevorkian, May-June 2025)

No comments:

Post a Comment